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Pete Doherty (Ebury)
Early in 2004 Alan Mc introduced Pete to D Hart, who had played in the Creation Recor band The Jesus and M Chain. Hart had follow The LibertinesTEN to the of England on the tra with hisALBUM Super TWO 8 cam with a view to making music video for the ba Hart would later fly o Paris to direct the Fo‘ Lovers’ video to accom the single Pete was on verge of releasing wit Wolfman in the spring Pete was still playing Early in 2004 Alan McGee introduced Pete to Douglas Hart, who had played bass in the Creation Records band The Jesus and Mary Chain. Hart had followed The Libertines to the North of England on the train with his Super 8 camera with a view to making a music video for the band. Hart would later fly out to Paris to direct the ‘For Lovers’ video to accompany the single Pete was on the verge of releasing with Wolfman in the spring. Pete was still playing solo gigs, advertising them on his website a day or two before they took place. He’d already recorded ‘For Lovers’ and was desperate to record the B-side; it was a beautiful song and he was convinced it would be a hit. He’d also finished recording the debut Babyshambles single. But Pete and Carl still wanted to write together. They needed to collaborate and bond after the debacle of their trip to the Welsh valleys, and they had a second Libertines album to write. So they decided to head to Paris. -
Rosemary Lane the Pentangle Magazine
Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album. -
Memories of Nick Drake (1969-70)
Counterculture Studies Volume 2 Issue 1 Article 18 2019 Memories of Nick Drake (1969-70) Ross Grainger [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Grainger, Ross, Memories of Nick Drake (1969-70), Counterculture Studies, 2(1), 2019, 137-150. doi:10.14453/ccs.v2.i1.17 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Memories of Nick Drake (1969-70) Abstract An account of Australian Ross Grainger's meetings with the British singer songwriter guitarist Nick Drake (1948-74) during the period 1969-70, including discussions at London folk clubs. Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License. This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol2/iss1/18 Memories of Nick Drake (1969-70) Ross Grainger Nick Drake, 29 April 1969. Photograph: Keith Morris. I first met Nick Drake when I arrived in London after attending the Isle of Wight Pop Festival in 1969, which featured as its curtain-closer a very different Bob Dylan to the one I had seen in Sydney in March 1966. However, on thinking about it, Dylan’s more scaled down eclectic country music approach - which he revealed for the first time - kind of prepared me for what I was about to experience in London. The day after I arrived at my temporary London lodgings with friends living in Warwick Avenue, I went to Les Cousins in Greek Street. -
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Case 2:21-cv-04806-RSWL-SK Document 1 Filed 06/14/21 Page 1 of 12 Page ID #:1 1 COHEN MUSIC LAW 2 Evan S. Cohen (SBN 119601) [email protected] 3 1180 South Beverly Drive. Suite 510 4 Los Angeles, CA 90035-1157 (310) 556-9800 5 6 BYRNES HIRSCH P.C. 7 Bridget B. HirsCh (SBN 257015) [email protected] 8 2272 Colorado Blvd., #1152 9 Los Angeles, CA 90041 (323) 387-3413 10 11 Attorneys for Plaintiffs 12 13 UNITED STATES DISTRICT COURT 14 CENTRAL DISTRICT OF CALIFORNIA 15 16 WESTERN DIVISION 17 18 JAMES REID, an individual, and Case No.: 2:21-cv-04806 WILLIAM REID, an individual, both 19 doing business as The Jesus and Mary 20 Chain, COMPLAINT FOR COPYRIGHT INFRINGMENT AND 21 Plaintiffs, DECLARATORY RELIEF 22 v. JURY TRIAL DEMANDED 23 WARNER MUSIC GROUP CORP., a 24 Delaware Corporation; and DOES 1 through 10, inClusive, 25 26 Defendants. 