The Specials First Album
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
Issue 148.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 148 November Oxford’s Music Magazine 2007 Little Fish Fins are going swimmingly for Oxford’s brightest new rock sprats - interview inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] AS HAS BEEN WIDELY Oxford, with sold-out shows by the REPORTED, RADIOHEAD likes of Witches, Half Rabbits and a released their new album, `In special Selectasound show at the Rainbows’ as a download-only Bullingdon featuring Jaberwok and album last month with fans able to Mr Shaodow. The Castle show, pay what they wanted for the entitled ‘The Small World Party’, abum. With virtually no advance organised by local Oxjam co- press or interviews to promote the ordinator Kevin Jenkins, starts at album, `In Rainbows’ was reported midday with a set from Sol Samba to have sold over 1,500,000 copies as well as buskers and street CSS return to Oxford on Tuesday 11th December with a show at the in its first week. performers. In the afternoon there is Oxford Academy, as part of a short UK tour. The Brazilian elctro-pop Nightshift readers might remember a fashion show and auction featuring stars are joined by the wonderful Metronomy (recent support to Foals) that in March this year local act clothes from Oxfam shops, with the and Joe Lean and the Jing Jang Jong. Tickets are on sale now, priced The Sad Song Co. - the prog-rock main concert at 7pm featuring sets £15, from 0844 477 2000 or online from wegottickets.com solo project of Dive Dive drummer from Cyberscribes, Mr Shaodow, Nigel Powell - offered a similar deal Brickwork Lizards and more. -
Khouri Was Llke a Godfather to Many Early Jamaican Producers
National Library of Jamaica --------~.--------~ .~------------.. eponeer ·---=remem ers UNSUNG MUSICAL HERO • Ken Khouri was llke a godfather to many early Jamaican producers . .... ~ NAr1o~'iA' - - ' ... L:B,1ARY o:- i~\1AlcA A ec Durie. WHEN PEOPLE local businessman, ODAY, in Downtown ta1k about the origins Says Khouri: 'I was the king ofcalypso. of Times Store· popu Kingston, for support. of the Jamaican to him lar music industry, they I started ska, reggae, rocksteady in my "I made a proposition T that I wanted him to become the about everybody else talk studio. Dodd has been given most ofthe sole distributor of the records. except Ken Khouri. and we started man He was excited Retired and a homely credit, but I don't contradict... ' the Times Record label. I told these days. it was Khouri 's him to just sell them and give adventurism which gave birth difference." He agreed. "The fellow was saying that With increasmg commercial me the to the record manufacturing was a real second he was desperate, but the success, he decided to import Their first attempt sector. Starting with a hand machine he owner was telling him, 'I'm the discs in bulk. Then he gamble, but it paid off hand recording the a hustler in sorry, I can't help you' I turned . called Decca in London and somely. Durie advertised bought from on their he went on to build to the fellow and asked, 'Is it agreed with them to make sale of the records Miami, in the Records, which was omething you're selling?' He records from the discs for sale: Times Records label Federal to pack later sold to the late Bob told me that it was a di ·c "They told me how newspapers for the Saturday: I sent a Marley and has since become recording machine and asked if the discs and send them. -
The Midlands Essential Entertainment Guide
