The Tale of Beowulf
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Beowulf and Grendel (2005)
Masarykova univerzita Filozofická fakulta Katedra anglistiky a amerikanistiky Bakalářská diplomová práce 2020 Nikola Krčová Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Nikola Krčová The Depiction of Beowulf in Film and Television Series Adaptations Bachelor’s Diploma Thesis Supervisor: prof. Mgr., Milada Franková, CSc., M.A. 2020 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to thank my family for supporting me and sharing their opinions with me. I would also like to thank my supervisor prof. Mgr. Milada Franková, CSc., M.A., for her guidance. Table of Contents Introduction........................................................................................................................... 1 The Original Story of Beowulf............................................................................................. 4 Beowulf and Grendel (2005)............................................................................................... 13 Beowulf (2007).................................................................................................................... 19 Beowulf: Return to the Shieldlands (2016)......................................................................... 25 Conclusion........................................................................................................................... 31 Bibliography....................................................................................................................... -
Beowulf, Agon Two Answer Guide
Beowulf, Agon Two Answer Guide Beowulf, Agon Two Answer Guide Below are several sample answers and resources you can use to help you craft your own answers to the questions in the Agon Two reading guide. 1. Reread ll. 1330-1340. Why do you think that Grendel’s Mother takes revenge on the Thanes of Heorot? Look back at the Anglo-Saxon terms from Agon One for help. Sample Answer: Grendel’s Mother takes revenge on the Thanes of Heorot because they did not pay the wergild for Grendel’s death, which is usually done to prevent a retaliation. After Beowulf mortally wounds Grendel, the monster returns to returns to his lair to die, presumably in front of his mother, which sends her into a vengeful rage. Hrothgar hints at this when he says that Grendel’s Mother was “driven to avenge her kinsman’s death” (l.1339). 2. Analyze Beowulf’s speech to Hrothgar in ll. 1383-1396. What, if anything, does this speech seem to say about the Anglo-Saxon view of legacy and the afterlife? Answer Tip: For some historical context to help with this answer, visit this website. 3. What is the significance of Beowulf’s sword, Hrunting? Answer Hint: Look at ll. 1459-1472. 4. Reread ll. 1529-1556. Does the narrator ultimately attribute Beowulf’s prowess as a warrior to Beowulf’s own skill or to God? Use direct quotes from the poem to support your claim. Answer Tip: Your answer to this question really depends on your own interpretation of the text and which force you believe has the biggest impact. -
Affective Criticism, Oral Poetics, and Beowulf's Fight with the Dragon
Oral Tradition, 10/1 (1995): 54-90 Affective Criticism, Oral Poetics, and Beowulf’s Fight with the Dragon Mark C. Amodio I Affective criticism, as it has been practiced over the last few years, has come to focus upon the reader’s (or audience’s) subjective experience of a given literary work.1 Rather than examining the text qua object, affective criticism (like all subjective criticism) has abandoned the objectivism and textual reification which lay at the heart of the New Critical enterprise, striving instead to lead “one away from the ‘thing itself’ in all its solidity to the inchoate impressions of a variable and various reader” (Fish 1980:42).2 Shifting the critical focus away from the text to the reader has engendered 1 Iser, one of the leading proponents of reader-based inquiry, offers the following succinct statement of the logic underlying his and related approaches: “[a]s a literary text can only produce a response when it is read, it is virtually impossible to describe this response without also analyzing the reading process” (1978:ix). Iser’s emphasis on the reader’s role and on the constitutive and enabling functions inherent in the act of reading are shared by many other modern theorists despite their radical differences in methodologies, aims, and conclusions. See especially Culler (1982:17-83), and the collections edited by Tompkins (1980) and Suleiman and Crosman (1980). 2 The New Criticism has generally warned against inscribing an idiosyncratic, historically and culturally determined reader into a literary text because doing so would lead to subjectivism and ultimately to interpretative chaos. -
