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EQ Magazine } Winter 2014
2 EQUITY QUARTERLY 0 1 DUES REFERENDUM 4 EQ Child’s Play Please detach this special supplement from your copy of EQ for easier reading. Please detach this special supplement for easier reading. DUES 2 0 1 REFERENDUM 4 Why the “torn” cover? After 14 years without an increase in dues, current rates are no longer sufficient to cover everything you want us to do for you. In order to respond to this financial shortfall, Council will be conducting a member referendum on an increase in both working and basic dues this coming February. Some history on Equity’s dues Dues were last adjusted in 1999, when basic $170 dues went from $50 per year to $135 per Basic Dues Compared with Costs Over Time year. Equity has successfully operated on a 160 breakeven basis since then. Until recently, that is. Nothing catastrophic Costs 150 occurred; it’s just that inflation eventually Dues caught up with us. Paying for 2013 expenses with a 1999 dues rate is no longer possible, 140 and we have experienced growing deficits for the past two years. 130 The dues proposal Council proposes to increase basic dues to 120 $180, coupled with an increase in working 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 dues to 2.25%. These rates will then hold steady for at least six years. Where does the money go? We went with a combined basic and working dues format based on All the operational costs of Equity are paid for by its members. Dues member feedback, which suggested that a modest increase to basic cover several rounds of negotiation and ratification each year, review dues, coupled with a small increase to working dues, would be an and data entry of all engagement contracts, advocacy, administration appropriately balanced approach. -
The Front Page First Opened at the Times Square Theatre on August 14, 1928, It Was Instantly Heralded As a Classic
SUPPORT FOR THE 2019 SEASON OF THE FESTIVAL THEATRE IS GENEROUSLY PROVIDED BY DANIEL BERNSTEIN AND CLAIRE FOERSTER PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP 2 DIRECTOR’S NOTES SCAVENGING FOR THE TRUTH BY GRAHAM ABBEY “Were it left to me to decide between a government without newspapers or newspapers without a government, I should not hesitate a moment to prefer the latter.” – Thomas Jefferson, 1787 When The Front Page first opened at the Times Square Theatre on August 14, 1928, it was instantly heralded as a classic. Nearly a century later, this iconic play has retained its place as one of the great American stage comedies of all time. Its lasting legacy stands as a testament to its unique DNA: part farce, part melodrama, with a healthy dose of romance thrown into the mix, The Front Page is at once a veneration and a reproof of the gritty, seductive world of Chicago journalism, firmly embedded in the freewheeling euphoria of the Roaring Twenties. According to playwrights (and former Chicago reporters) Charles MacArthur and Ben Hecht, the play allegedly found its genesis in two real-life events: a practical joke carried out on MacArthur as he was heading west on a train with his fiancée, and the escape and disappearance of the notorious gangster “Terrible” Tommy consuming the conflicted heart of a city O’Conner four days before his scheduled caught in the momentum of progress while execution at the Cook County Jail. celebrating the underdogs who were lost in its wake. O’Conner’s escape proved to be a seminal moment in the history of a city struggling Chicago’s metamorphosis through the to find its identity amidst the social, cultural “twisted twenties” is a paradox in and of and industrial renaissance of the 1920s. -
Noteworthy Spring 2016