27 28 COMPLAINT FOR COPYRIGHT INFRINGEMENT AND DECLARATORY RELIEF - 1 - Case 2:21-cv-04806-RSWL-SK Document 1 Filed 06/14/21 Page 2 of 12 Page ID #:2 1 Plaintiffs JAMES REID and WILLIAM REID allege as follows: 2 3 I 4 NATURE OF THE ACTION 5 1. This is an aCtion brought by James Reid and William Reid, two of the 6 founding members of the successful and critically acclaimed alternative musical 7 group The Jesus and Mary Chain (“JAMC”), formed in their native Scotland in 1983, 8 along with Douglas Hart (“Hart”), against Warner Music Group Corp. (“WMG”), the 9 third-largest reCord company conglomerate in the world, for willful copyright 10 infringement and deClaratory relief. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
Seven Ages of Rock 1080P Torrent
Seven Ages Of Rock 1080p Torrent 1 / 4 Seven Ages Of Rock 1080p Torrent 2 / 4 3 / 4 Vea 7 capítulos de la serie documental seven ages of rock online en documaniaTV.. The Seven Ages of Rock (BBC 2007 - Complete) (download torrent) - TPB) If you look at my age, then you'll understand why this has been so .... 4k Movies: The .... 7 Ages of Rock - Heavy Metal (Never Say Die). matrixracer. Seguir. hace 6 años|13.1K visualizaciones. 4 .... With Julian Rhind- Tutt, Charles Shaar Murray, David Fricke, John Harris.. Provide for you:-Sevenbt Torrents Search Page 1.. seven ages of rock 720p or 1080p future proof 1080p gpu boss nirvana live at reading 1992 .... Rock of Ages (2012) download Download. Select movie ... BLU 1080p.BLU. 851.35 MB. 1280*720 ... Read More. Reviewed by adonis98-743-186503 7 / 10 / 10 .... Seven Ages Of Rock 1080p Torrent. April 9 2020 0. bbc seven ages of rock, seven ages of rock left of the dial, seven ages of rock documentary, seven ages of .... ... Filme os minions completo dublado torrent · Seven nation army zella day torrent ... Age of empire 2 hd torrent tnt · Elementary 2 temporada legendado torrent .... DvdRip-HINDI]] The Croods: A New Age!(2020) Full Movie Watch online ... signed a seven-contract deal with Marvel Movie Download Torrent.. The Seven Ages of Rock (BBC 2007 - Complete) (download torrent) - TPB) If you look at my age, then you'll understand why this has been so .... Seven Ages of Rock | 2007 | Inglaterra | Documentário | 59 min ... Com entrevistas de grandes ícones do Rock como: Rolling Stones, Pink Floyd, David Bowie, Sex Pistols, Black Sabbath, U2, The .. -
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
The Folk Club of Reston-Herndon Preserving the Traditions of Folk Music, Folk Lore, and Gentle Folk Ways Volume 28, Issue 7 July 2012
The Folk Club of Reston-Herndon Preserving the traditions of Folk Music, Folk Lore, and Gentle Folk Ways www.RestonHerndonFolkClub.com Volume 28, Issue 7 July 2012 July 10 Showcase – Scott Malyszka & Friends When I was a spiritual person in my younger days, I loved a good sermon. Now you ask various church people what makes a good sermon, and you'll have trouble getting a lot of agreement. Some people want to hear comfortable, familiar platitudes, and some like loud shouting and stomping around. Others expect the preacher to give a deep academic exposition of a text or topic. I knew one strange guy who would say, "If I don't feel guilty and ashamed after a sermon, then that preacher isn't doing his job." Whoa, yikes! I always felt that a good sermon simply meant telling a good story. When a person could stand in front of an audience and paint stories in their imaginations, well that's what I liked. And when I had the task of delivering a sermon, I tried to put together twenty minutes of good stories. I modeled my sermons on Garrison Keeler and John Steinbeck rather than Billy Graham or Jimmy Swaggart, the most popular preachers back then. After many years as a church person I came to the cynical conclusion that most people go to church to see their friends and to be entertained by the sermon and the music. I'm not a spiritual person now, but I do have a great appreciation for friends, stories, and music. I'm always finding intriguing new melodies from fiddle tunes and songs, and writing my own songs is my way of making up stories today. -