Staffordshire Cover - July.qxp_Mids Cover - August 23/06/2014 16:43 Page 1 STAFFORDSHIRE WHAT’S ON WHAT’S STAFFORDSHIRE THE MIDLANDS ESSENTIAL ENTERTAINMENT GUIDE STAFFORDSHIRE ISSUE 343 JULY 2014 JULY ’ Whatwww.whatsonlive.co.uk sOnISSUE 343 JULY 2014 ROBBIE WILLIAMS SWINGS INTO BRUM RHYS DARBY return of the Kiwi comedian PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART THE GRUFFALO journey through the deep dark wood in Stafford... FUSE FESTIVAL showcasing the region’s @WHATSONSTAFFS WWW.WHATSONLIVE.CO.UK @WHATSONSTAFFS talent at Beacon Park Antiques For Everyone (FP-July).qxp_Layout 1 23/06/2014 14:00 Page 1 Contents- Region two - July.qxp_Layout 1 23/06/2014 12:42 Page 1 June 2014 Editor: Davina Evans INSIDE: [email protected] 01743 281708 Editorial Assistants: Ellie Goulding Brian O’Faolain [email protected] joins line-up for 01743 281701 Wireless Festival p45 Lauren Foster [email protected] 01743 281707 Adrian Parker [email protected] 01743 281714 Sales & Marketing: Jon Cartwright [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 Subscriptions: Adrian Parker [email protected] 01743 281714 Scooby-Doo Managing Director: spooky things a-happening Paul Oliver [email protected] in Wolverhampton p27 01743 281711 Publisher and CEO: Martin Monahan [email protected] 01743 281710 Graphic Designers: Lisa Wassell Chris Atherton Accounts Administrator Julia Perry Wicked - the award-winning musical -
Ghost Gig: Redskins Programme
13th December 2019 marks slick, The Redskins were Chris Dean was not keen the anniversary of the highly your band’ and lead singer on broader pop and politics politically charged band Chris Dean once claimed allegiances. Discussing Red Redskins playing our New that his ambition was to Wedge, the Labour Party SETLIST Cavendish Street site. The have his band ‘sing like affiliated movement, he noted original concert took place the Supremes and walk that ‘if the Labour Party are in 1985, only a week after like the clash’ (from NWNM organising a tour, the one thing Lean on Me (second single on CNT, 1982)* 6.15 New Order played the same reissue sleevenotes). Their you can be sure about is that Reds strike the blues* 4.34 venue, and were the subject first single Lev Bronstein it’ll sell out’. He in fact talked Hold on!* 3.18 of a ghost gig last year. As (Trotsky’s real name) was about setting up a Redder Unionise (b side of Lean on Me) 4.53 we noted then, 1985 was a released in 1982, followed by Wedge. Certainly they would Kick over the statues! (single, Decca/London 1985)* 2.27 curious and eclectic musical Lean on Me (‘a love song to have not been interested in decade. For Redskins though workers’ solidarity’ said the the Live Aid event that took Ninety nine and a half won’t do (reissue NWNM) 4.20 1985 would have been seen NME) before the band signed place earlier that summer. Take no heroes!* 5.33 as the year of the SDP/ for Decca/London Records. -
The Specials More Specials Mp3, Flac, Wma
The Specials More Specials mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: More Specials Country: UK Released: 1980 Style: Ska MP3 version RAR size: 1367 mb FLAC version RAR size: 1502 mb WMA version RAR size: 1415 mb Rating: 4.5 Votes: 702 Other Formats: ASF AA DXD DMF AUD WAV WMA Tracklist Hide Credits Enjoy Yourself (It's Later Than You Think) A1 3:39 Written-By – Sigman*, Magidson* Man At C & A A2 3:36 Written-By – Dammers*, Hall* Hey, Little Rich Girl A3 3:35 Saxophone – Kix Thompson*Written-By – Byers* Do Nothing A4 3:43 Written-By – Golding* Pearl's Cafe A5 3:07 Vocals – Rhoda DakarWritten-By – Dammers* Sock It To 'Em J.B. A6 2:56 Producer – John BradburySaxophone – Paul Heskatt*Written-By – Dunn* Stereotypes B1a 7:24 Written-By – Dammers* Stereotypes-Pt. 2 B1b Written-By – Staples* Holiday Fortnight B2 2:45 Written-By – Byers* I Can't Stand It B3 4:01 Vocals – Rhoda DakarWritten-By – Dammers* International Jet Set B4 5:37 Written-By – Dammers* Enjoy Yourself (Reprise) B5 1:46 Written-By – Sigman*, Magidson* Credits Backing Vocals – Carlisle*, Caffey*, The Go-Go's*, Wiedlin*, Lynval Golding Bass – Sir Horace Gentleman Cornet – Dick Cuthell Drums – John Bradbury Engineer – Dave Jordan, Jeremy (The Blade) Allom* Flugelhorn – Dick Cuthell Guitar – Lynval Golding, Roddy Radiation Organ – Jerry Dammers Percussion – Neville Staples* Piano – Jerry Dammers Producer – Dave Jordan (tracks: A1 to A5, B1 to B5), Jerry Dammers (tracks: A1 to A5, B1 to B5) Trombone – Rico Rodrigues* Vocals – Neville Staples*, Terry Hall Other versions -
The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3. -
17/9/15 Slagg Brothers Rhythm & Blues, Soul
17/9/15 Slagg Brothers Rhythm & Blues, Soul & Grooves Show Boys Keep Swinging 3:18 David Bowie From 1979 album Lodger Backslop 2:33 Baby Earl & The Trinidads 1958, has autobiographic elements - Berry was born at 2520 Goode Avenue in St. Johnny B. Goode 2:40 Chuck Berry Louis. He has written thirty more songs involving the character Johnny B. Goode, "Bye Bye Johnny", "Go Go Go", and "Johnny B. Blues" 1961. In 1962, the story continued with the arrival of Little Bitty Big John, learning Big Bad John 3:04 Jimmy Dean about his father's act of heroism. Big Bad John was also the title of a 1990 television movie starring Dean. 1966, written, composed, and performed by Cat Stevens. He got the name from his Matthew and Son 2:44 Cat Stevens tailor, Henry Matthews, who made suits him. From 1973 album Don't Shoot Me I'm Only the Piano Player. Donatella Versace named Daniel 3:55 Elton John her son Daniel Versace after this song. Hey Willy 3:28 The Hollies 1971. Hey Willy your mother calls you Billy, Your daddy calls you silly This was originally recorded by LA band The Leaves in 1965. No one has been able to Hey Joe 3:01 Tim Rose copyright it, so the song is considered "traditional," meaning anyone can record it without paying royalties. Hendrix was inspired to sing it after hearing this version. 1967. Original member Syd Barrett wrote this about a cross-dresser who used to Arnold Layne 2:53 Pink Floyd steal bras and panties from clotheslines in Cambridge. -
Kiff Aarau We Keep You in the Loop
SEP.19 2 Tone EINSCHLAUFEN Betrifft: Unangefochten nach Hause tanzen Impressum Nº 07.19 Die Telefone bleiben stumm, die hastig durch Wipkingen ebenso souverän besteigen wie das DER MUSIKZEITUNG LOOP 22. JAHRGANG den Raum gebrüllten Regieanweisungen sind Nachtboot nach Kairo. Und in lockerer Fuss- verklungen, es ist niemand mehr da. Wilson- bekleidung tanzt man auch unangefochten P.S./LOOP Verlag Pickett-Zeit, Schichtende. Der Kugelschrei- nach Hause, getragen von den Ska-Klängen Hohlstrasse 216, 8004 Zürich ber wird zurück in die Hemdtasche gesteckt, aus den ganz frühen Achtzigerjahren, die uns Tel. 044 240 44 25 der Rechner heruntergefahren, der Schreib- auf den folgenden Seiten begleiten. Eine mu- www.loopzeitung.ch tisch verlassen. Stummen Schrittes durchs sikalische Energiequelle, politisch ummantelt Treppenhaus, zwei Stockwerke, danach vor- und von nachwachsenden Generationen im- bei an der stillgelegten Stempeluhr und raus mer wieder befeuert. Und womöglich erneut Verlag, Layout: Thierry Frochaux in die Sommernacht. «Guido has left the aktuell, wenn Grossbritannien Ende Oktober [email protected] building.» Ein Satz, der jede Nacht kurz in den EU-Austritt umsetzen muss. Denn spä- meinem Kopf aufflackert, gefolgt von einem testens dann wird «You’re Wondering Now» Administration, Inserate: Manfred Müller Blick hoch zum Himmel. von The Specials eine neue Facette erhalten. [email protected] Um diese Uhrzeit ist der Verkehrslärm in un- Ganz zu schweigen von «Ghost Town». serer kleinen grossen Stadt bereits angenehm Noch bleiben also knapp zwei Monate bis Redaktion: Philippe Amrein (amp), gedrosselt, allerdings nicht so stark, dass man zur grossen Abrechnung respektive dem Ab- Benedikt Sartorius (bs), Koni Löpfe sich bloss noch von atmender Stille umgeben schied von Grossbritannien, wie wir es ken- wähnen würde. -
