DOCSLIB.ORG

The Saga of King Hrolf Kraki Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Saga of King Hrolf Kraki Free FREE THE SAGA OF KING HROLF KRAKI PDF Jesse L. Byock | 144 pages | 03 Jun 2015 | Penguin Books Ltd | 9780140435931 | English | London, United Kingdom Hrólfr Kraki - Wikipedia The consensus view is that Anglo-Saxon and Scandinavian traditions describe the same people. Proponents of this theory, like J. Tolkien[11] argue that both the names Beowulf lit. Bodvar Bjarki is constantly associated with bears, his father actually being one. This match supports the hypothesis that the adventure with the dragon is also originally derived from the same story. When Haldan died of old age, Helghe and Ro divided the kingdom so that Ro ruled the land, and Helghe the sea. This resulted in a daughter named Yrse. Much later, he met Yrse, and without knowing that she was his daughter, he made her pregnant with Rolf. Eventually, Helghe found out that Yrse was his own daughter and, out of shame, went east and killed himself. Both Helghe and Ro being dead, a Swedish king, called Hakon in the Chronicon Lethrense proper, and Athisl in the Annales — corresponding to Eadgils — forced the Danes to accept a dog as king. The dog king was succeeded by Rolf Krage. Rolf Krage was a big The Saga of King Hrolf Kraki in body and soul and was so generous that no one asked him for anything twice. This Hartwar arrived in Zealand with a large army and said that he wanted to give his tribute to Rolf, but killed Rolf together with all his men. Only one survived, Wiggwho played along until he was to do homage to Hartwar. Then, he pierced Hartwar with a sword, and so Hartwar was king for only one morning. When Haldanus died of old age, Ro took the land and Helgo the water. This resulted in Roluowho was a gifted man, both physically and intellectually and as brave as he was tall. After some time Helgo repelled a Swedish invasion, avenged Ro by killing the Swedish king Hothbroddand made the Swedes pay tribute. However, he committed suicide due to shame for his incestuous relationship with Urse. Roluo succeeded him. The new king of Sweden, Athislus Eadgilsthought that the tribute to the Daner might be smaller if he married the Danish king's mother and so took Urse for a queen. However, after some time, Urse was so upset with the Swedish king's greed that she thought out a ruse to run away from the king and at the same time liberate him of his wealth. She incited Athislus to rebel against Roluo, and arranged so The Saga of King Hrolf Kraki Roluo would be invited and promised a wealth in gifts. At the banquet Roluo was at first not recognised by his mother, but when their fondness was commented on by Athisl, the Swedish king and Roluo made a wager where Roluo would prove his endurance. Roluo was placed in front of The Saga of King Hrolf Kraki fire that exposed him to such heat that finally a maiden could suffer the sight no more and extinguished the fire. Roluo was greatly recompensed by Athisl for his endurance. When the banquet had lasted for three days, Urse and Roluo escaped from Uppsala, early in the morning in carriages where The Saga of King Hrolf Kraki had put all the Swedish king's treasure. In order to lessen their burden, and to occupy any pursuing warriors they spread gold in their path later in the work, this is referred to as "sowing the Fyrisvellir "although there was a rumour that she only spread gilded copper. When The Saga of King Hrolf Kraki, who was pursuing the escapers saw that a precious ring was lying on the ground, he bent down to pick it up. Roluo was pleased to see the king of Sweden bent down, and escaped in the ships with his mother. A young man named Wigg was impressed with Roluo's bodily size and gave him the cognomen Kragewhich meant a tall tree trunk used as a ladder. Roluo liked this name and rewarded Wigg with a heavy bracelet. Wigg, then, swore to Roluo to avenge him, if he was killed. Roluo later defeated Athislus and gave Sweden to young man named Hiartuar Heoroweardwho also married Roluo's sister Skulde. Skulde, however, did not like the fact that her husband had to pay taxes to Roluo and so incited Hiartuar to rebel against him. They so went to Lejre a town which The Saga of King Hrolf Kraki had built with arms hidden in the ships, under the pretense that they wanted to pay tribute. They were well-received, but after the banquet, when most people were drunk asleep, the Swedes and the Goths i. After a long