DOCSLIB.ORG

Theuppertones.Com

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Theuppertones.Com The Uppertones is a powerful trio of trombone, vocals, piano, & drums dedicated to the sound of the 50's in Jamaica, the Jamaican R'n'B, Jamaican boogie, calypso, & mento. The kick start to homegrown Jamaican music in the 50s came from American rock'n'roll and R'n'B. At that time it was the birth of Ska, which originated rocksteady, reggae etc. This trio aims to please crowds with a stompin' swing style mixed with the Jamaican edge and style. Mr.T-Bone is a well known singer, composer, and trombone player in the international ska scene who has released 8 solo albums in the last 12 years and has toured Europe, USA, Canada, Indonesia, Brazil and Mexico. He has been a major contributor to the Italian ska & reggae scene for over a decade now. Peter Truffa a is a fabulous piano player & singer from New York. With his blues, jazz, and ska roots, he toured for years with The New York Ska-Jazz Ensemble and with Giuliano Palma and the Bluebeaters. Ferdinando Count Ferdi Masi is the best drummer you can have for this kind of music, he's an Italian ska and rocksteady pioneer founder of The Casino Royale the first italian ska band and The Bluebeaters. He plays with Mr.T-Bone since 1992 in many different projects. Their first album Closer To The Bone was released in 2015. This album was a selection of 12 tunes from the marvelous sound of the 50’s. After releasing it they immediately toured Europe for two years no stop playing 200 shows in twelve European countries. While touring consistently the band members found the time to compose many original tunes and when they arrived in the recording studio they had more than twenty-five new original songs. Same sound, same musicians, same studio but this time they are telling their own stories in the second album Up up up!. theuppertones.com Contacts Booking and management: Rudeboy Corner [email protected] +393929775512 Press office: [email protected] .
Load more

Recommended publications
  • Mental Health in the Middle Kingdom a Look at How China Handles People with Psychiatric Disorders
    P earl R iver D elta Mental Health in the 城市漫步珠三角 Follow Us on WeChat Now Middle Kingdom 英文版 8 月份 国内统一刊号: A look at how China handles people with psychiatric disorders CN 11-5234/GO China Intercontinental Press Plus: The Phantom of the Opera, Ladysmith Black Mambazo, Lives Advertising Hotline 400 820 8428 AUGUST 2015 of Crazy Rich Chinese, Disney's Shenzhen Animators and more 《城市漫步》珠江三角洲 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 11th Floor South Building, HengHua linternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing http://www.cicc.org.cn 社长 President of China Intercontinental Press: 李红杰 Li Hongjie 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui 编辑 : 刘扬 发行 / 市场 : 黄静 李若琳 广告 : 林煜宸 Editor in Chief Tom Lee Guangzhou Editor Jocelyn Richards Shenzhen Editor Christine Gilbert Web Editor Matthew Bossons Events Editor Will Wu Editorial Assistant Emma Guo Contributors Marianna Cerini, Andrew Chin, Erik Crouch, Stephen George, Sky Gidge, Lena Gidwani, Jon Hanlon, Joanna Hutchins, George McKibbens, Lisa Nguyen, Kara Wutzke, Lee Chae Young, Tristin Zhang Urbanatomy Media Shanghai (Head Office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 传真 : Guangzhou 上海和舟广告有限公司广州分公司 广州市麓苑路 42 号大院 2 号楼 610 室 邮政编码 : 510095 Rm 610, No. 2 Building, Area 42, Luyuan Lu, Guangzhou 510095 电话 : 020-8358 6125 传真 : 020-8357 3859 - 816 Shenzhen 深圳联络处 深圳市福田区彩田路星河世界大厦 C1-1303 C1-1303, Galaxy Century Building, Caitian Lu, Futian District, Shenzhen 电话 : 0755-8623 3220 传真 : 0755-6406 8538 Beijing 北京联络处 北京市东城区东直门外大街 48 号东方银座 C 座 G9 室 邮政编码 : 100027 9G, Block C, Ginza Mall, No.
