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O Porquê Da Existência De Festivais Punk Na Europa
Paulo Bettencourt Lemos A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Relatório de estágio em Comunicação e Jornalismo, orientado pelo Doutor Carlos Camponez, apresentado ao Departamento de Informação, Comunicação e Filosofia da Faculdade de Letras da Universidade de Coimbra Julho de 2014 1 Faculdade de Letras A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Ficha Técnica: Tipo de trabalho Relatório de estágio Título A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Autor Paulo Bettencourt Lemos Orientador Doutor Carlos Camponez Júri Presidente: Vogais: 1. 2. Identificação do Curso 2º Ciclo em Comunicação e Jornalismo Data da defesa Classificação 2 Resumo Embora o Punk tenha surgido em finais da década de 70 como uma contra-cultura revolucionária que se opôs aos valores sociais vigentes da sociedade inglesa, rapidamente a indústria absorveu este movimento social. A atual aceitação social da prévia rebeldia Punk deu-se através da sua comercialização, onde foi possível ao mainstream suavizar os seus aspetos mais agressivos popularizando assim agrupamentos musicais do género. A vulgarização do Punk ocorreu deste modo através da incorporação comercial da sua música e estética. Neste relatório de estágio reflete-se sobre o papel e a influência da indústria no Punk. Através de uma análise ao festival Mighty Sounds, compreenderemos como a comercialização desta tribo urbana tornou este fenómeno facilmente reconhecido a nível mundial e qual o impacto da indústria nos movimentos do underground, desconhecidos pelo grande público, e que se encontram fora dos mediatismos comerciais e noticiosos. Palavras-chave: Mighty Sounds, Punk, Música, Festivais de Verão, República Checa, Praga 3 Abstract Although Punk has emerged in the late 70s as a revolutionary counter-culture that opposed the prevailing social values of English society, the industry quickly absorbed this social movement. -
We Make It Easier for You to Sell
We Make it Easier For You to Sell Travel Agent Reference Guide TABLE OF CONTENTS ITEM PAGE ITEM PAGE Accommodations .................. 11-18 Hotels & Facilities .................. 11-18 Air Service – Charter & Scheduled ....... 6-7 Houses of Worship ................... .19 Animals (entry of) ..................... .1 Jamaica Tourist Board Offices . .Back Cover Apartment Accommodations ........... .19 Kingston ............................ .3 Airports............................. .1 Land, History and the People ............ .2 Attractions........................ 20-21 Latitude & Longitude.................. .25 Banking............................. .1 Major Cities......................... 3-5 Car Rental Companies ................. .8 Map............................. 12-13 Charter Air Service ................... 6-7 Marriage, General Information .......... .19 Churches .......................... .19 Medical Facilities ..................... .1 Climate ............................. .1 Meet The People...................... .1 Clothing ............................ .1 Mileage Chart ....................... .25 Communications...................... .1 Montego Bay......................... .3 Computer Access Code ................ 6 Montego Bay Convention Center . .5 Credit Cards ......................... .1 Museums .......................... .24 Cruise Ships ......................... .7 National Symbols .................... .18 Currency............................ .1 Negril .............................. .5 Customs ............................ .1 Ocho -
Dr. Ron Shroyer: an Historical Study of His Career and Contributions to Central Methodist University
DR. RON SHROYER: AN HISTORICAL STUDY OF HIS CAREER AND CONTRIBUTIONS TO CENTRAL METHODIST UNIVERSITY __________________________________________________ A Dissertation Presented to the Faculty of the Graduate School at the University of Missouri __________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________________________________________________ by Ryan McLouth Dr. Brian Silvey, Dissertation Supervisor DECEMBER 2017 Copyright by Ryan McLouth 2017 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled DR. RON SHROYER: AN HISTORICAL STUDY OF HIS CAREER AND CONTRIBUTIONS TO CENTRAL METHODIST UNIVERSITY presented by Ryan McLouth, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. __________________________________________________ Professor Brian A. Silvey __________________________________________________ Professor Wendy L. Sims __________________________________________________ Professor Antonio J. Castro __________________________________________________ Professor Anthony Glise __________________________________________________ Professor Brandon A. Boyd ACKNOWLEDGEMENTS I would like to thank Dr. Shroyer for his interest in participating in this study. I greatly appreciate his support in many ways: offering me my first job in higher education, encouraging me to take all opportunities to further my education, and serving as a wonderful teacher and mentor to me since my first days as a college student. I would also like to thank my friends and colleagues at Central Methodist for their support and willingness to be a part of my research. Finally, thanks to my dissertation committee members Dr. Antonio Castro, Dr. Brandon Boyd, and Professor Anthony Glise for their guidance in the project, as well as my advisors Dr. Brian Silvey and Dr. Wendy Sims for their encouragement and patience through the entire process. -
1-September 2, 2003
Communitas MVCC Faculty/Staff Newsletter September 2nd, 2003 Program Name A complete list of the Changes Fall 2003 Chemical Dependency Practitioner AAS (from Chem Dependency Counseling) Cultural Series Computer Aided Drafting AOS Events (from Drafting) can be found Culinary Arts Management AOS beginning on page 2 (from Food Service) Recreation & Leisure Services AAS (Recreation Leadership) President Michael Schafer’s Convocation Remarks Good Morning: Thanks to Jim Suriano and the Sodexho staff for putting on this wonderful breakfast. I am happy to welcome a few special guests who took the time out of their schedules to join us this morning: John Stetson- Chair, MVCC Board of Trustees David Mathis - Trustee Dana Higgins - Former member of the Board of Trustees Edward Stephenson –Oneida County Legislator MVCC Receives Mike Parsons- President of First Source and a member of our Foundation Board It is truly special to have the entire college community together today as we Donated Electric begin a new academic year. It’s really pretty quiet here throughout the summer. The cam- Vehicles pus finally comes alive when all of you return. There are a couple of unusual To the newest members of the College Community, let me extend a very warm new vehicles traveling around the Utica welcome and convey to you how pleased we are that you have chosen to become a part Campus this fall.They are two-passenger of MVCC. We hope that you will very quickly feel at home here, and please let us know open electric vehicles donated by the if there are any ways we can help. -
Characteristics of Music in Jamaica and Bob Marley
CHARACTERISTICS OF MUSIC IN JAMAICA AND BOB MARLEY CHARACTERISTICS OF MUSIC IN JAMAICA ● The music of Jamaica Jamaican folk music encompasses as many genres of popular music, such as mento, ska, rocksteady, reggae, dub, dancehall, reggae and other styles associated fusion ● The Jamaican American musical culture mix musical elements, such as: -rhythm and blues - rock and roll -soul REGGAE Reggae is a music genre that was born in Jamaica in the mid-1960s It became really popular since 1970 The reggae music genre is characterized by slower than ska and rocksteady music The reggae guitar used to put emphasis on either the third pulse or to keep the line from the second to the fourth. Uses instruments like guitar, bass, drums, hammond organ guitar Bass Hammond organ drums BOB MARLEY Robert Nesta Marley Booker, better known as Bob Marley, was a musician, guitarist and composer Jamaican. Born on February 6, 1945, in Nine Mile (Saint Ann), Jamaica He died on 11 May 1981 to 36 years in Miami (Florida), United States He had 14 children: Damian Marley, Ziggy Marley, Stephen Marley, Ky-Mani Marley, Rohan Marley, Julian Marley, Cedella Marley, Isaac Marley, Stephanie Marley, Imani Carole Marley, Sharon Marley, Robbie Marley, Karen Marley, Makeda Marley Their record label was: Island Records, Tuff Gong, Beverley's, Studio One, Trojan Records, St. Claire, Universal His online page it´s: http://www.bobmarley.com You can watch this video, of Bob Marley, that it´s one of most famous songs: https://www.youtube.com/watch?v=2XiYUYcpsT4 Made by María Pajares . -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Heather Augustyn 2610 Dogleg Drive * Chesterton, in 46304 * (219) 926-9729 * (219) 331-8090 Cell * [email protected]
