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Musical Imaginary, Identity and Representation: the Case of Gentleman the German Reggae Luminary
Ali 1 Musical Imaginary, Identity and Representation: The Case of Gentleman the German Reggae Luminary A Senior Honors Thesis Presented in partial fulfillment of the requirements for graduation with distinction in Comparative Studies in the undergraduate colleges of The Ohio State University By Raghe Ali April 2013 The Ohio State University Project Advisors Professor Barry Shank, Department of Comparative Studies Professor Theresa Delgadillo, Department of Comparative Studies Ali 2 In 2003 a German reggae artist named Gentleman was scheduled to perform at the Jamworld Entertainment Center in the south eastern parish of St Catherine, Jamaica. The performance was held at the Sting Festival an annual reggae event that dates back some twenty years. Considered the world’s largest one day reggae festival, the event annually boasts an electric atmosphere full of star studded lineups and throngs of hardcore fans. The concert is also notorious for the aggressive DJ clashes1 and violent incidents that occur. The event was Gentleman’s debut performance before a Jamaican audience. Considered a relatively new artist, Gentleman was not the headlining act and was slotted to perform after a number of familiar artists who had already “hyped” the audience with popular dancehall2 reggae hits. When his turn came he performed a classical roots 3reggae song “Dem Gone” from his 2002 Journey to Jah album. Unhappy with his performance the crowd booed and jeered at him. He did not respond to the heckling and continued performing despite the audience vocal objections. Empty beer bottles and trash were thrown onstage. Finally, unable to withstand the wrath and hostility of the audience he left the stage. -
Basslines 6: Roots, Dancehall, and Karaoke
Basslines 6: Roots, Dancehall, and Karaoke Column in zweikommasieben Magazin #15, 2017 (www.zweikommasieben.ch ) Annotated version with sound and text references Text: Marius ‚Comfortnoise‘ Neukom ( www.comfortnoise.com ) With his 2000 book Bass Culture: When Reggae was King , Lloyd Bradley presented the most comprehensive, varied, and entertaining history of reggae to date. In its last section, however, the book takes a surprising turn – Bradley argued that the history of reggae came to an end in the mid-80s, and left was without any notable offshoots. This is an astonishing thesis, especially coming from an author like him. What were the arguments behind it, and what kind of light do the fifteen+ years since the book’s pub- lication shed on its legitimacy? In the early 1970s, after ska and rocksteady 1, Jamaica found in reggae a style that was distinctive in both musical profile and content. It was a style that would go on to influ- ence the identity of a generation and that was characterized by the social and political 1 The origins lie in the boom of the still colonial Jamaica of the 50s, when first sound systems (loud- speakers placed under free sky) were playing mento, calypso, r&b, jazz and soul. At the end of the 50s in the ghettos of Kingston, ska (https://en.wikipedia.org/wiki/Ska ) emerged: a mixture of the aforementioned music styles that became the first genuine Jamaican genre. With the high pace of ska, its emphasis on the rhythm and by broaching the issue of everyday life in the ghetto, the first gangsters entered the stage. -
{FREE} the Drummers Bible: How to Play Every Drum Style from Afro
THE DRUMMERS BIBLE: HOW TO PLAY EVERY DRUM STYLE FROM AFRO-CUBAN TO ZYDECO PDF, EPUB, EBOOK Mick Berry,Jason Gianni | 224 pages | 01 Sep 2012 | See Sharp Press | 9781937276195 | English | Arizona, United States The Drummers Bible: How to Play Every Drum Style from Afro-Cuban to Zydeco PDF Book This chapter not only provides the specific patterns to play, but also includes examples of how to apply the patterns when accompanied by other percussionists. While African music dates back to prehistoric times, the primary concern of the drum set player is contemporary African music. Heavy metal music - Wikipedia Heavy metal or simply metal is a genre of rock music that developed in the late s and early s, largely in the United