noteworthy news from the university of toronto libraries Spring 2016 Lana Peters is the name adopted by Svetlana Alliluyeva, daughter of Josef Stalin IN THIS ISSUE Spring 2016 12 “35 years of Degrassi” event exhorts audience to “just do it” [ 3 ] Taking Note [ 11 ] Other Events [ 4 ] Going for Gold: 50 Years of the University of Toronto Archives [ 12 ] Friends of the Libraries Lecture Series [ 5 ] Understanding Canada’s Oldest Profession [ 12 ] Richard Charles Lee Canada-Hong Kong Library Events [ 6 ] Eureka! U of T Music Librarian Chances on Long-lost Treasure [ 14 ] Supporting Scientific Research [ 6 ] Ursula Franklin Collection at UTARMS [ 15 ] Exhibitions and Events [ 7 ] Renowned Philosopher Donates Books and Archives to UTL Special Collections [ 8 ] Rare Times at the Thomas Fisher Rare Book Library Cover image: Letters written by Josef Stalin’s daughter Svetlana Alliluyeva. Above: Degrassi’s Linda Schuyler hams it up with fans at a Friends of the Libraries Lecture. [ 2 ] TAKING NOTE noteworthy news from the university of toronto libraries WELCOME TO THE SPRING ISSUE In 2009, the founder of the worldwide Chief Librarian of Noteworthy. Our cover presents a fascinat- web, Tim Berners-Lee, gave a TED talk Larry P. Alford ing recent acquisition of the letters of about Linked Data, essentially calling for Editor Stalin’s daughter, Svetlana Alliluyeva, to a action on the transition from documents to Megan Campbell friend over a couple of decades before her data on the web. In practical terms, this death, through which the devastating means publishing information online in a Designer Maureen Morin effects of her father’s legacy may be under- way that can connect to other web resources. -
6Th September 2020
Pews News & Notces for Harbury, Ladbroke & Uftn 6t Septmber 2020 : Tirtent Sunday aftr Trinit Websits: Al Saints’, Harbury - alsaintsharbury.org Al Saints’, Ladbroke – ladbrokechurch.org.uk WORSHIPPING GOD - GROWING IN FAITH – WORKING IN COMMUNITY HARBURY & LADBROKE SERVICES THOUGHT FOR THE WEEK Date Service Harbury Ladbroke In this morning’s Gospel reading (Matthew 18: 15-20), Jesus is being wholly realistic. He recognises that there will be conflicts within the 6th Holy Communion 9.00am 10.30am Church, and that any personal disagreements really do need sorting out. September Service Simply sweeping them under the carpet is never the answer. In effect, Jesus offers us three ways to resolve conflicts; these are similar * Please email Liz McBride if you wish to come to the service on 6th in many ways to the three legal routes that we have today, which are:- September: [email protected] * Services for the rest of September and October have yet to be decided 1. An “ Out of Court” settlement, where the parties get together and work but we will update you as soon as we know. A service is planned for out their differences; Ufton Church on 27th September. 2. “Arbitration” in camera before a small Tribunal, which helps the parties * The services will be subject to some restrictions, including social to resolve their conflict; and distancing, face coverings recommended, and no singing (although 3. The full confrontation of an action in an Open Court. music may be played). * Communion will be “in one kind” (meaning that the congregation will be The “Out of Court” Settlement in this passage is when two people meet offered the Bread only). -
Uvisno "Acting Is Handed on from Actor to Actor
Inaide the Stratford Festival uviSNO "Acting is handed on from actor to actor. It's the only way to do it... from observing the people who came before you. That is really the way theatre goes" In OFFSTAGE ONSTAGE: Inside the Stratford Festival, Stratford cameras go backstage during an entire season to capture the creative spirit at the heart of a treasured Canadian theatre company. For five decades, the Festival's stage has been home to the world's great plays and performers. Award-winning director John N. Smith (The Boys of St. Vincent), given unprecedented access backstage, offers a fascinating look at the personalities and the production process behind live theatre performance. Peek into William Hutt's dressing room as he does his vocal warm-ups before Twelfth Night. Watch Martha Henry command the stage in Who's Afraid of Virginia Woolf? Observe an up-and-coming generation of young performers who learn from the masters. Meet dozens of artists, craftspeople and technicians who reveal their secrets, from shoemaking, sword fighting and sound effects to makeup and mechanical monkeys. Join us behind the scenes of Canada's premier classical theatre institution ... and discover the love for the stage that drives this artistic company. Resource guide on reverse side, DIRECTOR: John N. Smith PRODUCER: Gerry Flahive 83 minutes Order number: C9102 042 Closed captioned. A decoder is required. TO ORDER NFB VIDEOS, CALL TODAY! -800-267-7710 (Canada) 1-800-542-2164 (USA) © 2002 National Film Board of Canada. A licence is required for any reproduction, television broadcast, sale, rental or public screening. -
