12 Noon Until

Total Page:16

File Type:pdf, Size:1020Kb

12 Noon Until 12 until noon 5pm When they are not working, they spend their summer in a beautiful meadow in Wales, surrounded by a Woodland Trust wood, while in the winter they are housed in a large, warm barn. When they are working, however, like all donkeys they love the attention they receive, and a healthy, working donkey is a very happy donkey indeed. Come along and see the donkeys!! Ferret racing has been held at country shows and fetes for many years and has proven to be very popular at such events. It gives everyone a chance to participate in our displays by having a small flutter on the outcome of the race, eventually by being both either winners if their ferret comes first or helping contribute dona- tions to charity and animal welfare if they lose! Get your caricature done by professional caricature artist Ian Lloyd. Fun for the whole family! Come and try your hand at some circus skills taught by Circus Fantastic. We will have lots of fun equipment for you to have a go play with. Ever fancied yourself as a juggler or plate spinner? Or perhaps you are a secret hula hooper. We can teach you the basics or show you some new tricks. Come and see our amazing birds of prey! You will have the opportunity to ask ques- tions, take photographs and see our flying displays with audience participation. These displays include falcons, a hawk and an eagle owl. We promise great and infor- mative fun for all the family. Thomas Jenkins & Sons Amusement will be on site from 12 noon—5pm with a selection of children’s rides and amusements. Enjoy the mobile Play Bus, as well as fun outdoor games, such as giant Jenga, Connect 4 and Dominoes. Photos used with permission of the owners And much, much more!!! SilverTrain are a 4-piece band based in Bristol per- forming Rock, Pop, Blues & Ska songs at all kinds of venues and events all around the UK. A host of mainly '80's rock, pop and ska covers was created in addition to an array of rhythm & blues tracks to es- tablish a set that caters for a very wide audience. Gigs began in November 2011 debuting at the Cat & Wheel in Bristol and since then the band have per- formed at all kinds of venues and events including Daz's Rock 4 Charity 4 Kerry which took place on Weston's Grand Pier in front of 1500 people in Janu- ary 2012. Further R4C gigs on the Grand Pier and at the Bristol Colston Hall followed in amongst a busy pub and private gig schedule. Julian left the band in March 2014 making way for new bassist Steve Dunk formerly of The Al- ligators. In November 2016, new vocalist and frontman Tim Rice (formerly of Smack The Eight- ies) joined the band to give an edge and connection with the audience which also allowed the band more musical depth and vocal harmony. More info on Attractions page Hooper have been wowing audiences with their eclectic mix of pop and rock interpretations for over a decade. The four accomplished, Bristol-bred musicians, all of whom cut their teeth in notable, original bands of the 80s and 90s, understand how to create an exhilarating vibe at their gigs. Hooper’s energy and commitment to musicality can make you feel like you’re at Wembley, with the charisma and undeniable chemistry (three are brothers after all) to keep things personal enough to party like you’re in your own front room. Hooper isn’t afraid to smash the boundaries of music and deliver it with a confidence and energy that will give you a night to remember. John is the founding member of the band and has been play- ing bass for many years with a number of bands in and around the Bristol area. Rick's bluesy chords and riffs, with the occasional country influence, provide wonderful rhythm and texture to the band's sound. Patrick has recently joined the band and brings with him a wealth of experience, having played drums for many years with a number of bands. Adrian is an accomplished pianist, accordion player and bassist. His long standing love of reggae can be heard through his subtle use of chords and melodies. Lorna's enchanting and emotionally engaging stage presence en- sures that her audience feel part of every performance. After working as a rehearsal pianist for various ballet schools in London, Ben currently works as a pianist and Musical Director for theatre productions and has performed at the Bristol Old Vic, the Tobacco Factory and the Bristol Hippodrome. For most ska fans 1980 had to be the year. The music of The Specials along with Madness, The Beat, The Selecter and Bad Manners were the sounds on your radio. Britain was a bleak place back then, and the music that brightened those days were sounds of the great 2 Tone bands. It didn’t matter who you were or where you came from, it was a movement that united people and it continues to this day! Every generation a band comes along, a band that makes you forget about all that is wrong with world, a band that makes you stand up and throw your hands in the air. They have been bringing their unique blend of 2 tone ska hits to the masses since 2009. This gathering brought together a crew of 7 first class musicians with a calibre that is second to none, and a combined number of gigs literally in the thousands. The band have played and collaborated with the likes of Roddy Radiation of The Specials, and have shared a stage with 2 Tone legends The Selecter and Bad Manners! Since the band have been touring the country playing their unique style of two toned in- spired hits, they have played a string of sell out shows, headlined a string of festivals and have left thousands of people breathless and shouting for more. 2 Rude have rightly claimed their title as one of the hottest live acts in the country! Pictures of Silver Train and Hooper taken by Colin Hajee, Pictures for 2Rude and The Love Reggae Band used with permission of bands. This event was sponsored and organised by Filton Town Council. We would like to thank the following businesses for their sponsorship and support making this year’s festival possible. What did you think of this year’s Filton Festival? Please send comments to: [email protected] or visit www.filtontowncouncil.gov.uk Filton Town Council cannot accept responsibility for errors or for the can- cellation or alteration of any event listed in this programme. Any changes will be posted on the website www.filtontowncouncil.gov.uk .