Kingdom and the United States. All rights reserved. Baqueteo: The musical figure played by the timbale player, primarily in the Afro-Cuban Danzon style. The term anti-accent is more specific. Polyrhythm: The combination of two contrasting rhythmic pulses simultaneously. The Drum Set Crash Course. Related Authors. With the introduction of radio throughout Africa after World War II, and later through television broadcasts, contemporary African music achieved mass popularity across the continent. March 29, Alfred Music Publishing. The two accompanying CDs feature performances of nearly of the grooves, including every primary style example, all performed both with and without a click track. Ghost notes, however, are not simply the unaccented notes in a pattern. Alternate bass drum patterns are possible as well, though they are not used as frequently as the other types of variations. Includes approximately musical examples, organized by style, with historical information preceding the drumming groves. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • June 14, 2010 Volume 6, Number 29 • $7.95
JazzWeek with airplay data powered by jazzweek.com • June 14, 2010 Volume 6, Number 29 • $7.95 Jazz Album No. 1: Joe Chambers, Horace To Smooth Album No. 1s: Bernie Williams, Max (Savant) Moving Forward (Reform/Rock Ridge); Sade, Soldier of Love (Sony) World Music No. 1: Hot Club of Detroit, It’s Smooth Single No. 1: Bernie Williams, About That Time (Mack Avenue) “Ritmo De Otono” (w/ Dave Koz) (Artistry/ Mack Avenue) JazzWeek Summit 2010: Register now at http://summit.jazzweek.com/ Jazz Album Chart .................... 3 Jazz Add Dates ...................... 7 Smooth Jazz Album Chart ............. 4 Jazz Radio Currents .................. 8 Smooth Singles Chart ................. 5 Jazz Radio Panel ................... 11 World Music Album Chart.............. 6 Smooth Jazz Current Tracks........... 13 Smooth Jazz Station Panel............ 14 Jazz Birthdays June 14 June 25 July 7 Lucky Thompson (1924) Joe Chambers (1942) Tiny Grimes (1916) June 15 June 26 Doc Severinsen (1927) Erroll Garner (1921) Dave Grusin (1934) Hank Mobley (1930) Jaki Byard (1922) Reggie Workman (1937) Joe Zawinul (1932) Tony Oxley (1938) Joey Baron (1955) July 8 June 16 June 27 Louis Jordan (1908) Joe Thomas (1933) Elmo Hope (1923) Billy Eckstine (1914) Albert Dailey (1938) June 28 July 9 Tom Harrell (1946) Jimmy Mundy (1907) Frank Wright (1935) Javon Jackson (1965) June 29 July 10 June 17 Julian Priester (1935) Noble Sissle (1899) Tony Scott (1921) Ivie Anderson (1905) June 30 Joe Thomas (1933) Cootie Williams (1911) Lena Horne (1917) Chuck Rainey (1940) Milt Buckner -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
Sooloos Collections: Advanced Guide
Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus .............................................................................................................................................................. -
Controllers As Musical Instruments, Controllerism As Musical Practice
Controllers as Musical Instruments, Controllerism as Musical Practice – Practices of a new 21st Century musical culture – Guillermo de Llera Blanes Dissertação em Ciências Musicais na especialidade de EtnomusicoloGia , A , CAL CULTURE PRACTICES OF 2017 Guillermo de Llera Blanes CONTROLLERS AS MUSICAL 21ST CENTURY ,MUSI INSTRUMENTS, CONTROLLERISM AS MUSICAL PRACITCE, Setembro, 2017 1 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musicais, especialidade de Etnomusicologia, realizada sob a orientação científica do Professor Doutor João Soeiro de Carvalho. 2 Dedicated to my promised one and to the little Controllerists at home. Acknowledgements It is with the utmost gratitude that I thank my brother, the anthropologist Ruy Blanes for his unwavering support, sympathetic guidance and most of all, his humor. His knowledge was a lifeline, for I could always count on his informed opinion, but his greatest aid was in letting me make my own mistakes, and then hinting at various ways to resolve them. It showed me that he was convinced that I was capable of finding my way out of the dead ends, and would overcome the trials and tribulations of writing a thesis. Thank you for believing in me, my brother. To my dear advisor, professor João Soeiro de Carvalho, I have nothing but words of gratitude. You showed unbridled gusto in my research and helped me trod along with unending patience, aware of my limitations in time, experience and knowledge. It was with great delight that I experienced our joint (ad)venture, and I am indebted to you for your kindness, your wisdom and your empathy. -
