Les Prolongements Romanesques De La Matière Épique
Les prolongements romanesques de la matière épique Jane E. Everson Royal Holloway University of London The theme of the prolongation of the epic and of the precise nature, definition and form of the vernacular epic in its prolongation over time is one to which the Société Rencesvals has returned repeatedly in its conference debates. In this plenary lecture, I concentrate on the prolongation of the vernacular epic in Italy. After addressing more general issues, such as the extent of creative originality as opposed to mere retelling in the so-called late epics, the varying chronological limits that can be set for the period of prolongation of the genre, and indeed what is meant by, what is included within, the Carolingian epic genre, I proceed to examine in detail how the Carolingian epic developed and changed in Italy from the late thirteenth century to the sixteenth century. The discussion focuses on changes in the characterisation and exploits of Roland and the mysterious case of the disappearance of William of Orange. Let me, a little surprisingly perhaps, given the title of this lecture, begin with a work produced here in the United States at the beginning of this millenium. In 2000 I received, as a gift from an American author, Ron Miller, who had sought my advice, a work entitled Bradamant. The Iron Tempest (Miller). This is in English, in prose, and described and marketed, by author and by publisher, as a novel, though its illustrations owe much to the Italian fotoromanzi tradition. But the content is entirely, and closely, derived from the Orlando Furioso of Ariosto; indeed it is in effect nothing other than a retelling of large sections of the Furioso from the perspective of the female warrior, Bradamante, rather than from that of one of the male knights of Charlemagne.
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