ARTS & ENTERTAINMENT

HEARD *

------ANY------BLASPHEMOUS

—RUMORS— —TODAY?— See Page 5A ♦ » * * * * * * * * * * * * * * * * * * * * * * * * * * ♦ ♦ * * * * » * * * * * * * * * * ♦ * * * * * * * * * * * * 3 WE PLEDGE TO WORK FOR THE DEFEAT OF RONALD REAGAN IN 19843 IN REAGAN RONALD OF DEFEAT THE FOR WORK TO 3WE PLEDGE

**************** A 2 26.Jos e Perry P len sa o J . 6 .2 a e M.ZZ title . M ren Lau . 6 3 Jenkins ill W . 5 3 HOLLANDER Gats y tisk a G e n ld n a A w . s e 4 3 N ela m a P . 3 3 e m o R im J . 2 3 ai fman eflm W e in son la E an . 1 xn 3 k o S arta rgh M u b . 0 en 3 red V e o J . 9 2 i We rick en W a rin r b e a z S . o 8 lg 2 A a eren S . 7 2 o ren o M a egin y R a . w 5 n 2 o ff C ris m h d C o . o 4 2 W rt e b e o R ren . o 3 L 2 eret rg a M . 2 2 i i ton rin B ric g E g . 1 llo e 2 K artin M . 0 2 9 ex ith m S x le A 19. ullin M ie b eb D . r 8 1 te a V n a o a J n . 7 en 1 cK M t a P . 6 1 a rDin ar-D B ra o e L . 5 1 rd fia o C eed n S aster . 9 ckm u B tt a n M so . b 8 co a J d r e u T . so n 7 o M r te e P . 6 4 t w ein le K ew tth a ill M tw 14. A n o llis s A . 3 1 ffrie e J erson d n u Jubanne G . . 2 1 s ttB in o tch c u H S . m 1 1 fflia W rian B . 0 1 all arsh M e re d n A . ssian 5 u R ryn ath er y K a . 4 M ret rga a M . 3 Jodi gan rg o M i d o J . 2 Mc mbs b om cC M e v a D . 1 Enlightenment to Path rcs ad the and Process Creative the Music: Lecture-Recital Tbes., Oct. 30 / Oct./30 Hall Tbes., 8 PM Campbell UCSB Reserved Seats: S12.00/S10.00/S8.00 CB Students:UCSB $10.00/S&00/$&00 PresentedLectures. & UCSBArts by local candidates and get out the vote. the out get and candidates local facts, w e will register the unregistered, support progressive support unregistered, the register will e w facts, uue dmcay hud e lre b te striking the by these alarmed f o light In be years. recent in should participation voter in decline democracy f o future ouain We fe ta al meias ocre wt the with concerned ericans Am all that feel e W population. defeat o f Ronald Reagan, a president w ho w as elected on a on elected as w ho w president a Reagan, Ronald f o defeat adld* of ny 7 of h eiil vtn age voting eligible the f o 27% only f o landslide** “ Thursday, October 25,1964 October Thursday, ng we defeat i * ! 4 *8 in n a g a e R t a e f e d n a c e w , r e h t e g o t g in k r o W ikt/hre y hn: 961-3535 Phone: By Tickets/Charge lde usle t wr drn ti Fl fr the for Fall this during work to ourselves pledge e W w/this coupon Expires Expires 11/1/8« coupon w/this 5 atOrega Sre,Sna arbara B Santa Street, a g rte O East 35 HAHOWEEN SPECIAL In residence October 29-30 October residence In Designer Clothing & Accessories Accessories & Clothing Designer Ethnic • porary ontem C . e tag in V , h nesge tdns saf adfcly f cnen h Raa amnsrto for: administration Reagan the condemn B S C U of faculty and staff, students, undersigned the e, W

ANY PURCHASE ANY W/9 7505) 962 3167 962 7505) N 1 R O L

anist n ia P Costumas The Am erican people and the w orld cannot tolerate another four years o f Ronald Reagan. Ronald f o years four another tolerate cannot orld w the and people erican Am The OFF i De y n en D ric m a E h . 7 yn 6 ra T ren a K . 6 6 ! e d d e L a th an am S . 3 6 g lGonzal z le a z n o G el igu e M . B 5 a 6 S e d n ra F . 4 6 uhe M e n e in d v d a k S . .G 2 6 K n e v te S . 1 6 y rd u P ifer n en J . 0 6 le nes on J rlie ill a h tn C A . . 9 5 M a s r re e e n g T . a 8 W 5 ela m a ld P ra . e 7 5 itzg F ry a M . e 6 n 5 a K in v e K . 5 5 fMation ttiso a M ff e J . 4 5 ith m S el a ich M . 3 5 sa hsen stein th o R a is L . 2 5 s ck la F rd a ich R . 1 5 rre a b a L ise en D . 9 4 ick rm o cC M ty a K . 0 4 c d ne e in a L rd a ich R . 0 5 fteld ush B e ik M . 8 aia 4 M l rt ro o a p a C p . p 7 a 4 R ele ich M . g 6 n 4 ieb S ra a g M rin . 5 en 4 ld o G a e L s . 4 tle 4 s a C n Joh e . n 3 a 4 L n d ro n a h la S . 2 trick 4 S ie n la e M . 1 4 e io e h c in K yD W . 9 3 ier p m u R el a ich M . 7 3 hony i k tic n o K y n o th n A . 8 3 l d n u o C . g e L l d n u o C . g e L r to c ire D y b b o L .of ol y g lo io c o S f o f. o r P r to c ire D y b b o L tro e M RALLY AND MARCH TO EVICT REAGAN EVICT TO MARCH AND RALLY • SATURDAY, OCTOBER 27,1984 • 27,1984 OCTOBER SATURDAY, • AP RMBROF 1:0A AM 10:00 T A BORSODFS FROM L O CARPO r o ETAT PARK 1:0AM A 10:30 T A K R A P A D E M A L A T A T EE M eve uman augm B e v te S . 9 9 r D.Woods s d o o W . D rry e K es . rb 8 o 9 F e n rok a C . ayer 7 n 9 u D a d o h R . 6 9 et eris B tt re B e . z 5 re 9 g a L l u a P . 4 9 er dwith w ed L r ith le m y T ler-S . 3 w o 9 F e t is u evan o L rd . tu 2 S 9 ret rga a M er . n 1 9 eck P y m A . 0 9 ehl chubm S ton in u Q e . 9 ric 8 P es m «la . 8 8 tSmihson ith m S tt e m A . 7 8 r e g n o C n verto E . 6 8 8 5 . R o b e rt B randenbu rger rger randenbu B rt e b n o s R w . a 5 L 8 rcella a M . e 4 8 rak D ra o D . 3 8 isch F id v a D . r 2 tie 8 u lo C ifl J . es 1 8 Jon n e v te S . 0 8 t rneHa lon an H e erin ath C . in 9 7 sh n A r te e ell P b . p 8 m 7 a C ce ru r B e . 7 in 7 e W in v e K . 6 7 ussbaum N rian n B . 5 erso 7 d n A t ren B . a 4 7 ilv n S ria erso a d M n . A 3 . 7 E m illia W . el 2 7 ied R ilip h P . 1 7 s ack S . H in o y b C . d 9 o 6 o W g u o D . 8 6 yseSurrah e s ly A . 0 7 Your Presence W ill Make A Difference A Make ill W Presence Your ite Dumr it s f h Beat The Off Is Girt Drummer little dwell on Charlie’s political fickleness. We are whisked whisked are We fickleness. political Charlie’s on dwell to tonotime has plot the film But their terrorist. for her top Palestinian a kill recruit to Israelis the allows rallies, Charlie protest and lectures attending besides something ak n frh cos uoe n te ide at n a in developments. the plot East all cover to Middle the attempt and game Europe across forth and back sal. nrge b te lmu o atal “dig an doing” “ with actually of arrangement) glamour the (by by love Intrigued in Israeli. Charlie falls sympathizer, unwittingly Palestinian A England. in working human for opportunities the often Too Him. workable characterization or political enlightenment are sacrificed plot. intricate the sacrificed of necessities the to are enlightenment political or characterization c lty acu F o aho Jh l Cres og cmlx oe it a into novel complex long, Carre’s le John fashion to trying in inherent difficulties the was obstacle other tourist). Hill’s college-age a from come-on a getting and Joan Arc, of playing a out-of-place looks and appears stringy, and (Keaton old little Charlie of role leading the for Keaton ephone lnman linem e n o h p le e T n te udne i, h Wrd codn t Garp) to According World making in obstacles The major two faced Kid, Sundance the and M ovie Review ovie M Girl flate ffilia A lty acu F h fl sced i is eie o vi mkn either making avoid to desire its in succeeds film The rsn a ld so ad discussion. and show slide a present Alicia Martha and speak Jewish will w e N f o Agenda, member Epstein, ark M f avdra Tahr* no, will Union, Teachers* Salvadorian representative of erican Am North Rivera, Charlie, the title character, is an American actress actress American an is character, title the Charlie, rga il e ed n h URC at C R U the in held be will Program 15 PM, OCTOBER E B O T C O , Y A D I R F , . M 6 P 2 5 :1 8 Director George Roy Hill Hill Roy George Director — one was the rather unfortunate choice of Diane Diane of choice unfortunate rather the was one — How s r erica m l A tra n e C is w MH o Jewih sue ’* e? Issu ish w e J A

