5 the Ship Graves on Kormt – and Beyond
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Ritual Landscapes and Borders Within Rock Art Research Stebergløkken, Berge, Lindgaard and Vangen Stuedal (Eds)
Stebergløkken, Berge, Lindgaard and Vangen Stuedal (eds) and Vangen Lindgaard Berge, Stebergløkken, Art Research within Rock and Borders Ritual Landscapes Ritual Landscapes and Ritual landscapes and borders are recurring themes running through Professor Kalle Sognnes' Borders within long research career. This anthology contains 13 articles written by colleagues from his broad network in appreciation of his many contributions to the field of rock art research. The contributions discuss many different kinds of borders: those between landscapes, cultures, Rock Art Research traditions, settlements, power relations, symbolism, research traditions, theory and methods. We are grateful to the Department of Historical studies, NTNU; the Faculty of Humanities; NTNU, Papers in Honour of The Royal Norwegian Society of Sciences and Letters and The Norwegian Archaeological Society (Norsk arkeologisk selskap) for funding this volume that will add new knowledge to the field and Professor Kalle Sognnes will be of importance to researchers and students of rock art in Scandinavia and abroad. edited by Heidrun Stebergløkken, Ragnhild Berge, Eva Lindgaard and Helle Vangen Stuedal Archaeopress Archaeology www.archaeopress.com Steberglokken cover.indd 1 03/09/2015 17:30:19 Ritual Landscapes and Borders within Rock Art Research Papers in Honour of Professor Kalle Sognnes edited by Heidrun Stebergløkken, Ragnhild Berge, Eva Lindgaard and Helle Vangen Stuedal Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 9781784911584 ISBN 978 1 78491 159 1 (e-Pdf) © Archaeopress and the individual authors 2015 Cover image: Crossing borders. Leirfall in Stjørdal, central Norway. Photo: Helle Vangen Stuedal All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. -
18Th Viking Congress Denmark, 6–12 August 2017
18th Viking Congress Denmark, 6–12 August 2017 Abstracts – Papers and Posters 18 TH VIKING CONGRESS, DENMARK 6–12 AUGUST 2017 2 ABSTRACTS – PAPERS AND POSTERS Sponsors KrKrogagerFondenoagerFonden Dronning Margrethe II’s Arkæologiske Fond Farumgaard-Fonden 18TH VIKING CONGRESS, DENMARK 6–12 AUGUST 2017 ABSTRACTS – PAPERS AND POSTERS 3 Welcome to the 18th Viking Congress In 2017, Denmark is host to the 18th Viking Congress. The history of the Viking Congresses goes back to 1946. Since this early beginning, the objective has been to create a common forum for the most current research and theories within Viking-age studies and to enhance communication and collaboration within the field, crossing disciplinary and geographical borders. Thus, it has become a multinational, interdisciplinary meeting for leading scholars of Viking studies in the fields of Archaeology, History, Philology, Place-name studies, Numismatics, Runology and other disciplines, including the natural sciences, relevant to the study of the Viking Age. The 18th Viking Congress opens with a two-day session at the National Museum in Copenhagen and continues, after a cross-country excursion to Roskilde, Trelleborg and Jelling, in the town of Ribe in Jylland. A half-day excursion will take the delegates to Hedeby and the Danevirke. The themes of the 18th Viking Congress are: 1. Catalysts and change in the Viking Age As a historical period, the Viking Age is marked out as a watershed for profound cultural and social changes in northern societies: from the spread of Christianity to urbanisation and political centralisation. Exploring the causes for these changes is a core theme of Viking Studies. -
The Oseberg Ship
