09/30/21 Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University Post-Punk Britain 1975-present - V1420 - View Online Lucy Robinson Adams, R. (2008a). The Englishness of English punk: Sex Pistols, subcultures, and nostalgia. Popular Music and Society, 31(4), 469–488. https://doi.org/10.1080/03007760802053104 Adams, R. (2008b). The Englishness of English punk: Sex Pistols, subcultures, and nostalgia. Popular Music and Society, 31(4), 469–488. https://doi.org/10.1080/03007760802053104 Albertine, V. (2015). Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys. Faber & Faber. Albiez, S. (2003). Know history!: John Lydon, cultural capital and the prog/punk dialectic. Popular Music, 22(3), 357–374. http://www.jstor.org.ezproxy.sussex.ac.uk/stable/3877580 Albiez, S. (2006). Print the truth, not the legend. The Sex Pistols: Lesser Free Trade Hall, Manchester, June 4, 1976. In I. Inglis (Ed.), Performance and Popular Music: History, Place and Time: Vol. Ashgate popular and folk music series (pp. 92–106). Ashgate. https://contentstore.cla.co.uk/secure/link?id=ec23bb39-3b0e-e711-80c9-005056af4099 Albiez, S. (2012a, March 4). Print the truth, not the legend: Sex Pistols: Lesser Free Trade Hall. 4 June 1976. https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnx zZWFuYWxiaWV6fGd4OjRmNWI5NTE5ZmI0OTU3NDk&pli=1 Albiez, S. (2012b, March 4). Print the truth, not the legend: Sex Pistols: Lesser Free Trade Hall. 4 June 1976. https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnx zZWFuYWxiaWV6fGd4OjRmNWI5NTE5ZmI0OTU3NDk&pli=1 Albiez, S. (2012c, March 4). Print the truth, not the legend: Sex Pistols: Lesser Free Trade Hall. 4 June 1976. https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnx zZWFuYWxiaWV6fGd4OjRmNWI5NTE5ZmI0OTU3NDk&pli=1 Albini, S. (1997). Commodify Your Dissent | Ch: ‘The problem with music’. In M. Weiland & T. Frank (Eds.), Commodify Your Dissent: Salvos from ’The Baffler" (pp. 164–176). W.W.Norton. https://contentstore.cla.co.uk/secure/link?id=5c484992-350e-e711-80c9-005056af4099 Allen, R. (1993). The Complete Richard Allen, vol. 2: ‘Skinhead Girls’, ‘Sorts’, ‘Knuckle 1/36 09/30/21 Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University Girls’: Vol. 2: ‘Skinhead Girls’, ‘Sorts’, ‘Knuckle Girls’. S.T. Publishing. Almond, M. (1999). Tainted Life. Sidgwick & Jackson. Anderson, S. (2003). Television Histories | Ch: ‘History TV and popular memory’. In G. R. Edgerton & P. C. Rollins (Eds.), Television Histories: Shaping Collective Memory in the Media Age (pp. 19–36). University Press of Kentucky. Ant, A. (2007). Stand & Deliver: the Autobiography ([Updated ed.]). Pan. Aston, M. (2013). Facing the Other Way: the Story of 4AD. The Friday Project. Atton, C. (2010). Popular music fanzines: genre, aesthetics, and the ‘democratic conversation’. 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Chapter 6 ‘Fashion, clothing and social revolution’. In Fashion as Communication. Routledge. Baron, S. W. (1989). Resistance and its consequences: the street culture of punks. Youth & Society, 21(2), 207–237. https://doi.org/10.1177/0044118X89021002005 Bayton, M. (1998). Frock Rock: Women Performing Popular Music. Oxford University Press. Becker, S. (2012). Editor’s Note: ‘The world’s a mess it’s in my kiss': punk women and why they matter. Women’s Studies, 41(2), 117–120. https://doi.org/10.1080/00497878.2012.636326 Beer, D. (2014). Punk Sociology. Palgrave Pivot. Bell, D., & Valentine, G. (1995). Mapping Desire: Geographies of Sexualities. Routledge. Bennett, A. (1999). Subcultures or neo-tribes? Rethinking the relationship between youth, style and musical taste. Sociology, 33(3), 599–617. https://doi.org/10.1177/S0038038599000371 2/36 09/30/21 Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University Bennett, A. (2004). Consolidating the music scenes perspective. 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The Graphic Language of Neville Brody. Thames and Hudson. Browne, K. (2007). A party with politics? (Re)making LGBTQ Pride spaces in Dublin and Brighton. Social & Cultural Geography, 8(1), 63–87. 4/36 09/30/21 Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University https://doi.org/10.1080/14649360701251817 Brown, J. (2011). ‘Brown girl in the ring’: Poly Styrene, Annabella Lwin, and the politics of anger. Journal of Popular Music Studies, 23(4), 455–478. https://doi.org/10.1111/j.1533-1598.2011.01306.x Brown, T. S. (2004). Subcultures, pop music and politics: skinheads and ‘Nazi Rock’ in England and Germany. Journal of Social History, 38(1), 157–178. http://www.jstor.org.ezproxy.sussex.ac.uk/stable/3790031 Bull, G., & Baxter, M.