1 3 1 . A n d y S trom in ger ger in trom S y d n A . 1 3 1 30.Mihel ne ith m S ee en R elle le ich M rk o . 0 cC 13 M y n ts e e w B . O 9 n 2 so 1 p m o h T . 8 2 1 hei rty e v a H e erin th a K . ry 7 2 tu 1 en C l u a P . 6 2 Einhorn 1 el a ich M . 5 2 1 i Barr B ian rin ed E . ab 4 2 on 1 D l e r o n N n . o 3 2 ’C 1 O san u S . 2 2 1 kerGodar a d o G r e rk an a P oh . C 1 . 2 L 1 e n y a W . 0 2 1 ai Kruzer reu K ig ra C . 8 1 1 19.Kat en aa raham G . H leen th a K . 9 11 ert n eu Z rd im fo K le . d 7 d 1 a 1 P a n on D . 6 1 1 y i ofer n o rs ffe to ris h C ly o H . 5 1 Ü 1 H r te e P y . 4 d 1 o 1 C a arth M . n 3 o 1 ls 1 e N ra a S . 2 1 1 lneJ.Glas n so lea G . J e rlen g a h n C u . o 1 Y 1 n 1 n A a is L . rs 0 o 1 n 1 n o C n o R . 9 0 1 n aker k ra o F er en erb K p . 8 S 0 ie 1 n a h tep S . 7 gston 0 1 lu C tia a K . 6 0 1 eem eh R a d s ren B ean . D 5 . 0 1 L y c n a N . 4 0 1 eBycz ewi z ic w ie zk c y B ie n n o B . 3 una 0 1 M . E a ah M g . 2 lin 0 w 1 o B ff e J . 1 0 1 1 0 0 . J oh n . C . B illigm eier eier illigm B . C . n oh J . 0 0 1 h Sig Bth Cassidy Butch , The ( 1TP aff ta S aff ta S r e h c a e T Central Aararlca” Central James Watt and Ann Burford. Ann and Watt James •abandoning onr vital natural resources to the likes of likes the to resources natural vital onr ERA. f the o •abandoning defeat the to -contributing several m illion more Americans below the poverty line, poverty the below and Americans rich more illion the m several favors that policy economic domestic •a has increased hunger and poverty in Am erica, driving erica, Am in poverty and hunger increased etc. has loans, student security, social care, edical m vices: closy euig h fnig f ia han ser­ huamn vital of funding the reducing -callously h ivso o Geaa itreto i Central in the increasing intervention and control, war. nuclear arms of Grenada, threat weakening of history, (J.S. in America, budget invasion military the peace-tine largest •the The Little Drummer Little The Dimensions of Dimensions HiUel as part HiUel Sponsored by f“ oral of “M Days.

e lux fleu o G iel n a D . 5 6 1 Sunshine e ik M . a 4 an 6 1 D ld a n o D . 3 6 1 ayBaiey ile a B n SaBy so . 2 vid 6 a 1 D rry a L l . o 1 6 o 1 P ica n o M . 0 ell 6 1 arn D Sunta . 9 5 1 asescu B il r e N rte . o 8 P 5 . 1 R ig ra C . 7 5 1 tPet rs te e P rt e b t o s e R . 6 W . 5 1 E rt e b o lsen R . O 5 n 5 1 n iy ly a S . y 4 d 5 o 1 o M n Joh . 3 5 1 rsyth o F im T . en 2 h 5 o 1 C ileen E . 1 ills 5 1 W iel n a D . 0 5 1 iller M l a C . 8 4 1 c lP.Mader ard M . P el a ich M . 9 4 1 t id m h S ff y e d J . ra 7 G 4 . 1 H am flB W er . 6 tn 4 1 au M ice n a J sser . 5 tra 4 S 1 rd a w d E . sser 4 4 1 tra S er ie sth w E . o 3 H 4 . 1 D es n b Jam . ied 2 4 W 1 w re d n A . 1 4 1 s o s s a V ifer n en J . 9 3 1 0 ant Basu B p ta n ra a P 40. 1 an reedm F . G y c n a ith N m . S r 8 3 le 1 w o n F . rso L . ea 7 P 3 y 1 th o d im T . ttfrie 6 o 3 1 G e v te o S n . 5 ifa 3 B 1 a re d n A k . ic 4 3 id 1 N ren a K . 3 3 1 n i n o c c o R an D . 2 3 1 tr’ mcie Hr Kas isises atdi the in wasted seems Kinski Klaus Here machine. story’s suspense. in us holding or emotions our arousing in well lw a b lmntd Te iepse ncl enough. potential seat. nicely your of passes on edge the kept be to time major expect Just don’t The a eliminated. be fans may Keaton flaw die-hard in For lacking is suspense. it though uninteresting, wholly not conflict, is it and Palestinian-Israeli the into insight some provide More why breath. wondering our screen, the at holding dully staring aren’t are we we likely game the the of stage betray and ideals Will political well. up her hold to not does return it Charlie such Him the As film. suspense operatives; Israeli the of all. at this character leader develop doesn’t the of role the the in parts than and more much not often are Israelis Palestianians the both of so fare not does it reasons the demons of one is This Palestinians. or heroes things never shifted into gear. into shifted this things never By death? escape them of either her Will discover leader, treachery? Palestinian the Khalil, Will Israelis? and the the Israelis patriots, impassioned being of Instead rmme irl. G er m Drum in Kao ge fr rd in ride a for goes Keaton Diane at de Coor nat r to a in rd o o C y b b o L e id w te ta S t tis r A ic h p ra G l tl, h fl i nt cmlt fiue I does It failure. complete a not is film the told, All a be to meant was this that said has Hill Director

