Kumazawa Agonistes: the Right of Conquest and the Rise of Democratic Ideology (Part One)
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Important Facts for Prelims (2Nd April 2019)
Important Facts For Prelims (2nd April 2019) drishtiias.com/printpdf/important-facts-for-prelims-2nd-april-2019 Thakurani Jatra Festival Recently, celebrations of the biennial Thakurani Jatra festival started in Berhampur, Odisha. During the festival, Goddess Budhi Thakurani is taken from the main temple at Thakurani Temple Street to her temporary abode at Desi Behera Street, where she stays till the festival ends. The first Thakurani Yatra was celebrated in April 1779. The festival goes on for 32 days. The goddess is considered to be a family member of Desibehera, the leader of the Dera community, the weaver clan that has made Berhampur famous as the silk city. Reiwa: Japan's New Era The Japanese government has announced that the reign of the next Japanese emperor will be known as the "Reiwa" era. The term for the new era is made up of the two characters Rei and Wa. Rei can mean "commands" or "order", as well as "auspicious" or "good". While, Wa often means "harmony", and is also used in the Japanese word for "peace" - "hei-wa". The name draws from the 7th century poetry collection “Manyoshu.” This is the first era name to have been inspired by a Japanese, rather than Chinese, work of classical literature. The new era takes effect on May 1, 2019 with the coronation of Crown Prince Naruhito (126th emperor of the Chrysanthemum Throne). Chrysanthemum Throne is a common name given to the Imperial throne of Japan. It is the oldest continuing monarchy in the world. Under the provisions of the current Constitution of Japan, the Emperor is a "symbol of the state and the unity of its people"; he has no real political power but is regarded as a ceremonial Head of State and constitutional 1/2 monarch. -
Emperor and Empress Greet Huge Crowds at Tokyo Enthronement Parade
Emperor and empress greet huge crowds at Tokyo enthronement parade japantimes.co.jp/news/2019/11/10/national/emperor-empress-parade-enthronement Emperor Naruhito and Empress Masako waved and smiled from an open car in Sunday’s motorcade which passed through central Tokyo, marking his enthronement before about 120,000 delighted well-wishers who cheered, waved small flags and took photos from both sides of packed sidewalks. Security was extremely tight with police setting up 40 checkpoints leading to the route. Selfie sticks, bottles and banners — and even shouting — were not allowed inside the restricted zone. Residents in high-rise apartments along the road were advised not to look down from their windows or balconies. Naruhito succeeded his father, Emperor Emeritus Akihito, on May 1 following his abdication the day before, and formally ascended the Chrysanthemum Throne in a palace ceremony last month. The parade started from the Imperial Palace at 3 p.m. with the national anthem, “Kimigayo,” being played by a marching band. Naruhito, wearing a tail coat decorated with medals and carrying a brimmed hat, and Masako, in an off-white long dress and wearing a tiara, kept waving from a Toyota Century convertible. The car was decorated with the imperial chrysanthemum emblems and the emperor’s flag during the half-hour motorcade on the 4.6-kilometer-long (3-mile- long) route from the palace to the Akasaka imperial residence in the warm autumn afternoon sun. Naruhito, sitting on the right side on the slightly raised backseat, constantly turned his head to the right and left, responding to people cheering from the opposite side of the street as the motorcade slowly moved at a jogger’s speed. -
Recommended Books in English