    [Show full text]
  • Basslines 6: Roots, Dancehall, and Karaoke
    Basslines 6: Roots, Dancehall, and Karaoke Column in zweikommasieben Magazin #15, 2017 (www.zweikommasieben.ch ) Annotated version with sound and text references Text: Marius ‚Comfortnoise‘ Neukom ( www.comfortnoise.com ) With his 2000 book Bass Culture: When Reggae was King , Lloyd Bradley presented the most comprehensive, varied, and entertaining history of reggae to date. In its last section, however, the book takes a surprising turn – Bradley argued that the history of reggae came to an end in the mid-80s, and left was without any notable offshoots. This is an astonishing thesis, especially coming from an author like him. What were the arguments behind it, and what kind of light do the fifteen+ years since the book’s pub- lication shed on its legitimacy? In the early 1970s, after ska and rocksteady 1, Jamaica found in reggae a style that was distinctive in both musical profile and content. It was a style that would go on to influ- ence the identity of a generation and that was characterized by the social and political 1 The origins lie in the boom of the still colonial Jamaica of the 50s, when first sound systems (loud- speakers placed under free sky) were playing mento, calypso, r&b, jazz and soul. At the end of the 50s in the ghettos of Kingston, ska (https://en.wikipedia.org/wiki/Ska ) emerged: a mixture of the aforementioned music styles that became the first genuine Jamaican genre. With the high pace of ska, its emphasis on the rhythm and by broaching the issue of everyday life in the ghetto, the first gangsters entered the stage.
    [Show full text]
  • Reggae Bass Pdf, Epub, Ebook
    REGGAE BASS PDF, EPUB, EBOOK Ed Friedland | 32 pages | 01 Nov 1998 | Hal Leonard Corporation | 9780793579945 | English | Milwaukee, United States Reggae Bass PDF Book Reggae Rock. Here's a cool trick I learned to get super sub dubby bass tone: use an envelope filter, but turn the sensitivity all the way down so that it never opens. Print this page Do you know your Reggae Bass? No effects. May 26, Chapel Hill, NC. Fender Mustang Amp Review. Walking lines and swung bass lines in reggae tend to stay behind the beat and generally play very relaxed. Reggae Guitar. Reggae Love Songs. All rights reserved. You can accomplish everything with a few basic EQ and technique changes. Mostly no effects, it is really about the groove, not the tone. Do you use effects in reggae? It was also during this time that bass players were given a little bit more musical freedom and bass lines during this period began to become more intricate — relatively speaking bearing the standards set by ska and rocksteady in mind from before. Extra sustain and super round, phat but clean bass. Reggae Bass Scales. Use the previous reggae grooves as a blueprint for creating your own and listen to a lot of reggae bands for inspiration. Reggae Instrumental. The earliest form of music to come from Jamaica was a mid-tempo style of music called ska. While the One Drop Rhythm is fundamentally a single strike of the kick and the snare at the same time, there is some ambiguity on whether or not the drop is on beat three or just on beats two and four.