A N N U a L Report 2015/16
2 0 1 5 / 1 a 6 n n u a l R e t p r o The Royal Manitoba Theatre Centre’s John Hirsch Mainstage. PHOTO BY JERRY GRAJEWSKI Inset: John Hirsch and Tom Hendry. Mandate It is the aim of the Royal Manitoba Theatre Centre to study, practice and promote all aspects of the dramatic art, with particular emphasis on professional production. Mission The Royal Manitoba Theatre Centre exists to celebrate the widest spectrum of theatre art. Deeply rooted in the province of Manitoba, which gave it life and provides for its growth, Royal MTC aspires to both ABOUT ROYAL MTC reflect and engage the community it serves. When the Winnipeg Little Theatre and Theatre 77 merged to form Vision the Manitoba Theatre Centre in 1958, the goal was to produce great Royal MTC’s theatres and our province will theatre with mass appeal. Artistic Director John Hirsch and General teem with artists and audiences sharing in the act of imagining, enriching lives Manager Tom Hendry staged professional productions of an eclectic and communities. array of plays – classics, Broadway hits and new Canadian work. With the establishment of a second stage for experimental work in 1960, Values and an annual provincial tour that began in 1961, MTC fully realized Quality the original vision of a centre for theatre in Manitoba. Inspired by the A commitment to quality is reflected in the breadth and quality of MTC’s programming, a whole network of what writing of each play, in the actors, directors became known as “regional theatres” emerged across North America. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Stratford Festival 2021 Season Guide
STUDIO THEATRE Three Tall Women FESTIVAL THE THEATRE CANOPY R + J CABARETS Why We Tell the Story 2021 You Can’t Stop the Beat Play On! Freedom Finally There’s Sun TOM PATTERSON SEASON THEATRE CANOPY A Midsummer Night’s Dream The Rez Sisters I Am William GUIDE Serving Elizabeth JULY – OCTOBER stratfordfestival.ca 1.800.567.1600 | 519.273.1600 1 1 800 567 1600 | 519 273 1600 STRATFORDFESTIVAL.CA 2 But far from placing limitations on our creativity, the need to work within the parameters required of us – with shorter performances, smaller casts (no more than eight actors WORLDS WITHOUT WALLS per show) and physical distancing on stage – has stimulated our artists to new Two young people are in love. They’re next-door neighbours, but their families don’t get feats of imagination as they devise novel on. So they’re not allowed to meet: all they can do is whisper sweet nothings to each modes of performance. Our 2021 playbill other through a small gap in the garden wall between them. Eventually, they plan to run o encompasses Shakespeare, music, modern together – but on the night of their elopement, a terrible accident of fate impels them both classics and new work, presented in ways to take their own lives. you’ve never seen at Stratford before. Sound familiar? It’s the story of Pyramus and Thisbe, as told by the ancient Roman poet And it’s not only the pandemic that Ovid, one of Shakespeare’s favourite authors. Most of us know it from the comical play- has opened us up to new ideas and within-the-play in A Midsummer Night’s Dream – but it’s also essentially the same story experiences. -
2016 Study Guide 2016 Study Guide