RECOMMENDED BOOKS IN ENGLISH Baelz, Erwin, Awakening Japan: The Diary of a German Doctor (Bloomington: Indiana University Press, 1974). Bix, Herbert P., Hirohito and the Making of Modern Japan (New York: Harper Collins, 2000). Brownlee, John S., Japanese Historians and the National Myths, 1600–1945 (Vancouver: UBC Press, 1997). Cortazzi, Hugh, ed., Mitford’s Japan: The Memoirs and Recollections, 1866–1906, of Algernon Bertram Mitford, the First Lord Redesdale (London: Athlone Press, 1985). Creemers, Wilhelmus, Shrine Shinto after World War II (Leiden: Brill, 1968). Crump, Thomas, The Death of an Emperor: Japan at the Crossroads (London: Oxford Uni- versity Press, 1991). Doak, Kevin, A History of Nationalism in Modern Japan: Placing the People (Leiden and Boston: Brill, 2007). Dower, John W., Embracing Defeat: Japan in the Wake of World War II (New York: Norton, 1999). Earl, David M., Emperor and Nation in Japan (Seattle: University of Washington Press, 1964). Field, Norma, In the Realm of a Dying Emperor (New York: Pantheon Books, 1991). Fujitani, T., Splendid Monarchy: Power and Pageantry in Modern Japan (Berkeley: University of California Press, 1996). Fukuzawa Yukichi, An Outline of a Theory of Civilization (tr. D.A. Dilworth & G. Cameron Hurst. Tokyo: Sophia University, 1973). Futara, Yoshinori and Setsuzo Sawada, The Crown Prince’s European Tour (Osaka: The Osaka Mainichi Publishing Co., 1926). Gluck, Carol, Japan’s Modern Myths: Ideology in the Late Meiji Period (Princeton: Princeton University Press, 1985). Goto-Jones, Christopher, Political Philosophy in Japan: Nishida, the Kyoto School and Co- Prosperity (London: Routledge, 2005). Griffi s, William E., The Mikado: Institution and Person (Princeton: Princeton University Press, 1915). -
Elsewhere, to Support His Contention That the Themes of Modern Erotic
book reviews 267 Elsewhere, to support his contention that the themes of modern erotic poetry are not new to Tibetan literature, the author supplies copious examples from pre-modern writings. These range from the cryptic sensuality of some ka¯ vya-inspired lines, to the outright crudity and bawdiness of more popular literature. This is a revealing and entertaining journey through a regularly overlooked area of Tibetan writing. The relevance of some examples here, and even whether they all belong in a single category, seems more debat- able. The universality of the themes of sex and bodily functions makes it difficult to depict their reappear- ance as a literary continuity. Correspondences and recurrences, especially spread over so many centuries, do not necessarily represent continuation. Doubts about categories and continuity might also be raised in rela- tion to the author’s discussion on “the Tibetan Tradition of Social Criticism” (Chapter 3). I welcome the author’s decision to place politics centre-stage. Rather than a mere backdrop, the pol- itical situation is the crucible in which modern Tibetan literature has been forged. The battle between censorship and creativity continues to shape this most vibrant and dynamic form of Tibetan literature. However, in emphasizing the continuity of indigenous writing, the book underplays debts to foreign literature. In the essay and short-story genres (also innovations by the modern movement) these are especially obvious, but this volume hardly mentions them. A majority of the influential first-generation writers attended the same educational institutions. Their compositions reflect their exposure to an array of traditions: Chinese, Western, and Communist, as well as Tibetan. -
PROPAGANDA OR DOCUMENTARY? the Sh¯Owa Emperor and “Know Your Enemy: Japan”
Image from Frank Capra’s Know Your Enemy Japan. PROPAGANDA OR DOCUMENTARY? The Sh¯owa Emperor and “Know Your Enemy: Japan” By Paul D. Barclay or the past five years, I’ve been screening Frank Capra’s controversial Know Your Enemy: Japan (1945) in survey courses and upper division semi- nars. Stunning edits, provocative footage and a bril- Fliant soundtrack make this last of the U.S. Army’s Why We Fight series a truly arresting documentary. To warn Americans that defeating Japan would require the nation’s utmost effort, Capra spliced together hundreds of menacing, exoticizing shots of festivals, parades, assembly lines, sporting events, funerals, military parades, battlefields and police raids, skillfully culled from Japanese cinematic and documentary footage. Superim- posed over these images are a number of theories about Japan’s national character and the origins of the Pacific War. Because Capra’s film traffics in dated racist imagery and derogatory stereotypes, I initially showed it to serve as an Frank Capra’s Know Your Enemy: Japan (1945) example of American wartime propaganda, as a window into the U.S. psyche circa 1945.1 These days, however, I have become less enthusiastic about dismissing Know Your Enemy as a mere artifact of an older, less tolerant era. Not only have recent scholarship and a resurgent public interest in the Pacific War con- verged to give elements of Capra’s documentary an oddly contemporary feel; more importantly, much of the information imparted in Know Your Enemy can be used to set up a more serious study of prewar Japanese history. -