    [Show full text]
  • Muski Nazareth Bravo Hits Party New York Ska-Jazz
    So 04/12 NAZARETH Fr 09/12 ELINA DUNI So 18/12 TAG DER KULTUREN Sa 31/12 Sa 10/12 PALKO!MUSKI CLOUDS BALLNACHT Sa 17/12 Fr 02/12 MÜSLÜM & BAND Fr 16/12 KLISCHÉE 15/12 – 29/01 ouvert: SockL Fr 23/12 NEW YORK SKA-JAZZ ENSEMBLE Sa 03/12 BRAVO HITS PARTY DEZ 16 So 18/12 TAG DER KULTUREN DEZ Veranstaltet von SAH Schaffhausen, 2016 Haus der Kulturen, Integres & KiK Fr 09/12 ELINA DUNI Jazz (CH) AGENDA Mit ihrem Solo Programm «Aufbrechen» DEZ Fr 02/12 Fr 02/12 MÜSLÜM Kammgarn Am internationalen Tag der Migranten laden das SAH Schaffhausen, das FABER Tap Tab MÜSLÜM & BAND Haus der Kulturen, Integres und das Kulturzentrum Kammgarn ein zu Sa 03/12 BRAVO HITS PARTY Kammgarn einem multikulturellen Tag für die ganze Familie. Rock/Pop/Blues (CH) SCHLAKKS Tap Tab Apochalüpt-Tournee 2016 Das Programm ist vielfältig und bietet für jeden etwas: Durch Vorträge So 04/12 NAZARETH Kammgarn erhaltet ihr detaillierte Informationen zum Thema Migration und den Fr 09/12 ELINA DUNI Kammgarn Geschichten der Migranten, welche in Schaffhausen zu Hause sind. Wer WINSTON FRANCIS auf eine spielerische Art andere Kulturen kennen lernen möchte, kann Tap Tab dies am Spieltisch tun. Auch für Live-Musik und Verpflegung ist gesorgt. Sa 10/12 CLOUDS Kammgarn Alles mit der Idee, die verschiedenen Kulturen kennenzulernen, die Teil HATHORS, NO MUTE Tap Tab unserer Gesellschaft sind. Mo 12/12 SAH KOCHT Kammgarn Beiz Es gibt ihn, diesen bestimmten Augenblick: Aus dem Schmerz heraus wächst Freude. Geheimnis des Daseins, Transzendenz des Leidens.
    [Show full text]
  • New York Ska-Jazz Ensemble Live in Gouvy Mp3, Flac, Wma
    New York Ska-Jazz Ensemble Live In Gouvy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Reggae Album: Live In Gouvy Country: Spain Released: 2016 Style: Ska, Rocksteady, Reggae MP3 version RAR size: 1924 mb FLAC version RAR size: 1797 mb WMA version RAR size: 1159 mb Rating: 4.4 Votes: 457 Other Formats: XM MP4 MPC MP2 AUD AHX MPC Tracklist Hide Credits Free As A Bird 1 3:27 Written-By – Reiter* Arachnid 2 3:12 Written-By – Reiter* The Ride 3 4:30 Written-By – Wasser* A Message To You Rudy 4 4:33 Written-By – Livingstone* Hot Like Fire 5 3:28 Written-By – Appleton* Mr.Pitiful 6 3:31 Written-By – Redding*, Cropper* Groovin' Steady 7 4:40 Written-By – Reiter* Teardrops From My Eyes 8 3:03 Written-By – Toombs* Nasty By Nature 9 3:36 Written-By – Reiter* Frenesi 10 3:29 Written-By – Dominguez* Bonus Studio Track Spanish Ska 11 3:07 Written-By – Tarin* Companies, etc. Mixed At – Capture Sound Credits Bass – Ben Basile Drums – NanaYao Dinizulu* Guest, Acoustic Bass – Wayne Batchelor (tracks: 11) Guest, Trombone – Ric Becker (tracks: 11) Guitar, Vocals – Alberto Tarin Mixed By, Mastered By – Paul Shellack Piano, Organ, Keyboards – Earl Appleton Tenor Saxophone, Flute, Lead Vocals, Executive Producer, Mixed By – "Rock Steady" Freddie Reiter* Trombone, Vocals – Mark Paquin Trumpet, Vocals – Kevin Batchelor Notes Live in Gouvy was recorded in the summer of 2015 at “Ferme de la Madelonne” a historic jazz club in Belgium Other versions Category Artist Title (Format) Label Category Country Year New York Ska-Jazz BR040LP Live In Gouvy (LP) Brixton Records BR040LP Spain 2017 Ensemble Related Music albums to Live In Gouvy by New York Ska-Jazz Ensemble Ralf Paulsen Und Die Carawells - Der Rote Reiter Von Texas / Zwei Freunde Zogen In Die Welt Die Apokalyptischen Reiter - Soft & Stronger Ohrkan - Goldener Reiter (Radio Version) Henning Sieverts - Blauer Reiter JUerGeN ReiTeR ORkAaN ORkEstRA - NO TRESPASSING Vitold Rek & Charlie Mariano Feat.
    [Show full text]
  • Carlton Barrett
    ! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.
