Austerity, Affluence and Discontent in the United Kingdom, .1951-1979
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STUDY GUIDE TOOLS for TEACHERS Sponsored By
2014 STUDY GUIDE TOOLS FOR TEACHERS sponsored by Tom McCamus, Seana McKenna Support for the 2014 season of the Tom Patterson Theatre is generously provided by Richard Rooney & Laura Dinner Production support is generously provided by Karon Bales & Charles Beall Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Cast of Characters ...................................................................................................... 6 Plot Synopsis ............................................................................................................... 7 Sources and Origins .................................................................................................... 8 Stratford Festival Production History ......................................................................... 9 The Production Artistic Team and Cast ............................................................................................... 10 Lesson Plans and Activities Creating Atmosphere .......................................................................................... 11 Mad World, Mad Kings, Mad Composition! ........................................................ 14 Discussion Topics .............................................................................................. -
6Th September 2020
Pews News & Notces for Harbury, Ladbroke & Uftn 6t Septmber 2020 : Tirtent Sunday aftr Trinit Websits: Al Saints’, Harbury - alsaintsharbury.org Al Saints’, Ladbroke – ladbrokechurch.org.uk WORSHIPPING GOD - GROWING IN FAITH – WORKING IN COMMUNITY HARBURY & LADBROKE SERVICES THOUGHT FOR THE WEEK Date Service Harbury Ladbroke In this morning’s Gospel reading (Matthew 18: 15-20), Jesus is being wholly realistic. He recognises that there will be conflicts within the 6th Holy Communion 9.00am 10.30am Church, and that any personal disagreements really do need sorting out. September Service Simply sweeping them under the carpet is never the answer. In effect, Jesus offers us three ways to resolve conflicts; these are similar * Please email Liz McBride if you wish to come to the service on 6th in many ways to the three legal routes that we have today, which are:- September: [email protected] * Services for the rest of September and October have yet to be decided 1. An “ Out of Court” settlement, where the parties get together and work but we will update you as soon as we know. A service is planned for out their differences; Ufton Church on 27th September. 2. “Arbitration” in camera before a small Tribunal, which helps the parties * The services will be subject to some restrictions, including social to resolve their conflict; and distancing, face coverings recommended, and no singing (although 3. The full confrontation of an action in an Open Court. music may be played). * Communion will be “in one kind” (meaning that the congregation will be The “Out of Court” Settlement in this passage is when two people meet offered the Bread only). -
SWK News Th27 Issue 4 July 95
SWK News issue 1 6JuIy 95 Welcome... ...to the first issue of SWK News - means of getting to know about what’s going on and who’s doing what. The title is not only temporary it is deliberately boring, in the hope that you will feel inspired to suggest an alternative. On offer to the author of the title eventually adopted is - a bottle of champagne! Written suggestions should be mailed or faxed to Anna Evans in Basingstoke, and the sooner the better. To give you more information on the aims and purpose of this weekly Newsletter, the following is from Phil Green... The Board ofSWK Holdings lid has received and noticeboards into the weekly newsletter, leaving the reviewed thefinal report of the Industrial Society on noriceboards free tofill a more specific role. Examples of completion of its Communications Consuliancy. The report what the newsletter can and will be usedfor are:- has been subsequently copied to all the Directors, and I will • vacancies speak concerning it at the full Directors’ Meeting on • joiners, leavers, movers July. • births, deaths, marriages Details of the Industrial Society’s report will be • social announcements - carfor sale advised to staff in due course; however, one house to rent recommendation was adopted by the Holdings Boardfor theatre trips, etc immediate implementation. • new project proposals • jobs won / lost A Weekly Newsletter: • forthcoming seminars / training courses The Industrial Society considered that there was a • changes to mileage allowances, etc needfor a regular circular that will serve to inform staff • itemsfor action by all or specific groups, eg, a individually and directly of things that are happening in the firedrill at Plymouth office Firm. -
