Handbook to Life in Medieval and Early Modern Japan
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Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities. -
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Understanding Samurai Disloyalty
New Voices Volume 2 To link to this article: http://dx.doi.org/10.21159/nv.02.05 Understanding Samurai Disloyalty Joshua Archer The University of Sydney Abstract Prevailing notions of samurai loyalty remain largely unopposed by Western scholarly literature. This should not be so. Minor efforts in recent scholarship have plainly shown that the stereotypical notion of samurai loyalty is fallacious. However, despite these assertions the myth remains a powerful and popular misconception. Clearly a greater scholarly undertaking is required. Through an in-depth historical analysis of samurai disloyalty, a more realistic conception of samurai behaviour may be achieved. This article seeks to provide a foundation for further research, arguing that disloyalty was favoured among samurai to further their personal ambitions or interests. Disloyalty between medieval samurai was not always considered morally deplorable, nor was it considered divergent to ‘normal’ samurai behaviour. Moreover, it is erroneous to argue that the majority of samurai were ‘loyal,’ when in fact many were often being coerced or manipulated by those in power. Logic suggests that loyalty must be voluntary, thus the use of coercion undermines assertions of samurai loyalty. Further scholarship should not merely seek to establish the frequency of samurai disloyalty, nor should it condemn such occurrences. It must endeavour to understand how and why disloyalty occurred. Keywords Samurai, Loyalty, Betrayal, Bakufu, Zanshin (残 心) Introduction In 1914, Takagi Takeshi, a scholar in Japanese literature, compared ‘Western Chivalry’ to ‘Japanese Bushidō,’ summarising bushidō into twenty rather broad doctrines.1 He wrote that in Western Chivalry, bravery was the highest virtue. Takagi argued that 1 Takagi, A Comparison of Bushi-do and Chivalry, pp. -
Kumazawa Agonistes: the Right of Conquest and the Rise of Democratic Ideology (Part One)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE 【論文】 Kumazawa Agonistes: The Right of Conquest and the Rise of Democratic Ideology (Part One) Jason M. Morgan Introduction:TheKumazawaCase TO: General MacARTHUR. A very curious letter came across Douglas MacArthurʼs FROM: KUMAZAWA, Hiromichi (熊沢寛道) desk on August 11, 1947. It was hardly the only letter to arrive KYOTO To, SAKYO ku, TANAKA KITAHARUNA – 1. that day, to be sure. MacArthur was the Supreme Commander for the Allied Powers—SCAP—and essentially the de facto DATE: (No date.) shogun of Japan. Since Japanʼs defeat in the Greater East Asia War, MacArthur had reigned as head of General Headquarters, The writer states that during the period when the Imperial GHQ, and, in effect, as the benevolent dictator of the entire throne was divided between the Northern and Southern archipelago. Dynasties, Emperor GOKOMATSU (後小松) of the The SCAP archives, housed in the National Diet Library Northern Dynasty killed Prince JITSUHITO (実仁), son in Nagatachō, contain boxes and boxes of microfiched letters and heir of Emperor GOKAMEYAMA (後亀山) of the to the power behind the Chrysanthemum Throne. Summarized Southern Dynasty, thus putting an end to the Southern and also mimeographed from the originals, the letters touch Dynasty. The Northern Dynasty then became sole on every conceivable subject, from complaints about the black claimant to the Imperial throne. market and concerns about building practices to denunciations of individuals and organizations for reasons both public- The writer has conducted extensive research throughout minded and personal, profound and petty. NARA, MIE, FUKUSHIMA, and AICHI prefectures But one letter stands out. -
KUSUNOKI MASASHIGE Aids GODAIGO