G a y G oldstein, Joan M cG uire, and Lynn Puri Lynn and uire, cG M Joan oldstein, G y a G Editors: Hugh H aggerty and S hirley Tatum hirley S and aggerty H Hugh Editors:

evnBena Gn Blir Ei u s Bum Eric leier, B Gena ehnia, B Keyvan E O I OR X PERSONA EXT N YOUR IN YOU SEE EU RS& ETRAN ENT ENTERTAINM & ARTS NEXUS Contributors: adGiDan d ra B . 1 7 1 n o m lo o S i id e H . 9 6 1 in enjam B n a Z . 7 s 6 la 1 h o K Juba . 6 6 1 sa Gibert ilb G e n n A a tt is e L . rb 8 o 7 1 C n e v ger te S . lesin 7 7 ch 1 S ren s e y Lau e . 6 R 7 . 1 L n ice n row B y Jau . rn 5 a 7 e 1 K id v le a e D te . 4 S an 7 1 ohn erm C ck lo A r ry O . en 3 7 cH 1 M r te e P . 2 7 1 y rie e y B Jim . 0 7 1 a ram B BiD . 8 6 1 s lLaCombe b m o C a L ll a le a rsh n a a M C . . 0 E 0 2 ty o n k T . 9 9 1 son Jack y irle h S . 6 9 1 ert k in B n e v e K . 4 e 9 1 LaceQ n oh J . l 3 u 9 a 1 P ren a K . 2 9 Muh/ihdl 1 reen au M t . 1 s 9 o 1 Y g e III r G . sick 0 u 9 C . 1 J es f m e a s J s . 9 a 8 N r 1 d te e rs m o h F A s . e 8 8 n 1 g A ry a r M . tie 7 n 8 e 1 R ry n e H sley . g 6 8 in 1 K EBen e u S r . 5 8 tte 1 o P san u er S . gh 4 a 8 Z 1 rt e b o R . k 3 re 8 1 za a L s to e L w . a 2 Z 8 y 1 rb a tee M n . 1 cE 8 1 M reen au M . 0 n 8 a 1 n y T dris E . 9 7 1 i Romeo e m o R Jim . y 8 le 9 n 1 ta S im K . 7 9 1 ith m S s lla a D . 5 9 1

h Little The

Daily Nexus Daily

— Lynn Purl Lynn —

* * * t ♦ * * * * * * * * * * * * ♦ * * * * * * * ♦ * * ♦ * * * ♦ * * * ♦ * * * * * ♦ * * * * * * * * * ♦ * * ♦ * * * * * * * ♦ *

* * * * * * * * * Daily Nexus Thursday, October 25,1964 3 A

Movie Review zrzxsaTHE BOLD LOOK, Ho Soul In De Palma's 'Body Double'

Jake Skully (Craig Wasson) admires the view Melanie Griffiths is porn-star Holly Body, who with fellow actor Gregg Henry. is pegged as a pawn by Jake in Body Double, Brian De Palma came under heavy fire during a press to condemn him. But then the MUSIC! Imagine a conference after a screening of his new movie, Body thousand screaming butterflies on a train — pretty ...TOR WOKEN AND HEN Double which opens tomorrow. irritating... and that’s not all. In typical De Palma style, from “ You’ve never seen anything like it,” he said in the Jake’s fantasy woman comes on to him at their first production notes. meeting. De Palma tries to glorify the scene with THAT C ------1------h r m s t u d o j Actually, Mr. De Palma, we have. music and an encircling camera shot lasting for an en­ Special Prices for UCSB Students! The plot outline for the movie gave the impression that dless two minutes. it was going to be a blatant rip-off from Hitchcock’s Rear Halfway through the film, after the Brutal Murder has $10 Off on permanent wave - Reg. $55 Window. Indeed, Hitchcock’s influence is plastered been committed, there is a bewildering transition throughout the film with Vertigo-type shooting, pan-outs, stranding the audience in De Palma’s pornographic $3 Off on cut & style Reg. $22.50 - $25.50 odd camera angles and roller-coaster plot twists. Check fantasy island. Frankie Goes To Hollywood blasts from this: a voyeur witnesses a murder and takes matters into the screen in a bona-fide MTV type video complete with $10 Off on highlights Reg. $40 his own hands and gets little cooperation from . all thé ornaments. A white-faced skinny English guy sings Sound fam iliar? For­ “Relax” to Jake amid fog and gyrating girlies (and it tunately, the similarities ends with a real bang). with Rear Window end At the press conference, De Palma’s responsibility as a QfcUU ------■HAIRHAIR STUDIOSTUDIO filmmaker was questioned. In response to accusations of there. 1021 B Stata St. While De Palma thinks being a sexist pig (in more words), for victimizing all the Call Today for an Appt. Expires 11/30/84 Santa Barbara 966-7061 he’s being so incredibly women in the story, he insisted he was not making any innovative with this film, political statements, but merely exercising a cinematic he’s actually handing us a form — the murder-mystery recycled conglomeration of — within the context of the graphic gore, MTV glam porn-world and the actor’s and jet-set glitch: the type world. De Palma, giving m rt>o you j of sensationalism that sells flippant answers implied - millions of copies of that such suggestions were m e m "posporne?/.______- National Enquirer .each ludicrous and said, “ I like i »S IT FWKOR [WILL V oU week. Needless to say, the women; I like to photograph OUSTSW /f, movie will be a hit despite Brian DePalma them... I like to talk to IS IT NtoT? what any critic says. them.” U p W b 1 The film does possess a faint glimmer of artistic merit. The issue was put to rest USITM? The competitive world of Hollywood actors is effectively when questioned about his portrayed through Jake Skully, the lead character played opinion on the purpose of by Craig Wasson. The film opens on a movie set of a low- pornography. “ It gets your budget horror flick with Jake playing a punk vampire. rocks off,” he stated in a Right away we’re set up with a film-within-a-film phrase taken from the film. situation leading to the theme of double-voyeurism The atmosphère was tense OLE prevalent throughout the movie. The audience is watching and questioning finally took someone watch someone else. The director De Palma another tack. De Palma himself has acknowledged that he enjoys watching people seemed irritated for the react to his movies. Now who’s watching who? Though remainder of the conference. we’ve seen it before in Hitchcock, Body Double features a He went on to tell about other number of queasy camera angles here and there, aspects and how he came up especially during Jake’s occasional bouts with with the idea for this movie. claustrophobia. End of artistic merit. During the filming of Jake is a romanticized peeping-tom. We see just enough Dressed To Kill, Angie of his decent character that by the time we watch him Dickinson had a 23 year-old watch his “ wet-dream-come-true,” we’re not too inclined (Please turn to pg.7A, col.l ) LET THE LEARN TO DANCE • Ballroom • Latin American • PEOPLE • Ongoing classes c • Private lessons KNOW... 963-1148 3 with a Nexus m ew co/n ^ jja n ce Classified 708 State Stree, S.B. Patricia Ryan, Internationally accredited Teacher, Coach, Judge and Scrutineer USA it c = 5