Encounters with the Neighbour in 1970S' British Multicultural Comedy
Postcolonial Interventions, Vol. IV, Issue 1 Encounters with the Neighbour in 1970s’ British Multicultural Comedy Sarah Ilott “If you don’t shut up, I’ll come and move in next door to you!” Such was the frequent response to audience heckles made by Britain’s first well-known black come- dian, Charlie Williams (Leigh 2006). Williams’s response appropriated racist rhetoric of the time, in which the black neighbour was frequently mobilised as an object of fear, threatening the imagined homogeneity of for- merly white communities. Having frequently been on the receiving end of racist taunts such as “Get back to Af- rica” as a professional footballer for Doncaster Rovers in the 1940s and ’50s, Williams was able to claim some 14 Postcolonial Interventions, Vol. IV, Issue 1 of the power of the Teller of the joke through such put-downs, rather than solely occupying the position of the Butt of racist jokes and slurs. However, the fact was that Williams was forced to rely on self-deprecation and the reiteration of racial stereotype gestures to his need to find favour with the predominantly white audiences of the northern working men’s clubs that he toured and the mainstream audiences of ITV’s prime time hit, The Comedians (ITV, 1971-93), on which he was showcased alongside notable racists such as Bernard Manning. De- spite lamenting the “very stupid and very immature” tone of Williams’s self-mocking jokes, comedian Lenny Henry – who lived with the unfortunate legacy of what was expected of black comedians, particularly in the North – acknowledged that Williams did “what you’ve got to do if it’s a predominantly white audience – you’ve got to put yourself, and other people, down” (qtd. -
Dialects of London East End and Their Representation in the Media
Vanja Kavgić Dialects of London East End and their representation in the media. Cockney dialect and Multicultural London English in British sitcoms. MASTER THESIS submitted in fulfilment of the requirements for the degree of Master of Arts Programme: Master's programme English and American Studies Alpen-Adria-Universität Klagenfurt Evaluator Univ.-Prof. Mag. Dr. Alexander Onysko Alpen-Adria-Universität Klagenfurt Institut für Anglistik und Amerikanistik Klagenfurt, June 2018 Affidavit I hereby declare in lieu of an oath that - the submitted academic thesis is entirely my own work and that no auxiliary materials have been used other than those indicated, - I have fully disclosed all assistance received from third parties during the process of writing the thesis, including any significant advice from supervisors, - - any contents taken from the works of third parties or my own works that have been included either literally or in spirit have been appropriately marked and the respective source of the information has been clearly identified with precise bibliographical references (e.g. in footnotes), - to date, I have not submitted this thesis to an examining authority either in Austria or abroad and that - - when passing on copies of the academic thesis (e.g. in bound, printed or digital form), I will ensure that each copy is fully consistent with the submitted digital version. I understand that the digital version of the academic thesis submitted will be used for the purpose of conducting a plagiarism assessment. I am aware that a declaration contrary to the facts will have legal consequences. Vanja Kavgic e.h. Klagenfurt, 28.06.2018 1 Table of Contents AKNOWLEDGEMENTS ...................................................................................................................... -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
DIRECT DEMOCRACY: an Agenda for a New Model Party