Heather Augustyn 2610 Dogleg Drive * Chesterton, IN 46304 * (219) 926-9729 * (219) 331-8090 cell * [email protected] BOOKS Women in Jamaican Music McFarland, Spring 2020 Operation Jump Up: Jamaica’s Campaign for a National Sound, Half Pint Press, 2018 Alpha Boys School: Cradle of Jamaican Music, Half Pint Press, 2017 Songbirds: Pioneering Women in Jamaican Music, Half Pint Press, 2014 Don Drummond: The Genius and Tragedy of the World’s Greatest Trombonist, McFarland, 2013 Ska: The Rhythm of Liberation, Rowman & Littlefield, 2013 Ska: An Oral History, McFarland, 2010 Reggae from Yaad: Traditional and Emerging Themes in Jamaican Popular Music, ed. Donna P. Hope, “Freedom Sound: Music of Jamaica’s Independence,” Ian Randle Publishers, 2015 Kurt Vonnegut: The Last Interview and Other Conversations, Melville House, 2011 PUBLICATIONS “Rhumba Queens: Sirens of Jamaican Music,” Jamaica Journal, vol. 37. No. 3, Winter, 2019 “Getting Ahead of the Beat,” Downbeat, February 2019 “Derrick Morgan celebrates 60th anniversary as the conqueror of ska,” Wax Poetics, July 2017 Exhibition catalogue for “Jamaica Jamaica!” Philharmonie de Paris Music Museum, April 2017 “The Sons of Empire,” Deambulation Picturale Autour Du Lien, J. Molineris, Villa Tamaris centre d’art 2015 “Lee ‘Scratch’ Perry’s Super Ape,” Wax Poetics, November, 2015 “Don Drummond,” Heart and Soul Paintings, J. Molineris, Villa Tamaris centre d’art, 2012 “Spinning Wheels: The Circular Evolution of Jive, Toasting, and Rap,” Caribbean Quarterly, Spring 2015 “Lonesome No More! Kurt Vonnegut’s -
Khouri Was Llke a Godfather to Many Early Jamaican Producers
National Library of Jamaica --------~.--------~ .~------------.. eponeer ·---=remem ers UNSUNG MUSICAL HERO • Ken Khouri was llke a godfather to many early Jamaican producers . .... ~ NAr1o~'iA' - - ' ... L:B,1ARY o:- i~\1AlcA A ec Durie. WHEN PEOPLE local businessman, ODAY, in Downtown ta1k about the origins Says Khouri: 'I was the king ofcalypso. of Times Store· popu Kingston, for support. of the Jamaican to him lar music industry, they I started ska, reggae, rocksteady in my "I made a proposition T that I wanted him to become the about everybody else talk studio. Dodd has been given most ofthe sole distributor of the records. except Ken Khouri. and we started man He was excited Retired and a homely credit, but I don't contradict... ' the Times Record label. I told these days. it was Khouri 's him to just sell them and give adventurism which gave birth difference." He agreed. "The fellow was saying that With increasmg commercial me the to the record manufacturing was a real second he was desperate, but the success, he decided to import Their first attempt sector. Starting with a hand machine he owner was telling him, 'I'm the discs in bulk. Then he gamble, but it paid off hand recording the a hustler in sorry, I can't help you' I turned . called Decca in London and somely. Durie advertised bought from on their he went on to build to the fellow and asked, 'Is it agreed with them to make sale of the records Miami, in the Records, which was omething you're selling?' He records from the discs for sale: Times Records label Federal to pack later sold to the late Bob told me that it was a di ·c "They told me how newspapers for the Saturday: I sent a Marley and has since become recording machine and asked if the discs and send them. -
Basslines 6: Roots, Dancehall, and Karaoke
Basslines 6: Roots, Dancehall, and Karaoke Column in zweikommasieben Magazin #15, 2017 (www.zweikommasieben.ch ) Annotated version with sound and text references Text: Marius ‚Comfortnoise‘ Neukom ( www.comfortnoise.com ) With his 2000 book Bass Culture: When Reggae was King , Lloyd Bradley presented the most comprehensive, varied, and entertaining history of reggae to date. In its last section, however, the book takes a surprising turn – Bradley argued that the history of reggae came to an end in the mid-80s, and left was without any notable offshoots. This is an astonishing thesis, especially coming from an author like him. What were the arguments behind it, and what kind of light do the fifteen+ years since the book’s pub- lication shed on its legitimacy? In the early 1970s, after ska and rocksteady 1, Jamaica found in reggae a style that was distinctive in both musical profile and content. It was a style that would go on to influ- ence the identity of a generation and that was characterized by the social and political 1 The origins lie in the boom of the still colonial Jamaica of the 50s, when first sound systems (loud- speakers placed under free sky) were playing mento, calypso, r&b, jazz and soul. At the end of the 50s in the ghettos of Kingston, ska (https://en.wikipedia.org/wiki/Ska ) emerged: a mixture of the aforementioned music styles that became the first genuine Jamaican genre. With the high pace of ska, its emphasis on the rhythm and by broaching the issue of everyday life in the ghetto, the first gangsters entered the stage. -
Reggae Bass Pdf, Epub, Ebook