Recommended publications
  • South Transcript
    SOUTH dir Morgan Quaintance [Yusef Komunyakaa] An island is one great eye, gazing out, a beckoning lighthouse, searchlight, a wishbone compass, or counterweight to the stars. When it comes to outlook and point of view, a figure stands on a rocky ledge peering out towards an archipelago of glass on the mainland, a seagull's wings touching the tip of a high wave, out to where the brain may stumble. [Faint crackling static] [Melancholic solo cello] [Intertwining string melodies] [Melodies soaring higher] [Melancholic cello theme returns] [Theme soars then descends] [Low string melodies] [Sombre dying cadence] [Music ends] [Echoing footsteps] [Audience members clearing throats] [Piano cadence] [Baritone sings aria in Italian] [Singing continues, accompanied by piano] [Dramatic climax] [Music ends] [Female voice] Once you can speak, you can learn to sing. [Dramatic piano cadence] -Oh, I began teaching in er... 1971. -[Soprano singing in background] I returned to Vienna and then I built up a choir. But I had a forty voice choir. And this choir was so professional, they sang in about seven languages. Because I taught them to sing in German, in Italian, in French and even Russian. So, the first thing I asked them to do, I say sing anything [chuckles]. And then when I hear where the voice is I know whether it's a low voice, or a middle voice, or a high voice; I can tell. [Soprano and piano continues] The power, actually, you can use in the right way. Because you don't always have to sing very loud, you can control the singing, sing softly but yet that could reach out beyond.
    [Show full text]
  • 25 Actual Hits from the 80S That Mr. Moderator Liked
    25 Actual Hits From The 80s That Mr. Moderator Liked Even During Those Days When He Was "Too Cool for School": Song Artist Suggested by: 1.) Don't You Want Me Human League Mr. Moderator 2.) True Spandau Ballet Mr. Moderator 3.) Missing You John Waite Mr. Moderator 4.) Like a Virgin Madonna Mr. Moderator 5.) Temptation New Order Mr. Moderator 6.) What You Need INXS Mr. Moderator 7.) Tainted Love Soft Cell funoka 8.) I Melt with You Modern English Mr. Moderator 9.) Faith George Michael Mr. Moderator 10.) She Drives Me Crazy Fine Young Cannibals Mr. Moderator 11.) Always Something There to... Naked Eyes Ohmstead 12.) Age of Consent New Order Slim Jade 13.) Rhythm is Gonna Get You Gloria Estefan Slim Jade 14.) (You Gotta) Fight for Your Right... Beastie Boys Mr. Moderator 15.) So Alive Love and Rockets andyr 16.) Looking for a New Love Jodi Watley jeangray 17.) Pass the Dutchie Musical Youth alexmagic 18.) Antmusic Adam and the Ants alexmagic 19.) Goody Two Shoes Adam Ant alexmagic 20.) Love Plus One Haircut 100 andyr 21.) Paper in Fire John Cougar Melloncamp Mr. Moderator 22.) (Keep Feeling) Fascination Human League alexmagic 23.) Material Girl Madonna Mr. Moderator 24.) Sweet Dreams (Are Made of This) Eurythmics alexmagic 25.) Church of the Poison Mind Culture Club Mr. Moderator Rock Town Hall 80s Master Playlist Song Artist Suggested by: 1.) A Message to You Rudy The Specials ladymisskirroyale 2.) A New England Kristy MacColl Suburban kid 3.) AEIOU Sometimes Y Ebn-Ozn jeangray 4.) Addicted to Love Robert Palmer ladymisskirroyale 5.) Ah! Leah! Donnie Iris Sgt.
