Ghost Gig: Redskins Programme
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
Full Pamphlet F+B/C@Start
THE KEY TO DEMOCRATIC REFORM A Genuine Expression of OF THE HOUSE OF LORDS IS SIMPLICITY, VIABILITY AND LEGITIMACY the Will of the People: a viable method of “Following consultation, the government will introduce legislation democratic Lords reform to implement the second phase of the House of Lords reform.” With this single sentence in the 2001 Queen’s Speech, the Labour government gave notice that it was intent on Billy Bragg fulfilling it’s historic commitment to reform the House of Lords. The choice between a democratic second chamber or one which remains predominantly a house of patronage will have to be resolved. Whilst those in favour of the democratic option push for an elected house, supporters of an appointed chamber counter that it would not be sensible for the Commons to legislate so that the House of Lords became a rival chamber. Thus the debate becomes polarised. This pamphlet sets out the case for a viable democratic second chamber that does not challenge the primacy of the House of Commons. BILLY BRAGG is a lifelong supporter of the Labour Party. Songwriter and activist, he was a founder member of RED WEDGE. His recent UK tour was sponsored by the GMB. Born in Essex, he now lives with his family in West Dorset. During the last general election, he set up a tactical voting website which resulted in an end to the Conservative stranglehold in Dorset and the first Labour MP in the county for over 30 years. Published by www.votedorset.net £1.00 A Genuine Expression of the Will of the People A viable method of democratic Lords reform Billy Bragg Published by www.votedorset.net Text ©Billy Bragg 2001 Design & Production: Claire Kendall-Price, Wildcat Publishing (01305 269941) Printed by Friary Press, Dorchester 2 3 It is clear from the commitment batch of peers is created. -
BILLY BRAGG Stereo MC’S Tiggs Da Author Rag ‘N’ Bone Man
PRESENTS 2016 BILLY BRAGG Stereo MC’s Tiggs Da Author Rag ‘N’ Bone Man Your guide to this year’s festival PLUS Reviews, Interviews and much more! 1 12 ARTIST VILLAGE AND SMALL SCULPTURE SHOW MAP 2016 Queue to buy tickets on the day BOX OFFICE LEIGH-ON-SEA CC CHALKWELL PARK VILLAGE ROOMS BEACH GREEN HUT STAGE IDEA13 PICNIC STAGE STAGE AREA 1 SHOW TENNIS GROUND 2 5 COURTS FIRST AID TEATRO METAL BBC 3 VERDI ART ESSEX 12 MARKET CYCLE WESTCLIFF STAGE SCHOOL OAK VILLAGE 6 -ON-SEA CC POLICE PLACE STAGE SKATE PARK 11 7 GLOBAL INFO VILLAGE POINT 10 4 ESTUARY FIRST AID ART GROUP METAL & LOSTMISSING EXHIBITION ART 8 MINI CHALKWELL HALL SCHOOL CHILDERNPERSONS 9 GREEN (BUILDING) TOILETS RIVERSIDE MINI GREEN 9 JULY 2016 CHALKWELL PARK 11AM - 10PM PRESS & STAGE TO CHALKWELL STATION PRODUCTION STAGE villagegreen16 www.villagegreenfestival.com Twitter: @vg_festival vg16 Instagram: villagegreenfestival Facebook: villagegreenfestival 1 Alexis Zelda Stevens 4 Redhawk Logistica 7 Cool Diabang & Sonja Kandels 10 Josh Langan 2 Cool Diabang 5 Luke Gottelier (performance at 4.15) 11 John Wallbank 8 Julia McKinlay 3 Stuart Bowditch 6 Luke Gottelier 12 Small Sculpture Show 9 Stuart Bowditch VILLAGE GREEN STAGE RIVERSIDE STAGE MIDDLE AGE SPREAD DJs URBAN ALLSTARS DJs This collective of popular DJs sell out every gig The mighty Urban Allstars, spinning all things they do, and they’re bringing their floor-filling skills funky on the decks to get you into the groove. to work the park. BLACK CAT DJs 11.50 - 12.20 PETTY PHASE The band of Soul Brothers will be serving up a All the musical unpredictability and charisma that sexy platter of Rhythm & Blues, Northern Soul, girl punks should have, plus some. -
For Those About to Rock’ Cybersimulcasting Live Music on the Internet
position the experience of different and purcliasing details are available at: and tests of the misuse of market power. nations in promoting competition in http YAvww.circit. rmit.edu.au/publics/ 5 Extending across: carrier interconnection; information and communications sectors ipm_book.html service provider and content creator access to distribution channels; and end-user access to to provide some guidance and signposts services. through the policy development maze. 1 Nevertheless, the study does recognise national differences. For example, in Australia, legislation targeted the development of a dual network Published by RMIT University Press in Ross Kelso is Senior Research Fellow infrastructure between 1991-1997 and carriers for the International Research on December 1999, The Information Policy have invested significantly in infrastructure Maze: Global Challenges - National development. Similarly, in the UK, policy has Communication and Information Responses is the result of a three-year supported infrastructure