Authenticity, Politics and Post-Punk in Thatcherite Britain
‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1. -
Bert Jansch Moonshine Mp3, Flac, Wma
Bert Jansch Moonshine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Moonshine Country: UK Released: 2015 Style: Folk Rock, Folk MP3 version RAR size: 1763 mb FLAC version RAR size: 1785 mb WMA version RAR size: 1558 mb Rating: 4.5 Votes: 842 Other Formats: WMA AUD MP3 MP4 MP2 AHX AAC Tracklist Hide Credits Yarrow Arranged By – Bert JanschArranged By [Musical Arrangement] – Tony ViscontiBass [Fender] 1 5:09 – Tony ViscontiDrums – Dave MattacksFlute – Les Quatre Flute A Bec ConsortWritten-By – Traditional Brought With The Rain 2 Double Bass – Danny ThompsonHarmonica – Ralph McTellLyrics By – Bert JanschMusic By – 2:56 Traditional The January Man 3 Arranged By [Musical Arrangement] – Tony ViscontiHarp – Skaila KangaWritten-By – Dave 3:32 Goulder Night Time Blues 4 Double Bass – Danny ThompsonDrums – Laurie Allen*Fiddle – Aly BainWritten-By – Bert 7:14 Jansch Moonshine 5 Bells [Tubular], Arranged By [Musical Arrangement] – Tony ViscontiCello – Marilyn 4:57 SansonClarinet – Thea KingFlute – Richard AdeneyWritten-By – Bert Jansch The First Time Ever I Saw Your Face Double Bass – Danny ThompsonDrums – Dannie RichmondElectric Guitar – Gary BoyleFiddle 6 3:00 – Aly BainRecorder, Harmony Vocals – Tony ViscontiVocals – Mary ViscontiWritten-By – Ewan MacColl Rambleaway 7 Arranged By – Bert JanschDouble Bass – Danny ThompsonDrums – Laurie Allen*Electric 4:36 Guitar – Gary BoyleFiddle – Aly BainWritten-By – Traditional Twa Corbies 8 3:01 Arranged By – Bert JanschWritten-By – Traditional Oh My Father 9 Bass [Fender], Shaker [Magic Bean Shaker] – Tony ViscontiDrums – Laurie Allen*Electric 4:07 Guitar – Gary BoyleWritten-By – Bert Jansch Companies, etc. Phonographic Copyright (p) – Earth Records Copyright (c) – Earth Records Credits Design – Heather Jansch Engineer – John Wood, Victor Gamm* Producer – Danny Thompson Vocals, Acoustic Guitar – Bert Jansch Notes Reissue of the 1973 album. -
DE ÚLTIMO MINUTO ‘Mr
05/08/2011 20:48 Cuerpo E Pagina 1 Cyan Magenta Amarillo Negro E SÁBADO 6 DE AGOSTO DE 2011 Editores: FABIOLA GURROLA Y RICARDO PEREDA [email protected] AGENCIAS Desde U2 hasta Pearl Jam han sido contagiados por la ‘rockumentalmanía’. EL UNIVERSAL México, DF. Tal parece que los amantes del rock - más en específico del rock de los no- venta- tendran que preparar muchas palomitas para disfrutar de los distin- tos “rockumentales” que se estrenan para el presente año. Desde Foo Fighters, pasando por dos cintas próximas a presentarse en 20 años. Pearl Jam celebra sus veinte años no sólo con una serie de conciertos que incluyen a México en noviembre. También prota- Toronto, hasta las sorpresas que alis- gonizan un documental dirigido por Cameron Crowe. tan Jane’s Addiction e incluso Marilyn Manson, este bajo la dirección de Shia LaBeouf, el protagonista de la zaga de ‘Transformers’. Tal como se había mencionado an- tes, un medio para aprender del ori- gen y desarrollo de la música moder- na es el llamado “documental”, ese gé- nero del cine que ofrece un testimonio audiovisual de la historia y realida- des, en este caso, de artistas favoritos y por supuesto sus obras musicales. ‘Back and forth’ ‘Pearl Jam twenty’ Los imperdibles Apenas en abril de este año se estrenó este documental de Pearl Jam celebra sus veinte años no solo con una serie de La revista Rolling Stone recientemente enlis- Foo Fighters, grabado durante la producción del disco conciertos que incluyen a México en noviembre. También tó los que considera los quince ‘rockumen- ‘Wasting light’ y bajo la dirección de James Moll.