battle, involving Roluo's champion Bjarkiwho fought in the shape of a spirit bear until he was awakened by his comrade Hjaltithe Geats won and Roluo was killed. Hiartuar asked Wigg if he wanted to fight for him, and Wigg said yes. Hiartuar wanted to give Wigg a sword, but he insisted on receiving it by taking the hilt. Having the hilt in his hand, Wigg pierced Hiartuar with the sword and so avenged Roluo. Swedes and Geats then rushed forward and killed Wigg. Halga went to the Saxons wanting to woo their warlike queen Oluf. She was, however, not interested and humiliated Helgi by shaving his head and covering him with tar, while he was asleep, and The Saga of King Hrolf Kraki him back to his ship. The Saga of King Hrolf Kraki time later, Helgi returned and through a ruse, he kidnapped the queen for a while during which time he made her pregnant. Having returned to her kingdom, the queen bore a child, a girl which she named Yrsa after her dog. Yrsa was set to live as a shepherd, until she was 12 years old, when she met her father Helgi who fell in love with her, not knowing it was his daughter. Oluf kept quiet about the parentage and saw it as her revenge that Helgi would wed his own daughter. Learning that Helgi and Yrsa lived happily together, queen Oluf travelled to Denmark to tell her daughter the truth. Yrsa was shocked and although Helgi wanted their relationship to remain as it was, Yrsa insisted on leaving him to live alone. The Swedish king disappeared through a hollow tree trunk that stood in his hall. Under the pretext that they would wait three years before paying The Saga of King Hrolf Kraki accumulated tribute at one time, Skuld assembled a large army which included strong warriors, criminals, elves and norns. They then arrived at Lejre one yule for the midwinter celebrations, with all the weapons hidden in wagons. Skuld became the ruler The Saga of King Hrolf Kraki Denmark but did not rule well. They captured Skuld before she could use her magic and tortured her to death. Helgo raped Olava, the queen of the Saxonsand she bore a daughter named Yrsa. The girl later married king Adillus Eadgilsthe king of Sweden, with whom she had the daughter Scullda. Some years later, Helgo attacked Sweden and captured Yrsa, not knowing that she was his own daughter. He raped her and took her back to Denmark, where she bore the son Rolfo. After a few years, Yrsa's mother, queen Olava, came to visit her The Saga of King Hrolf Kraki told her that Helgo was her own father. In horror, Yrsa returned to Adillus, leaving her son behind. Helgo died when Rolfo was eight years old, and Rolfo succeeded him, and ruled together with his uncle Roas. Adillus then won the war, but refused to pay the expected tribute for the help and so Rolfo came to Uppsala to claim his recompense. After surviving some traps, Rolfo fled with Adillus' gold, helped by his mother Yrsa, and "sowed" it on the Fyrisvellir. He would receive three valuable gifts in recompense. They brought the ships to the river Fyris and rode directly to the Swedish king's hall at Uppsala with his twelve berserkers. Yrsa welcomed them and led them to their lodgings. Fires were prepared for them and they were given drinks. However, so much wood was heaped on the fires that the clothes started to burn away from their bodies. The fleeing men threw their gold on the plain so that the pursuers would stop to collect the gold. One of the captives was a remarkably beautiful girl named Yrsa, and Snorri writes that everyone was soon impressed with the well-mannered, pretty and intelligent girl. When the boy was three years of age, Yrsa's mother, queen Alof of Saxony, came to visit her and told her that her husband Helgi was her own father. It only names Yrsa and the situation that her son and brother i. Anderson's story begins in earlier generations and more or less follows the version in Hrolfr Kraki's Saga The Saga of King Hrolf Kraki above. The book was well received by many fantasy fans. Tolkienwas published in Beowulf: A Translation and Commentary on May 22,[15] Tolkien himself explaining that his was "a limited The Danish Navy's first ironclad warship was named Rolf Krake. From Wikipedia, the free encyclopedia. For the warship, see Danish ironclad Rolf Krake. It is inferred from the internal chronology of the sources themselves and the dating of Hygelac 's raid on Frisia to c. It is also supported by archaeological excavations of the barrows of Eadgils and Ohthere in Sweden. For a discussion, see e.