Wednesday Oct. 24th - Sunday Oct. 29 Only TODAY at NOON State-of-the-Art HEAT TREATED ALUMINUM FRAMES Thursday, Oct. 25,1984 Sport 12-speed rag. *495°° ON SA LEI w/New Shimano 600ex ★ Noon Rally at Storke Plaza * ♦395°° Touring 18 speed rag. *595°° ONSALEI L - “ u . s . Intervention in Central America n w/Sealed bearings *495°° Speaker: Jack Ryan - Paulist Priest Be Safe Now That The Days Ara Shorter! — Translator of Archbishop Oscar Romero’s Daylight Savings Sale! Personal Diary i t Battery lights i t Generator Lights — Phdfrom Georgetown ★ Reflective leg bands — Dissertation: “ Religion in Politics in Latin America” M A T T 'S OF — MA in Theology _ Santa Barbara Goleta Isla Vista — MA in Central American Studies SS 224 Chapala St 286 South Fairview 6540 Pardall (By the Amtrak Station) (Toward The Airport) (By Alternative Printshop) 967-9669 968-5571 a*B*B#ll***B***B*8*s*a*Baaaaaaaa.a.a.aaa.a.a.aaa.B.a.a.a.a. 963-3717 4 A Thursday, October 25,1984 Daily Nexus

STRANGE FIXX-ATIONS Interview by Laurie McCullough we’ve been waiting for; putting on these types of shows. actually quite good at what they do.” Within the next All energy is concentrated toward that hour and a half at couple of weeks the band plans to shoot a video for the end of the day.” Nevertheless they have written a few “ Sunshine In The Shade.” ' songs which will probably appear on their next . The Fixx’s videos have been sources of both praise and There is also a scheduled release for a new single. protest. The MTV hit “ ” was banned in “ We wanted it to be ‘Less Cities, More Moving People,’ England because of what was thought to be the disturbing from the Phantoms album, but certain men in suits have scene of a horse repeatedly falling down. West-Oram was decided that it will be ‘Sunshine In The Shade.’ We wanted confused about the actual reasons behind the ban. “ It was ‘Less Cities’ because it’s so different from ‘Are We during the time of the Falkland War fiasco and I guess Ourselves?’(the current single released)-” A video for they thought it was too violent. Actually it was a trained “ Less Cities” has already been made. I asked how the horse named Haro. The trainer would say ‘Lie down, band felt about this loss of control in decision making. Haro’ and he would lie down. I hate circuses and seeing “ Well, we have more control now than we ever had in wild animals caged, but Haro seemed quite happy ac­ our writing. We go in, record an album, and say, ‘Here it tually. It wasn’t like we would go up to him and push him is,’ and they (the record company) like it. I suppose they down. I guess the fact that people got so upset by it shows know more than we do about what is going to be a-hit. I what a powerful image it really is.” And powerful images just want people to hear our songs and it’s on the top forty seem to be what The Fixx successfully thrives on. stations where that begins. The record companies are : 'All The Rage' At the ECen

Tory Government and it United Kingdom and went was banned by the BBC. to the “ .” It’s The album was a British a song about the exclusion An interview with the pointer, Jamie West- chart-topper. of the people in govern­ Oram. The second and third ment. The band actually got From a San Francisco hotel room a weary but anxious , Wha’ppen and it’s name from a sign Jamie West-Oram of The Fixx phoned The Daily Nexus , had outside the Parliament in for an interview. The band’s lead guitarist spoke about the less of a -influence, London that read excitement of the band’s first world tour and the dream compared to their debut “ premises not open to the they’ve “ been waiting for for quite awhile. We’ve finally and they had more of a general public...” got the stage the way we want it. The lighting is not a side Caribbean and feel The new album features a show, but really part of the music.” to them. The lyrics, re-worked version of When asked about their impression of American especially on the third “ General Public” as well as audiences West-Oram replied, “ The people are still the album, had become less the new single “Ten­ same you get in Europe. Actually anywhere’s good, it’s political: where the first derness,” which is gar­ the people you meet. I try to get out and meet a lot of tw o albums made nering a lot of radio air­ people on tour. You can get a really one-sided view of statements about their play. The musicians on the things just from people in the entertainment business. beliefs, the third album album include Mick Jones, L.A. is hilarious; there are so many people trying to get made only vague references formerly of , who into something and not being very honest about it.” This to politics. It was this third moonlights on guitar for a brings us to the band’s most frequently discussed topic: album, though, that worked few- songs, and bassist the issue of facades and isolation. its way into the American , a former Phantoms, The Fixx’s latest album, is primarily con­ and Charlery Top 20, spurred by the member of . cerned “ with people who don’t communicate. You never of General Public. singles “ ” The band is General really know them, but inside you can feel them destroying and “ I Confess.” Public; the show is October themselves,” Cy Cumin,the band’s lead singer and Recently added, as an white, stressing racial unity Wakeling and Charlery 28, 1984; tickets are lyricist recently stated. opening act for The Fixx, as well as working class want General Public to be available at: A.S. Ticket “ It’s inevitable,” West-Oram explained, “ to have was General Public, a new unity to fight governemntal the band that the Beat Office, Morning Glory specific themes running through an album because of the band that features the two oppression. The Beat wrote never could be. Their first Music, Arlington Ticket length of time between recording. We came up with frontmen from the a song called “ Stand Down single, “ General Public,” Agency, Jailhouse Records Phantoms as sort of a working title, one we didn’t have to (English) Beat. The band’s Margaret,” aimed at was released at the and Cheap Thrills. use in the end. It seemed to be something we were all long-awaited debut album Margaret Thatcher and the beginning of 1984 only in the — Eric Burns going through at the time. It’s mostly about the way has just been released on people really feel as opposed to the facade they put on I.R.S. Records and it’s most of the time, which really can’t be helped.” titled All The Rage. Wall of Voodoo Opens The Gate This conscious attempt to appeal to the public’s inner General Public’s creators, Any Wall of Voodoo fan who deliberately about stupid people, alienation, black feelings is a primary goal of The Fixx. “ We’ve gotten Dave Wakeling and missed the show last Wednesday night at La comedy and rural complacency — are letters from people thanking us for making them think. ” (Ranking) Roger Charlery, Casa De La Raza just because Stan evidently still being cranked out with I was curious as to how the band goes about writing left the Beat in early 1983, Ridgeway is no longer in the band missed considerable finesse. Much of the audience songs that are so personal. “ Isolation is something we talk though the Beat was just out. (Maybe you saw the Hoodoo Gurus on got into some old-fashioned push-and-shove about. It’s one of these things that everyone goes through, beginning to make a real campus in which case, Hoodoo Voodoo (as opposed to slamming) and we all our feelings and fears. They might sound like negative dent in the Billboard charts. cares?) The new singer, Andrew Prieboy, thoroughly enjoyed the show. things to write about, but they’re not really because The split was not an angry seems to add that raucous dimension the After “ Mexican Radio,” the encore was a everyone goes through things like that. People listen to it one though; it was dif­ band lacked with herky-jerky Ridgeway. bit disjointed. They started to play Johnny and they feel they’re not alone. It varies in the way our ferences in musical Prieboy has the same nasal quality to his Cash’s “ Ring of Fire” then stopped short songs come together. Sometimes Me and Cy start them direction. Both Wakeling voice which allows him to do more than fill because the guitarist was absent for some off. We go into a studio not really knowing what’s going to and Charlery felt that the Ridgeway’s shoes when singing the old reason. After some inspired joking around happen. Then later the other members, Adam Woods music had become less songs. He’s from Gary, Indiana — “ same as from Prieboy and a five-minute wait, the (drums) and Rupert Greenall (keyboards), add their bits, important, that the Beat’s Michael Jackson and Karl Malden,” he whole band finally took the stage again and changing things as we go. Other songs come up when music didn’t mean as much said. With wild-eyed sweeps around the performed the new song, “ Room With A we’re all together, somewhat out of nowhere.” to them and to their stage and arm-flinging reminiscent of Jello View.” You could see for miles and miles — “ It’s really straightforward,” West-Oram continued. audience as it had on Biafra, Prieboy has a charisma that soars well worth the wait. “ We fool around, throwing ideas together and there’s a earlier albums. over Ridgeway. He’s an outright natural at Watch for a new Voodoo single which will song. Cy is very poetic. He’s always thinking of things in The Beat’s first album, I it. Incidentally, the originals still in Wall of soon be available in the import racks and a his head. If I get an idea of something that I think will Just Can’t Stop It, was Voodoo are brothers Marc and Jeff new album is planned for February release. sound pretty, I ’ll play it to Cy and he’ll just sing something released in 1979 in the Moreland playing the axes and Chas Gray Opening the concert, Me First made a over it.” United Kingdom (and 1980 on the tootin’ keyboards. Ned Lukeheart rare local appearance. They showed con­ I ’m sure it’s not quite as easy as West-Oram makes it in the United States) during replaces Joe Nanini on drums. siderably more structure than outings in the out to be. At this point I ask if there’s anything he wants to the Two Tone movement, About half the material performed was past. Their music gives Santa Barbara a talk about and the English humor strikes with “ uh, which also included the new and it sat well with the old classics. “ On sorely needed faction of “ art-rockers” and I marmalade, uh, lampshades. I don’t know; I ’m looking Specials, , Bad The Far Side Of Crazy” and “ Room With A really wish they’d do more shows. “ Living around my room.” Manners, Madness and The View” move faster than, say, “ Me And My In A Country Club” puts King Crimson to What about new songs and future releases? “ Well, Body snatchers. The Two Dad” and “ I ’m a Nice Guy,” but the Wall of shame (in some sense). writing on the road is not that easy. This is the opportunity Tones were black and Voodoo trademark themes — smart songs — Hugh Haggerty

