DOCSLIB.ORG

<全文>Japan Review : No.34

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
<全文>Japan Review : No.34 <全文>Japan review : No.34 journal or Japan review : Journal of the International publication title Research Center for Japanese Studies volume 34 year 2019-12 URL http://id.nii.ac.jp/1368/00007405/ 2019 PRINT EDITION: ISSN 0915-0986 ONLINE EDITION: ISSN 2434-3129 34 NUMBER 34 2019 JAPAN REVIEWJAPAN japan review J OURNAL OF CONTENTS THE I NTERNATIONAL Gerald GROEMER A Retiree’s Chat (Shin’ya meidan): The Recollections of the.\ǀND3RHW+H]XWVX7ǀVDNX R. Keller KIMBROUGH Pushing Filial Piety: The Twenty-Four Filial ExemplarsDQGDQ2VDND3XEOLVKHU¶V³%HQH¿FLDO%RRNVIRU:RPHQ´ R. Keller KIMBROUGH Translation: The Twenty-Four Filial Exemplars R 0,85$7DNDVKL ESEARCH 7KH)LOLDO3LHW\0RXQWDLQ.DQQR+DFKLUǀDQG7KH7KUHH7HDFKLQJV Ruselle MEADE Juvenile Science and the Japanese Nation: 6KǀQHQ¶HQDQGWKH&XOWLYDWLRQRI6FLHQWL¿F6XEMHFWV C ,66(<ǀNR ENTER 5HYLVLWLQJ7VXGD6ǀNLFKLLQ3RVWZDU-DSDQ³0LVXQGHUVWDQGLQJV´DQGWKH+LVWRULFDO)DFWVRIWKH.LNL 0DWWKHZ/$5.,1* 'HDWKDQGWKH3URVSHFWVRI8QL¿FDWLRQNihonga’s3RVWZDU5DSSURFKHPHQWVZLWK<ǀJD FOR &KXQ:D&+$1 J )UDFWXULQJ5HDOLWLHV6WDJLQJ%XGGKLVW$UWLQ'RPRQ.HQ¶V3KRWRERRN0XUǀML(1954) APANESE %22.5(9,(:6 COVER IMAGE: S *RVRNXLVKLNLVKLNL]X御即位式々図. TUDIES (In *RVRNXLGDLMǀVDLWDLWHQ]XDQ7DLVKǀQREX御即位大甞祭大典図案 大正之部, E\6KLPRPXUD7DPDKLUR 下村玉廣. 8QVǀGǀ © 2019 by the International Research Center for Japanese Studies. Please note that the contents of Japan Review may not be used or reproduced without the written permis- sion of the Editor, except for short quotations in scholarly publications in which quoted material is duly attributed to the author(s) and Japan Review. Japan Review Number 34, December 2019 Published by the International Research Center for Japanese Studies 3-2 Goryo Oeyama-cho, Nishikyo-ku, Kyoto 610-1192, Japan Tel. 075-335-2210 Fax 075-335-2043 Print edition: ISSN 0915-0986 Online edition: ISSN 2434-3129 japan review Journal of the International Research Center for Japanese Studies Number 34 2019 About the Journal Japan Review is a refereed journal published annually by the International Research Center for Japanese Studies since 1990. Japan Review solicits outstanding manuscripts relating to Japan. It also publishes shorter research notes and review articles, as well as annotated translations of important texts. The Editor is interested in receiving proposals for special issues. Submission to Japan Review is open to all those engaged in the study of the Japanese past and present. Manuscripts under consideration for publication are refereed anonymously by scholars whose opinions are solicited by the Editor. Nichibunken, in accordance with the “Operating Guidelines,” digitalizes the full text of articles, book reviews and other items published in Japan Review. All Japan Review content—manuscripts and book reviews—is accessible online via the journal’s website (https://nichibun.repo.nii.ac.jp/?action=repository _opensearch&index_id=165), and on JSTOR (https://www.jstor.org/). Editor John Breen International Research Center for Japanese Studies Editorial Board Ushimura Kei International Research Center for Japanese Studies Hosokawa Shūhei International Research Center for Japanese Studies Kusunoki Ayako International Research Center for Japanese Studies Shiraishi Eri International Research Center for Japanese Studies International Advisory Board