Load more

Recommended publications
  • 1 the Legendary Saga of the Volsungs Cecelia Lefurgy Viking Art and Literature October 4, 2007 Professor Tinkler and Professor E
    1 The Legendary Saga of the Volsungs Cecelia Lefurgy Viking Art and Literature October 4, 2007 Professor Tinkler and Professor Erussard Stories that are passed down through oral and written traditions are created by societies to give meaning to, and reinforce the beliefs, rules and habits of a particular culture. For Germanic culture, The Saga of the Volsungs reflected the societal traditions of the people, as well as their attention to mythology. In the Saga, Sigurd of the Volsung 2 bloodline becomes a respected and heroic figure through the trials and adventures of his life. While many of his encounters are fantastic, they are also deeply rooted in the values and belief structures of the Germanic people. Tacitus, a Roman, gives his account of the actions and traditions of early Germanic peoples in Germania. His narration remarks upon the importance of the blood line, the roles of women and also the ways in which Germans viewed death. In Snorri Sturluson’s The Prose Edda, a compilation of Norse mythology, Snorri Sturluson touches on these subjects and includes the perception of fate, as well as the role of shape changing. Each of these themes presented in Germania and The Prose Edda aid in the formation of the legendary saga, The Saga of the Volsungs. Lineage is a meaningful part of the Germanic culture. It provides a sense of identity, as it is believed that qualities and characteristics are passed down through generations. In the Volsung bloodline, each member is capable of, and expected to achieve greatness. As Sigmund, Sigurd’s father, lay wounded on the battlefield, his wife asked if she should attend to his injuries so that he may avenge her father.
    [Show full text]
  • Suffolk Institute of Archaeology and Natural History
    Proceedingsof the SUFFOLK INSTITUTE OF ARCHAEOLOGY AND NATURAL HISTORY 4 °4vv.es`Egi vI V°BkIAS VOLUME XXV, PART 1 (published 1950) PRINTED FOR THE SOCIETY BY W. E. HARRISON & SONS, LTD., THE ANCIENT HOUSE, IPSWI611. The costof publishing this paper has beenpartially defrayedby a Grant from the Council for British Archeology. THE SUTTON HOO SHIP-BURIAL Recenttheoriesand somecommentsongeneralinterpretation By R. L. S. BRUCE-MITFORD, SEC. S.A. INTRODUCTION The Sutton Hoo ship-burial was discovered more than ten years ago. During these years especially since the end of the war in Europe has made it possible to continue the treatment and study of the finds and proceed with comparative research, its deep significance for general and art history, Old English literature and European archmology has become more and more evident. Yet much uncertainty prevails on general issues. Many questions cannot receive their final answer until the remaining mounds of the grave-field have been excavated. Others can be answered, or at any rate clarified, now. The purpose of this article is to clarify the broad position of the burial in English history and archmology. For example, it has been said that ' practically the whole of the Sutton Hoo ship-treasure is an importation from the Uppland province of Sweden. The great bulk of the work was produced in Sweden itself.' 1 Another writer claims that the Sutton Hoo ship- burial is the grave of a Swedish chief or king.' Clearly we must establish whether it is part of English archxology, or of Swedish, before we can start to draw from it the implications that we are impatient to draw.
    [Show full text]
  • The Origins of Beowulf Between Anglo-Saxon Tradition and Christian Latin Culture
    The Origins of Beowulf Between Anglo-Saxon Tradition and Christian Latin Culture Autor: Rubén Abellán García Tutor: Agustí Alemany Villamajó Universitat Autònoma de Barcelona 2019-2020 Index 1. Introduction .............................................................................................................. 2 1.1. The structure and transmission of Beowulf. ......................................................... 2 1.2. Literacy context during the creation period of Beowulf ....................................... 3 1.3. Historical Oral-formulaic and literacy research in Old studies ............................. 3 2. Latin Tradition in Beowulf ........................................................................................ 5 2.1. Latin syntax in Beowulf ...................................................................................... 5 2.2. Literary devices .................................................................................................. 6 2.2.1. Alliteration ...................................................................................................... 7 2.2.2. Formulas .......................................................................................................... 7 2.2.3. Compounding and Kennings ............................................................................ 8 2.2.4. Rhymes............................................................................................................ 8 2.2.5. Litotes and irony .............................................................................................