Dennis Brown ARTIST: Dennis Brown TITLE: The
DATE March 27, 2003 e TO Vartan/Um Creative Services/Meire Murakami FROM Beth Stempel EXTENSION 5-6323 SUBJECT Dennis Brown COPIES Alice Bestler; Althea Ffrench; Amy Gardner; Andy McKaie; Andy Street; Anthony Hayes; Barry Korkin; Bill Levenson; Bob Croucher; Brian Alley; Bridgette Marasigan; Bruce Resnikoff; Calvin Smith; Carol Hendricks; Caroline Fisher; Cecilia Lopez; Charlie Katz; Cliff Feiman; Dana Licata; Dana Smart; Dawn Reynolds; [email protected]; Elliot Kendall; Elyssa Perez; Frank Dattoma; Frank Perez; Fumiko Wakabayashi; Giancarlo Sciama; Guillevermo Vega; Harry Weinger; Helena Riordan; Jane Komarov; Jason Pastori; Jeffrey Glixman; Jerry Stine; Jessica Connor; Jim Dobbe; JoAnn Frederick; Joe Black; John Gruhler; Jyl Forgey; Karen Sherlock; Kelly Martinez; Kerri Sullivan; Kim Henck; Kristen Burke; Laura Weigand; Lee Lodyga; Leonard Kunicki; Lori Froeling; Lorie Slater; Maggie Agard; Marcie Turner; Margaret Goldfarb; Mark Glithero; Mark Loewinger; Martin Wada; Melanie Crowe; Michael Kachko; Michelle Debique; Nancy Jangaard; Norma Wilder; Olly Lester; Patte Medina; Paul Reidy; Pete Hill; Ramon Galbert; Randy Williams; Robin Kirby; Ryan Gamsby; Ryan Null; Sarah Norris; Scott Ravine; Shelin Wing; Silvia Montello; Simon Edwards; Stacy Darrow; Stan Roche; Steve Heldt; Sujata Murthy; Todd Douglas; Todd Nakamine; Tracey Hoskin; Wendy Bolger; Wendy Tinder; Werner Wiens ARTIST: Dennis Brown TITLE: The Complete A&M Years CD #: B0000348-02 UPC #: 6 069 493 683-2 CD Logo: A&M Records & Chronicles Attached please find all necessary liner notes and credits for this package. Beth Dennis Brown – Complete A&M Years B0000348-02 1 12/01/19 11:49 AM Dennis Brown The Complete A&M Years (CD Booklet) Original liner notes from The Prophet Rides Again This album is dedicated to the Prophet Gad (Dr. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Book Proposal 3
Rock and Roll has Tender Moments too... ! Photographs by Chalkie Davies 1973-1988 ! For as long as I can remember people have suggested that I write a book, citing both my exploits in Rock and Roll from 1973-1988 and my story telling abilities. After all, with my position as staff photographer on the NME and later The Face and Arena, I collected pop stars like others collected stamps, I was not happy until I had photographed everyone who interested me. However, given that the access I had to my friends and clients was often unlimited and 24/7 I did not feel it was fair to them that I should write it all down. I refused all offers. Then in 2010 I was approached by the National Museum of Wales, they wanted to put on a retrospective of my work, this gave me a special opportunity. In 1988 I gave up Rock and Roll, I no longer enjoyed the music and, quite simply, too many of my friends had died, I feared I might be next. So I put all of my negatives into storage at a friends Studio and decided that maybe 25 years later the images you see here might be of some cultural significance, that they might be seen as more than just pictures of Rock Stars, Pop Bands and Punks. That they even might be worthy of a Museum. So when the Museum approached me three years ago with the idea of a large six month Retrospective in 2015 I agreed, and thought of doing the usual thing and making a Catalogue.