duplication. With the Technologies at RMIT. project conducted by the Centre for announcement of the US National Information Infrastructure agenda in 1993 there was a Dianne Northfteld is a Research Fellmv International Research on Communication coincidence of industry investment in and Information Technologies infrastructure and new services. at CIRCIT at RMIT and the Harvard (“CIRCIT”) at RMIT, Melbourne Information Infrastructure 1 Including regulation of horizontal and vertical Project, Kennedy School of Australia, and the Program on Information agreements between firms; control of mergers Resources Policy (“PIRP”), Harvard and acquisitions; regulation of horizontal and/or Government, Harvard University. University, U.S.A, Further information vertical integration activities of individual firms; [email protected] ‘For Those About to Rock’ Cybersimulcasting Live Music on the Internet Therese Catanzariti offers a lively analysis of the intellectual property issues in cybersimulcasting. -
Representation Through Music in a Non-Parliamentary Nation
MEDIANZ ! VOL 15, NO 1 ! 2015 DOI: 10.11157/medianz-vol15iss1id8 - ARTICLE - Re-Establishing Britishness / Englishness: Representation Through Music in a non-Parliamentary Nation Robert Burns Abstract The absence of a contemporary English identity distinct from right wing political elements has reinforced negative and apathetic perceptions of English folk culture and tradition among populist media. Negative perceptions such as these have to some extent been countered by the emergence of a post–progressive rock–orientated English folk–protest style that has enabled new folk music fusions to establish themselves in a populist performance medium that attracts a new folk audience. In this way, English politicised folk music has facilitated an English cultural identity that is distinct from negative social and political connotations. A significant contemporary national identity for British folk music in general therefore can be found in contemporary English folk as it is presented in a homogenous mix of popular and world music styles, despite a struggle both for and against European identity as the United Kingdom debates ‘Brexit’, the current term for its possible departure from the EU. My mother was half English and I'm half English too I'm a great big bundle of culture tied up in the red, white and blue (Billy Bragg and the Blokes 2002). When the singer and songwriter, Billy Bragg wrote the above song, England, Half English, a friend asked him whether he was being ironic. He replied ‘Do you know what, I’m not’, a statement which shocked his friends. Bragg is a social commentator, political activist and staunch socialist who is proudly English and an outspoken anti–racist, which his opponents may see as arguably diametrically opposed combination. -
Attachment and Detachment in Caryl Phillips╎ a Distant Shore
Kunapipi Volume 26 Issue 1 Article 16 2004 ‘Of, and not of, this place’: Attachment and detachment in Caryl Phillips’ A distant shore Benedicte Ledent Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Ledent, Benedicte, ‘Of, and not of, this place’: Attachment and detachment in Caryl Phillips’ A distant shore, Kunapipi, 26(1), 2004. Available at:https://ro.uow.edu.au/kunapipi/vol26/iss1/16 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] ‘Of, and not of, this place’: Attachment and detachment in Caryl Phillips’ A distant shore Abstract Interviewed about his novels in 2003, Caryl Phillips declared ‘These all seem to be the same book, part of a continuum’ (Morrison). Obviously, his seventh work of fiction, A Distant Shore (2003), does not disrupt this sense of great cohesion, also acknowledged by his commentators. Although the contemporary setting of A Distant Shore is unusual for a novelist who has occasionally been labelled a chronicler of the African Diaspora, this new book constitutes another memorable stage in Phillips’ subtle, yet dogged fictional exploration of the tension between attachment and detachment, between belonging and unbelonging that has been part of human life since the beginning of times, especially for the migrant. If this concern sticks to Phillips’ novels almost like a second skin, it is addressed more openly in his non- fiction, notably in his ecentr collection of essays A New World Order (2001). -
Kiff Aarau We Keep You in the Loop