    [Show full text]
  • Dog As Deity, Ancestor and Royal Animal
    Dog as Deity, Ancestor and Royal Animal http://asiapacificuniverse.com/pkm/dogstory.htm by Paul Kekai Manansala Share article: Facebook MySpace Send by Email The Dog Story: "When old dogs bark, it's time to watch out." Although maligned in some cultures as "unclean," a thorough historical review will reveal that few if any animals have been as revered as the dog. This is even more true when one considers the dog along with its wild ancestor the wolf. Since many biologists now classify the two as the same species -- Canis lupus -- it is valid to examine the history of the two together. Indeed, from the genetic standpoint the dog does not even qualify as a subspecies of the wolf. A subspecies would normally require a 20-25 percent genetic divergence. The divergence between human "races" is about 6 percent and within "races" about 8 percent. However, dogs and wolves diverge genetically by only 1 percent. And as with human races, the divergence within each group is greater than that between the two groups. "By the Dog of Egypt" When looking at the dog in historical records, few are older than those of the ancient Egyptians. According to the testimony of the ancient Greeks, the Egyptians loved dogs and treated them with great respect. Dogs received burial in family tombs and family members would shave their heads in mourning at the death of a family dog. Even in the predynastic period, we see that the Egyptians were already burying dogs in the same way they buried humans with plenty of goods for the afterlife.
    [Show full text]
  • Sniðmát Meistaraverkefnis HÍ
    MA ritgerð Norræn trú Að hitta skrímslið í skóginum Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view Caroline Elizabeth Oxley Leiðbeinandi: Terry Adrian Gunnell Október 2019 Að hitta skrímslið í skóginum Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view Caroline Elizabeth Oxley Lokaverkefni til MA–gráðu í Norrænni trú Leiðbeinandi: Terry Adrian Gunnell 60 einingar Félags– og mannvísindadeild Félagsvísindasvið Háskóla Íslands Október, 2019 Að hitta skrímslið í skóginum Ritgerð þessi er lokaverkefni til MA-gráðu í Norrænni trú og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Caroline Elizabeth Oxley, 2019 Prentun: Háskólaprent Reykjavík, Ísland, 2019 Caroline Oxley MA in Old Nordic Religion: Thesis Kennitala: 181291-3899 Október 2019 Abstract Að hitta skrímslið í skóginum: Animal Shape-shifting, Identity, and Exile in Old Norse Religion and World-view This thesis is a study of animal shape-shifting in Old Norse culture, considering, among other things, the related concepts of hamr, hugr, and the fylgjur (and variations on these concepts) as well as how shape-shifters appear to be associated with the wild, exile, immorality, and violence. Whether human, deities, or some other type of species, the shape-shifter can be categorized as an ambiguous and fluid figure who breaks down many typical societal borderlines including those relating to gender, biology, animal/ human, and sexual orientation. As a whole, this research project seeks to better understand the background, nature, and identity of these figures, in part by approaching the subject psychoanalytically, more specifically within the framework established by the Swiss psychoanalyst, Carl Jung, as part of his theory of archetypes.
    [Show full text]
  • Paper Ideas for Medieval Germanic Literature
    Paper Ideas for medieval Germanic literature: --Viking Cosmology: Yggdrasil--the World Tree, Urd, Literature Ginnungagap, Midgard and Mi∂gar∂sormr the World Any particular Anglo-Saxon poem or Viking saga (see your Serpent, ----Jotenheim, Bifrost Bridge, the creation Bradley textbook p. 553 et passim for complete list of known account as ideology Anglo-Saxon poems). Viking Myths --Aesir versus Vanir Germanic Perceptions of... --Valkyries --Sexuality --Giants --Eternity --Dwarves --Honor --Trolls and Troll-wives --Death in Battle --Ghosts Anglo-Saxon Riddles --Additive Creatures: Women in the Viking Age --The Norns: Ur∂r, Ver∂andi, Skuld Poetic Techniques: Prosopopoeia, Skaldaparma, Hattatal and --Alfar verse-forms --Huldre-Maids Poets: Skalds, Sceops, Germanic Myths in Old English Literature Medieval Anglo-Saxon Manuscripts --Weiland the Smith Genre Conventions of . --Sources and Analogues of Anglo-Saxon literature --the Sagas Anglo-Saxon Monsters --the Elegies --Bestiaries, The Physiologus --the Chronicles --Dragons --the Riddles --Trolls --the Charms --The Wonders of the East --the Saints' Lives --Sea Monsters A specific symbol in [pick a work] --Phoenix A specific character and characterizatin in [pick a work] --Satan/Demons in Anglo-Saxon Biblical accounts A specific narrative structure in [pick a work] Myths outside the Prose Edda: Wrymskvi∂a., the Elder Eddas, Saxo A specific literary theory applied to [pick a work] Grammaticus, etc. --Gender Studies Shamanism and Viking Cultures --Feminist Criticism Anglo-Saxon Magic Charms --Archetypal
    [Show full text]
  • Early Religious Practice in Norse Greenland