V 46 B78o A 1 1 6 8 5 4 1 1^6 OSEBERG SHIP by ANTON WILHELM BROGGER Professor of Archeeology in the University of Christiania Price Fifty Cents Reprinted from The American-Scandinavian Revi. July 1921 The Oseberg Ship By Anton Wilhelm Broggek 4^ The ships of the Viking Age discovered in Norway count among the few national productions of antiquity that have attained world wide celebrity. And justly so, for they not only give remarkable evidence of a unique heathen burial custom, but they also bear witness to a very high culture which cannot fail to be of interest to the world outside. The Oseberg discoveries, the most remarkable and abundant anti- quarian find in Norway, contain a profusion of art, a wealth of objects and phenomena, coming from a people who just at that time, ,"^ of Europe. ^ the ninth century, began to come into contact with one-half ^ It was a great period and it has given us great monuments. We have long been acquainted with its literature. Such a superb production as Egil Skallagrimson's Sonartorrek, which is one hundred years later than the Oseberg material, is a worthy companion to it. / The Oseberg ship was dug out of the earth and caused the great- est astonishment even among Norwegians. Who could know that on that spot, an out of the way barrow on the farm of Oseberg in the parish of Slagen, a little to the north of Tcinsberg, there would be excavated the finest and most abundant antiquarian discoveries of Norway? Xtj^^s in the summer of the year 1903 that a farmer at Oseberg began to dig the })arrow. -
Traveling Portals Suspicious Item They Could Find Was His Diary
by a search the secret police had conducted in his house. The only TRAVelING PORTals suspicious item they could find was his diary. Apparently it did not contain enough evidence to take him to prison, and he even got it Mari Lending back. In an artistic rage, and trying to make sure that his personal notes could not be read again by anyone, he burned his diary. The Master and Margarita remained secret even after his death in 1940, and could not be published until 1966, when the phrase became In the early 1890s, the Times of London reported on a lawsuit on the 1 Times ( London ), more frequently used by dissidents to show their resistance to the pirating of plaster casts. With reference to a perpetual injunction June 2, 1892. state regime. In the early nineties, when the KGB archives were partly granted by the High Court of Justice, Chancery Division, it was 2 Times ( London ), opened, his diary was found. Apparently, during the confiscation, announced that “ various persons in the United Kingdom of Great February 14, 1894. the KGB had photocopied the diary before they returned it to the Britain and Ireland have pirated, and are pirating, casts and models ” author. made by “ D. BRUCCIANI and Co., of the Galleria delle Belle Arti, The best guardians are oftentimes ultimately the ones you would 40. Russell Street, Covent Garden ” and consequently severely vio least expect. lated the company’s copyright “ which is protected by statute. ” The defendant, including his workmen, servants, and agents, was warned against “ making, selling, or disposing of, or causing, or permitting to be made, sold, or disposed of, any casts or models taken, or copied, or only colourably different, from the casts or models, the sole right and property of and in which belongs to the said D. -
How Uniform Was the Old Norse Religion?
II. Old Norse Myth and Society HOW UNIFORM WAS THE OLD NORSE RELIGION? Stefan Brink ne often gets the impression from handbooks on Old Norse culture and religion that the pagan religion that was supposed to have been in Oexistence all over pre-Christian Scandinavia and Iceland was rather homogeneous. Due to the lack of written sources, it becomes difficult to say whether the ‘religion’ — or rather mythology, eschatology, and cult practice, which medieval sources refer to as forn siðr (‘ancient custom’) — changed over time. For obvious reasons, it is very difficult to identify a ‘pure’ Old Norse religion, uncorroded by Christianity since Scandinavia did not exist in a cultural vacuum.1 What we read in the handbooks is based almost entirely on Snorri Sturluson’s representation and interpretation in his Edda of the pre-Christian religion of Iceland, together with the ambiguous mythical and eschatological world we find represented in the