Understanding Samurai Disloyalty
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Heike Legacies
Mikael Adolphson, Anne Commons, eds.. Lovable Losers: The Heike in Action and Memory. Honolulu: University of Hawaii Press, 2015. 284 pp. $55.00, cloth, ISBN 978-0-8248-4675-6. Reviewed by Naama Eisenstein Published on H-Buddhism (January, 2016) Commissioned by Erez Joskovich (Department of Philosophy Ben-Gurion University of the Negev) The close relationship of religion and politics and had the power to give new life to fgures al‐ in medieval Japan is well known and studied. In most forgotten by history. this new publication several scholars examine the Lovable Losers is the result of a four-year calculated combination of religious politics and process, beginning with an international confer‐ faith in Taira no Kiyomori’s (1118-81) rise to pow‐ ence in 2011 focusing on the Heike family and er. Due to its interdisciplinary nature, this book their cultural legacy. The discussions from that may not seem relevant to scholars of Japanese conference echo in the book even for those who, Buddhism at frst, but it is precisely that nature like me, were not lucky enough to participate in it. that exposes just how deeply embedded was Bud‐ The common ground of the chapters is laid out in dhism in premodern Japan. Kiyomori has been a well-written introduction, which surveys the immortalized as a temperamental and selfish chapters and clarifies the intentions and aims of tyrant, but from Lovable Losers he emerges a the writers, unifying twelve different papers into sharp leader, who understood well the religious, one coherent book. The book has two parts: the political, and social workings of his time, as well first focuses on the Heike and their activities dur‐ as how to use and adapt them. -
Local Legends of the Genpei War: Reflections of Mediaeval Japanese History
Local Legends of the Genpei War: Reflections of Mediaeval Japanese History By B a r b a r a L. A r n n Historians have characterized the twelfth century in Japan as a period of significant change, marked by political and military disturb ances, shrinkage of the landholdings and economic base of the ruling aristocracy, the emergence of new styles and genres in art and literature, and, symbolic of all the other changes and conflicts of the period, the Genpei War of 1180-1185, a civil war between adherents of two warrior families. The winning side, the Minamoto, established itself as the de facto political authority in the country and consolidated landholdings and civil power at the expense of the upper aristocracy, while the losing side, the Taira, were effectively destroyed as an independent political force. The Genpei War provided the subject matter for much of mediae val history and literature, which offer innumerable accounts of the lives of the nobles, priests, warriors and ladies who figured in the conflict. Mediaeval written sources are consistent in ignoring the commoners who were contemporary with these same warriors and nobles, but the commoners themselves could hardly be untouched by such momentous events, and they had their own versions to recount. An extensive body of local legends about the Genpei War arose in rural areas throughout Japan. These legends have persisted, or continued to be invented, into the present century, and they provide interesting evidence for the exist ence of a large audience with interests different from those expressed in written historical and fictional works treating the same period and the same characters. -
KUSUNOKI MASASHIGE Aids GODAIGO
KUSUNOKI MASASHIGE Aids GODAIGO - The Death of KAMAKURA See "GOTOBA and GEN-RYAKU KYOTO" for a history of the HOJO/KAMAKURA power play GODAIGO's Dream (from the book: sho-shin, Appraisal & Price - KOTO) After 150 years of absolute HOJO rule stationed comfortably at KAMAKURA, a capitol of over one million, - with its shinning palaces, state houses, homes of nobility, its villas, and the full running financial engine of Japan's wealth and elite, - Emperor GODAIGO awoke, in far-a-way KYOTO, from a dream... He dreamt a KUSUNOKI "Camphor Tree" had provided shelter. This story begins with the 500 warriors that rallied under the vision of one SAMURAI, a vision seen only through squinting eyes. That they few might prevail - against the vast architecture of HOJO power; - by running in the delighted laughter of the Seven Gods ...with an Emperor's dream GODAIGO-SAMA KUSUNOKI MASASHIGE accepted the appeal for assistance from GODAIGO who had fled KYOTO to Mt. KASAGI on the YAMATO border. The HOJO BAKUFU, chasing GODAIGO, had attacked the wrong Temple, which then helped clarify sides. It was the warrior-monks, scattered Imperialists and their Emperor running amok in the mountains. MASASHIGE stretched his gambit with creative warfare. He built AKASAKA in KAWACHI and defended it with hidden flank attacks, huge rolling logs and the liberal use of boiling pitch and water. On the last night, sneaking off small groups, he buffaloed the entire HOJO force by leaving a gigantic and dramatically set funeral pyre with one sobbing attendant claiming the great KUSUNOKI Clan had found their destiny with mass suicide. -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