    Hugvísindasvið Early Religious Practice in Norse Greenland: th From the Period of Settlement to the 12 Century Ritgerð til M.A.-prófs Andrew Umbrich September 2012 U m b r i c h | 2 Háskóli Íslands Hugvísindasvið Medieval Icelandic Studies Early Religious Practice in Norse Greenland: th From the Period of Settlement to the 12 Century Ritgerð til M.A.-prófs Andrew Umbrich Kt.: 130388-4269 Leiðbeinandi: Gísli Sigurðsson September 2012 U m b r i c h | 3 Table of Contents 1.0 Introduction ........................................................................................................................ 5 1.1 Scholarly Works and Sources Used in This Study ...................................................... 8 1.2 Inherent Problems with This Study: Written Sources and Archaeology .................... 9 1.3 Origin of Greenland Settlers and Greenlandic Law .................................................. 10 2.0 Historiography ................................................................................................................. 12 2.1 Lesley Abrams’ Early Religious Practice in the Greenland Settlement.................... 12 2.2 Jonathan Grove’s The Place of Greenland in Medieval Icelandic Saga Narratives.. 14 2.3 Gísli Sigurðsson’s Greenland in the Sagas of Icelanders: What Did the Writers Know - And How Did They Know It? and The Medieval Icelandic Saga and Oral Tradition: A Discourse on Method....................................................................................... 15 2.4 Conclusion ................................................................................................................
    [Show full text]
  • Madhuri Vijay's Vivid
    Featuring 372 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA Books KIRKUSVOL. LXXXVII, NO. 4 | 15 FEBRUARY 2019 REVIEWS Madhuri Vijay’s vivid debut novel, The Far Field, moves from Bangalore to a Himalayan village as Shalini, haunted by memories of her restless mother, recounts her painful accumulation of wisdom. Vijay’s goal was to write an unsafe book— something that takes “readers to places that are not the usual places,” she tells us. p. 14 from the editor’s desk: Chairman Excellent February Books HERBERT SIMON President & Publisher BY CLAIBORNE SMITH MARC WINKELMAN # Chief Executive Officer MEG LABORDE KUEHN [email protected] Photo courtesy Michael Thad Carter courtesy Photo Editor-in-Chief Midnight in Chernobyl: The Untold Story of the World’s Greatest CLAIBORNE SMITH Nuclear Disaster by Adam Higginbotham (Feb. 5): “In this vivid and [email protected] Vice President of Marketing exhaustive account, Higginbotham…masterfully re-creates the emo- SARAH KALINA [email protected] tions, intrigue, and denials and disbelief of Communist Party officials, Managing/Nonfiction Editor ERIC LIEBETRAU workers, engineers, and others at every stage. He takes readers directly [email protected] Fiction Editor to the scene: the radioactive blaze, the delayed evacuation of residents LAURIE MUCHNICK from the apartment buildings in ‘workers’ paradise’ Pripyat, the treat- [email protected] Children’s Editor ment of the injured, and the subsequent investigation and ‘show trial’ VICKY SMITH [email protected] of scapegoats in a tragedy caused by both reactor failings and operator Young Adult Editor Claiborne Smith LAURA SIMEON errors….Written with authority, this superb book reads like a classic [email protected] Staff Writer disaster story and reveals a Soviet empire on the brink.” MEGAN LABRISE [email protected] Leading Men by Christopher Castellani (Feb.
    [Show full text]
  • Alliteration and Concrete Poetry
    Alliteration and Concrete Poetry In today’s mini-lesson, we are going to look at alliteration and concrete poetry. Don’t worry if you don’t understand what those are right now – all will become clear. The first thing I want you to do is to choose one of your favourite words. Abby, my step daughter, chose the word… blob The second thing I want you to do is put your word in an alliterative sentence. Alliteration is the repetition of the same consonant sounds at the beginnings of the words. For example: Peter Piper picked a peck of pickled peppers. Alliteration is really useful as a way to stick things in our brain and has been used as a memory device in oral poetry. Beowulf, an 8th century Old English poem, uses lots of alliteration. Here’s an example: He was four times a father, this fighter prince: one by one they entered the world, Heorogar, Hrothgar, the good Halga and a daughter, I have heard, who was Onela´s queen, a balm in bed to the battle-scarred Swede. Let’s look now at what Abby did with her favourite word: blob Being a big broad blob brought Bob to breathlessly blubbering. But Bob began to become a believer beyond belief in his bodacious body, brought about by brilliant books by barely brainy bigwigs. The third thing I want you to do is to make these sentences into a concrete poem. A concrete is also called a shape poem and a visual poem. The earliest example of this type of poem comes from 3BCE! Quite simply, you write the poem in the shape of the thing you are talking about.