29505_J Norman_NMP 7/6/05 13:35 Page C DIRECT DEMOCRACY: An Agenda for a New Model Party direct-democracy.co.uk 29505_J Norman_NMP 7/6/05 13:35 Page D First published 2005 Copyright © 2005 The Authors We actively encourage the reproduction of this book's ideas, particularly by ministers and civil servants. Published by direct-democracy.co.uk A CIP catalogue record of this book is available from the British Library ISBN 0-9550598-0-1 Typeset and printed by Impress Print Services Ltd, London 29505_J Norman_NMP 7/6/05 13:35 Page E Contents Introduction 1 Chapter One: The Tory Collapse 7 Chapter Two: The Rise of Anti-Politics 21 Chapter Three: Command Politics 34 Chapter Four: Direct Democracy 44 ILocal Government 46 II Crime 54 III Education 65 IV Health 74 VConstitutional Reform 81 VI New Model Party 96 A Note on the Authors 101 29505_J Norman_NMP 7/6/05 13:35 Page F "All decisions are delegated by politicians, because politicians don't want to take responsibility for them, to quangoes, and quangoes aren't answerable to anybody. Now what can you really hold a politician responsible for in domestic policy?" Lord Butler of Brockwell, Cabinet Secretary and Head of the Home Civil Service 1988–1998 December 2004 "It may be that the era of pure representative democracy is slowly coming to an end." Peter Mandelson, European Commissioner March 1998 29505_J Norman_NMP 7/6/05 13:35 Page 1 INTRODUCTION So it goes on. Once again, the Conservative Party is starting a new parliament with fewer MPs than Labour enjoyed in 1983, its popularity declining in important areas of our country, its future insecure. -
Results of Consultation 21St Feb. – 3Rd Apr. 2008
Newington and St Andrew’s AAP Preferred Options – Results of consultation 21st Feb. – 3rd Apr. 2008 All representations received during Newington and St Andrew's Area Action Plan's Preferred Options formal consultation are available for inspection at the Planning Department, Planning Policy, Kingston House, Bond Street, Hull, HU1 3ER, during normal office hours. To make an appointment, please phone 01482 612391. This table lists representations by areas, as referred in the Preferred Option document e.g. ’Area 4 – Hawthorn Avenue’. For ease of use, more specific streets which the representation relates to are also indicated. Any note/clarification made by the Council is indicated in italic and in square brackets eg. [No area specified]. Please note that references to third parties have been removed in accordance with their rights under Data Protection Act (1998); some comments/language which may be deemed inappropriate have been omitted and replaced with: […]. An asterisk* in the ‘Comment’ column shows that this is the case. Large background documents which have been submitted do not appear in this table - this is indicated in bold when this is the case. However, they are available for inspection, along with all representations, at the Planning Department as described above. Name Organisation Document Type of Area Street / Site Document Comment Response to comment comment reference Miss Preferred Supporting [No area Medium [No specific comment provided]. Noted. Jacqueline Options specified] Option Hoe Plan Mr and Preferred Supporting [No area [No specific comment provided]. Noted. Mrs Wride options specified] A. Fenton Preferred Objecting Area 1 – Page 38- [No specific comment provided] Noted. -
The Speaker of the House of Commons: the Office and Its Holders Since 1945
The Speaker of the House of Commons: The Office and Its Holders since 1945 Matthew William Laban Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy 2014 1 STATEMENT OF ORIGINALITY I, Matthew William Laban, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of this thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: Details of collaboration and publications: Laban, Matthew, Mr Speaker: The Office and the Individuals since 1945, (London, 2013). 2 ABSTRACT The post-war period has witnessed the Speakership of the House of Commons evolving from an important internal parliamentary office into one of the most recognised public roles in British political life. This historic office has not, however, been examined in any detail since Philip Laundy’s seminal work entitled The Office of Speaker published in 1964. -
Clive Sullivan Story