SEP.19 2 Tone EINSCHLAUFEN Betrifft: Unangefochten nach Hause tanzen Impressum Nº 07.19 Die Telefone bleiben stumm, die hastig durch Wipkingen ebenso souverän besteigen wie das DER MUSIKZEITUNG LOOP 22. JAHRGANG den Raum gebrüllten Regieanweisungen sind Nachtboot nach Kairo. Und in lockerer Fuss- verklungen, es ist niemand mehr da. Wilson- bekleidung tanzt man auch unangefochten P.S./LOOP Verlag Pickett-Zeit, Schichtende. Der Kugelschrei- nach Hause, getragen von den Ska-Klängen Hohlstrasse 216, 8004 Zürich ber wird zurück in die Hemdtasche gesteckt, aus den ganz frühen Achtzigerjahren, die uns Tel. 044 240 44 25 der Rechner heruntergefahren, der Schreib- auf den folgenden Seiten begleiten. Eine mu- www.loopzeitung.ch tisch verlassen. Stummen Schrittes durchs sikalische Energiequelle, politisch ummantelt Treppenhaus, zwei Stockwerke, danach vor- und von nachwachsenden Generationen im- bei an der stillgelegten Stempeluhr und raus mer wieder befeuert. Und womöglich erneut Verlag, Layout: Thierry Frochaux in die Sommernacht. «Guido has left the aktuell, wenn Grossbritannien Ende Oktober [email protected] building.» Ein Satz, der jede Nacht kurz in den EU-Austritt umsetzen muss. Denn spä- meinem Kopf aufflackert, gefolgt von einem testens dann wird «You’re Wondering Now» Administration, Inserate: Manfred Müller Blick hoch zum Himmel. von The Specials eine neue Facette erhalten. [email protected] Um diese Uhrzeit ist der Verkehrslärm in un- Ganz zu schweigen von «Ghost Town». serer kleinen grossen Stadt bereits angenehm Noch bleiben also knapp zwei Monate bis Redaktion: Philippe Amrein (amp), gedrosselt, allerdings nicht so stark, dass man zur grossen Abrechnung respektive dem Ab- Benedikt Sartorius (bs), Koni Löpfe sich bloss noch von atmender Stille umgeben schied von Grossbritannien, wie wir es ken- wähnen würde. -
The Essential Billy Bragg Ukulele Song Sheets Uketunes
The Essential Billy Bragg Ukulele Song Sheets UkeTunes Contents A NEW ENGLAND 3 THE MILKMAN OF HUMAN KINDNESS 4 TO HAVE AND TO HAVE NOT 5 A LOVER SPEAKS 6 IT SAYS HERE 7 THE SATURDAY BOY 8 BETWEEN THE WARS 9 THE WORLD TURNED UPSIDE DOWN 10 LEVI STUBBS’ TEARS 11 GREETINGS TO THE NEW BRUNETTE 12 IDEOLOGY 13 THERE IS POWER IN A UNION 14 SHE’S GOT A NEW SPELL 15 THE PRICE I PAY 16 WAITING FOR THE GREAT LEAP FORWARDS 17 SEXUALITY 18 MOVING THE GOALPOSTS 19 TANK PARK SALUTE 20 YOU WOKE UP MY NEIGHBOURHOOD 21 ACCIDENT WAITING TO HAPPEN 22 UPFIELD 23 BRICKBAT 24 THE SPACE RACE IS OVER 25 THE BOY DONE GOOD 26 NO POWER WITHOUT ACCOUNTABILITY 27 ST. MONDAY 28 SOME DAYS I SEE THE POINT 29 TAKE DOWN THE UNION JACK 30 HANDYMAN BLUES 31 A13 TRUNK ROAD TO THE SEA 32 NOTE: All songs and chords assume a GCEA tuned ukulele. Any tab that uses the G string assumes a “low G”. These song sheets are my best attempt at transcribing the songs, but may not be totally accurate. DISCLAIMER: All song sheets in this book are intended for private, educational, and research purposes only and not for financial gain in any form. It is acknowledged that all song copyrights belong to their respective parties. (v1.0) Billy Bragg (https://uketunes.wordpress.com/) Page 2 UkeTunes A New England { 1983 } Intro: [F] / / / | / / / / | / / / / | / / / / | I was [F] twenty-one years when I wrote this song I'm [C] twenty-two now but I [Dm] won't be for long [Bb] People ask me when will you grow [F] up to be a man But all the [C] girls I loved at school are al-[Bb]-ready pushing prams -
Songs with a Global Conscience Using Songs to Build International Understanding and Solidarity
Rethinking Schools Online - Teaching About the War Page 1 of 4 Songs with a Global Conscience Using songs to build international understanding and solidarity. By Bob Peterson Songs, like poetry, are powerful tools to build consciousness and solidarity. Every week we have a new "Song of the Week," and we begin every day by playing the song. I distribute the song's lyrics to the students, who keep them in their three-ring binders. The songs generally relate to topics we are studying. I allow students to bring in songs as well, although they must know the lyrics and have a positive reason for sharing the song with their classmates. When I introduce a song, I use our classroom map to go over the geographical connections. I also explain any difficult words. Finally, and most importantly, I give the social context. Depending on whether I use the song at the beginning of a unit of study or in the middle, the amount of "context setting" varies. Following is a list of songs that teachers and organizers might find useful as they teach for justice in an unjust world. THE COLONIAL PAST Ballad of the Soldier's Wife, lyrics by Bertolt Brecht, music by Kurt Weill, sung by PJ Harvey. (September Songs: The Music of Kurt Weill CD, Sony Music, 1997). A telling tale of the human toll of foreign wars. Bury My Heart at Wounded Knee, written by Buffy Sainte-Marie, sung by the Indigo Girls. (1200 Curfews CD, Epic Records Group, 1995.) A folk/rock song that critiques U.S. -
Braggarnov01.Pdf (292.8Kb)
