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Mental Health in the Middle Kingdom a Look at How China Handles People with Psychiatric Disorders
P earl R iver D elta Mental Health in the 城市漫步珠三角 Follow Us on WeChat Now Middle Kingdom 英文版 8 月份 国内统一刊号: A look at how China handles people with psychiatric disorders CN 11-5234/GO China Intercontinental Press Plus: The Phantom of the Opera, Ladysmith Black Mambazo, Lives Advertising Hotline 400 820 8428 AUGUST 2015 of Crazy Rich Chinese, Disney's Shenzhen Animators and more 《城市漫步》珠江三角洲 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 11th Floor South Building, HengHua linternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing http://www.cicc.org.cn 社长 President of China Intercontinental Press: 李红杰 Li Hongjie 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui 编辑 : 刘扬 发行 / 市场 : 黄静 李若琳 广告 : 林煜宸 Editor in Chief Tom Lee Guangzhou Editor Jocelyn Richards Shenzhen Editor Christine Gilbert Web Editor Matthew Bossons Events Editor Will Wu Editorial Assistant Emma Guo Contributors Marianna Cerini, Andrew Chin, Erik Crouch, Stephen George, Sky Gidge, Lena Gidwani, Jon Hanlon, Joanna Hutchins, George McKibbens, Lisa Nguyen, Kara Wutzke, Lee Chae Young, Tristin Zhang Urbanatomy Media Shanghai (Head Office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 传真 : Guangzhou 上海和舟广告有限公司广州分公司 广州市麓苑路 42 号大院 2 号楼 610 室 邮政编码 : 510095 Rm 610, No. 2 Building, Area 42, Luyuan Lu, Guangzhou 510095 电话 : 020-8358 6125 传真 : 020-8357 3859 - 816 Shenzhen 深圳联络处 深圳市福田区彩田路星河世界大厦 C1-1303 C1-1303, Galaxy Century Building, Caitian Lu, Futian District, Shenzhen 电话 : 0755-8623 3220 传真 : 0755-6406 8538 Beijing 北京联络处 北京市东城区东直门外大街 48 号东方银座 C 座 G9 室 邮政编码 : 100027 9G, Block C, Ginza Mall, No. -
Muski Nazareth Bravo Hits Party New York Ska-Jazz
So 04/12 NAZARETH Fr 09/12 ELINA DUNI So 18/12 TAG DER KULTUREN Sa 31/12 Sa 10/12 PALKO!MUSKI CLOUDS BALLNACHT Sa 17/12 Fr 02/12 MÜSLÜM & BAND Fr 16/12 KLISCHÉE 15/12 – 29/01 ouvert: SockL Fr 23/12 NEW YORK SKA-JAZZ ENSEMBLE Sa 03/12 BRAVO HITS PARTY DEZ 16 So 18/12 TAG DER KULTUREN DEZ Veranstaltet von SAH Schaffhausen, 2016 Haus der Kulturen, Integres & KiK Fr 09/12 ELINA DUNI Jazz (CH) AGENDA Mit ihrem Solo Programm «Aufbrechen» DEZ Fr 02/12 Fr 02/12 MÜSLÜM Kammgarn Am internationalen Tag der Migranten laden das SAH Schaffhausen, das FABER Tap Tab MÜSLÜM & BAND Haus der Kulturen, Integres und das Kulturzentrum Kammgarn ein zu Sa 03/12 BRAVO HITS PARTY Kammgarn einem multikulturellen Tag für die ganze Familie. Rock/Pop/Blues (CH) SCHLAKKS Tap Tab Apochalüpt-Tournee 2016 Das Programm ist vielfältig und bietet für jeden etwas: Durch Vorträge So 04/12 NAZARETH Kammgarn erhaltet ihr detaillierte Informationen zum Thema Migration und den Fr 09/12 ELINA DUNI Kammgarn Geschichten der Migranten, welche in Schaffhausen zu Hause sind. Wer WINSTON FRANCIS auf eine spielerische Art andere Kulturen kennen lernen möchte, kann Tap Tab dies am Spieltisch tun. Auch für Live-Musik und Verpflegung ist gesorgt. Sa 10/12 CLOUDS Kammgarn Alles mit der Idee, die verschiedenen Kulturen kennenzulernen, die Teil HATHORS, NO MUTE Tap Tab unserer Gesellschaft sind. Mo 12/12 SAH KOCHT Kammgarn Beiz Es gibt ihn, diesen bestimmten Augenblick: Aus dem Schmerz heraus wächst Freude. Geheimnis des Daseins, Transzendenz des Leidens. -
New York Ska-Jazz Ensemble Live in Gouvy Mp3, Flac, Wma