Poetic Edda and in the filtered form Saxo Grammaticus presents in his Gesta Danorum. This stance is more or less presented without reflection in early scholarship, but the bias of the foundation is more readily acknowledged in more recent works.2 In the textual sources we find a considerable pantheon of gods and goddesses — Þórr, Óðinn, Freyr, Baldr, Loki, Njo3rðr, Týr, Heimdallr, Ullr, Bragi, Freyja, Frigg, Gefjon, Iðunn, et cetera — and euhemerized stories of how the gods acted and were characterized as individuals and as a collective. Since the sources are Old Icelandic (Saxo’s work appears to have been built on the same sources) one might assume that this religious world was purely Old 1 See the discussion in Gro Steinsland, Norrøn religion: Myter, riter, samfunn (Oslo: Pax, 2005). -
University of London Deviant Burials in Viking-Age
UNIVERSITY OF LONDON DEVIANT BURIALS IN VIKING-AGE SCANDINAVIA Ruth Lydia Taylor M. Phil, Institute of Archaeology, University College London UMI Number: U602472 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602472 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT DEVIANT BURIALS IN VIKING-AGE SCANDINAVIA The thesis brings together information yielded from archaeology and other sources to provide an overall picture of the types of burial practices encountered during the Viking-Age in Scandinavia. From this, an attempt is made to establish deviancy. Comparative evidence, such as literary, runic, legal and folkloric evidence will be used critically to shed perspective on burial practices and the artefacts found within the graves. The thesis will mostly cover burials from the Viking Age (late 8th century to the mid- 11th century), but where the comparative evidence dates from other periods, its validity is discussed accordingly. Two types of deviant burial emerged: the criminal and the victim. A third type, which shows distinctive irregularity yet lacks deviancy, is the healer/witch burial. -
Folder Med Kort Over Gl Lejre
Gl_lejre_samlet:Layout 1 31/07/12 11:50 Side 1 Gevninge Signaturforklaring Legend Naturseværdighed Gevninge Træ Drejeri Mod Roskilde Nature Attraction Kulturhistorisk seværdighed Cultural Attraction Besøgssted/ museum A place to visit / Museum Kornerup Kirke Kunst / galleri /gårdbutik m.m. Art / Gallery / Farm shop Kornerup Sø Butik / kiosk Mod Ejby Sleipnir-Naturridning Shop Spisested / café Restaurant / Café Overnatning Accomodation Kirke Church Parkering Parking Busstop Harald Hildetands Høj Bus stop Tog Train Station Gl. Lejre Bed & Breakfast Skibssætningerne Sagnlandet Lejre Teltplads / shelter Lejrehallerne Tent / Shelter Golfbane Keramikerne Reguis & Weiss Golf course Galleri Gl. Lejre Lejre Museum Mod Kirke Såby Toilet, primitivt Herthadalen Toilet, primitive Restaurant Herthadalen Bålplads Place for a bonfire Udvalgte stier Selected Paths Restaurant Fasaneriet Ledreborg Palace Golf Regional/National cykelrute Skovene ved Ledreborg Regional / National cycle route Klaasje & Henry Lejre Pizza- og Grillbar Ledreborg Slot og Park Super Spar, Lejre Fakta, Lejre Lejre Bageri Denne folder er udarbejdet af Skjoldungelandet, og udgives fremover af VisitRoskilde. Her kan landskabskortene fås: Øm Jættestue Biblioteker, Roskilde Turistbureau, 200m områdets museer og attraktioner Folder available at Roskilde Tourist Office, 1km Allerslev Kirke nearby libraries, museums and attractions. Mod Hvalsø Mod Osted Mod Ramsø Gl_lejre_samlet:Layout 131/07/1211:50Side2 gallerier, cafeer m.m. cafeer gallerier, Tryk: Roskilde Kopi & Print · Foto: Skjoldungelandet · Web: www.skjoldungelandet.dk Web: · Skjoldungelandet Foto: · Print & Kopi Roskilde Tryk: Natur, kulturhistorie, gårdbutikker, gårdbutikker, kulturhistorie, Natur, 1. udgave 2012. Grafisk tilrettelæggelse: Skjoldungelandet, JGC Marketing Marketing JGC Skjoldungelandet, tilrettelæggelse: Grafisk 2012. udgave 1. dragon on the Frankish coast. coast. Frankish the on dragon Lokale landskabskort Lokale Flere lokale landskabskort kan følge senere. -
Alliteration and Concrete Poetry