Alexander Bennett Kansai University, Japan Torquil Duthie University of California, Los Angeles, U.S.A. Karen Gerhart University of Pittsburgh, U.S.A. Harald Fuess University of Heidelberg, Germany Suk Jung Han Dong-A University, Republic of Korea Barbara Hartley University of Tasmania, Australia Rotem Kowner University of Haifa, Israel Hans Martin KrÄmer University of Heidelberg, Germany Louella Matsunaga Oxford Brookes University, U.K. Elisabetta Porcu University of Cape Town, South Africa Gaye Rowley Waseda University, Japan Matthew Stavros University of Sydney, Australia Jan Sýkora Charles University, Czech Republic Sarah Thal University of Wisconsin-Madison, U.S.A. Xiao-Jie Yang University of Calgary, Canada JAPAN REVIEW Journal of the International Research Center for Japanese Studies Number 34 2019 CONTENTS 5 Gerald GROEMER A Retiree’s Chat (Shin’ya meidan): The Recollections of the Kyōka Poet Hezutsu Tōsaku 43 R. Keller KIMBROUGH Pushing Filial Piety: The Twenty-Four Filial Exemplars and an Osaka Publisher’s “Beneficial Books for Women” 69 R. Keller KIMBROUGH Translation: The Twenty-Four Filial Exemplars 95 MIURA Takashi The Filial Piety Mountain: Kanno Hachirō and The Three Teachings 113 Ruselle MEADE Juvenile Science and the Japanese Nation: Shōnen’en and the Cultivation of Scientific Subjects 139 ISSE Yōko Revisiting Tsuda Sōkichi in Postwar Japan: “Misunderstandings” and the Historical Facts of the Kiki 161 Matthew LARKING Death and the Prospects of Unification: Nihonga’s Postwar Rapprochements with Yōga 191 Chun Wa CHAN Fracturing Realities: Staging Buddhist Art in Domon Ken’s Photobook Murōji (1954) 209 BOOK REVIEWS Japan’s Postwar Military and Civil Society: Contesting a Better Life, by Tomoyuki Sasaki Reviewed by Guy ALMOG Clans and Religion in Ancient Japan: The Mythology of Mt. Miwa, by Masanobu Suzuki Reviewed by Anna ANDREEVA Mediated by Gifts: Politics and Society in Japan, 1350–1850, edited by Martha Chaiklin Reviewed by Karen M. GERHART The History of Japanese Psychology: Global Perspectives, 1875–1950, by Brian J. McVeigh Reviewed by Helena JASKOV The Uses of Literature in Modern Japan: Histories and Cultures of the Book, by Sari Kawana Reviewed by Andrew T. KAMEI-DYCHE The End of Japanese Cinema: Industrial Genres, National Times, and Media Ecologies, by Alexander Zahlten Reviewed by Lauri KITSNIK Land, Power, and the Sacred: The Estate System in Medieval Japan, edited by Janet R. Goodwin and Joan R. Piggott Reviewed by Jason MORGAN Unbinding The Pillow Book: The Many Lives of a Japanese Classic, by Gergana Ivanova Reviewed by Gouranga Charan PRADHAN An Anthropology of the Machine: Tokyo’s Commuter Train Network, by Michael Fisch Reviewed by Anthony ROBINS Portraits of Edo and Early Modern Japan: The Shogun’s Capital inZuihitsu Writings, 1657–1855, translated and edited by Gerald Groemer Reviewed by Timon SCREECH The Rise and Fall of Modern Japanese Literature, by John Whittier Treat Reviewed by Roy STARRS Japanese Gardens and Landscapes, 1650–1950, by Wybe Kuitert Reviewed by Christian TAGSOLD 243 CONTRIBUTORS Japan Review 34 (2019): 5–42 A Retiree’s Chat (Shin’ya meidan): The Recollections of the Kyōka Poet Hezutsu Tōsaku Gerald GROEMER In the late 1780s, the renowned kyōka poet Hezutsu Tōsaku (1726–1789) looked back at his life and set about notating some of his memorable experiences and the characteristics of his age. The result