    [Show full text]
  • Kiff Aarau We Keep You in the Loop
    SEP.19 2 Tone EINSCHLAUFEN Betrifft: Unangefochten nach Hause tanzen Impressum Nº 07.19 Die Telefone bleiben stumm, die hastig durch Wipkingen ebenso souverän besteigen wie das DER MUSIKZEITUNG LOOP 22. JAHRGANG den Raum gebrüllten Regieanweisungen sind Nachtboot nach Kairo. Und in lockerer Fuss- verklungen, es ist niemand mehr da. Wilson- bekleidung tanzt man auch unangefochten P.S./LOOP Verlag Pickett-Zeit, Schichtende. Der Kugelschrei- nach Hause, getragen von den Ska-Klängen Hohlstrasse 216, 8004 Zürich ber wird zurück in die Hemdtasche gesteckt, aus den ganz frühen Achtzigerjahren, die uns Tel. 044 240 44 25 der Rechner heruntergefahren, der Schreib- auf den folgenden Seiten begleiten. Eine mu- www.loopzeitung.ch tisch verlassen. Stummen Schrittes durchs sikalische Energiequelle, politisch ummantelt Treppenhaus, zwei Stockwerke, danach vor- und von nachwachsenden Generationen im- bei an der stillgelegten Stempeluhr und raus mer wieder befeuert. Und womöglich erneut Verlag, Layout: Thierry Frochaux in die Sommernacht. «Guido has left the aktuell, wenn Grossbritannien Ende Oktober [email protected] building.» Ein Satz, der jede Nacht kurz in den EU-Austritt umsetzen muss. Denn spä- meinem Kopf aufflackert, gefolgt von einem testens dann wird «You’re Wondering Now» Administration, Inserate: Manfred Müller Blick hoch zum Himmel. von The Specials eine neue Facette erhalten. [email protected] Um diese Uhrzeit ist der Verkehrslärm in un- Ganz zu schweigen von «Ghost Town». serer kleinen grossen Stadt bereits angenehm Noch bleiben also knapp zwei Monate bis Redaktion: Philippe Amrein (amp), gedrosselt, allerdings nicht so stark, dass man zur grossen Abrechnung respektive dem Ab- Benedikt Sartorius (bs), Koni Löpfe sich bloss noch von atmender Stille umgeben schied von Grossbritannien, wie wir es ken- wähnen würde.
    [Show full text]
  • THE REVIEW: the Beat Were Formed in Birmingham in 1978. Soon After, They Had to Change Their Name to the ENGLISH Beat to Avoid Confusion with Another Band
    THE REVIEW: The Beat were formed in Birmingham in 1978. Soon after, they had to change their name to The ENGLISH Beat to avoid confusion with another band. They are known as one of the leaders of the Ska revivalist movement along with fellow Brits The Specials, Madness, The Selecter and The Body Snatchers. The British ska groups were of course multiracial and were formed by kids who lived in the same areas. Much like the poor kids of Jamaica, they didnt have much money so they formed bands to perform when they couldnt get into clubs.The English Beat was co-lead by Guitar/Vocalist Dave Wakeling a punk rock toaster, along with Ranking Roger another brilliant reggae/ska toaster. The other members were made up of Andy Cox (Guitar), Dave Steel (Bass), Everett Morton (Drums) and the one and only Saxa (Saxophone). Saxa was originally in a well known band called Prince Buster and Desmond Dekker, and this helped bring The Beat even more attention at the time. Saxa was also much older than the other chaps (around 50 years old at the time), but he contributed an extra special soulful touch that made the band sound even better than before. The Beat went on to open for The Selecter and they then were signed to the 2 Tone label (specialists in ska) and they followed this with the release of their first single "Tears of A Clown", a skanked up version of the Motown Smokey Robinson classic hit. In 1980, The Beat decided to start their own indie label and they called it Go-Feet (an Arista sub-label).