THE CLIVE SULLIVAN STORY TRUE PROFESSIONAL JAMES ODDY Contents Foreword 8 Acknowledgements 9 A World Cup 11 A Proper Introduction 19 Setting the Scene 22 Clive Sullivan Arrives 34 The Airlie Bird Catches the Worm 40 Dicing With Death 53 Meeting Rosalyn 59 Beauty and Brutality 65 A Clear Run – Finally 74 Breakthrough and Breakdown 79 Married Life 85 Down and Out 94 Triumph, at Last 101 Upheaval 113 French Flair 122 World Cup and Coach Clive 130 The Second Division 140 Making the Switch 148 Family Man 163 Indian Summer 167 Close to the Promised Land 177 ‘Turn off the lights’ 187 Moving On 195 The Ecstasy 204 The Agony 210 Never Forgotten 217 Legacy 221 Bibliography 223 A World Cup HE Stade de Gerland in Lyon, France, was not the most obvious choice for the Rugby League World Cup Final Even in 1972, Twhen the French were much more of a force in the international game than in 2017, Lyon was a long way from the game’s heartlands in the south of the country When Great Britain and Australia emerged into the vast stadium, led by captains Clive Sullivan and Graeme Langlands respectively, they were met with nearly empty stands The official attendance was said to be 4,000, leaving large pockets of concrete stand exposed in a venue capable of holding over 40,000 Aside from the location, the French had also had a largely disappointing tournament, dampening what little interest might have remained Even the chill of this mid-November afternoon was unappealing, making the grey of the terraces appear even bleaker on BBC’s television coverage The crowd -
Equity Magazine Spring 2016
SPRING 2016 www.equity.org.uk New agreements in film and theatre Improved deal on audition expenses #BackTheBBC campaign news THE RISE OF UK FILM RIZ AHMED TALKS INDIE HITS AND UPCOMING BLOCKBUSTERS First Act Insurance presents... Key features include • • Competitive online quote and buy cover provided by HISCOX. • Annual or short period cover available. showtimeinsurance.co.uk Tel 020 8686 5050 Scan this QR code with your smartphone or tablet device to be taken directly there Where and when you need it! First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 Contents News 18> 04 New agreements launched 06 ENO must be saved Success stories 10 Audition expenses 12 BBC Three pay Cover story 08 Riz Ahmed on film Features 14 UK Film Agreement 18 Access to work 20 Commercial theatre 06> Campaigns 24 #BackTheBBC 26 Fighting the TU Bill Plus > 14 22 Member offers 30 Letters 08 32 Branch update 32 Star Wars: The Force FRONT OF HOUSE Awakens and Spectre, below, were made on Equity agreements PAY RISES IN NEW AGREEMENTS FOR FILM AND THEATRE SUCCESSFUL NEW DEALS DELIVER FEE RISES AND BETTER WORKING CONDITIONS. FILM AGREEMENT UNDERPINS UK MOVIE INDUSTRY AND COMMERCIAL THEATRE CONTRACT PROTECTS STAGE MANAGERS AND PERFORMERS EQUITY HAS RECENTLY concluded two successful agreements in the areas of cinema films and commercial theatre. Union questions Arts The new cinemas films agreement will see fees rise 12% by 2018 and, for the first time, the deal has provisions for performance capture Council funding decision work. -
New Singles, 26
INSIDE *'*$.'_■ ... Amm L --- *#&&&* Singles chart, 10-11; Album chart,New Albums, 25; New 8; AirplaySingles, guide, 26; lands18-19; special, Small Labels,16-24. 13; Mid- March 9, 1981 VOLUME THREE Number 49 Major TV push for Televideo... THE MOST ambitious attempt so far to able for rental and UA repertoire is directions. There will, however, be a equipmentmass merchandise through videodirect-response software andTV excludedThe first from 90-seconds being sold. commercials will coveringspecial no-deposit any film in introductory the UA catalogue offer donadvertising area. begins tonight in the Lon- Thamesbe screened TV and Monday-Thursdays the campaign will runon andfor a feepacking. of £5.95 The plus concessionary 95p return postage rate existingThe twoTellydisc major directparticipants mail inrecord the areafor two response weeks. furtherDepending regional on London- promo- freenegotiated hire for with an annual Granada payment gives six and weeks two companycompany, BertlesmannEurodisc, and through the Huttonits UK committedtion is envisaged to further and TV Televideoupdates dur- is weeksOn foraverage, monthly Televideo's payments. purchase joinedadvertising forces agencythis time have with oncethe Intervi- again specialing the offers,year to likepromote blank new tapes releases and video and pricepercent on belowsoftware retail. are claimed to be 25 sionSelwood, company, former to Pyeform and Televideo. CBS market- Clive Because of the relatively complex entertainment."We are in theThere business will be of no family soft HEATH LEVY Music continues to ing director,director. has been appointed manag- club,nature the of focusenrolling of the in TVthe advertisingTelevideo companyporn in our spokesman. catalogue," "Our commented research a tion'mop list.