was a presumably unfinished zuihitsu entitled Shin’ya meidan (A Retiree’s Chat). In this piece Tōsaku presents sixteen anecdotes and opinions regarding, among other things, famous writers, poets, thinkers, and artists of the past, renowned kabuki actors, connoisseurs and courtesans in Yoshiwara, rural poets and authors, personal friends, astute monks, conditions in Ezo (Hokkaido), and the benefits of city life. This wealth of subjects supplies not just a rare glimpse into the biography of a late-eighteenth century comic poet but also an unusually personal account of cultural life in Edo. Keywords: Hezutsu Tōsaku, kyōka, Edo, kabuki, Yoshiwara, Ise, Ezo (Hokkaido) Introduction A Retiree’s Chat (Shin’ya meidan 莘野茗談) was written by Hezutsu Tōsaku 平秩東作 (given name: Tatematsu Kaneyuki 立松懐之, 1726–1789; see figure 1), a celebrated Edo man of letters best known for his kyōka 狂歌, humorous, parodic, or “wild” verse cast in a thirty- one-syllable tanka form.1 The term shin’ya (Ch. shenye) in the title refers to the field that Yi Yin 伊尹, a “wise minister” at the start of the Shang dynasty (c. 1600–1050 BC), cultivated after retiring; meidan signifies casual talk over tea.2 The compound thus signifies chat arising from a relaxed, productive retirement. In fact, Tōsaku had become a lay monk in An’ei 安永 8 (1779), and A Retiree’s Chat appears to have been written in installments up to roughly a year preceding his death. A Retiree’s Chat constitutes an example of a zuihitsu 随筆, a genre of fragmentary prose cultivated in both China and Japan, and flourishing with particular vigor during the Edo 1 For English-language discussions and translations of kyōka, see Carter 1991, pp. 413–16 (two of Tōsaku’s verses are translated on pp. 413–14); Shirane 2002, pp. 528–32 (two of Tōsaku’s verses are translated on p. 531); Tanaka 2006; Gill 2009 (two of Tōsaku’s verses are translated on pp. 165, 192). The four ideographs “Hezutsu Tōsaku” are taken from the Chinese classic Shujing 書経 (Book of documents), "Yao dian" (Canon of Yao). Legge translates them “to adjust and arrange the labours of the spring” (Legge 1879, p. 33). 2 See Legge 1895, p. 362; Mengzi (Wang Zhang I), section 7. 5 Gerald GROEMER Figure 1. Hezutsu Tōsaku, with his monkish shaven pate, glasses dangling from the ear, and a kitten in his lapel. From Azumaburi kyōka bunko 吾妻曲狂歌文庫, illustrated by Kitao Masanobu 北尾政演 (Santō Kyōden 山東京伝), Tenmei 天明 6 (1786). period. In most zuihitsu the sections or paragraphs stand in no direct or obvious relation to one another, even if chronological or thematic organization may at times be detected. Tōsaku’s piece, too, consists of sixteen short, largely independent segments offering observations, recollections, insights, and judgments regarding a variety of subjects.3 These fragments, some of which are highly autobiographical in nature, are apparently presented in
Load more

Recommended publications
  • REVOLUTION GOES EAST Studies of the Weatherhead East Asian Institute, Columbia University