Folio 90 July - Dec 2013
FOLIO 90 JULY - DEC 2013 ASIA FOCUS MAPPING MAYMELBOURNE 18 - JULY 31 multiculturalarts.com.au Agung Gunawan, Shadows on the Wall A Celebration of Melbourne Ska Tony Yap Sinit Tsegay, Jill Morgan and Anbessa Gebrehiwot, Sydney EDITORIAL In the expression of diverse cultures through Art we This is the first time the partners have come together Island Festival (Java/Bali/Indonesia) held in June 2013, who performed with Sydney’s Ali and Yama Sarshar enable people to feel connected and represented, and to collaborate in such a unique way. Ping Pong has stimulated and driven by Tony Yap (Australia/Malaysia) collaborating with Morganics and Bobby Singh. Art enables us to learn about each other in creative gathered high caliber, skilled artists from different parts and Agung Gunawan (Indonesia). MAV plans to link and expressive ways that contributes to greater of the globe to exchange ideas and create new artworks Mapping Melbourne to these two ‘sister’ festivals and Another key partnership initiative is the MAV & understanding and respect. that can greatly enrich the dialogue between countries. create an opportunity for dynamic and ongoing cultural Melbourne Theatre Company (MTC’s) Ambassadors In Australia (Melbourne) Ping Pong involves Australian exchange with Asia. Our collaborative work with TYC was program MTC CONNECT which was announced by Multicultural Arts Victoria continually demonstrates artist Greg Creek and Colombia-based artist Jorge Julián a finalist in the recent Australia Arts in Asia Awards. Brett Sheehy at Hamer Hall at the launch of MTC’s 2014 through our work that culturally diverse art creatively Aristizábal who have worked over two months to create program on September the 17th. -
The Swell and Crash of Ska's First Wave : a Historical Analysis of Reggae's Predecessors in the Evolution of Jamaican Music
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2014 The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music Erik R. Lobo-Gilbert California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Lobo-Gilbert, Erik R., "The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music" (2014). Capstone Projects and Master's Theses. 366. https://digitalcommons.csumb.edu/caps_thes/366 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Erik R. Lobo-Gilbert CSU Monterey Bay MPA Recording Technology Spring 2014 THE SWELL AND CRASH OF SKA’S FIRST WAVE: A HISTORICAL ANALYSIS OF REGGAE'S PREDECESSORS IN THE EVOLUTION OF JAMAICAN MUSIC INTRODUCTION Ska music has always been a truly extraordinary genre. With a unique musical construct, the genre carries with it a deeply cultural, sociological, and historical livelihood which, unlike any other style, has adapted and changed through three clearly-defined regional and stylistic reigns of prominence. The music its self may have changed throughout the three “waves,” but its meaning, its message, and its themes have transcended its creation and two revivals with an unmatched adaptiveness to thrive in wildly varying regional and sociocultural climates. -
Jamaican Dancehall in the 21St Century
Pon de Dancefloor: Jamaican Dancehall in the 21st Century Stephanie R. Espie University of Delaware [email protected] Abstract The history of Jamaican music includes Roots, Mento, Ska, Rocksteady and Reggae styles - setting the stage for the origination of the Dancehall genre in the early 1980s. While a wide range of ethnographic literature has been published on these musical foundations, few publications exist on the evolution of Dancehall in Jamaica. Dancehall has expanded in the past 10-15 years due to increasing effects of collaboration between American and Jamaican artists and DJs along with the ease of musical transmission through technology. In this ethnographic research, I have studied the evolution of Dancehall to create a