Alliteration and Concrete Poetry In today’s mini-lesson, we are going to look at alliteration and concrete poetry. Don’t worry if you don’t understand what those are right now – all will become clear. The first thing I want you to do is to choose one of your favourite words. Abby, my step daughter, chose the word… blob The second thing I want you to do is put your word in an alliterative sentence. Alliteration is the repetition of the same consonant sounds at the beginnings of the words. For example: Peter Piper picked a peck of pickled peppers. Alliteration is really useful as a way to stick things in our brain and has been used as a memory device in oral poetry. Beowulf, an 8th century Old English poem, uses lots of alliteration. Here’s an example: He was four times a father, this fighter prince: one by one they entered the world, Heorogar, Hrothgar, the good Halga and a daughter, I have heard, who was Onela´s queen, a balm in bed to the battle-scarred Swede. Let’s look now at what Abby did with her favourite word: blob Being a big broad blob brought Bob to breathlessly blubbering. But Bob began to become a believer beyond belief in his bodacious body, brought about by brilliant books by barely brainy bigwigs. The third thing I want you to do is to make these sentences into a concrete poem. A concrete is also called a shape poem and a visual poem. The earliest example of this type of poem comes from 3BCE! Quite simply, you write the poem in the shape of the thing you are talking about. -
12-Death-And-Changing-Rituals.Pdf
This pdf of your paper in Death and Changing Rituals belongs to the publishers Oxbow Books and it is their copyright. As author you are licenced to make up to 50 offprints from it, but beyond that you may not publish it on the World Wide Web until three years from publication (December 2017), unless the site is a limited access intranet (password protected). If you have queries about this please contact the editorial department at Oxbow Books (editorial@ oxbowbooks.com). Studies in Funerary Archaeology: Vol. 7 An offprint from DEATH AND CHANGING RITUALS Function and Meaning in Ancient Funerary Practices Edited by J. Rasmus Brandt, Marina Prusac and Håkon Roland Paperback Edition: ISBN 978-1-78297-639-4 Digital Edition: ISBN 978-1-78297-640-0 © Oxbow Books 2015 Oxford & Philadelphia www.oxbowbooks.com Published in the United Kingdom in 2015 by OXBOW BOOKS 10 Hythe Bridge Street, Oxford OX1 2EW and in the United States by OXBOW BOOKS 908 Darby Road, Havertown, PA 19083 © Oxbow Books and the individual contributors 2015 Paperback Edition: ISBN 978-1-78297-639-4 Digital Edition: ISBN 978-1-78297-640-0 A CIP record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Brandt, J. Rasmus. Death and changing rituals : function and meaning in ancient funerary practices / edited by J. Rasmus Brandt, Häkon Roland and Marina Prusac. pages cm Includes bibliographical references and index. ISBN 978-1-78297-639-4 1. Funeral rites and ceremonies, Ancient. I. Roland, Häkon. II. Prusac, Marina. III. Title. GT3170.B73 2014 393’.93093--dc23 2014032027 All rights reserved. -
Norwegian a Dragon Visits the Great Lakes—But Meets Trouble American Story on Page 13 Volume 127, #23 • July 29, 2016 Est
the Inside this issue: NORWEGIAN A dragon visits the Great Lakes—but meets trouble american story on page 13 Volume 127, #23 • July 29, 2016 Est. May 17, 1889 • Formerly Norwegian American Weekly, Western Viking & Nordisk Tidende $3 USD Summer means blue sky & books We can’t promise it won’t rain on your vacation, but we’ve got your books under control... Or flying free! WHAT’S INSIDE? Nyheter / News 2-3 Opinion 4-5 « Jeg vet bare om ett tidsfordriv Business 6 som aldri synes å trette, Research & Science 7 og det er lesning. » Norwegian Heritage 8-9 – Roald Amundsen Sports 10-11 Norway near you 12-13 Arts & Entertainment 14 Travel 15 Taste of Norway 16-17 Summer Reading 18-25 Nonfiction 26 Fiction 27-28 Puzzles 29 Norsk Språk 30-31 Bulletin Board 32 $1 = NOK 8.584 updated 07/25/2016 In comparison 06/25/2016 8.4111 01/25/2016 8.7519 Photos: (top) courtesy of the Draken Expedition, (background) torbakhopper / Flickr Top: The Draken Harald Hårfagre sailing on the Huron. 