CLIP AND SAVE: SPECIAL MENU •NOW IN PAPERBACK!- Savor the Spellbinding Climax of Greenhouse Restaurant Graduate Student — a Grand Science Fiction THlogy. MEXICAN Improve Your \U GRE/GMAT Score Weekend workshop to give you a competitive DINNER... edge. Topics include English skills, reading comprehension, analytical reasoning, and math „V m e n it n e review. U C S B — Psychology Bldg , Room 1802; Sat. & [PONTIFtX Sun., Nov. 3 & 4, 10 & 11, 9am-12 noon; $105 The Majipoor TVilogy Dinner: (WITH THIS COUPON) (includes materials) LORD VALENTINE S CASTLE 4 PM - ,11 PM DINNERS INCLUDE BEANS, MCE, m l C H O K E OF: For further information, phone 961-4200. $3.50 Happy Hours 3-7,9-11 1. Ch6— 6 Enchilada MAJIPOOR CHRONICLES $3.50 2. Chicken Enchilada 604 Boar 3. Quaeadllla 4. Bean Toatada u c s B E x t e n s i o n 6629 Trigo * 968-9266 6. Bean Burrtto # ACROSS FROM MAGIC UNTERN 6. Chicken Taco C/4. Daily Nexus Thursday, October 25,1984 5 A Nobel Prize For Depeche Mode—

masterpiece goes to the young and charming Martin Gore who, except for one track, is responsible for all the music and words of this album. His songwritting abilities have steadily im­ proved since his love ditties of the second album, A - ^ M N T A S I E S Broken Frame. Still, his words are more stunning HARLEQUIN’S COSTUME than 6is songwriting. They th Century Fox Makeup Director, Ben Nye are simple, honest reflec­ 20 tions of youth. During the introduces exciting new Products, Colors, course of the last three and Kits this Halloween. Visit us today! albums, he has grown up to We’re your Halloween Headquarters realize the world outside and for Makeup and Costumes. from that encounter has “ Most of the time, love’s 12” singles have made it into turned inward to examine not enough in itself” ... That a giant dance floor hit. his personal beliefs with Featuring*« r . * ^ Rental Department Staffed is how Depeche Mode Another pleasant surprise on doubt. The main theme of with highly trained Professional started their last LP, Con- Some Great Reward is the dissillusioned love and faith struction Time Again. And it existence of three ballads. which haunts this record Costume fitters was a small revolution: On these songs, David Gahn, comes to a great climax in these pretty young boys who took singing lessons the last and best track on the A Sales Department well stocked were saying maybe there is between the two albums, is album. On this song and more to life than romance. vocally at his best ever. Of supposedly their next single, with masks, hats, accessories, Depeche Mode was outlining the three, “Somebody” “ Blasphemous Rumours,” ready to wear costumes, and their new goals for their especially shines with Alan Martin Gore examines the music. The songs on that LP Wilder’s beautiful piano simple man’s relationship some very unusual make-up were concerned with mat­ solo. with 'God. Drawing two ters bigger than singular Musically also, this is the parallel extremes of faith J. Zzzzzap Party Tickets selves, they addressed social strongest and most varied of and fate, he declares and economic injustice, the Depeche Mode albums. I don’t want to start any A Special Treat on Fri. 26th from dialectical materialisim, The genius of Daniel Miller any blasphemous party politics, and even the shines through on the rumours 3 pm to 9 pm—Airbrush make­ environment. With this new production of every track. But I think that God socially conscious doctrine, By expanding the musical has got sick sense of up session by nationally known Depeche Mode reached a theme of the last LP, he uses humor artist Dennis Hoey of Starmist critical and commercial many different instruments And when I die peak last spring with their and objects to give the music I expect to find him “ People are People” single. a harsher texture. The laughing In that particular song, they sounds of whips in “ Master With this exclamation of powerfully questioned racial and Servant,” and the doubt, one of the finest and religious discrimination. heartbeat in “ Somebody,” records of the year ends with They seemed to be in the and all the interludes during an absurd shudder. Many of "W e are the Professional Costumers” j right direction. which crucial sound effects Depeche Mode’s fashion­ However, less than a year enhance the mood of the conscious fans will dance later, Depeche Mode has music, give Depeche Mode their hearts out listening to come up with their most the intelligent and intriguing this L P and never feel that HARLEQUIN’S COSTUME personal and “ romantic” edge that the likes of shudder, but those that share 501 Chapala Street album to date in Some Great Thompson Twins lack. the doubt await some great S a n ta B a rb a ra , C a lifo r n ia 93101 Reward. In order to put this Finally a great deal of reward. ,(805) 963-1209. seemingly contradictory credit for this small — Keyvan Behnia poocecccgggggie8Siggie8giggCflgggggggccgg shift in direction in per­ spective, one has to remember their young age. So maybe their small revolution was premature. And perhaps love is not enough in itself, but one cannot completely abandon love either. Even though the above statement may sound reactionary, the love that The Depeche Mode addresses on BIGGESTBEERS In to w n ! this record is not the banal pretty fantasies of so many Presents: ® 3 'A U pop songs and videos today. ARDS—36” T A L L —1/2 off!! For example, the current (Mon. - Fri. 3-6 pm) THE MASQUERADE BALL single, “ Master and Ser­ 1 /2 yards, too! vant” angrily deplores OF THE YEAR! sexual abuse within relationships. The six dif­ 503 State S t 965-6655 Come Parade Your Wildest, Sexiest, ferent mixes of this song available on three different & Scariest Costumes Oct. 31st! sot WELL PRINKS 9:00 - 9:30 ★ GRAND PRIZE WINNER FOR TH E Back to School Specials BEST COSTUME WINS 2 ROUNDTRIP AIRLINE TICKETS from the Computer Terminal. on Pacific Coast Airlines T O A N Y W H E R E IN CALIFO RNIA! Come Celebrate with us to the sounds of EXIT! ______POST m ss IT!______j TONIGHT! $ 1 1 7 5 ° ° (Cash Price) It’s Casino Playboy Night!