The Tale of Beowulf
The Tale of Beowulf William Morris The Tale of Beowulf Table of Contents The Tale of Beowulf............................................................................................................................................1 William Morris........................................................................................................................................2 ARGUMENT...........................................................................................................................................4 THE STORY OF BEOWULF.................................................................................................................6 I. AND FIRST OF THE KINDRED OF HROTHGAR.........................................................................7 II. CONCERNING HROTHGAR, AND HOW HE BUILT THE HOUSE CALLED HART. ALSO GRENDEL IS TOLD OF........................................................................................................................9 III. HOW GRENDEL FELL UPON HART AND WASTED IT..........................................................11 IV. NOW COMES BEOWULF ECGTHEOW'S SON TO THE LAND OF THE DANES, AND THE WALL−WARDEN SPEAKETH WITH HIM.............................................................................13 V. HERE BEOWULF MAKES ANSWER TO THE LAND−WARDEN, WHO SHOWETH HIM THE WAY TO THE KING'S ABODE................................................................................................15 VI. BEOWULF AND THE GEATS COME INTO HART...................................................................17 -
Naokoshiraimlittthesis1991 Original C.Pdf
University of St Andrews Full metadata for this thesis is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ This thesis is protected by original copyright HEROISM IN BEOWULF THE SWORD OF CAIN NAOKO SHIRAI A Thesis Submitted for the Degree of Master of Letters in the University of St. Andrews 1990 ✓<v ■b ABSTRACT The theszis surveys the role of swords in Beowulf. The sword is the supreme weapon of warriors in the poem. A distinctive characteristic of the sword, unlike other weapons and armour, is its frequent personification: exceptional swords are called by their own personal names, almost as if they were agents. The fact that Hrunting and Naegling fail to help Beowulf in battle is a further reason to examine the role of swords. Every occasion in which a sword appears in Beowulf has been examined and categorised, according to its function. The chief functions of the sword are the sword-as-treasure, the sword-as-gift, the sword as battle weapon, and the kin-killing sword. The two former are symbolic functions of the sword-motif, in which they represent honour and heroic deeds as well as their value in the world. The practical functions of the sword in battle are presented in the latter two roles, which emphasise rather the negative side of the sword in the poem: the instrument and token of revenge, and the wicked use of the sword in kin-killing. The kin-killing theme is displayed throughout the poem in many family feuds. The practical function of the sword in battle links it to the kin-killing theme, especially after the repeated mention of Cain early in the poem. -
Mytil Nndhlstory
212 / Robert E. Bjork I chayter tt and Herebeald, the earlier swedish wars, and Daeghrefn, 242g-250ga; (26) weohstan,s slaying Eanmund in the second Swedish-wars-,2611-25a; of (27-29)Hygelac's fall, and the battle at Ravenswood in the earlier Swedish war, 2910b-98. 8. For a full discussion, see chapter I l. 9. The emendation was first suggested by Max Rieger (lg7l,4l4). MytIL nndHlstory D. Niles W loh, SU*Uryt Nineteenth-century interpret ations of B eowutf , puticululy mythology that was then in vogue' in Germany, fell underthe influence of the nature or Indo- More recently, some critics have related the poem to ancient Germanic feature b*op"un rnyih -O cult or to archetypes that are thought to be a universal of nu-un clnsciousness. Alternatively, the poem has been used as a source of the poem' knowledge concerning history. The search for either myth or history in useful however,-is attended by severe and perhaps insurmountable difficulties' More may be attempts to identify the poem as a "mythistory" that confirmed a set of fabulous values amongthe Anglo-saxons by connecting their current world to a ancesfral past. /.1 Lhronology 1833: Iohn Mitchell Kemble, offering a historical preface to his edition of the poem' locates the Geats in Schleswig. 1837: Kemble corrects his preface to reflect the influence of Jakob Grimm; he identifies the first "Beowulf" who figures in the poem as "Beaw," the agricultural deity. Karl Miillenhoff (1849b), also inspired by Grimm, identifies the poem as a Germanic meteorological myth that became garbled into a hero tale on being transplanted to England. -