07/25/2015 8.2061 Background: Books light the way in North Beach, San Francisco. 2 • July 29, 2016 Nyheter fra Norge theNORWEGIANamerican Nyheter Hegnhuset symboliserer de drepte Flere sommerdager i Karasjok enn i Det nye «Hegnhuset» Bergen Før 17. juni hadde Bergen flere sommer omslutter kafébygget dager enn både Paris, Oslo og Roma. Men hvor 13 ungdommer ble så tok lykken slutt. 20. juli var sommeren på snarvisitt—midt på dagen kunne ber drept for fem år siden genserne glede seg over 22 grader og sol, ifølge yr.no. -
Of the Viking Age the Ornate Burials of Two Women Within the Oseberg Ship Reveals the Prominent Status That Women Could Achieve in the Viking Age
T The Oseberg ship on display in The Viking Ship Museum. Museum of Cultural History, University of Oslo Queen(s) of the Viking Age The ornate burials of two women within the Oseberg ship reveals the prominent status that women could achieve in the Viking Age. Katrina Burge University of Melbourne Imagine a Viking ship burial and you probably think homesteads and burials that tell the stories of the real of a fearsome warrior killed in battle and sent on his women of the Viking Age. The Oseberg burial, which journey to Valhöll. However, the grandest ship burial richly documents the lives of two unnamed but storied ever discovered—the Oseberg burial near Oslo—is not a women, lets us glimpse the real world of these women, monument to a man but rather to two women who were not the imaginings of medieval chroniclers or modern buried with more wealth and honour than any known film-makers. warrior burial. Since the burial was uncovered more than a century ago, historians and archaeologists have The Ship Burial tried to answer key questions: who were these women, Dotted around Scandinavia are hundreds of earth mounds, how did they achieve such prominence, and what do they mostly unexcavated and mainly presumed to be burials. tell us about women’s lives in this time? This article will The Oseberg mound was excavated in 1904, revealing that explore current understandings of the lives and deaths the site’s unusual blue clay had perfectly preserved wood, of the Oseberg women, and the privileged position they textiles, metal and bone. -
Phd Annabeck Komprimeret
Assembling the house, building a home The Late Iron Age longhouse (500-1000 AD) Anna Severine Beck Assembling the house, building a home The Late Iron Age longhouse (500-1000 AD) Anna Severine Beck Ph.D. Thesis Aarhus University Museum Southeast Denmark 2017 Name: Anna Severine Beck Institution: Archaeology and Heritage Studies, School of Culture and Society, Aarhus University, Aarhus, Denmark Museum Southeast Denmark, Vordingborg, Denmark Supervisor: Mads Mähler Holst ( - Oct. 2016) Mette Svart Kristiansen (Oct. 2016 - ) Co-supervisors: Lars Jørgensen, research professor, The National Museum Mads Kähler Holst, director, Moesgaard Museum Tim Flohr Sørensen, associate professor, University of Copenhagen Handed in: 08.12.2017 Text length: Synthesis 209.344 units // 87,2 pages Article 1 54.815 units // 22,8 pages Article 2 50.737 units // 21,1 pages Article 3 120.749 units // 50,3 pages Article 4 96.227 units // 40,1 pages Total: 524.872 units // 218,7 pages Contents Preface ...............................................................................................................................3 English summary ................................................................................................................6 Dansk resumé ....................................................................................................................8 Introduction .......................................................................................................................11 Aims of the thesis ..............................................................................................................12