New York Ska-Jazz Ensemble Live In Gouvy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Reggae Album: Live In Gouvy Country: Spain Released: 2016 Style: Ska, Rocksteady, Reggae MP3 version RAR size: 1924 mb FLAC version RAR size: 1797 mb WMA version RAR size: 1159 mb Rating: 4.4 Votes: 457 Other Formats: XM MP4 MPC MP2 AUD AHX MPC Tracklist Hide Credits Free As A Bird 1 3:27 Written-By – Reiter* Arachnid 2 3:12 Written-By – Reiter* The Ride 3 4:30 Written-By – Wasser* A Message To You Rudy 4 4:33 Written-By – Livingstone* Hot Like Fire 5 3:28 Written-By – Appleton* Mr.Pitiful 6 3:31 Written-By – Redding*, Cropper* Groovin' Steady 7 4:40 Written-By – Reiter* Teardrops From My Eyes 8 3:03 Written-By – Toombs* Nasty By Nature 9 3:36 Written-By – Reiter* Frenesi 10 3:29 Written-By – Dominguez* Bonus Studio Track Spanish Ska 11 3:07 Written-By – Tarin* Companies, etc. Mixed At – Capture Sound Credits Bass – Ben Basile Drums – NanaYao Dinizulu* Guest, Acoustic Bass – Wayne Batchelor (tracks: 11) Guest, Trombone – Ric Becker (tracks: 11) Guitar, Vocals – Alberto Tarin Mixed By, Mastered By – Paul Shellack Piano, Organ, Keyboards – Earl Appleton Tenor Saxophone, Flute, Lead Vocals, Executive Producer, Mixed By – "Rock Steady" Freddie Reiter* Trombone, Vocals – Mark Paquin Trumpet, Vocals – Kevin Batchelor Notes Live in Gouvy was recorded in the summer of 2015 at “Ferme de la Madelonne” a historic jazz club in Belgium Other versions Category Artist Title (Format) Label Category Country Year New York Ska-Jazz BR040LP Live In Gouvy (LP) Brixton Records BR040LP Spain 2017 Ensemble Related Music albums to Live In Gouvy by New York Ska-Jazz Ensemble Ralf Paulsen Und Die Carawells - Der Rote Reiter Von Texas / Zwei Freunde Zogen In Die Welt Die Apokalyptischen Reiter - Soft & Stronger Ohrkan - Goldener Reiter (Radio Version) Henning Sieverts - Blauer Reiter JUerGeN ReiTeR ORkAaN ORkEstRA - NO TRESPASSING Vitold Rek & Charlie Mariano Feat. -
Eartrip7.Pdf Download
CONTENTS Editorial An internet-related rant and a summary of the delights to follow in the rest of the current issue. By David Grundy. [pp.3-4] Listening to Sachiko M 12,000 words (count' em) – a lengthy, and no-doubt futile attempt to get to grips with some of the recordings of empty-sampler player (or, in her own words, 'non-musician'), Sachiko M, including interminable ramblings on such albums as 'Bar Sachiko,' 'Filament 1', and 'Tears'. By David Grundy. [pp.5-26] The Drop at the Foot of the Ladder: Musical Ends and Meanings of Performances I Haven't Been To, Fluxus and Today 11,000 words (count 'em), covering the delicate and indelicate negotiations between music and performance, audience and performer, art and non-art, that take place in the 1960s works of Fluxus and their distant inheritors, Mattin and Taku Unami. By Lutz Eitel. [pp.27-52] Feature: Live in Seattle Two solo takes and a duo relating to Coltrane's 1965 recording, made at the breaking point of his 'Classic Quartet', poised between old and new, music that pushes at the limits and drops back only to push again with furious persistence. By David Grundy and Sean Bonney. [pp.53-74] Interview: The Rent To call The Rent a Steve Lacy 'tribute band' would be to do them an immense disservice, though their repertoire consists mainly of Lacy compositions. Their conversation with Ted Harms covers such topics as inter-disciplinarity, the Lacy legacy, and the notion of jazz repertoire. [pp.75-83] You Tube Watch: Billy Harper A feature devoted this issue to the great Texan tenor Billy Harper. -
Ecg1151 EJF2017 FINAL.Indd
14-23 July 2017 edinburghjazzfestival.com Welcome to our 2017 Festival. Blues from America For ten summer days Edinburgh will be Hamilton Loomis - p17 alive with uplifting music. years from the fi rst jazz recordings, we celebrate the Centenary of Jazz with a 100range of unique performances and special events. Jazz has been intertwined with blues since its origins and our blues programme, delves into the history of the music and showcases the musicians who are updating the tradition. Across both idioms and those around and in-between, this year’s programme off ers styles for all tastes – from