    REVOLUTION GOES EAST Studies of the Weatherhead East Asian Institute, Columbia University The Studies of the Weatherhead East Asian Institute of Columbia University were inaugu rated in 1962 to bring to a wider public the results of significant new research on modern and contemporary East Asia. REVOLUTION GOES EAST Imperial Japan and Soviet Communism Tatiana Linkhoeva CORNELL UNIVERSITY PRESS ITHACA AND LONDON This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of New York University. Learn more at the TOME website, which can be found at the following web address: openmono graphs.org. The text of this book is licensed under a Creative Commons Attribution-Non Commercial-NoDerivatives 4.0 International: https://creativecommons.org/ licenses/by-nc-nd/4.0. To use this book, or parts of this book, in any way not covered by the license, please contact Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress. cornell.edu. Copyright © 2020 by Cornell University First published 2020 by Cornell University Press Library of Congress Cataloging-in-Publication Data Names: Linkhoeva, Tatiana, 1979– author. Title: Revolution goes east : imperial Japan and Soviet communism / Tatiana Linkhoeva. Description: Ithaca [New York] : Cornell University Press, 2020. | Series: Studies of the Weatherhead East Asian Institute, Columbia University | Includes bibliographical references and index. Identifiers: LCCN 2019020874 (print) | LCCN 2019980700 (ebook) | ISBN 9781501748080 (pbk) | ISBN 9781501748097 (epub) | ISBN 9781501748103 (pdf) Subjects: LCSH: Communism—Japan—History—20th century.
    [Show full text]
  • Elementi Bonaventura Ruperti Storia Del Teatro Giapponese Dalle Origini All’Ottocento Dalle Origini All’Ottocento
    elementi Bonaventura Ruperti Storia del teatro giapponese dalle origini all’Ottocento Dalle origini all’Ottocento frontespizio provvisorio Marsilio Indice 9 Introduzione 9 Alternanza di aperture e chiusure 11 Continuità e discontinuità 12 Teatro e spettacolo in Giappone 16 Scrittura e scena 17 Trasmissione delle arti 22 Dal rito allo spettacolo 22 Miti, rito e spettacolo 25 Kagura: musica e danza divertimento degli dei 29 Riti e festività della coltura del riso: tamai, taasobi, dengaku 34 Dal continente all’arcipelago, dai culti locali alla corte imperiale 34 Forme di musica e spettacolo di ascendenza continentale. L’ingresso del buddhismo: gigaku 36 La liturgia buddhista: shōmyō 39 Il repertorio 40 L’universo delle musiche e danze di corte: gagaku 43 Il repertorio 43 Bugaku in copertina 45 Kangen Sakamaki/Tsukioka Kōgyo (1869-1927), 46 Canti e danze Sahoyama, 1901 48 Gli strumenti 49 I dodici suoni e le dodici tonalità 50 Il grande territorio dello spettacolo e lo sviluppo del teatro di rappresentazione: sangaku e sarugaku 53 Jushi 53 Okina © 2015 by Marsilio Editori® s.p.a. in Venezia 54 Ennen 55 Furyuˉ Prima edizione mese 2015 ISBN 978-88-317-xxxx-xx 57 Il nō 57 Definizione e genesi www.marsilioeditori.it 58 Origini e sviluppo storico 61 I trattati di Zeami Realizzazione editoriale Studio Polo 1116, Venezia 61 La poetica del fiore 5 Indice Indice 63 L’estetica della grazia 128 Classicità e attualità - Kaganojō e Tosanojō 65 La prospettiva di un attore 129 Il repertorio 68 Il dopo Zeami: Zenchiku 130 Il palcoscenico 69 L’epoca Tokugawa 131 L’avvento di Takemoto Gidayū - I teatri Takemoto e Toyotake 71 Hachijoˉ Kadensho 131 Un maestro della scrittura: Chikamatsu Monzaemon 71 Palcoscenico e artisti 133 L’opera di Chikamatsu Monzaemon 72 Testo drammatico e struttura 133 I drammi di ambientazione storica (jidaimono) 73 Dialogo rivelatore 134 I drammi di attualità (sewamono): adulteri e suicidi d’amore 75 Tipologie di drammi 136 Ki no Kaion e il teatro Toyotake 82 Il senso del ricreare 136 Testo drammatico e struttura 84 Musica 139 Dopo Chikamatsu.