Discourses on Religious Violence in Premodern Japan
The Numata Conference on Buddhist Studies: Violence, Nonviolence, and Japanese Religions: Past, Present, and Future. University of Hawaii, March 2014. Discourses on Religious Violence in Premodern Japan Mickey Adolphson University of Alberta 2014 What is religious violence and why is it relevant to us? This may seem like an odd question, for 20–21, surely we can easily identify it, especially considering the events of 9/11 and other instances of violence in the name of religion over the past decade or so? Of course, it is relevant not just permission March because of acts done in the name of religion but also because many observers find violence noa, involving religious followers or justified by religious ideologies especially disturbing. But such a ā author's M notion is based on an overall assumption that religions are, or should be, inherently peaceful and at the harmonious, and on the modern Western ideal of a separation of religion and politics. As one Future scholar opined, religious ideologies are particularly dangerous since they are “a powerful and Hawai‘i without resource to mobilize individuals and groups to do violence (whether physical or ideological of violence) against modern states and political ideologies.”1 But are such assumptions tenable? Is a quote Present, determination toward self-sacrifice, often exemplified by suicide bombers, a unique aspect of not violence motivated by religious doctrines? In order to understand the concept of “religious do Past, University violence,” we must ask ourselves what it is that sets it apart from other violence. In this essay, I the and at will discuss the notion of religious violence in the premodern Japanese setting by looking at a 2 paper Religions: number of incidents involving Buddhist temples. -
Samurai Life in Medieval Japan
http://www.colorado.edu/ptea-curriculum/imaging-japanese-history Handout M2 (Print Version) Page 1 of 8 Samurai Life in Medieval Japan The Heian period (794-1185) was followed by 700 years of warrior governments—the Kamakura, Muromachi, and Tokugawa. The civil government at the imperial court continued, but the real rulers of the country were the military daimy class. You will be using art as a primary source to learn about samurai and daimy life in medieval Japan (1185-1603). Kamakura Period (1185-1333) The Kamakura period was the beginning of warrior class rule. The imperial court still handled civil affairs, but with the defeat of the Taira family, the Minamoto under Yoritomo established its capital in the small eastern city of Kamakura. Yoritomo received the title shogun or “barbarian-quelling generalissimo.” Different clans competed with one another as in the Hgen Disturbance of 1156 and the Heiji Disturbance of 1159. The Heiji Monogatari Emaki is a hand scroll showing the armor and battle strategies of the early medieval period. The conflict at the Sanj Palace was between Fujiwara Nobuyori and Minamoto Yoshitomo. As you look at the scroll, notice what people are wearing, the different roles of samurai and foot soldiers, and the different weapons. What can you learn about what is involved in this disturbance? What can you learn about the samurai and the early medieval period from viewing this scroll? What information is helpful in developing an accurate view of samurai? What preparations would be necessary to fight these kinds of battles? (Think about the organization of people, equipment, and weapons; the use of bows, arrows, and horses; use of protective armor for some but not all; and the different ways of fighting.) During the Genpei Civil War of 1180-1185, Yoritomo fought against and defeated the Taira, beginning the Kamakura Period. -
Ghenko, the Mongol Invasion of Japan