AKIHITO and the PROBLEM of SUCCESSION Takahashi Hiroshi
AKIHITO AND THE PROBLEM OF SUCCESSION Takahashi Hiroshi The Problem of Succession On 6 September 2006 a baby boy, Prince Hisahito, the fi rst son of Prince Akishino, younger brother of Crown Prince Naruhito, was born into the Japanese imperial family. He immediately became third in succession to the imperial throne. Never before had the birth of a child into the imperial family been the cause of so much excitement in Japan and abroad. ‘It’s a boy!’ announced the female newscaster of CNN, her voice brimming with excitement, while the BBC made the fi rst birth of a baby boy into the Japanese royal family in over four decades a top news item of the day.1 It was also the fi rst birth of a boy in the imperial family in the Heisei era, which started in 1989 with the reign of Akihito. I spent the entire day of 6 September 2006 in a TBS (Tokyo Broad- casting Service) studio in Tokyo, commentating as a guest panelist on matters to do with the imperial family. Scenes of the joyous celebra- tions throughout the nation were streamed through to us on the studio monitors: people putting up colorful carp-shaped fl ags, traditionally used to mark Boys’ Day, in front of Tokyo’s Mejiro Station, the station that serves Gakushūin University (formerly the Peers School), where Prince Akishino met his wife; and shopkeepers handing out cups of sake to passers-by in the street. The whole nation seemed to be sharing in the festive mood. The Imperial Household Law restricts succession to the imperial throne of Japan to ‘male descendents in the male line’ (dankei dan- shi )—that is to say, males born to male members of male lineage.2 Unfortunately however, for more than forty years—ever since the birth in 1965 of the father of this latest baby prince—the Japanese imperial 1 As reported by Kyodo News, 6 September 2006. -
Platinum for a New Era
4 SEPTEMBER 2019 PLATINUM FOR A NEW ERA Japan’s affinity with platinum has been boosted by the enthronement of its new emperor 60 SECONDS IN PLATINUM IN SECONDS 60 Japan celebrated the recent accession of Emperor expressing love, and in Japan and China platinum is Naruhito to the Chrysanthemum Throne with ‘Plat- the precious metal that consumers feel is the most inum Week’ - a series of national holidays that gave appropriate symbol of love. workers a welcome ten consecutive days of leave Sustaining platinum growth between April 27 until May 6. Platinum Week was, in fact, an elevation of the traditional annual spring The platinum jewellery market is well established in holiday that falls at this time in Japan, known as Japan, which has the highest per capita consump- ‘Golden Week’, renamed and extended in honour of tion of platinum jewellery in the world and is the the occasion. second largest market for it after China. Consumers are drawn by platinum’s high purity, natural white In many cultures, platinum is the precious metal of colour and subtle sheen, appreciating its superior choice synonymous with the most special of oc- strength when it comes to providing a secure setting casions, symbolising quality, status, longevity and for gemstones. strength. The bridal sector is traditionally an especially strong Research conducted by Platinum Guild Interna- segment of the Japanese platinum jewellery market. tional (PGI) has also identified a strong preference Today, platinum-only rings dominate with an 88 per for platinum among consumers when it comes to While the bridal sector is traditionally an especially strong segment of the Japanese platinum jewellery market, PGI reports that new trends, including self-gifting by women, are driving growth in non-bridal jewellery 4 SEPTEMBER 2019 cent share of the engagement ring market and a platinum band increasing to 4.55 grams. -