Apple lie™ and Applewriter Come Party With: with Apple lie Monitor & stand. 128K lie runs many of the same programs ROYALTY! that operate on the lie. THIS WEEKEND... Get Ready for a REDUCED PRICES ON SOFTWARE W ILD ONE! We Deliver on Campus! PURCHASED WITH EACH SYSTEM. Because it's going to be a STOLI WEEKEND! Authorized I tetkr Grand Prize Give A ways Fri. & Sat. Night! omputer Terminal (Stott Jerseys & Suspenderst) , EXIT W ill be here to r o c k y o u UP! Scotch & Sirloin 90 West Highway 246, Buellton 688-1713 Yoa won’t want to miss ont! Goleta Beach Park Macintosh is a trademark licensed to Apple Computer Inc. ©1984 Apple Computer Inc. Apple and the Apple logo are registered trademarks of Apple Computer Inc. 964-7881 • Be There! cssssssssssssssesssssessssssss 6A Thursday, October 25,1984 Daily Nexus Movie Review Real Hitchcock: The Man Who Knew Too Much' For over ten years, moviegoers have been deprived of take place. The denouement comes with a grand scene the best works by the master storyteller, Alfred Hit­ filmed at the Royal Albert Hall in London. chcock. Last year a half a dozen oil these films were Hitchcock uses a more simple visual approach in The re-released. The Man Who Knew Too Much, currently Man Who Knew Too Much than perhaps he is known for being shown at the Rivera, is one of these classics, a with other films, such as Rope and Vertigo. His need to concocted tale of suspense starring Jimmy Stewart, Doris experiment with cinematic styles is not as apparent; he Day, and Daniel Gelin. Although the 120 minutes tend to chooses instead to concentrate on plot development and SAT* OCT. 27 drag in some overly intricate scenes, the film (not to be characterization. The audience thus finds itself less 6 PM («1.50) • 8,10 PM, 12 AM ($2.00) confused with the earlier black and white version Hit­ concerned with Hitchcock’s artistic abilities, and more MAGIC LANTERN Sponsored by ADR • A.S. chcock released in 1934) has the longevity worthy of few involved with MacKenna’s predicament. Hitchcock keeps contemporary movies, and is destined to be around for the viewer’s attention riveted to the screen by pain­ quite some time. stakingly giving out clues one by one. The entertainment Stewart plays Doctor Ben MacKenna, the undeniably is derived more from the story line rather than the visual pleasant doctor from Indianapolis. Refusing to take a presentation. It Knows What Scares Yooi back seat in adorability are Doris Day as his wife Jo and - The Man Who Knew Too Much may not be one of his Christopher Olson as litUe Hank MacKenna. This well more famous works, but it is nonetheless genuine Hit­ groomed American family soon finds itself unwittingly in chcock. In a time when contemporary directors insist on the center of a mysterious espionage involving Morrocan bringing us sleazy formulatic imitations, we can thank murder, kidnapping, and a plot to assassinate and the Rivera Theatre for reminding us of a time when English ambassador. Surprise appears early on in the skill and intelligence were major elements in the cinema, film when a dying spy includes MacKenna in on the in­ as opposed to today’s supposedly sellable sex and c 1987 McKoCoMwitMafti lifn Co andSUbiBOiflasNlni ternational intrigue, and the suspense grows as he races violence. —Gary Goldstein Thursday, October 25 • $2 against time to discover when and where the killing will Campbell Hall • 6,8,10,12 sÿou end by W o m i Attractions ☆ ☆ ☆ ☆ ☆ ☆ ☆ ☆ A Vocal Chamber Music will all be out at The Web proceeds go to KCSB. Recital will be presented mimicking the active tomorrow in Lotte Lehmann spectators. Hot as an oven, New Directions In Film KENNY WILLIAMS AND Concert Hall at 8 p.m. fans for your fire:..It all continues this Sunday at 7 :30 starts at 9 p.m. this Satur­ p.m. in Campbell Hall with UNCLE RALPHIE IN Moon Rocks and Rat Cats day. Admission is $2 and Vassa. Tickets are $3/$2.50. THE MORNING . . . IT’S Organist James Welch TAKE A STUDY BREAKI presents a concert in Lotte A GREAT START! Lehmann Concert Hall ^ ORCHID BOWL Sunday evening at 8 p.m. lets The Red Rockers are the OPEN 24 HRS featured act in Moss Jacobs’ Relax, Unwind- Have Fun! Halloween Party at La Casa Let Loose - Go Bowttngl De La Raza next Wed­ nesday. The Screamin’ Billiards and Videos Sirens and Nancy Drew and The Clues are supporting. There will be also be special OPEN LANES ALL WEEKEND giveaways. Tickets are $6.50 in advance and $8 at the door ORCHID BOWL - GALLEON ROOM — available at all the usual 5925 Calle Real • Goleta • 967-0128 locations.