MarchNovember 2001 2001 Single Bill Appeared in – The Adelaide Review Billy Bragg with Dave Graney Show Norwood Concert Hall The prospect of The Dave Graney Show on the same card as Billy Bragg made this event doubly appealing. But I am sorry to report Mr Graney ‘s opening set is a disappointment. Perhaps he is diligently not wanting to steal the show. If so, I for one would not have been sorry if he’d taken that risk. Instead he’s looking uncertain and understaffed, even his raffish homburg, flared safari suit and spotted cravat have become tentative ironies. With partner Clare Moore ever inventive on drums and Adele Pickvance steady on bass, Graney now handles all the chores on guitar and the result is the kind of thin lounge sound that he has always carefully steered around. The newer material - numbers like Anchors Aweigh and Don’t Mess With the Blood have a croony but somewhat anaemic charm and Son of Maggie May makes us wonder whether the joke is really on Rod at all. Dave makes quite a few Lleyton Hewitt victory gestures but he is very far from pumped. His excellent Three Dead Passengers in a Second Hand Ford is edged out with an almost samba rhythm and a newer work, Leaving the Mount covers the same ground less crisply. I Held a Cool Breeze is closer to the gravy days, I try to imagine the Coral Snakes at his back in an arc of electric sound - it is a good song, like so many he has written. -
Authenticity, Politics and Post-Punk in Thatcherite Britain
‘Better Decide Which Side You’re On’: Authenticity, Politics and Post-Punk in Thatcherite Britain Doctor of Philosophy (Music) 2014 Joseph O’Connell Joseph O’Connell Acknowledgements Acknowledgements I could not have completed this work without the support and encouragement of my supervisor: Dr Sarah Hill. Alongside your valuable insights and academic expertise, you were also supportive and understanding of a range of personal milestones which took place during the project. I would also like to extend my thanks to other members of the School of Music faculty who offered valuable insight during my research: Dr Kenneth Gloag; Dr Amanda Villepastour; and Prof. David Wyn Jones. My completion of this project would have been impossible without the support of my parents: Denise Arkell and John O’Connell. Without your understanding and backing it would have taken another five years to finish (and nobody wanted that). I would also like to thank my daughter Cecilia for her input during the final twelve months of the project. I look forward to making up for the periods of time we were apart while you allowed me to complete this work. Finally, I would like to thank my wife: Anne-Marie. You were with me every step of the way and remained understanding, supportive and caring throughout. We have been through a lot together during the time it took to complete this thesis, and I am looking forward to many years of looking back and laughing about it all. i Joseph O’Connell Contents Table of Contents Introduction 4 I. Theorizing Politics and Popular Music 1. -
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Copyright © 2019 The Author IDEAS IDEAS is licensed under CC-BY-SA 4.0 License Journal of Language Teaching and Learning, Linguistics and Literature ISSN 2338-4778 (Print) Issued by English study program of IAIN Palopo ISSN 2548-4129 (Online) Volume 7, Number 1, June 2019 pp. 65– 80 Re-Affirming Englishness: Ultimate Half-Ness And (Critical) Multiculturalism in Billy Bragg’s England, Half English Lisda Liyanti Literature Departement, Faculty of Humanities, University of Indonesia [email protected] Received : 25 Maret 2019; Accepted : 10 May 2019 URL : http://ejournal.iainpalopo.ac.id/index.php/ideas Abstract National identity in Great Britain is always interesting to discuss, as it dealt with England, Scotland, Walles, and Northern-Ireland identity, yet it is English identity that overshadowed British Identity. The problematic concept of English identity also brought up by Billy Bragg, a remarkable British musician, in his England, Half English-song in early 2000. This paper scrutinizes the question of “what does half English mean and what should be meant by full English?” using critical views on multiculturalism. The result shows that the basic idea of Bragg's works important in showing how the most changeable and essential signs of national culture and the clearer voices of its immigrant are perfect expressions of the "ultimate" Half- ness of England. Keywords: English, Identity, Billy Bragg, Multiculturalism Introduction National identity in Great Britain is always interesting to discuss, as it dealt with England, Scotland, Walles, and Northern-Ireland identity. The case of Brexit brings it to the higher level, as the identity of being British harden as it separated from being "European" and so what should be defined as being British or English.