    [Show full text]
  • Full Download
    VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン＝ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS
    [Show full text]
  • Westernization in Japan: America’S Arrival
    International Journal of Management and Applied Science, ISSN: 2394-7926 Volume-3, Issue-8, Aug.-2017 http://iraj.in WESTERNIZATION IN JAPAN: AMERICA’S ARRIVAL TANRIO SOPHIA VIRGINIA English Literature Department BINUS UNIVERSITY Indonesia E-mail: [email protected] Abstract- As America arrived with westernization during late Edo period also known as Bakumatsu period, Japan unwelcomed it. The arrival of America in Japan had initiated the ‘wind of change’ to new era towards Japan culture albeit its contribution to Japan proffers other values at all cost. The study aims to emphasize the importance of history in globalization era by learning Japan's process in accepting western culture. By learning historical occurrences, cultural conflicts can be avoided or minimized in global setting. The importance of awareness has accentuated an understanding of forbearance in cultural diversity perspectives and the significance of diplomatic relation for peace. Systematic literature review is applied as the method to analyze the advent of America, forming of treaty, Sakoku Policy, Diplomatic relationship, and Jesuit- Franciscans conflict. The treaty formed between Japan and America served as the bridge for Japan to enter westernization. Keywords- Westernization, Japan, America, Sakoku Policy, Jesuit-Franciscans Conflict, Treaty, Culture, Edo Period. I. INTRODUCTION Analysing from the advent of America leads to Japan’s Sakoku Policy which took roots from a Bakumatsu period or also known as Edo period, dispute caused by westerners when Japan was an specifically in the year of 1854 in Capital of Kyoto, open country. This paper provides educational values Japan, was when the conflict between Pro-Shogunate from historical occurrences.
    [Show full text]
  • Sino-Japanese Interactions Through Rare Books
    Timelines and Maps Sino-Japanese Interactions Through Rare Books English Version © Keio University Timelines and Maps East Asian History at a Glance Books are part of the flow of history. But it is not only about Japanese history. Many books travel over the sea time to time for several reasons and a lot of knowledge and information comes and go with books. In this course, you’ll see books published in Japan as well as ones come from China and Korea. Let’s take a look at the history in East Asia. You do not have to remember the names of the historical period but please refer to this page for reference. Japanese History Overview This is a list of the main periods in Japanese history. This may be a useful reference as we proceed in the course. Period Name of Era Name of Era - mid-3rd c. CE Yayoi 弥生 mid-3rd c. CE - 7th c. CE Kofun (Tomb period) 古墳 592 - 710 Asuka 飛鳥 710-794 Nara 奈良 794 - 1185 Heian 平安 1185 - 1333 Kamakura 鎌倉 Nanboku-chō 1333 - 1392 (Southern and Northern Courts period) 南北朝 1392 - 1573 Muromachi 室町 1573 - 1603 Azuchi-Momoyama 安土桃山 1603 - 1868 Edo 江戸 1868 - 1912 Meiji 明治 Era names (Nengō) in Edo Period There were several era names (nengo, or gengo) in Edo period (1603 ~ 1868) and they are sometimes used in the description of the old books and materials, especially Week 2 and Week 4. Here is the list of the era names in Edo period for your convenience; 1 SINO-JAPANESE INTERACTIONS THROUGH RARE BOOKS KEIO UNIVERSITY © Keio University Timelines and Maps Start Era name English Start Era name English 1596 慶長 Keichō 1744 延享 Enkyō
    [Show full text]
  • The Opening of Japan