BEOWULF Author Unknown MATCHING Directions: in Sections a and B, Choose the Person Or Place That Matches Each Description
BEOWULF Author Unknown MATCHING Directions: In sections A and B, choose the person or place that matches each description. SECTION A 1. builder of Herot a. Wiglaf 2. Hrothgar’s wife b. Esher 3. Geat warrior c. Hrothgar 4. Uncle of Beowulf d. Brecca 5. first monster e. Beowulf 6. carried off by Grendel’s mother f. Higlac 7. Wexstan’s son g. Welthow 8. victor in swimming contest h. Grendel SECTION B 9. Grendel’s mother a. Unferth 1 0. grandfather of Healfdane b. Herot 11. Southern Sweden c. Geatland 12. father of Hrothgar d. Shild 13. hall of Hrothgar e. Beo 14. son of Shild f. Healfdane 15. Hrothgar’s courtier g. The Dam MATCHING - OBJECT IDENTIFICATION Directions: Choose the object that matches each description. 16. tells the story of a great flood a. Shild’s treasure 17. protection from the claws of Grendel’s mother b. Beowulf’s mail shirt 18. proves useless against Grendel’s mother c. Hrunting 19. stolen from the dragon d. giant’s sword 20. set afloat to sea e. dragon’s treasure 21. kept with Beowulf’s body in a tower f. jeweled cup MATCHING - BELIEF IDENTIFICATION Directions: Match the character to his or her personal belief or conviction. 22. Lasting fame is of utmost importance. a. Hrothgar 23. Those who desert their leader would be better off dead. b. Unferth 24. has never seen pirates or warriors like these c. Wiglaf 25. expects war with France and Sweden d. messenger 26. Beowulf’s fame is overrated. e. watchman 27. a mead-hall will perpetuate his glory f. -
“In the Hilt Is Fame” K.S
“In the Hilt is Fame” K.S. Whetter, R. Andrew McDonald Mythlore 25(1/2): 5-28. Fall/Winter 2006. (No. 95/96) Considering that Tolkien's professional life was spent immersed in Germanic, Norse, Celtic, and English medieval literature and mythology, including texts rich in swords and sword-lore, it is scarcely surprising that the characters in The Hobbit and The Lord of the Rings are provided with weapons whose names, de- scriptions, acquisition, characteristics and lore echo those of what Tolkien called the "northern mythological imagination" ("Monsters" 268), or as one recent crit- ic has put it, the "real Middle-earth" (Bates): Northwestern Europe in the early and central middle ages. The blades of Middle-earth as presented in these works display the influence of famous literary, mythological, and historical weapons from northern Europe in the middle ages, highlighting Middle-earth's well-established inheritance of An- glo-Saxon, Celtic, Norse and later medieval literature and mythology. Moreover, because of the association of specific weapons with particular heroes in this liter- ature, such a study also bears on the nature of heroism in Tolkien's work. The principal blades of Middle-earth will need little explication. Several are in- troduced early in The Hobbit, when the swords Glamdring and Orcrist, as well as Bilbo's initially unnamed blade, are taken from the lair of the trolls (2.50-51)… Tolkien makes it clear almost from the moment that the swords are introduced that they are no ordinary weapons. Apart from being ancient, the blades are im- bued with magical properties. -
The Saga of King Hrolf Kraki Free
FREE THE SAGA OF KING HROLF KRAKI PDF Jesse L. Byock | 144 pages | 03 Jun 2015 | Penguin Books Ltd | 9780140435931 | English | London, United Kingdom Hrólfr Kraki - Wikipedia The consensus view is that Anglo-Saxon and Scandinavian traditions describe the same people. Proponents of this theory, like J. Tolkien[11] argue that both the names Beowulf lit. Bodvar Bjarki is constantly associated with bears, his father actually being one. This match supports the hypothesis that the adventure with the dragon is also originally derived from the same story. When Haldan died of old age, Helghe and Ro divided the kingdom so that Ro ruled the land, and Helghe the sea. This resulted in a daughter named Yrse. Much later, he met Yrse, and without knowing that she was his daughter, he made her pregnant with Rolf. Eventually, Helghe found out that Yrse was his own daughter and, out of shame, went east and killed himself. Both Helghe and Ro being dead, a Swedish king, called Hakon in the Chronicon Lethrense proper, and Athisl in the Annales — corresponding to Eadgils — forced the Danes to accept a dog as king. The dog king was succeeded by Rolf Krage. Rolf Krage was a big The Saga of King Hrolf Kraki in body and soul and was so generous that no one asked him for anything twice. This Hartwar arrived in Zealand with a large army and said that he wanted to give his tribute to Rolf, but killed Rolf together with all his men. Only one survived, Wiggwho played along until he was to do homage to Hartwar. -