bop to boogie to blues-rock; and from samba to swing to soul. International acts rub shoulders with homegrown talent and rising stars. Check out your favourites, of course, but we encourage you to get into the spirit of the Festival and try something new – you’re likely to discover a hidden gem! There are strong themes running through the programme: Jazz 100 marks the Centenary of jazz with a host of historic concerts Scottish Jazz Expo celebrates Scottish musicians take on that history, new Scottish bands and collaborations The Sound of New Orleans New Orleans comes to Edinburgh as we feature a host of musicians from the Soul Brass Band - p25 birthplace of jazz Cross The Tracks crosses the boundaries between jazz and contemporary urban music. And let yourself be transported by another Festival star – our venues! Dance under the magic mirrors of a grandiose cabaret tent located at the foot of Edinburgh Castle; enjoy the sumptuous surroundings and acoustics of Festival Theatre; get a great listening experience in the newly refurbished Rose Theatre, or drop in to the Traverse Café Bar - turned hip jazz joint. -
Jazz America’S Music African-American Influence
Jazz America’s Music African-American Influence • Jazz is a genre of music that originated in African American communities during the late 19th and early 20th century. Jazz emerged in many parts of the United States of independent popular musical styles. • Linked by the common bonds of African American and European American musical parentage with a performance orientation. • Jazz spans a range of music from ragtime to the present day—a period of over 100 years—and has proved to be very difficult to define. • Jazz makes heavy use of improvisation, polyrhythms, syncopation, and the swung note, as well as aspects of European harmony, American popular music, the brass band tradition, and African musical elements such as blue notes and ragtime. • A musical group that plays jazz is called a jazz band. Jazz Styles • As jazz spread around the world, it drew on different national, regional, and local musical cultures, giving rise to many distinctive styles. • New Orleans jazz began in the early 1910s, and it combined earlier brass band marches, French quadrilles, beguine, ragtime, and blues with collective, polyphonic improvisation. • Heavily arranged dance-oriented swing big bands, Kansas City jazz, a hard-swinging, bluesy, improvisational style and Gypsy jazz, a style that emphasized Musette waltzes, were important styles in the 1930s. Styles cont’d • Bebop emerged in the 1940s; it shifted jazz from danceable popular music towards a more challenging "musician's music" which was played at faster tempos and used more chord- based improvisation. • Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines. -
2016-2017 Engineering Graduate Bulletin
Santa Clara 500 El Camino Real Santa Clara, CA 95053-1050 408-554-4313 SCHOOL OF ENGINEERING ENGINEERING OF SCHOOL University 2016-17 2016-2017 SANTA CLARA UNIVERSITY UNIVERSITY CLARA SANTA School of Engineering www.scu.edu/engineering/graduate Graduate Program Correspondence Santa Clara University reserves the right to make program, regulation, and fee School of Engineering changes at any time without prior notice. The University strives to assure the accu- Santa Clara University racy of the information in this bulletin at the time of publication; however, certain 500 El Camino Real statements contained in this bulletin may change or need correction. Santa Clara, California 95053-0583 Engineering Phone: 408-554-4313 Nondiscrimination Policy www.scu.edu/engineering/graduate Santa Clara University prohibits discrimination and harassment on the basis of E-mail: [email protected] race, color, religious creed, sex, gender, gender