    [Show full text]
  • Sooloos Collections: Advanced Guide
    Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus ..............................................................................................................................................................
    [Show full text]
  • Ecg1151 EJF2017 FINAL.Indd
    14-23 July 2017 edinburghjazzfestival.com Welcome to our 2017 Festival. Blues from America For ten summer days Edinburgh will be Hamilton Loomis - p17 alive with uplifting music. years from the fi rst jazz recordings, we celebrate the Centenary of Jazz with a 100range of unique performances and special events. Jazz has been intertwined with blues since its origins and our blues programme, delves into the history of the music and showcases the musicians who are updating the tradition. Across both idioms and those around and in-between, this year’s programme off ers styles for all tastes – from bop to boogie to blues-rock; and from samba to swing to soul. International acts rub shoulders with homegrown talent and rising stars. Check out your favourites, of course, but we encourage you to get into the spirit of the Festival and try something new – you’re likely to discover a hidden gem! There are strong themes running through the programme: Jazz 100 marks the Centenary of jazz with a host of historic concerts Scottish Jazz Expo celebrates Scottish musicians take on that history, new Scottish bands and collaborations The Sound of New Orleans New Orleans comes to Edinburgh as we feature a host of musicians from the Soul Brass Band - p25 birthplace of jazz Cross The Tracks crosses the boundaries between jazz and contemporary urban music. And let yourself be transported by another Festival star – our venues! Dance under the magic mirrors of a grandiose cabaret tent located at the foot of Edinburgh Castle; enjoy the sumptuous surroundings and acoustics of Festival Theatre; get a great listening experience in the newly refurbished Rose Theatre, or drop in to the Traverse Café Bar - turned hip jazz joint.
    [Show full text]
  • Jazz America’S Music African-American Influence
    Jazz America’s Music African-American Influence • Jazz is a genre of music that originated in African American communities during the late 19th and early 20th century. Jazz emerged in many parts of the United States of independent popular musical styles. • Linked by the common bonds of African American and European American musical parentage with a performance orientation. • Jazz spans a range of music from ragtime to the present day—a period of over 100 years—and has proved to be very difficult to define. • Jazz makes heavy use of improvisation, polyrhythms, syncopation, and the swung note, as well as aspects of European harmony, American popular music, the brass band tradition, and African musical elements such as blue notes and ragtime. • A musical group that plays jazz is called a jazz band. Jazz Styles • As jazz spread around the world, it drew on different national, regional, and local musical cultures, giving rise to many distinctive styles. • New Orleans jazz began in the early 1910s, and it combined earlier brass band marches, French quadrilles, beguine, ragtime, and blues with collective, polyphonic improvisation. • Heavily arranged dance-oriented swing big bands, Kansas City jazz, a hard-swinging, bluesy, improvisational style and Gypsy jazz, a style that emphasized Musette waltzes, were important styles in the 1930s. Styles cont’d • Bebop emerged in the 1940s; it shifted jazz from danceable popular music towards a more challenging "musician's music" which was played at faster tempos and used more chord- based improvisation. • Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines.
    [Show full text]
  • 2016-2017 Engineering Graduate Bulletin
    Santa Clara 500 El Camino Real Santa Clara, CA 95053-1050 408-554-4313 SCHOOL OF ENGINEERING ENGINEERING OF SCHOOL University 2016-17 2016-2017 SANTA CLARA UNIVERSITY UNIVERSITY CLARA SANTA School of Engineering www.scu.edu/engineering/graduate Graduate Program Correspondence Santa Clara University reserves the right to make program, regulation, and fee School of Engineering changes at any time without prior notice. The University strives to assure the accu- Santa Clara University racy of the information in this bulletin at the time of publication; however, certain 500 El Camino Real statements contained in this bulletin may change or need correction. Santa Clara, California 95053-0583 Engineering Phone: 408-554-4313 Nondiscrimination Policy www.scu.edu/engineering/graduate Santa Clara University prohibits discrimination and harassment on the basis of E-mail: [email protected] race, color, religious creed, sex, gender, gender expression, gender identity, sexual orientation, religion, marital status, registered domestic partner status, veteran status, age, national origin or ancestry, physical or mental disability, medical condition in- cluding genetic characteristics, genetic information, or any other consideration made unlawful by federal, state, or local laws in the administration of its educational poli- cies, admissions policies, scholarships and loan programs, athletics, or employment- related policies, programs, and activities; or other University-administered policies, programs, and activities. Additionally, it is the University’s policy that there shall be no discrimination or retaliation against employees or students who raise issues of discrimination or potential discrimination or who participate in the investigation of such issues. The University will provide reasonable accommodations for the known physical or mental limitations of an otherwise qualified individual with a disability under the law.