Lecenos of Lbjrn, Houp of Krncs
LecENos OF LBJRn, Houp OF KrNcs Manr-raNs Ossonx 'The words Scylding and Skjoldung (with the hybrid plural form Skjoldungs) will be used inter- changeably as adjectives throughout this essay, depending on whether the context is English or Scan- dinavian 2 For details see Bruce 2002:3L-42. The Angio-Saxon royai genealogies (and their political di- mension, or their implications for the dating of Beowulfl have been the topic of lively discussion, no- tablyby Sisam 1953, Murray 7981:1,04-6, Davis 1992, Newton 1"993:54 76, and Meaney 2003. PART III The Earliest Notices of the Skjiildung Kings The Anglo-Saxon poem Beowulf, set entirely in Scandinavia, begins with a 52 line proem cel- ebrating the "Spear Danes" and especially Scyld Scefing ("Scyld descendant of Scef"), found- er of the Scylding dynasty. Outside of Beowulf, which cannot be dated with certainty,3 the earliest mention of Scyld is in the A-text of the Anglo Saxon Chronicle, the so-called Parker Chronicle. Here under the year 855, in the course of an elaborate pseudo-genealogy of King ,€thelwulf of Wessex (the father of King Alfred the Great), Scyld is introduced as Sceldwea Heremoding ("Scyld son of Heremod") and is said to have lived some twenty-eight genera namely in tions before 6the1wu1f.a Only once in O1d English tradition outside of Beowulf - the late tenth century Latin Chronicon of .€thelweard, who takes pride in his descent from is Scyld identified as the immediate son of Scef. ,4thelweard's account of King,4thelwulf - the origins of a founding king of Denmark is similar to the story of the coming of Scyld in Beowulf. -
Beowulf the RPG David Hawes Western Oregon University, [email protected]
Western Oregon University Digital Commons@WOU Honors Senior Theses/Projects Student Scholarship - 6-1-2010 Beowulf the RPG David Hawes Western Oregon University, [email protected] Follow this and additional works at: http://digitalcommons.wou.edu/honors_theses Part of the Literature in English, British Isles Commons Recommended Citation - Hawes, David, "Beowulf the RPG" (2010). Honors Senior Theses/Projects.Paper 44. - This is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Honors Senior Theses/Projects by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. Western Oregon University Digital Commons@WOU Honors Senior Theses/Projects Student Scholarship - 6-1-2010 Beowulf the RPG David Hawes Western Oregon University, [email protected] Follow this and additional works at: http://digitalcommons.wou.edu/honors_theses Part of the Literature in English, British Isles Commons Recommended Citation - Hawes, David, "Beowulf the RPG" (2010). Honors Senior Theses/Projects. Paper 44. - This is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Honors Senior Theses/Projects by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. Beowulf the RPG By David B. Hawes An Honors Thesis Presented to the Honors Committee of Western Oregon University In Partial Fulfillment of the Requirements -
Chapters 19-25 from Beowulf
Chapters 19-25 from Beowulf An Anglo-Saxon Poem Translated by Lesslie Hall, PH. D. XIX. Beowulf Receives Further Honor A beaker was borne him, and bidding to quaff it Graciously given, and gold that was twisted Pleasantly proffered, a pair of arm-jewels, Rings and corslet, of collars the greatest I’ve heard of ’neath heaven. Of heroes not any More splendid from jewels have I heard ’neath the welkin, Since Hama off bore the Brosingmen’s necklace, The bracteates and jewels, from the bright-shining city, Eormenric’s cunning craftiness fled from, Chose gain everlasting. Geatish Higelac, Grandson of Swerting, last had this jewel When tramping ’neath banner the treasure he guarded, The field- spoil defended; Fate offcarried him When for deeds of daring he endured tribulation, Hate from the Frisians; the ornaments bare he O’er the cup of the currents, costly gem-treasures, Mighty folk-leader, he fell ’neath his target; The corpse of the king then came into charge of The race of the Frankmen, the mail-shirt and collar: Warmen less noble plundered the fallen, When the fight was finished; the folk of the Geatmen The field of the dead held in possession. The choicest of mead-halls with cheering resounded. Wealhtheo discoursed, the war-troop addressed she: “This collar enjoy thou, Beowulf worthy, Young man, in safety, and use thou this armor, Gems of the people, and prosper thou fully, Show thyself sturdy and be to these liegemen Mild with instruction! I’ll mind thy requital. Thou hast brought it to pass that far and near Forever and ever earthmen shall honor thee, Even so widely as ocean surroundeth The blustering bluffs.