1 GHENKO THE MONGOL INVASION OF JAPAN HOJO TOKIMUNE. GHENKO THE MONGOL INVASION OF JAPAN BY NAKABA YAMADA, B.A. (Cantab.) WITH AN INTRODUCTION BY LORD ARMSTRONG WITH ILLUSTRATIONS AND MAPS LONDON SMITH, ELDER & CO., 15 WATERLOO PLACE 1916 [All rights reserved] *L\ 3 Y PREFACE evening in the summer before last, I ONEwas sitting in the reading-room of my College in Cambridge, when a small " " book entitled Westward Ho ! caught my eye. I was greatly attracted by its contents. In the mellowing light of the sun, I perused the book page after page, until my attention was diverted by the dining-bell from the hall. Ending my perusal, however, I stood a while with the pleasant memory of what I had read. One of my friends told me at table that that book was one of the great works of Charles Kingsley, and well worth reading. Having ob- tained a new copy, I finished the reading before long. It was from this reading that I acquired the idea of writing this book. My first intention was " to describe the historical event of the Mongol " " Invasion of Japan in such a novel as Westward " Ho ! But I have found it better to write an authentic, straightforward history rather than to use the medium of fiction. For the facts, which v 348467 PREFACE would be used as the basis of an historical novel, are not known to our Western friends as a whole, as the Chino-Japanese war or the Russo- war has been this is Japanese ; probably owing both to the remoteness of the events and the difficulties of research work, in a field so far removed in time and place. -
Japanese Didactic Gunsho Commentaries in the Edo Period: a Study of the 17Th C
WRITTEN MONUMENTS OF THE ORIENT. Vol. 6, No. 2 (12), 2020, p. 93–113 93 Alexey Lushchenko Japanese Didactic Gunsho Commentaries in the Edo Period: A Study of the 17th c. Commentary on the Heike Monogatari DOI 10.17816/wmo56802 Abstract: The Heike monogatari hyōban hidenshō is an anonymous 17th c. commentary on the medieval Heike monogatari. As a military studies text (gunsho) written for Edo-pe- riod warriors, the commentary differs substantially from the Heike monogatari in content and purpose. It consists of didactic essays that critically evaluate passages from the Heike monogatari and also includes fi ctional stories that expand and reinterpret the content of the Heike monogatari. The commentary’s content focuses on topics of governance, strategy, and ethics. In the 17th c., such gunsho commentaries functioned as educational texts with advice and admonition addressed to daimyo lords and warriors in general. As a didactic military studies text, the Heike monogatari hyōban hidenshō reveals a new facet of recep- tion of the Heike monogatari in the Edo period. Key words: Japan, Edo period, gunsho, didactic commentaries, gunki monogatari, Heike monogatari hyōban hidenshō, intellectual history, education Introduction The Tale of the Heike (Heike monogatari 平家物語, 13th c. CE), a well- known medieval Japanese “war tale” (gunki monogatari 軍記物語), narrates events of the late 12th c. with a focus on the Genpei 源平 confl ict (1180– 1185 CE) and the rise and fall of the Heike 平家 clan. For many centuries this major historical and literary text has infl uenced Japanese arts and culture. Studies of reception history of this text tend to examine visual arts, theatrical performances, and literary texts intended for entertainment. -
Elizabeth Oyler
Japanese Journal of Religious Studies 36/2: 295–317 © 2009 Nanzan Institute for Religion and Culture Elizabeth Oyler Tonsuring the Performer Image, Text, and Narrative in the Ballad-Drama Shizuka This essay explores the portrayal of the famous shirabyōshi dancer Shizuka in an illustrated, hand-copied book (nara ehon) dating from the late sixteenth cen- tury. The text for the nara ehon, taken from a somewhat earlier ballad-drama (kōwakamai), describes Shizuka’s capture by her lover’s brother and enemy, the shogun Minamoto Yoritomo. In the tale, Shizuka and her mother are taken from the capital to Kamakura, Yoritomo’s headquarters. Shizuka bravely refuses to reveal her lover’s whereabouts, spending her time in captivity defiantly dem- onstrating her formidable skills and erudition to Yoritomo and his retinue. By contrast, the illustrations of the text provide a counter-narrative stressing the loss and suffering that Shizuka endures during her time in Kamakura, ignor- ing some of the most famous parts of the narrative, including a defiant dance she performs at the Tsurugaoka Hachiman Shrine in front of Yoritomo and his men. I focus on the juxtaposition between text and image in this work, stressing the discontinuities between the two, especially in comparison with other, near- contemporary nara ehon versions whose illustrations more closely follow the text. I argue that the increasing enclosure and control of women during the late medieval period is reflected in the portrayals of Shizuka and her mother, whom we see only in captivity or on forced journeys that could end in death. keywords: shirabyōshi—nara ehon—Kamakura shogunate—Minamoto Yoritomo— Minamoto Yoshitsune—Shizuka Elizabeth Oyler is assistant professor in the Department of East Asian Languages and Cultures at the University of Illinois, Urbana-Champaign. -
Visualising the Tales of Genji and Heike on the Folding Screen