REGGAE BASS PDF, EPUB, EBOOK Ed Friedland | 32 pages | 01 Nov 1998 | Hal Leonard Corporation | 9780793579945 | English | Milwaukee, United States Reggae Bass PDF Book Reggae Rock. Here's a cool trick I learned to get super sub dubby bass tone: use an envelope filter, but turn the sensitivity all the way down so that it never opens. Print this page Do you know your Reggae Bass? No effects. May 26, Chapel Hill, NC. Fender Mustang Amp Review. Walking lines and swung bass lines in reggae tend to stay behind the beat and generally play very relaxed. Reggae Guitar. Reggae Love Songs. All rights reserved. You can accomplish everything with a few basic EQ and technique changes. Mostly no effects, it is really about the groove, not the tone. Do you use effects in reggae? It was also during this time that bass players were given a little bit more musical freedom and bass lines during this period began to become more intricate — relatively speaking bearing the standards set by ska and rocksteady in mind from before. Extra sustain and super round, phat but clean bass. Reggae Bass Scales. Use the previous reggae grooves as a blueprint for creating your own and listen to a lot of reggae bands for inspiration. Reggae Instrumental. The earliest form of music to come from Jamaica was a mid-tempo style of music called ska. While the One Drop Rhythm is fundamentally a single strike of the kick and the snare at the same time, there is some ambiguity on whether or not the drop is on beat three or just on beats two and four. -
Welcome, Parents
Welcome, Parents T's The Weather Oldest and Large T day: Partly unny, 63°F (17°C) Tonight: Clear, brisk, 46°F (8° ) ewspaper Tomorrow: Mo tly sunny, 66°F (190 Details, Page 2 Volume 118, umber 50 Friday, October 16, 1998 Committee Sets Out To rvam Freshman Curricul by 2001 By Alex lanculescu the weight of tbe world," Hodge Professor of Media Arts a d STAFF REPORTER said, Sciences tephen A Benton will co- Plans to dramatically restructure One major focus of the new chair this committee, the freshman curriculum by 2001 group looking at the freshman year The committee may propose a were announced last week by Dean is cutting down the academic pace series of experimental subjects to be for Undergraduate Curriculum Kip of MIT and to design course sub- offered as soon as next year and V, Hodges PhD '82, although noth- jects so that they are more interac- even as early as the spring, Hodges ing has formally been decided upon tive and group-based, Hodges said, said, Students would take the class- as of yet "There is currently too much es on a voluntary basis, he said, Dubbed the "Educational Design pace and pressure, and not enough "We hope to come up with a Project," the goal of the proposed time for quiet reflection to see the design by the end of this academic restructuring is to improve the spirit entire breadth of opportunity at the year, and to initiate a pilot program of first-year students and prepare Institute," Hodges said, before we actually implement the them for further study in their changes," Hodges said, major, Hodges said. -
THE PIETASTERS Bands Playing Right Now
SKA FROM OUR NATION’S CAPITOL! Looking forward to it. How do you feel ska in 1997 is doing? Steve Jackson and Tommy Goodin of SJ: Obviously really well if all these people are here. I think it’s doing cool. Say what you “We write will about different bands being more successful than others, at the same time Hepcat, The Slackers, The Smooths (from Baltimore), Isaac Green.....There’s just so many good songs about THE PIETASTERS bands playing right now. Whether or not you like the fact that a lot of people come to shows, or whether or not you like the fact that Goldfinger used to be a heavy metal band, May 18th 1997 there’s still some really good bands playing now, and that’s the coolest part about it. The all kinds of Bosstones’ new record, Let’s Face It, I really like it a lot, I liked their first record a whole The Main Street Armory lot, and I think this new one has some of their best songs on it. Ska today is a cool time... different At least there are some good bands playing. Rochester, NY What do you think about political-correctness in ska today? I know in Gainesville, you had a little incident. things, and The Pietasters’ modern ska-soul sound has gained them a reputation as one of the more well-established and [when he was attacked by a mace-spraying lunatic protesting the band’s stage girl] popular acts today. Their shows are regularly high energy as illustrated on their latest album, entitled Or are you sick of talking about it? none “Strapped...LIVE!”, released last June.