expression, gender identity, sexual orientation, religion, marital status, registered domestic partner status, veteran status, age, national origin or ancestry, physical or mental disability, medical condition in- cluding genetic characteristics, genetic information, or any other consideration made unlawful by federal, state, or local laws in the administration of its educational poli- cies, admissions policies, scholarships and loan programs, athletics, or employment- related policies, programs, and activities; or other University-administered policies, programs, and activities. Additionally, it is the University’s policy that there shall be no discrimination or retaliation against employees or students who raise issues of discrimination or potential discrimination or who participate in the investigation of such issues. The University will provide reasonable accommodations for the known physical or mental limitations of an otherwise qualified individual with a disability under the law. -
Aaron SACHS: Frank SACKENHEIM: Erna SACK: Fats SADI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Erna SACK: Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded August 30, 1934 in Berlin 107685 WENN SICH EINE SCHÖNE FRAU VERLIEBT 3.30 19991-1 Tel A1676 Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded October 1934 in Berlin 107121 ICH BIN VERLIEBT 3.32 19990 --- aus der Operette "Clivia" Erna Sack war eine der bedeutendsten Sopranistinnen Deutschlands im 20. -
VHS 1-128-Suchhilfe
VHS - Sammlung Werner Scheidegger Chur Die Originalordner sind als pdf-Dateien vorhanden (eingescannt = Bilder) Hier abgeschrieben als Suchhilfe (Textsuche) Helveticas sind mit # markiert (tot. 158) Gestörte Aufnahmen wo bereits entdeckt mit * markiert (meist Tonstörungen) Thomas Reich 1. Mai 2014 VHS 1/1 In the Miller Mood (48min) Third US Airforce Band Oktober 1984 mit Anne Shelton voc, Peanuts Hucko cl, Ray McKinley dr, Zeake Zarchy tp. VHS 1/2 All Star Swing Festival 'in memoriam Louis Armstrong' (47min) Count Basie Orchestra: Count Basie p Harold Jones dr Ella Fitzgerald voc Duke Ellington Orchestra: Duke Ellington p Cootie Williams tp Harry Carney b Booty Wood tb Jimmy Hamilton cl Ella Fitzgerald voc Tommy Flanagan p Dave Brubeck Quartet: Dave Brubeck p Paul Desmond as Count Basie Orchestra: Count Basie p Waymond Reed flh Billy Mitchell ts Al Grey tb Joe Williams voc Benny Goodman Quartet: Benny Goodman cl Lionel Hampton vib Teddy Wilson p Gene Krupa dr Georges Duvivier b Armstrong All Stars / Session Doc Severinson tp + Ansage Tyree Glenn tb Barney Bigard cl Earl Hines p Arvell Shaw b Barrett Deems dr Bobby Hackett tp Dizzy Gillespie tp Max Kaminsky tp Ella Fitzgerald voc Count Basie p Duke Ellington p Gast: Lucille Armstrong VHS 1/3 George Gershwin Rhapsody in Blue (21min) Wiener Symphoniker Leitung: Georges Prêtre Piano: Leon Bates VHS 1/4 Legends of Jazz (47min) ORF 1974 Andrew Blackeney tp Louis Nelson tb Rudi Balliu cl Alton Purnell p, voc Ed Garland b Barry Martyn dr VHS 2 Nicht vorhanden (private Aufnahmen) VHS 3/1 Memories in Swing (44min) 35 Jahre Erwin Lehn und sein Südfunk Orchester Bibi Johns, Silvia Vrethammar, Paul Kuhn, Max Greger, Horst Jankowski VHS 3/2# Jazz Festival Bern 1985 (42min) Carrie Smith + Jay McShann Trio Carrie Smith voc Jay McShann p Reggie Johnson b Alvin Queen dr VHS 3/3 Maynard Ferguson and his Orchestra (European Dreamband) (43min) 29. -
Harold MABERN: Teo MACERO