2016 STUDY GUIDE 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER AS YOU LIKE IT BY WILLIAM SHAKESPEARE DIRECTOR JILLIAN KEILEY TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by M. Fainer and by The Harkins/Manning Families In Memory of James & Susan Harkins INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: Cyrus Lane, Petrina Bromley. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis ............................................................................................................... 6 Cast of Characters ...................................................................................................... 7 Sources, Origins and Production History .................................................................. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
2020 Visitors Guide a Storied Past, a Glorious Future: a Season to Celebrate the Elixir of Power
2020 VISITORS GUIDE A STORIED PAST, A GLORIOUS FUTURE: A SEASON TO CELEBRATE THE ELIXIR OF POWER Irresistible – that’s the only way to describe the variety, quality and excitement that make up the Stratford Festival’s 2020 season. First, there is our stunning new Tom Patterson Theatre, with ravishingly beautiful public spaces and gardens. Its halls, bars and café will be filled throughout the season with music, comedy nights, panel discussions and outstanding speakers to make our Festival even more festive. In the wake of an election in Canada, and in anticipation of one in the U.S., our season explores the theme of Power. Recent years have seen a growing acceptance of the naked use of power. Brute force is in vogue on the world stage, from international trade to immigration and the arms race – and, closer to home, in elections, in the workplace and even in social media engagements. Through comedy, tragedy, song, dance and farce, the plays and musicals of our 2020 season explore the dynamics of power in society, politics, art, gender and family life. In our new Tom Patterson Theatre, we present the two plays that launched the Stratford adventure in 1953: All’s Well That Ends Well and Richard III. The new venue is also home to a new musical, Here’s What It Takes; a new movement-based creation, Frankenstein Revived; and a series of improvisational performances – each one unique and unrepeatable – called An Undiscovered Shakespeare. But the fun isn’t all confined to one theatre. Our historic Festival Theatre showcases two of Shakespeare’s greatest plays, Much Ado About Nothing and Hamlet, as well as Molière’s brilliant satire The Miser and the first major new production in decades of the mischievous musical Chicago. -
El Dulce Porvenir Rodada En 1997, Es El Séptimo Largometraje De Su Carrera Y Su Obra Más Conocida Por El Gran Públicotexto… Hasta La Fecha
EELL DDUULLCCEE PPOORRVVEENNIIRR Un retrato sobre la vida y los sentimientos más básicos del ser humano FICHA TÉCNICA: Título original: The Sweet Hereafter Nacionalidad: Canadá Año: 1997 Dirección: Atom Egoyan Guión: Atom Egoyan (basado en la novela Como en otro mundo de Russell Banks) Producción: Atom Egoyan, Camelia Frieberg Dirección de Fotografía: Paul Sarossy Montaje: Susan Shipton Dirección Artística: Phillip Barker Música: Mychael Danna Reparto: Ian Holm ( Mitchell Stephens ), Sarah Polley ( Nicole Burnell ), Bruce Greenwood ( Billy Ansell ), Tom McCamus ( Sam Burnell ), Arsinée Khanjian ( Wanda Otto ), Gabrielle Rose ( Dolores Driscoll ), Maury Chaykin ( Wendell Walker ), Al- berta Watson ( Risa Walker ), Stephanie Morgen- stern ( Allison ), Earl Pastko ( Hartley Otto ), David Hemblen ( Abbott Driscoll ) Duración: 112 min. (Color) SINOPSIS: La gente de un pequeño pueblo de Canadá queda destrozada al conocer una dramática noti- cia. El autobús escolar se ha hundido en un la go al derrapar por culpa de la nieve. Durante el incidente muere la práctica totalidad de los niños del pueblo. Unos días después de este trági- co acontecimiento, un abogado, Mitchell Stevens aparece en el pueblo para representar a toda la comunidad afectad a en el juicio que se va a realizar contra la empresa de transportes. La decisión de Stevens de ayudar a la ciudad, tiene un cierto paralelismo con su propia vida. HOJA INFORMAT IVA Nº 10 6 Dic iembre 2005 COMENTARIOS: Nacido en El Cairo de p adres armenios y educado en Canadá, este “ciudadano del mundo” llamado Atom Egoyan se ha gana- do por méritos propios el reconocimiento unánime de la crítica internacional gracias a una corta pero intensa filmografía.