portrayal of musical trends leading to the predominance of Dancehall in Jamaica. I collected data over 10 days of fieldwork in Portland, Jamaica in June of 2015. The music played by four club DJs was chosen as the focus of study because of its influence on Portland’s musical culture. Data consisted of observational field notes and 10 hours of audio recordings of local DJs in club settings. Audio recordings were analyzed for traditional beats, song length, production year, language choice, and added effects. Field notes were used as a secondary source to confirm/disconfirm the emerging musical themes from across these DJs. Findings have been compared to the existing literature to create an updated trajectory of musical trends within Dancehall. Along with contributions to the field of ethnomusicology, this research can be used in music education in informal music learning on a domestic and international level. -
Teses E Dissertações
1 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE ARTES Eduardo da Motta Figueredo DESENVOLVENDO UM IDIOLETO NO REGGAE – O PROCESSO DE GRAVAÇÃO DO ÁLBUM INSTRUMENTAL SOUND SYSTEM Porto Alegre 2018 2 Eduardo da Motta Figueredo DESENVOLVENDO UM IDIOLETO NO REGGAE – O PROCESSO DE GRAVAÇÃO DO ÁLBUM INSTRUMENTAL SOUND SYSTEM Projeto de Graduação em Música apresentado ao Departamento de Música do Instituto de Artes da Universidade Federal do Rio Grande do Sul como requisito para obtenção do título de Bacharel em Música. Orientador: Prof. Dr. Julio Herrlein Porto Alegre 2018 3 4 AGRADECIMENTOS Aos meus pais, Vera e Douglas, e a minha irmã, Gabriela, pelo amor incondicional e pelo apoio. Aos meus amigos músicos que ajudaram este projeto a ganhar vida, sem vocês não seria possível: André Brasil, Tamiris Duarte, Ras Vicente. Ao meu orientador, Julio “Chumbinho” Herrlein, pela atenção e pelo incentivo. 5 RESUMO O presente trabalho apresenta o processo de concepção, elaboração e execução da gravação do álbum denominado Instrumental Sound System, que visa colocar em diálogo os gêneros musicais reggae e jazz. A primeira parte do trabalho traz a revisão bibliográfica de tópicos relevantes para a construção musical do projeto, incluindo assuntos atuais pertinentes à bateria e à comunicação entre músicos, além de uma contextualização histórica do reggae. A segunda parte consiste em um memorial descritivo dos processos de pré-produção, produção, e pós-produção do álbum, bem como a apresentação do resultado final obtido. Palavras – chave: Música; Reggae; Música jamaicana; Bateria. 6 ABSTRACT The present work introduces the process of conception, elaboration and execution of the recording of the album Instrumental Sound System, which aims at establishing a dialogue between reggae and jazz music genres. -
Theuppertones.Com
The Uppertones is a powerful trio of trombone, vocals, piano, & drums dedicated to the sound of the 50's in Jamaica, the Jamaican R'n'B, Jamaican boogie, calypso, & mento. The kick start to homegrown Jamaican music in the 50s came from American rock'n'roll and R'n'B. At that time it was the birth of Ska, which originated rocksteady, reggae etc. This trio aims to please crowds with a stompin' swing style mixed with the Jamaican edge and style. Mr.T-Bone is a well known singer, composer, and trombone player in the international ska scene who has released 8 solo albums in the last 12 years and has toured Europe, USA, Canada, Indonesia, Brazil and Mexico. He has been a major contributor to the Italian ska & reggae scene for over a decade now. Peter Truffa a is a fabulous piano player & singer from New York. With his blues, jazz, and ska roots, he toured for years with The New York Ska-Jazz Ensemble and with Giuliano Palma and the Bluebeaters. Ferdinando Count Ferdi Masi is the best drummer you can have for this kind of music, he's an Italian ska and rocksteady pioneer founder of The Casino Royale the first italian ska band and The Bluebeaters. He plays with Mr.T-Bone since 1992 in many different projects. Their first album Closer To The Bone was released in 2015. This album was a selection of 12 tunes from the marvelous sound of the 50’s. After releasing it they immediately toured Europe for two years no stop playing 200 shows in twelve European countries.