The Samurai in JAPANESE HISTORY
ONCE AND FUTURE WARRIORS The Samurai IN JAPANESE HISTORY By Karl Friday he samurai exercise a powerful hold on popular imaginations, both in and out of Japan, rival- T ing cherry blossoms, geisha, and Sony as Japanese cultural icons. Emerging during the early part of the Heian period (794–1185), these war- riors—known as bushi, tsuwamono, musha, mononofu, and other names at various times in their history—dominated the political and economic land- scape by the early 1200s, and ruled outright from the late fourteenth to the late nineteenth century. Their story is, therefore, central to the history of premodern and early modern Japan, and has become the subject of dozens of popular and scholarly books. It also inspires a veritable Mt. Fuji of misperceptions and misin- formation—a karate instructor in Japan once told me of a New Zealand man who came to live and train with him, and who was absolutely convinced that samurai were still living on some sort of reservation on the back side of a nearby mountain! Until a generation ago, scholars pondering the samurai were Detail from the Mounted Warrior all-too-readily seduced by perceptions of an essential similarity Hanging scroll; ink and color on silk between conditions in medieval Japan and those of northwestern Nanbokuch¯o period, fourteenth century Agency for Cultural Affairs, Tokyo. Important Cultural Europe. Samurai and daimy¬ (the regional military lords who Property Image source: Japan: The Shaping of Daimyo Culture 1185–1868, emerged during Japan’s late medieval age) were equated with edited by Yoshiaki Shimizu. Published by the National Gallery of Art, Washington, 1988 knights and barons; and theories on the origins and evolution of the samurai were heavily colored by conceptions of how the knights and their lords had come to be. -
The Muromachi Period in Japanese History Cer~Ain Periods of History
ONE The Muromachi Period in Japanese History Cer~ain periods of history reveal only enough about themselves to confuse us. The Muromachi period (1336-1573) is one of these, having long defied attempts to discover in it orderly patterns of political and social life. Many traditional historians simply dis missed it as an age of political and economic instability, social anarchy, and inordinate civil violence. While these evaluations are not totally inaccurate, the era that produced the very zenith of Japan's high culture in the visual and performing arts surely offers more to the student of institutional development. This paradox inevitably led Japanese scholars to draw contradictory conclusions about what they found and about what the Muromachi contribu tion was to Japanese history. This volume will try to present a synthetic reinterpretation of Muromachi politics and society in the light of their detailed researches, which in their several ways have helped to demystify the pall of confusion surrounding the era. Our focus will be on the Muromachi Bakufu, the military regime that governed Japan during the fourteenth and fifteenth centuries, and on the shogun who headed that government. Al though the Muromachi Bakufu existed from its founding by Ashikaga Takauji in 1336 until the last shogun Ashikaga Yoshiaki was overthrown by Oda Nobunaga in 1573, it ceased to exert real national influence from the early sixteenth century. This book will concentrate only on that part of the Muromachi age (c. 1336- 2 The Muromachi Period 1490) when the Ashikaga shoguns actually ruled and their Bakufu was a viable central government. -
The Dredgings July 2021