even rarer, a concerned genius who gener­ CALENDAR ously attempts to share in proportion to what PERFORMANCES LARGER THAN LIFE € 5 1 he has been given.” HIS HOUNESS the XIV DALAI Much more than a skilled technician who LAMA of TIBET lecture “Reflections on the Prospects for renders beautiful interpretations of the concert World Peace.” Friday, October 26 repertoire, Hollander is a recognized artist- at 7:00 PM in the Events Center. philosopher who provokes awareness within audiences everywhere. He has studied the “ARTS IN EDUCATION: AN nature of creativity — investigating and draw­ IMPERATIVE” lecture ing insight from physics and electromagnetic Pianist Lorin Hollander discusses vibrations, neurology and right-left brain the­ the role of creativity in education. ories, psychology and self-expression, mysti­ Monday, October 29 at 7:30 PM in cism and spiritual transcendence — and he the Santa Barbara High School regularly addresses groups of teachers, Auditorium.. government administrators, and the general public on topics relating to creativity and MUSIC: THE CREATIVE PRO­ society. CESS AND THE PATH OF His residency at UCSB will culminate with ENLIGHTENMENT’ a unique lecture-recital: “Music: The Creative lecture-recital “Every problem people face on the planet professional students of the performing arts, Process and the Path of Enlightenment,” on Pianist Lorin Hollander combines will be addressed and perhaps solved by crea­ this lecture will aid anyone who has difficulty Tuesday, October 30 at 8 PM in Campbell Hall. works by Bach, Ravel and Proko­ tive people with creative solutions.” speaking out in class, or addressing groups of He will perform works by Bach, Ravel, Proko­ fiev with a series of inspiring A quote from a congressional candidate? people. fiev and others, and will intersperse his piano remarks. Tuesday, October 30 at performance with a series of illuminating and 8:00 PM in Campbell Hall. a nuclear physicist? a manager in the M-form CONCERNED GENIUS society? No. The above quote shows the cer­ inspiring remarks. (Tickets for this event are “It is easy to call Lorin Hollander a musi­ available at the Arts & Lectures Ticket Office, “THE CHASE AND THE tainty and fervor with which concert pianist CAPTURE” lecture series Lorin Hollander expresses hi$ ideas about the cal genius,”, wrote one critic, “but his gifts of adjacent to Campbell Hall on University Road.) Regents’ Lecturer Weston Naef, interrelationship of art, creativity and the communication are broader than that. He is photography curator at the J. socio-political problems in the modern world. FROM THE LAND OF SNOWS Paul Getty Museum, speaks on Lorin Hollander’s two-day visit to UCSB Thursday, November 1, 8 and 15 (October 29-30) could prove to be the most Lectures by His Holiness the XIV Dalai at 3:30 PM in Girvetz 1004. exciting residency at Arts & Lectures this fall. Lama of Tibet, today and tomorrow evening, His something-for-everyone activity schedule are the highlights of a week of Tibet-related BELLA LEWITZKY DANCE includes opportunities of interest to students, activities co-sponsored by Arts & Lectures and COMPANY performance staff, educators, musicians, and anyone inter­ several other organizations. Sold out. Saturday, November 3 ested in the arts. This afternoon, His Holiness will speak on at 8:00 PM in Campbell Hall. A child prodigy who grew up fast, Hol­ ‘Tibetan Buddhism: Compassion and Wisdom lander recalls once going to school with a note in Deity Yoga” in Campbell Hall. (No more “THE JUDGE AND THE from his mother — his history paper was late tickets are available for this event.) ASSASSIN” film because he had to perform with the New York Tomorrow evening at 7:00 PM in the Directed by Bertrand Tavernier, Philharmonic. Although he is now in his late Events Center, His Holiness will deliver “Reflec­ starring Philippe Noiret and Isa­ thirties, he has already had twenty-eight con­ tions on the Prospects for World Peace.” No belle Huppert. Sunday, November cert seasons, since his Carnegie Hail debut at tickets are necessary. The public is welcome, 4 at 7:30 PM in Campbell Hall. age eleven. So it is very understandable that but there will be absolutely no late seating. he would focus much of his time on creativity Doors will open at 5:00 PM; everyone must be ALSO UPCOMING... Two versions of Shakespeare’s and education. He will give a free lecture on in their seats by 7:00 PM. “Shrew” on film ... artist Brian Monday, October 29 at 7:30 PM in the Santa On Friday afternoon at 3:00 PM in Broida Shapiro on Hollywood ... the Barbara High School Auditorium on “Arts in Room 1610, two videotapes will be screened. Emmanuel Wind Quintet with Education: An Imperative.” The Lost Mystery and The Bamboo Curtain pianist Ursula Oppens . . . and Another of Hollander’s deep concerns is Falls trace the history of Tibet from 1904 to more of the best new films from an exploration of the phenomena of stage 1980. These shows first aired on BBC fright and the neurotic distortions of the crea­ television. Europe. tive process — stemming from fear of criticism Information and tickets for all Arts & Lec­ Any questions? and the destructive side of creative energy. tures events are available at the Arts & Lec­ Call 961-3535. Hollander will give a free presentation on tures Ticket Office, Building 402, adjacent to “Understanding and Conquering Stage Fright" “The arts deal with the highest reaches of the Campbell Hall on University Road. Stop by and on Monday, October 29 at 2:00 PM in Music human soul, spirit and being . . . Art is central. pick up a few brochures, or call 961-3535 to Art is it." — Lorin Hollander Room 1145. In addition to helping pre­ charge tickets by phone. Thursday, October 25,1984 Daily Nexus 7 A Yiddish Oompah-Loompahs l É i r G METROPOLITAN THEATRES CORPORATO S A N T A BARBARA Tired of all this soul-less music that’s proliferating on LIVE STAGE our airwaves? I undertook a ARLINGTON l l CENTER ENTERTAINMENT AO*«8 crusade to better my own 1317 State Street *EP0, musical awareness, and 966-9382 o l tO ° have discovered, in one zany ©O'cV-a' Arlington? 11/3LOURaadîîrt.îî'&S* performance of the Klez- Ticket Agency 11/4 A Tributa to B®' morim last Thursday night, 963-4408 BobMartay a * f # f that you don’t have to go far Rssumes Sunday svsning

at all to find music with a 5:50,10:06 6:40,8:00.10:16 consciousness and a big m PREVIEW "FIRST BORN1 w upstairs Granada ll! 8 PM heart, or truly talented 1216 State Street performers who can keep 963-8740 you in a childish state of a l l o f m e excitement and anticipation. STEVE TEACHERS MARTIN NICK The six musicians of the Çpvmtrxi 5:00. ULY NOLTE K lezm orim are The Klezmorim Jazz Band 9:40 TOMLIN JOBETH singlehandedly responsible JESSICA SAM WILLIAMS for the revival of klezmer mock all attempts of the laboring* person. The music LANGE SHEPARD (PG] A UNIVERSAL music, the exotic music of audience to take them had to distill all that and also RELEASE itinerant instrumentalists seriously. They tell us of exorcise the demons. It was who wandered across their inception — that they very cathartic, very in­ 5:16 Europe for 400 years, en­ began as rival bands on the tense.” This music has a 7:30 tertaining wedding parties streets of Minsk in 1905 universal appeal; it takes in 9:46 and street-corner passers-by (actually Berkeley in 1975), listeners and forces them to alike. The sound, now called and commence a riotous forget time, space, and “ Yiddish Jazz,” though charade of their battle, with worries. IxreC°va%t>i extinct for the last 50 years, Kevin Linscott on trombone Now, in the hands of the His name means lightning is distinctive, a sort of cross hooting notes into rival Klezmorim, klezmer music §i piffefëVcfj of oompa and snake­ trumpeter Stephan Saxon’s is flourishing. The band 6:00. 7:15. 0:30 charming music, with face. Another hilarious spoof broke attendance records at mournfully beautiful was a klezmer rendition of Carnegie Hall in 1983, and Bill Murray 7:00.9:46 moments. The clarinet is its “Aida,” “The Barber of their third album, DIANE KEATON plaintive voice, and the Seville,” and a half dozen Metropolis, earned a Klezmorim’s clarinetist, other operas, all at Grammy Award nomination THE David Julian Gray, wields breakneck speed. in 1981. In other words, these THIE his instrument formidably, The Klezmorim leave guys are not lightweights. So making it shriek, yap like a nothing sacred with their if you’re searching for good, RAZORS LITTLIE puppy, or laugh with a tear wild antics and crazily- fun music, and you missed DRUMMIER in its throat. The Klezmorim conceived music. Perhaps the Klezmorim last Thur­ P G - 1 3 marry this original sound this denial of convention is sday, you may give yourself EDGE GIRL m with American jazz of the due to the nature of klezmer a nice, round kick in the 965-6188 Jimmy Stewart Doris Day pre-Depression era, with music itself. Saxophonist pants. Or you can buy their ■ Thuredey 6 pm some provocative results — Lev Liberman, who with latest album, Notes From 1 1 11 114 1* 89 Charlie Chan films ALFRED HITCHCOCK’S klezmer blues, klezmer David Julian Gray founded Underground. For myself, I 2044 Alameda Padre Serra 10/25 Cherlie Chen Near Santa Barbara Mission raunch, even a “ Yiddisher the band, stated, “ I think of think I ’ll have another listen et the Opera Charleston.” With the THE MAN WHO this music as a music of o f that “ Yiddisher Charlie Chan at the Race Track strident beat of ex-rock n’ social rebellion. Life was Charleston.” Super Samurai Film Series roll and jazz drummer Tom difficult among the lower — Joan McGuire K N E W T O O Fridays 6 pm Stamper, and the somehow classes of Europe. Musicians 10/26 Musashi and Kojiro 8:46 laughable rhythms' of went everywhere and saw MUCH™ Donald Thorton’s tuba, the everything and had entry PREPARE FOR music is infectious, into different levels of demanding you to clap your society, and in a way the hands or stomp your feet. music is a comment on what The Klezmorim are more they saw: the wars and © M A T T - S C a H than musicians, however. relocations and the hard They are comics, actors, and work of the common Sfcnûey-H. MPMN EDUCATIONAL CENTER Test PrsRsritis« Specialists i r c i l i a Body Double... fot M ot motion, flo to Colt: (Continued from pg.3A) 'SAHTA BARBARA “ body double” used in the opening shower scene. [805] 685-5767 Body Double easily lends itself to comparison with fi Soldier's Dressed To Kill and Psycho as well as other Hitchcock S to ru S A L L Y F I E L D films. Like Hitchcock, De Palma doesn’t expect the A story Academy to ever recognize him or his films. He said, “ The 71, PLACES IN you won't 9:30 Academy is a very conservative organization and probably T H E H E A R T always will be.” If De Palma considers himself such a forget... EDI radical filmmaker, why does he make films brimming with trendy exploitation and devoid of any relevant radicalism? GOLETA — Hugh Haggerty and Gena Bleier 6:30,9:16 il Cinema1^ 7 :0 0 . 9:0 0 6050 Hollister Ave 967*9447 A m a d e u S r EVERYTHING Movie Specials: YOU’VE HEARD — O c t o b e r — I IS TRUE b 1^ I ® Rent 2 Videos I at reg. price Turning ÎFaIRVIEWm I sixteen n 251 N Fairview *G et 1 Videos/ isn’t easy. ^ « n r f / « s 967-0744 A UNIVERSAL PICTURE E S