    [Show full text]
  • Folio 90 July - Dec 2013
    FOLIO 90 JULY - DEC 2013 ASIA FOCUS MAPPING MAYMELBOURNE 18 - JULY 31 multiculturalarts.com.au Agung Gunawan, Shadows on the Wall A Celebration of Melbourne Ska Tony Yap Sinit Tsegay, Jill Morgan and Anbessa Gebrehiwot, Sydney EDITORIAL In the expression of diverse cultures through Art we This is the first time the partners have come together Island Festival (Java/Bali/Indonesia) held in June 2013, who performed with Sydney’s Ali and Yama Sarshar enable people to feel connected and represented, and to collaborate in such a unique way. Ping Pong has stimulated and driven by Tony Yap (Australia/Malaysia) collaborating with Morganics and Bobby Singh. Art enables us to learn about each other in creative gathered high caliber, skilled artists from different parts and Agung Gunawan (Indonesia). MAV plans to link and expressive ways that contributes to greater of the globe to exchange ideas and create new artworks Mapping Melbourne to these two ‘sister’ festivals and Another key partnership initiative is the MAV & understanding and respect. that can greatly enrich the dialogue between countries. create an opportunity for dynamic and ongoing cultural Melbourne Theatre Company (MTC’s) Ambassadors In Australia (Melbourne) Ping Pong involves Australian exchange with Asia. Our collaborative work with TYC was program MTC CONNECT which was announced by Multicultural Arts Victoria continually demonstrates artist Greg Creek and Colombia-based artist Jorge Julián a finalist in the recent Australia Arts in Asia Awards. Brett Sheehy at Hamer Hall at the launch of MTC’s 2014 through our work that culturally diverse art creatively Aristizábal who have worked over two months to create program on September the 17th.
    [Show full text]
  • Stepstep I Step I Step Into Step Into
    STEP I STEP STEP I STEP INTO STEP INTO STEP INTO JA STEP INTO JAZZ STEP INTO JAZZ M STEP INTO JAZZ MU STEP INTO JAZZ MU STEP INTO JAZZ MU North Carolina Central University Jazz Studies step into the world of jazz music azz is a music genre that originated at the beginning of the 20th Century, arguably earlier, within the African-American communities of the Southern United States. Its roots lie in the combining by African- Americans of certain European harmony and form elements, with their existing African-based music. Its African musical basis is evident in its use of blue notes, improvisation, polyrhythms, syncopation and the swung note.[1] From its early development until the present day, jazz has also incorporated elements from popular music especially, in its early days, from American popular music. As the music has developed and spread around the world it has, since its early American beginnings, drawn on many different national, regional and local musical cultures, giving rise to many distinctive styles: New Orleans jazz dating from the early 1910s, big band swing, Kansas City jazz and Gypsy jazz from the 1930s and 1940s, bebop from the mid- 2 CCU offers study leading to the bachelor of music and master of music in Jazz Studies. Our stellar faculty includes Dr. Ira Wiggins (Director, saxophone), Branford Marsalis (Artist-in-Residence, saxophone), Joey NCalderazzo (Artist-in-Residence, piano), Brian Horton (saxophone), Arnold George (saxophone/vocal), Lenora Helm (vocal), Albert Strong (trumpet), Robert Trowers (trombone), Ed Paolantonio (piano), Baron Tymas (guitar), Damon Brown (bass) and Thomas Taylor (percussion).
    [Show full text]