    [Show full text]
  • MUSIC WEEK AUGUST 18, 1979 Wings' New
    MUSIC WEEK AUGUST 18, 1979 If" Wings' New Single is a Double IncorpOftj'ingA Morgan-Gtampvin Rf-cord PuWtcation ond T ape ReUttlot MANAGING DIRECTOR: Jack Mutton PUBLISHING DIRECTOR: Babyfe Request/Getting C1 Peter Wilkinson EDITOR: Rodney Burbock DEPUTY EDITOR/INTER- NATIONAL/MUSIC PUB- LISHING: Nigel Hunter NEWS EDITOR:.Jim Evans FEATURES EDITOR/RE- TAILING; Terri Anderson TALENT EDITOR: Chris White r SUBCHIEF EDITOR: SUB-EDITOR; Danny Van Kov.n Emden Tea BROADCASTING EDITOR:David Dalton REPORTER: Simon Hilis. EDITORIAL COORDINATOR Miil sins deal (charts and dealer services); Louise Fares (assisted by Janet Yeo l-.r t and Diane Ward). w m CONTRIBUTORS; Tony 'i,- Byworth (Country music). Sue with Cipeiand Francis (Tipsheet Editor), Tony Jasper (Factsheels), Nicolas Soames (Classical Editor), Patrick Sullivan (Jar?.). ■4^ fer Imsrici ADVERTISING DEPARTMENT ADVERTISEMENT MANAGER; $ FOLLOWING THE success of new wave bands Police and Squeeze Jonothan Ward on A&M, the label has concluded a distribution deal for the Slates ASST. AD. MANAGER: Andrew Brain with Miles Copeland of the International Record Syndicate who also PRODUCTION MANAGER: . r".; manages the two bands. Under the agreement A&M will Sandra Mysal -4' * press and distribute product from SALES EXECUTIVES: Jacky \kJ XTC Illegal Records, Rough Trade Lilburn, David Johnston Records, Industrial Records, Step CLASSIFIED: Jane Bartlett THE NEXT single from XTC, Forward Records, Deptford Fun Making Plans For Nigel, Is to have City Records and Fashion Music. "one of the most elaborate
    [Show full text]
  • Roddy Radiation Brings the Vibe to the Parlour
    The Specials’ Roddy Radiation Brings The Vibe To The Parlour Photo by Lisa Gourley On a Sunday it’s common to just stay in, relax and gear up for the upcoming week. This past Sunday at The Parlour was an exception as ska royalty entered the building for what was going to be a righteous time. Founding member and guitarist from English ska legends The Specials, Roddy Radiation, was rolling through town as part of his tour with Baltimore and Washington, D.C. based rocksteady act The Scotch Bonnets, and Providence two-tone soul ska act The Copacetics were opening things up. It was a festive night full of beats, horns and a lovely feeling. If you weren’t at The Parlour then you weren’t at the right place. With the audience’s full attention, The Copacetics took the stage and kicked things off to a rhythmic start. They’re not your typical two-tone band; this gang of seven incorporates hints of jazz, vintage r&b and Motown soul. They showed it on stage with the songs “Time Hard,” “Howl At The Moon” & “Ska Royale.” An extended, jazzed-out version of Sam The Sham & The Pharoahs’ classic “Wooly Booly” was pretty amazing as well. The Copacetics released their self-titled debut album in January and from what I heard live, you should absolutely include it in your music library. With frontwoman Lady Hatchet singing like Aretha Franklin, The Scotch Bonnets had everyone captivated from the first song. Along with Hatchet giving numerous shoutouts to her home state of Rhode Island, this groovy group of musicians exuded a lot of soul and a rockin’ vibe that had me immediately impressed.
    [Show full text]
  • The Swell and Crash of Ska's First Wave : a Historical Analysis of Reggae's Predecessors in the Evolution of Jamaican Music
    California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2014 The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music Erik R. Lobo-Gilbert California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Lobo-Gilbert, Erik R., "The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music" (2014). Capstone Projects and Master's Theses. 366. https://digitalcommons.csumb.edu/caps_thes/366 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Erik R. Lobo-Gilbert CSU Monterey Bay MPA Recording Technology Spring 2014 THE SWELL AND CRASH OF SKA’S FIRST WAVE: A HISTORICAL ANALYSIS OF REGGAE'S PREDECESSORS IN THE EVOLUTION OF JAMAICAN MUSIC INTRODUCTION Ska music has always been a truly extraordinary genre. With a unique musical construct, the genre carries with it a deeply cultural, sociological, and historical livelihood which, unlike any other style, has adapted and changed through three clearly-defined regional and stylistic reigns of prominence. The music its self may have changed throughout the three “waves,” but its meaning, its message, and its themes have transcended its creation and two revivals with an unmatched adaptiveness to thrive in wildly varying regional and sociocultural climates.