July,2021 Volume 32,Issue 10AS LVI Being the Voiceofthe Barony ofLochmere in the KingdomofAtlantia, SCA,Inc. Inside thisissue ArtsandSciences .........................3 Foodfor Thought.........................6 Composerʼs Corner.....................8 HistoryHighlights.....................10 Table of Contents Their Excellencies..............................2 Lochmere Calendar of Events........2 Atlantia Calendar of Events ............2 Information on the Dredgings.......2 Attention Lochmere Officers..........2 This Month in History .......................3 Arts and Sciences...............................3 Their Excellencies New Member Information ...............4 Baronial Reoccurring Activities ....4 Populace Meeting Minutes..............4 Food for Thought...............................6 Greetings Lochmere, Composersʼ Corner...........................8 History Highlights...........................11 Lochmere Officers Listing............11 Lochmere Baronial Champions ..11 We are writing to you today after Lochmere's first in person event. It Revised Balance Sheet ...................12 Revised Income Statement ..........13 was wonderful to see so many of our SCA friends and family. It still wasn't quite the same as before the plague, but nevertheless, it was a Information of the Dredgings The Dredgings is a publication of step towards normalcy. It was also nice to see Eckehard and Jane step the Barony of Lochmere of the up as Atlantia's new monarchs and for Anton and Luned to get a well Society of Creative Anachronism, Inc. The Dredgings -
Download Princess Masako: Prisoner of the Chrysanthemum Throne
PRINCESS MASAKO: PRISONER OF THE CHRYSANTHEMUM THRONE DOWNLOAD FREE BOOK Ben Hills | 306 pages | 22 Dec 2008 | Penguin Putnam Inc | 9781585426102 | English | Los Angeles, United States Japan furious about new book: “Princess Masako – Prisoner of the Chrysanthemum Throne” The more notable of the two: Wikipedia - site that can be edited by anyone and is often found to have no factual base or actual references in some of Princess Masako: Prisoner of the Chrysanthemum Throne entries. Thanks for telling us about the problem. Readers also enjoyed. Princess Masako: Prisoner of the Chrysanthemum Throne. The author said she has no money of her own, yet she goes to expensive restaurants, go shopping in Ginza.? So how the Princess Masako's story is an inherently interesting one. Her Highness paid a call on President Michael D. God, who would be a royal? Namespaces Article Talk. Surprisingly how the kingdoms in Europe are more open to the flow of modernity meanwhile Japan Kingdom unable to accept the change from the outside. I lived in Japan during the years she was refusing him, and I remember both the anxiety over his refusal to marry anyone else and the euphoria when his younger brother married a pretty young woman, though that marriage increased the pressure on the heir to marry. Probably not an in-depth study of how the Imperial Household Agency works but still a rather intriguing and scary account of its role in mismanaging the peculiar Masako case. The Empire still tied to the past. In fact I can only think of one such book, this one. -
Introduction to the Taiheiki: the Chronicle of Great Peace
Volume 14 | Issue 14 | Number 2 | Article ID 4904 | Jul 15, 2016 The Asia-Pacific Journal | Japan Focus Introduction to the Taiheiki: The Chronicle of Great Peace Joan Piggott Helen McCullough translated and published the well known courtier Tōin Kinsada (1340-99) first twelve chapters of the medieval military names the monk Kojima as one author, while chronicle Taiheiki, The Chronicle of Great Imagawa’s Criticisms of the Taiheiki mentions Peace, in 1979. In the late 1980s and early two other monks, Echin and Gen’e, as 1990s, Kyoko Selden and I, then colleagues on compilers. Gen’e was an intimate of Ashikaga the faculty of Cornell University, beganTakauji’s younger brother and lieutenant meeting weekly to read, discuss, and translate Tadayoshi (1306-52), as well as a prominent a broad range of Japanese historical texts, scholar of China’s Sung dynasty (960-1279). including sections of theTaiheiki through Since both Echin and Gen’e died in the 1350s, Chapter 19 (out of forty). Our short-term they would have been early contributors to the objective was to develop materials for an manuscript.2 As for the issue of how the early interdisciplinary seminar that would introduce story was written, historian Satō Kazuhiko more of the Taiheiki to English readers. In this thinks that, at least for battle narratives, the special issue, two selections from theauthors used records made by Ji-sect monks, Taiheiki—the dramatic and tragic death of Go- who followed armies of the day and tended to Daigo’s cast-off son Prince Moriyoshi (alt. funerary rites on the battlefield.