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Harold MABERN: "Workin' And Wailin'" Virgil Jones -tp,flh; George Coleman -ts; Harold Mabern -p; Buster Williams -b; Leo Morris -d; recorded June 30, 1969 in New York Leo Morris aka Idris Muhammad 101615 A TIME FOR LOVE 4.54 Prest PR7687 101616 WALTZING WESTWARD 9.26 --- 101617 I CAN'T UNDERSTAND WHAT I SEE IN YOU 8.33 --- 101618 STROZIER'S MODE 7.58 --- 101619 BLUES FOR PHINEAS 5.11 --- "Greasy Kid Stuff" Lee Morgan -tp; Hubert Laws -fl,ts; Harold Mabern -p; Boogaloo Joe Jones -g; Buster Williams -b; Idriss Muhammad -d; recorded January 26, 1970 in New York 101620 I WANT YOU BACK 5.30 Prest PR7764 101621 GREASY KID STUFF 8.23 --- 101622 ALEX THE GREAT 7.20 --- 101623 XKE 6.52 --- 101624 JOHN NEELY - BEAUTIFUL PEOPLE 8.33 --- 101625 I HAVEN'T GOT ANYTHING BETTER TO DO 6.04 --- "Remy Martin's New Years Special" James Moody Trio: Harold Mabern -p; Todd Coleman -b; Edward Gladden -d; recorded December 31, 1984 in Sweet Basil, New York it's the rhythm section of James Moody Quartet 99565 YOU DON'T KNOW WHAT LOVE IS 13.59 Aircheck 99566 THERE'S NO GREEATER LOVE 10.14 --- 99567 ALL BLUES 11.54 --- 99568 STRIKE UP THE BAND 13.05 --- "Lookin' On The Bright Side" Harold Mabern -p; Christian McBride -b; Jack DeJohnette -d; recorded February and March 1993 in New York 87461 LOOK ON THE BRIGHT SIDE 5.37 DIW 614 87462 MOMENT'S NOTICE 5.25 --- 87463 BIG TIME COOPER 8.04 --- 87464 AU PRIVAVE -
The Biweekly Guide to African-American Culture
The Biweekly Guide to African-American Culture May 10-23, 1994 ·Volume 4 Number 1 $1.00 LISTINGS INSIDE: THEATRE • GALLERIES • MUSEUMS • N E W Y 0 R K CONCERTS • CLUBS • AND MORE! BROOKLYN ACADEMY OF MUSIC Artistic Director Chuck Davis "YHR ~f l~f (Hil~ - YOUU Of l~f ~fRI(A~ ~IA~PORf A Celebration of African Dance, Music and Spirit. THREE PERFORMANCES THREE DIFFERENT PROGRAMS! BAM Opera House May 28 at 2pm & 8pm May 29 at 3pm DANCEAFRICA Outdoor Bazaar May 28, 29, 30 CALL TICKETMASTER (212) 307-4100 For Information call (718) 636-4100 The 17th Annual Celebration of DANCEAFRICA has been made possible by AT&T. Your True Voice.'" - W/iATs.T ~ Brooklyn Academy of Music ~es!i 30 Lafayette Avenue Brooklyn, NY 11217 PUBLISHER/EDITOR'S NOTE 3 n May 19th, Routes reaches what we have achieved; I hope a milestone: we will enter Routes has contributed to that 0 our fourth year of continu knowledge. ous publishing. It has not been easy Apropos contributions, if you to keep Routes coming your way wish to help us celebrate this with regularity, but the rewards anniversary, I suggest once again have been big-not financially, that subscribers renew, extend or because we are still not making a make a gift of Routes. Of course, if profit, but in terms of response from you are not already a subscriber, you, the reader and subscriber. Not a there could be no better time to day goes by that we don't hear some come aboard. word of encouragement, and that is On June 1st, we will celebrate the grist that keeps this mill turning. -
Russell Wilson, Piano Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 9-13-1998 Russell Wilson, piano Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Russell Wilson, piano" (1998). Music Department Concert Programs. 730. https://scholarship.richmond.edu/all-music-programs/730 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND DEPARTMENT OF Music ••• Russell Wilson, piano assisted by Clarence Seay, bass ••• SEPTEMBER 13, 1998, 3:oo PM CAMP CONCERT HALL, BooKER HALL oF Musrc RussELL WILSON, a native of Memphis, Tennessee, is an outstanding classical and jazz pianist who received his bachelor and master of music degrees from Memphis State University. Formerly a member of Virginia Union University's faculty, he now teaches at the University of Richmond and at Virginia Commonwealth University and performs regularly with the Russell Wilson Quartet and Joe Kennedy Quartet. Mr. Wilson enjoys a distinguished career as a solo and chamber music performer. He is the principal pianist of the Richmond Symphony Orchestra and the Richmond Sinfonia, where he has performed as