KUSUNOKI MASASHIGE Aids GODAIGO - The Death of KAMAKURA See "GOTOBA and GEN-RYAKU KYOTO" for a history of the HOJO/KAMAKURA power play GODAIGO's Dream (from the book: sho-shin, Appraisal & Price - KOTO) After 150 years of absolute HOJO rule stationed comfortably at KAMAKURA, a capitol of over one million, - with its shinning palaces, state houses, homes of nobility, its villas, and the full running financial engine of Japan's wealth and elite, - Emperor GODAIGO awoke, in far-a-way KYOTO, from a dream... He dreamt a KUSUNOKI "Camphor Tree" had provided shelter. This story begins with the 500 warriors that rallied under the vision of one SAMURAI, a vision seen only through squinting eyes. That they few might prevail - against the vast architecture of HOJO power; - by running in the delighted laughter of the Seven Gods ...with an Emperor's dream GODAIGO-SAMA KUSUNOKI MASASHIGE accepted the appeal for assistance from GODAIGO who had fled KYOTO to Mt. KASAGI on the YAMATO border. The HOJO BAKUFU, chasing GODAIGO, had attacked the wrong Temple, which then helped clarify sides. It was the warrior-monks, scattered Imperialists and their Emperor running amok in the mountains. MASASHIGE stretched his gambit with creative warfare. He built AKASAKA in KAWACHI and defended it with hidden flank attacks, huge rolling logs and the liberal use of boiling pitch and water. On the last night, sneaking off small groups, he buffaloed the entire HOJO force by leaving a gigantic and dramatically set funeral pyre with one sobbing attendant claiming the great KUSUNOKI Clan had found their destiny with mass suicide. -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
BUNRAKU Puppet Theater Brings Old Japan to Life
For more detailed information on Japanese government policy and other such matters, see the following home pages. Ministry of Foreign Affairs Website http://www.mofa.go.jp/ Web Japan http://web-japan.org/ BUNRAKU Puppet theater brings old Japan to life The puppet theater unraku is Japan’s professional puppet of the operators make the puppet characters stage B theater. Developed primarily in the 17th and their stories come alive on stage. The bunraku (puppet and 18th centuries, it is one of the four forms theater) stage is specially constructed of Japanese classical theater, the others being History of Bunraku to accommodate kabuki, noh, and kyogen. The term bunraku three-person puppets. The puppeteers operate comes from Bunraku-za, the name of the only Already in the Heian period (794–1185), from a pit behind a railing commercial bunraku theater to survive into at the front of the stage. itinerant puppeteers known as kugutsumawashi © Degami Minoru the modern era. Bunraku is also called ningyo traveled around Japan playing door-to- joruri, a name that points to its origins and door for donations. In this form of street essence. Ningyo means “doll” or “puppet,” entertainment, which continued up through and joruri is the name of a style of dramatic the Edo period, the puppeteer manipulated narrative chanting accompanied by the three- two hand puppets on a stage that consisted stringed shamisen. of a box suspended from his neck. A number Together with kabuki, bunraku developed of the kugutsumawashi are thought to have as part of the vibrant merchant culture of settled at Nishinomiya and on the island of the Edo period (1600–1868). -
Understanding Japan: a Cultural History by Professor Mark J
R E S O U R C E S T H E G R E A T C O U R S E S Understanding Japan: A Cultural History By Professor Mark J. Ravina Produced by The Great Courses (Chantilly, VA: The Teaching Company/Smithsonian, 2015) Twelve CDs with printed guidebook, six DVDs with printed guidebook, or download with digital guidebook Reviewed by Eric G. Dinmore While serving as President of the American Historical Association, William Cronon of the University of Wisconsin- Madison delivered one of the most inspiring addresses in years at that organization’s 2013 annual meeting in New Or - leans. Rather than promote an emerging subfield or present from his impressive original research, Professor Cronon used his time to focus on deep concerns he held about the diminished profile of professional historians in public life and the decline in public funding for history. To counter these trends, he urged his audience members to “come back from the cutting edge,” avoid “self-referential in - sider language,” and persuade the wider public of history’s importance and fascina - tions. Further, he reminded his fellow historians of the importance of good storytelling and passionate undergraduate teaching as keys “to keep asking what the past means and why ordinary people should care about it.” Professor Cronon called upon professional historians to join forces with other storytellers, including journal - ists and filmmakers, and to embrace the digital revolution as an opportunity to (re)connect their research with the concerns of outsiders. 