    [Show full text]
  • British Family Names
    cs 25o/ £22, Cornrll IBniwwitg |fta*g BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF Hcnrti W~ Sage 1891 A.+.xas.Q7- B^llll^_ DATE DUE ,•-? AUG 1 5 1944 !Hak 1 3 1^46 Dec? '47T Jan 5' 48 ft e Univeral, CS2501 .B23 " v Llb«"y Brit mii!Sm?nS,£& ori8'" and m 3 1924 olin 029 805 771 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029805771 BRITISH FAMILY NAMES. : BRITISH FAMILY NAMES ftbetr ©riain ano fIDeaning, Lists of Scandinavian, Frisian, Anglo-Saxon, and Norman Names. HENRY BARBER, M.D. (Clerk), "*• AUTHOR OF : ' FURNESS AND CARTMEL NOTES,' THE CISTERCIAN ABBEY OF MAULBRONN,' ( SOME QUEER NAMES,' ' THE SHRINE OF ST. BONIFACE AT FULDA,' 'POPULAR AMUSEMENTS IN GERMANY,' ETC. ' "What's in a name ? —Romeo and yuliet. ' I believe now, there is some secret power and virtue in a name.' Burton's Anatomy ofMelancholy. LONDON ELLIOT STOCK, 62, PATERNOSTER ROW, E.C. 1894. 4136 CONTENTS. Preface - vii Books Consulted - ix Introduction i British Surnames - 3 nicknames 7 clan or tribal names 8 place-names - ii official names 12 trade names 12 christian names 1 foreign names 1 foundling names 1 Lists of Ancient Patronymics : old norse personal names 1 frisian personal and family names 3 names of persons entered in domesday book as HOLDING LANDS temp. KING ED. CONFR. 37 names of tenants in chief in domesday book 5 names of under-tenants of lands at the time of the domesday survey 56 Norman Names 66 Alphabetical List of British Surnames 78 Appendix 233 PREFACE.
    [Show full text]
  • Die Hügelgräber Von Alt-Uppsala
    Mag. Dr. Friedrich Grünzweig PS Proseminar: Archäologie in Skandinavien LV-Nr. 130069 WS 2015/16 Die Hügelgräber von Alt-Uppsala Mag. Ulrich Latzenhofer Matrikel-Nr. 8425222 Studienkennzahl 033 668 Studienplancode SKB241 2 Inhaltsverzeichnis 1 Vorbemerkung .................................................................................................................... 3 2 Grabungen und Funde ......................................................................................................... 4 3 Chronologische Einordnung ............................................................................................... 7 3.1 Hügelgräber ................................................................................................................. 7 3.2 Grabbeigaben ............................................................................................................... 7 3.3 Literarische Überlieferung ........................................................................................... 8 4 Anordnung der Hügelgräber ............................................................................................. 10 5 Literaturverzeichnis .......................................................................................................... 13 5.1 Quellen ....................................................................................................................... 13 5.2 Forschungsliteratur .................................................................................................... 13 3 1 Vorbemerkung Nach
    [Show full text]
  • The Tale of Beowulf
    The Tale of Beowulf William Morris The Tale of Beowulf Table of Contents The Tale of Beowulf............................................................................................................................................1 William Morris........................................................................................................................................2 ARGUMENT...........................................................................................................................................4 THE STORY OF BEOWULF.................................................................................................................6 I. AND FIRST OF THE KINDRED OF HROTHGAR.........................................................................7 II. CONCERNING HROTHGAR, AND HOW HE BUILT THE HOUSE CALLED HART. ALSO GRENDEL IS TOLD OF........................................................................................................................9 III. HOW GRENDEL FELL UPON HART AND WASTED IT..........................................................11 IV. NOW COMES BEOWULF ECGTHEOW'S SON TO THE LAND OF THE DANES, AND THE WALL−WARDEN SPEAKETH WITH HIM.............................................................................13 V. HERE BEOWULF MAKES ANSWER TO THE LAND−WARDEN, WHO SHOWETH HIM THE WAY TO THE KING'S ABODE................................................................................................15 VI. BEOWULF AND THE GEATS COME INTO HART...................................................................17
    [Show full text]