    [Show full text]
  • Nelson Mandela: World Leader and Hero Nelson Mandela Is One of the Most Famous People in the World
    TS_customs3 19/3/07 12:15 pm Page 64 TIMESAVER CUSTOMS & LIFESTYLE IN THE ENGLISH-SPEAKING WORLD Famous names SOUTH AFRICA Nelson Mandela: world leader and hero Nelson Mandela is one of the most famous people in the world. On 10 May, 1994, he became the first black President of South Africa. It was the first time that ALL South Africans over the age of 18, were allowed to vote. 1 24 Read 'Nelson Mandela – a life in pictures', and put the story in the correct order. Nelson Mandela - a life in pictures b In 1993 Mandela and De a 1 Klerk won the Nobel Peace Rolihlahla Dalibhunga Mandela was born on Prize. A year later, he became 18 July 1918 in a small village in the Eastern the first black President of Cape of South Africa. He was one of 13 children. the new South Africa. c After he finished school, Nelson Mandela studied law at university. He also enjoyed boxing and running. d When Mandela was nine years old, his father died , and Mandela became the royal leader of his tribe*. e f g At the age of seven, he became the first member In 1990, Mandela was of his family to go to school. At that time, all released* from prison black children were given English names by by the Prime Minister, their teachers. Rolilahla became Nelson. Mr FW De Klerk. h In 1964, he was sent to prison for life, for As a lawyer and 'trying to bring down* member of the the government'. African National He spent 18 of his Congress, he fought years in prison on against the system Robben Island.
    [Show full text]
  • TOP HITS of the EIGHTIES by YEAR 1980’S Top 100 Tracks Page 2 of 31
    1980’S Top 100 Tracks Page 1 of 31 TOP HITS OF THE EIGHTIES BY YEAR 1980’S Top 100 Tracks Page 2 of 31 1980 01 Frankie Goes To Hollywood Relax 02 Frankie Goes To Hollywood Two Tribes 03 Stevie Wonder I Just Called To Say I Love You 04 Black Box Ride On Time 05 Jennifer Rush The Power Of Love 06 Band Aid Do They Know It's Christmas? 07 Culture Club Karma Chameleon 08 Jive Bunny & The Mastermixers Swing The Mood 09 Rick Astley Never Gonna Give You Up 10 Ray Parker Jr Ghostbusters 11 Lionel Richie Hello 12 George Michael Careless Whisper 13 Kylie Minogue I Should Be So Lucky 14 Starship Nothing's Gonna Stop Us Now 15 Elaine Paige & Barbara Dickson I Know Him So Well 16 Kylie & Jason Especially For You 17 Dexy's Midnight Runners Come On Eileen 18 Billy Joel Uptown Girl 19 Sister Sledge Frankie 20 Survivor Eye Of The Tiger 21 T'Pau China In Your Hand 22 Yazz & The Plastic Population The Only Way Is Up 23 Soft Cell Tainted Love 24 The Human League Don't You Want Me 25 The Communards Don't Leave Me This Way 26 Jackie Wilson Reet Petite 27 Paul Hardcastle 19 28 Irene Cara Fame 29 Berlin Take My Breath Away 30 Madonna Into The Groove 31 The Bangles Eternal Flame 32 Renee & Renato Save Your Love 33 Black Lace Agadoo 34 Chaka Khan I Feel For You 35 Diana Ross Chain Reaction 36 Shakin' Stevens This Ole House 37 Adam & The Ants Stand And Deliver 38 UB40 Red Red Wine 1980’S Top 100 Tracks Page 3 of 31 39 Boris Gardiner I Want To Wake Up With You 40 Soul II Soul Back To Life 41 Whitney Houston Saving All My Love For You 42 Billy Ocean When The Going
    [Show full text]
  • Musicshow Gwenstefani 070417 For
    BBC Learning English The Music Show Gwen Stefani MUSIC - MADNESS - BAGGY TROUSERS Callum: Hello, I’m Callum Robertson and this is the Music Show from BBC Learning English dot com. In the programme we today we learn about the connection between British Ska acts from the 1970’s and 80’s, such as Madness, who you can hear now, and current chart topping American female soloist, Gwen Stefani. MUSIC - GWEN STEFANI - WHAT YOU WAITING FOR Callum: That’s Gwen Stefani and her 2004 single release, What you waiting for, from her first solo album, Love. Angel. Music. Baby. Her second solo album, Sweet Escape, was released in 2006 and singles from it have had a lot of success in the British