Xfc FREE ^ I 6:00, (w/coupon only) 7 :0 0 , r f H U M Good tkra Halloween! AllofMe 9 :0 0 5 :0 0 . In the night I STEVE MARTIN 9:10 ULY TOMUN R secrets are stolen. CHARLES BRONSON SANTA BARBARA A COP... A KILLER | ¡r # f o/ P“/ H - Rob A DEADLINE.. ’ O x FORD Lowe 10 *> TWIN A DRIVE-IN VIDEO " \ p o o l BWES 7 907 S. Kellogg Ave. MGM/UA RECORDERS Golata 964*9400 , i Starting All has baan quiet., NICK NOLTE at until n o w ! 289** JOBETH WILLIAMS 7 :00. “For Everything You Need In 10:20 TEACHERS m re Home Video Entertainment.'’ jDOCATWnAL I V H DRIVE-IN a c c e s s h SUNDAY 181 K .M IR M M 8141 s u n 9 . E-6 1187 COAST VH1ASC DO. GOUIA.CA 93017 SAM* M U K CA 93101 MOMECI10. CA 93108 A ir p o r t SW AP MEET 683-1482 9688633 9 6 9 4 2 S 6 Hollister and Fairvltw 964-8377 907 S. Kellogg Golete 964-9060 New Location: 1023 State Street • 963*1481 In the night, Seller« - Bring your new ft secrets are stolen ueed merchandise. Gates open 6 am Ü 7 « . 10:40 Buyers - Find your greatest bargain« 8A Thursday, October 25,1984 Daily Nexus A.S. PROGRAM BOARD This page provided and paid for by A S. Program Board ^ * SHEER STARK TERROR GRIPS YOU I« UNDERWATER 3-D! A SCIEN CE FANTASTIC FICTION IN Friday, October 26 at 7 p.m., CLASSIC. Program Board will present a special screening of Creature from the Black Lagoon. The film is in true to life 3-D, and there will be no charge for the film or the glasses! The underwater adventure will take place at the UCSB lagoon, where else? So bring your blankets and start your Halloween weekend with a great classic flic, and beware of anything suspicious coming out of the water behind the UCEN, it may just be the Creature from the Black Lagoon. WIN A FREE TRIP TO FLORIDA You, yes - you Gauchos, Florida during spring break can win a free trip to to compete in the National Daytona Beach Florida! Championship event. The What’s the catch? Well, the National Champion wil National Collegiate Driving receive $5,000.00 scholarship Championship is an event and the use of a Dodge taking place at 78 selected Daytona for one year. Over schools throughout the U.S. $100,000 in prizes will be And once again Gauchos awarded. our beautiful campus has The event will take place been chosen to participate Monday, October 29, and in a specially selected Tuesday October 30, in the event. For two days at each faculty lot #28, (the military campus a “ Solo II Sports science parking lot) from 5 Car Rally” will be con­ p.m. to 11 p.m. All you have ducted. In a “ Solo II Rally” to do to enter is put your contestants drive two timed driving shoes on and go to laps around a figure-8 the event. Bring all your shaped course. The friends for more of a racecourse is outlined with challenge. Anyone 18 years cone-pylons and each one of age or older with a valid that is knocked over causes college ID can participate. tfie contestant to lose one If you have any questions at second from their time. At all about this exciting event the end of the second day feel free to drop by the the student with the best Program Board office. So score (time + accuracy) start up your engines and will be the winner. The cruise over to the National winner receives an expense- Collegiate Driving Cham­ The Trend To Play The Pub paid trip to Daytona Beach, pionships! PROGRAM BOARD Baraka to Speak The A.S. Program Board once again presents “ Thursday Night in the Pub!” This Thursday we bring you The EVENTS CALENDAR Tomorrow on the TREND. Craig Scholz, Mike Keefer and Steven Bates are the three men who lead this performing troup. You might Thurs., — Tonight! The Trend, 8 p.m. have seen them at the SCOTCH and SIRLOIN on a Oct. 25 FREE! The Pub. "Artist in the 80's" Tuesday night but come down tonight to see them at the — Photo-Show, now through Oct. Pub. If you miss them tonight you will only miss out in 28. Amiri Baraka, are now considered to be saying “ I could have seen them before they made their UCen Gallery. playwright, poet, professor, progenitors of the “ Theatre VIDEO.” The TREND leaves to L.A. in January to film a Guggenheim fellowship of Realism.’’ His work video with “The same man who filmed Berlin’s Metro” recipient and intellectual, epitomizes the artist quoted from Mike the bass guitarist. Just think, three Fri., — UCSB Jazz in The Pub, will speak at UCSB “engage” , who creates art young Santa Barbarians on M-TV one day each with 19.8 Oct. 26 Happy Hours, 5-7 p.m. tomorrow afternoon at 3:00 forms which illuminate units a piece. So, Don’t Forget — 8 p.m. in the Pub the — FREE Movie at Lagoon, 7:00 p.m. p.m. in 1160 Phelps Hall. social conditions and ex­ TREND for FREE. Come early to get a good spot. Creature From The Black Following the lecture, Prof. pound an alternative Lagoonl Baraka will answer the political philosophy. Prof. questions of a panel of Baraka is now a tenured respondents from the UCSB faculty member of the State Sun., — The Fixx with General Public at academic community, in­ University of New York Oct. 28 the Events Center. Don't miss cluding the Departments of (SUNY), Stony Brook. out — Get your tickets today! , Black Studies, English and Theatre Arts. There will The symposium is entitled also be time for questions “ Artistic Changes, Artistic from the audience. Challenges: the Artist in the Tues., — Comedy Night in The Pub. From the 1960’s to the 80’s” and is sponsored by Oct. 30 present, Amiri Baraka (aka the Department of Black LeRoi Jones) has been a Studies, A.S. Program Wed., - HALLOWEEN. The My Ties moving force in the Board, A.S. Legislative development of con­ Council, the Black Students’ Oct. 31 perform at lagoon lawn, noop. temporary, radical theatre. Union, the English FREEI His early plays, which Department, the Depart­ shocked many people ment of Theatre Arts, the Thank You — To the Security and Ushers because of their graphic use College of Creative Studies of language and imagery, and the University Library. who worked at John Stockwell and at Thursday nights in the Pub.