Swarthmore College Works Art & Art History Faculty Works Art & Art History 2009 Unfolding Narratives: Visualising The Tales Of Genji And Heike On The Folding Screen Tomoko Sakomura Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-art Part of the Asian Art and Architecture Commons Let us know how access to these works benefits ouy Recommended Citation Tomoko Sakomura. (2009). "Unfolding Narratives: Visualising The Tales Of Genji And Heike On The Folding Screen". The Golden Journey: Japanese Art From Australian Collections. 78-89. https://works.swarthmore.edu/fac-art/30 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Art & Art History Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Enfolding narratives: Visualising the tales of Genji AND HEIKE on the EOLDING SCREEN Ihe celebrated Japanese narratives, The tale of Genji (Genji monogatari) (p. 83) and The tales of Heike (Tleike monogatari) (pp. 76-7) are the subject of three folding screens {bydbu) in the collection of the Art Gallery of South Australia. The tale of Genji, authored around the turn of the eleventh century by Lady Murasaki Shikibu (died C.1014), is a courtly epic of fifty-four chapters which chronicles the life, loves and heirs of the protagonist Genji, an ideal courtier nicknamed the ‘Shining Lord’.^ The tales of Heike, with its best-known variant recorded in the mid-thirteenth century, is a warrior tale of twelve books, which centres around the tragic destruction of the Taira hy the Minamoto during the Genpei War (1180-85). -
The Genpei Jōsuiki and the Historical Narration of the Genpei War
CHAPTER ONE THE GENPEI jōsuiki AND THE HISTORICAL NARRATION OF THE GENPEI WAR On the second month of the first year of Hōgen, a rebellion broke out in the Japanese realm, and from this moment the age of the warrior began. (Jien, 1221) As the Japanese court thinker Jien (1155–1225) observed in the political his- tory Gukanshō (1221), the latter half of the twelfth century was a period of historical turmoil. Three conflicts—the Hōgen Rebellion (1156), the Heiji Rebellion (1159–1160), and the Genpei War (1180–1185)—shook the polity as numerous elite and non-elite institutional players, including emperors and retired emperors, temples and shrines, military aristocrats and local strongmen, jockeyed for power. The last of these conflicts, the Genpei War, led to the birth of the shogunate, or government run by warriors. The historical record shows that the emergence of warrior power was the culmination of two centuries of institutional and social change. Yet, the hundred-odd variant texts of the Heike monogatari (Tales of the Heike; hereafter Heike) imagine a world at a critical turning point. As imperial authority declines in this world, bitterly opposed religious and political factions plunge the realm into war; peace returns to the realm only after the timely intervention of the future shogun Minamoto Yoritomo. Echoing Jien’s remark about epochal shift, the Heike presents the transition from a courtly era to the musa no yo (age of the warrior) as a fait accompli. These tales, though begun around Jien’s time, were completed dur- ing the fourteenth century as new political struggles were unfolding. -
The Atsuhara Affair: the Lotus Sutra, Persecution, and Religious Identity
Japanese Journal of Religious Studies 41/1: 153–189 © 2014 Nanzan Institute for Religion and Culture Jacqueline I. Stone The Atsuhara Affair TheLotus Sutra, Persecution, and Religious Identity in the Early Nichiren Tradition In 1279, twenty peasants who were lay followers of the Buddhist teacher Nichiren were summarily arrested at Atsuhara in the Fuji district of Suruga province and were sent for trial to Kamakura, where three of them were beheaded. This incident is known in the history of Nichiren Buddhism as the Atsuhara persecution. The first part of this article outlines the circumstances of the persecution and the political and religious tensions that fueled it and considers how Nichiren was able to persuade his followers to remain steadfast in the face of a grave threat. The second part examines links between Nichiren’s interpretation of the persecution and larger themes in his teaching of exclusive devotion to the Lotus Sutra, especially that offering one’s life for the sutra’s sake guarantees one’s attainment of buddhahood. Lastly, the article touches on how later accounts of the Atsuhara persecution shaped a normative ideal within the Nichiren tradition of how Lotus devotees should meet opposition from those in power. keywords: Lotus Sutra—Atsuhara—Nichiren—Nikkō—persecution—martyrdom Jacqueline I. Stone is a professor of Japanese Religions in the Department of Religion at Princeton University. 153 o precious are its teachings, the Lotus Sutra suggests, that one should uphold them even at the cost of one’s life. In the “Fortitude” chapter, a host of bodhisattvas declares in the Buddha’s presence, “We do not cher- ishS bodily life.