1 Since well before Professor Cronon’s AHA presidential address, Mark Ravina of Emory University has worked hard to connect the uninitiated with the field of Japan - ese history. -
Tokugawa Ieyasu, Shogun
Tokugawa Ieyasu, Shogun 徳川家康 Tokugawa Ieyasu, Shogun Constructed and resided at Hamamatsu Castle for 17 years in order to build up his military prowess into his adulthood. Bronze statue of Tokugawa Ieyasu in his youth 1542 (Tenbun 11) Born in Okazaki, Aichi Prefecture (Until age 1) 1547 (Tenbun 16) Got kidnapped on the way taken to Sunpu as a hostage and sold to Oda Nobuhide. (At age 6) 1549 (Tenbun 18) Hirotada, his father, was assassinated. Taken to Sunpu as a hostage of Imagawa Yoshimoto. (At age 8) 1557 (Koji 3) Marries Lady Tsukiyama and changes his name to Motoyasu. (At age 16) 1559 (Eiroku 2) Returns to Okazaki to pay a visit to the family grave. Nobuyasu, his first son, is born. (At age 18) 1560 (Eiroku 3) Oda Nobunaga defeats Imagawa Yoshimoto in Okehazama. (At age 19) 1563 (Eiroku 6) Engagement of Nobuyasu, Ieyasu’s eldest son, with Tokuhime, the daughter of Nobunaga. Changes his name to Ieyasu. Suppresses rebellious groups of peasants and religious believers who opposed the feudal ruling. (At age 22) 1570 (Genki 1) Moves from Okazaki 天龍村to Hamamatsu and defeats the Asakura clan at the Battle of Anegawa. (At age 29) 152 1571 (Genki 2) Shingen invades Enshu and attacks several castles. (At age 30) 豊根村 川根本町 1572 (Genki 3) Defeated at the Battle of Mikatagahara. (At age 31) 東栄町 152 362 Takeda Shingen’s151 Path to the Totoumi Province Invasion The Raid of the Battlefield Saigagake After the fall of the Imagawa, Totoumi Province 犬居城 武田本隊 (別説) Saigagake Stone Monument 山県昌景隊天竜区 became a battlefield between Ieyasu and Takeda of Yamagata Takeda Main 堀之内の城山Force (another theoried the Kai Province. -
Elsewhere, to Support His Contention That the Themes of Modern Erotic
book reviews 267 Elsewhere, to support his contention that the themes of modern erotic poetry are not new to Tibetan literature, the author supplies copious examples from pre-modern writings. These range from the cryptic sensuality of some ka¯ vya-inspired lines, to the outright crudity and bawdiness of more popular literature. This is a revealing and entertaining journey through a regularly overlooked area of Tibetan writing. The relevance of some examples here, and even whether they all belong in a single category, seems more debat- able. The universality of the themes of sex and bodily functions makes it difficult to depict their reappear- ance as a literary continuity. Correspondences and recurrences, especially spread over so many centuries, do not necessarily represent continuation. Doubts about categories and continuity might also be raised in rela- tion to the author’s discussion on “the Tibetan Tradition of Social Criticism” (Chapter 3). I welcome the author’s decision to place politics centre-stage. Rather than a mere backdrop, the pol- itical situation is the crucible in which modern Tibetan literature has been forged. The battle between censorship and creativity continues to shape this most vibrant and dynamic form of Tibetan literature. However, in emphasizing the continuity of indigenous writing, the book underplays debts to foreign literature. In the essay and short-story genres (also innovations by the modern movement) these are especially obvious, but this volume hardly mentions them. A majority of the influential first-generation writers attended the same educational institutions. Their compositions reflect their exposure to an array of traditions: Chinese, Western, and Communist, as well as Tibetan.