charts. Although now known as a solo artist Gwen Stefani was first successful back in the 1990s with the group No Doubt. She is married to British musician Gavin Rossdale and as such spends a lot of time here in the UK. On one of her recent visits she was interviewed for the BBC by Jo Wiley who asked her what she liked about England. She mentions one thing which is very different from Los Angeles, where she also spends a lot of time. She says it’s something that those of us who live in London take for granted. To take something for granted. This expression means that you don’t really appreciate how good something is because it’s there all the time, you The Music Show © BBC Learning English 2007 Page 1 of 3 bbclearningenglish.com don’t think it’s anything particularly special because you expect it to be there.
    [Show full text]
  • The Specials First Album
    1 / 2 The Specials First Album 40 Years after The Specials first burst on to the scene with their own brand of ska, reggae and rude boy style, are truly back at the top with .... ' The next single, 'A Message To You Rudy', followed in September with their first album released soon after in October. This 40th Anniversary Edition of their .... The Specials debut features a mix of re-workings of songs by Prince Buster, Toots Hibbert as well as Dandy Livingstone's 'Rudy, A Message to .... I learned to play all the lines of their first album, one by one, then I started to dig in the ska music deeper and deeper. When we started our band .... After the fabulous debut album The Specials, The Specials went to work on album number two. It would be the last album made by the original .... Ska legends The Specials released just two albums before they split up in 1981, but are now enjoying chart-topping success. This 40th Anniversary 8-CD Collection contains the first 8 albums released on the label, with offerings by The Specials, The Selecter and Rico, along with the .... The Specials' classic Elvis Costello-produced 1979 debut album was the subject of a Tim's Twitter Listening Party on Sunday, featuring .... Late in 1979, the band released its landmark debut album, The Specials, produced by Elvis Costello. They followed with several 2-Tone package tours and a .... Beginning with "Guns of Navarone," adopted from ska progenitors the Skatalites, the band proceeded to play over half of the first album to ecstatic ...
    [Show full text]
  • Suits and Boots: a Guide to Ska Style
    Suits and Boots: A Guide to Ska Style With New England summer winding down and cooler weather approaching, it’ll be time for all the rude boys to get their suits out of the closet and get set to look sharp at a show. Wait. What’s that you say? Rude boys? No, no. I don’t mind. I always relish the chance to nerd out about ska. In the 1960s, rude boys were either glorified or vilified in the poorer sections of Kingston, Jamaica. They were discontented youth, violent and prone to crime, and many ska and rocksteady artists of the time had songs about them. Tunes such as Dandy Livingstone’s “A Message to You, Rudi,” Alton Ellis’s “Dance Crasher,” and many more featured rude boy culture. Rude boys favored sharp suits, skinny ties and pork pie or Trilby hats. Think Dan Akroyd and John Belushi as The Blues Brothers, and you won’t be far off. In the late ’70s, the style was revived along with ska music by the 2 Tone Label and its associated bands: The Specials, Madness and The Selecter. The 2 Tone logo featured a cartoon drawing of a cool looking dude in a sharp suit and skinny tie nicknamed “Walt Jabsco.” The artist based the drawing off a slick looking Peter Tosh from one of the earlier Wailers records and thus the rude boy was reborn, not as a violent gangster, but as a fashion archetype and a label to describe fans of ska music. This era also saw the birth of the skinhead and the working class style of flight jackets, Fred Perry polo shirts and jeans held up by braces, rolled up to show off a neat pair of Doc Martens boots.
    [Show full text]