    i i i i West Bohemian Historical Review VI j 2016 j 1 The Opening of Japan Eliška Lebedová∗ Since the first half of the 17th century Japan closed itself against the influence of the outside world. Only the Dutch traders could under strict restrictions enter the port of Nagasaki. This policy of so-called sakoku (isolation) was one of the cornerstones of the Tokugawa bakufu. However, since the turn of the 18th and 19th century the ships of the western pow- ers started to gain interest in the seas around Japan. The ruling Tokugawa regime was nevertheless anxious of the internal consequences of the opening of the country and turned away any effort of western Great Powers to open Japan to foreign trade. This policy was not however backed by military ability to repulse the foreigners if they came and tried to open Japan by force. The arrival of powerful fleet of Commodore Perry in 1853 therefore compelled the bakufu to sign a first treaty opening its ports to western country. Treaties with other countries followed soon and at the end of the 50s Japan had to sign a series of unequal treaties under the pressure of the Great Powers. This was a start of a whole new period of Japanese history. [Japan; Great Britain; United States; Russia; France; diplomacy; international relations; trade] Japan1 had always been an isolated and insular country due to its remote location. Foreign relations were limited to its relatively close neighbours in Asia. Trade agreements concluded in the 15th century with Korea and China led to the brisk exchange of goods, which was, however, accompa- nied by increased activities of Japanese pirates (wako¯) and Chinese smug- glers on the Chinese-Korean coast.2 Traders also sailed from Japan to Vietnam, Thailand and the Philippines.
    [Show full text]
  • Guts and Tears Kinpira Jōruri and Its Textual Transformations
    Guts and Tears Kinpira Jōruri and Its Textual Transformations Janice Shizue Kanemitsu In seventeenth-century Japan, dramatic narratives were being performed under drastically new circumstances. Instead of itinerant performers giving performances at religious venues in accordance with a ritual calendar, professionals staged plays at commercial, secular, and physically fixed venues. Theaters contracted artists to perform monthly programs (that might run shorter or longer than a month, depending on a given program’s popularity and other factors) and operated on revenues earned by charging theatergoers admission fees. A theater’s survival thus hinged on staging hit plays that would draw audiences. And if a particular cast of characters was found to please crowds, producing plays that placed the same characters in a variety of situations was one means of ensuring a full house. Kinpira jōruri 金平浄瑠璃 enjoyed tremendous though short-lived popularity as a form of puppet theater during the mid-1600s. Though its storylines lack the nuanced sophistication of later theatrical narra- tives, Kinpira jōruri offers a vivid illustration of how theater interacted with publishing in Japan during the early Tokugawa 徳川 period. This essay begins with an overview of Kinpira jōruri’s historical background, and then discusses the textualization of puppet theater plays. Although Kinpira jōruri plays were first composed as highly masculinized period pieces revolving around political scandals, they gradually transformed to incorporate more sentimentalism and female protagonists. The final part of this chapter will therefore consider the fundamental characteristics of Kinpira jōruri as a whole, and explore the ways in which the circulation of Kinpira jōruri plays—as printed texts— encouraged a transregional hybridization of this theatrical genre.
    [Show full text]
  • Nihonbashi: Edo's Contested Center Marcia Yonemoto
    , East Asian History NUMBERS 17/18· JUNE/DECEMBER 1999 Institute of Advanced Studies Australian National University 1 Editor Geremie R. Barme Assistant Editor Helen Lo Editorial Board Mark Elvin (Convenor) John Clark Andrew Fraser Helen Hardacre Colin Jeffcott W. ]. F. Jenner Lo Hui-min Gavan McCormack David Marr Tessa Morris-Suzuki Michael Underdown Design and Production Helen Lo Business Manager Marion Weeks Printed by Goanna Print, Fyshwick, ACT This double issue of East Asian History, 17/18, was printed in FebrualY 2000. Contributions to The Editor, East Asian History Division of Pacific and Asian History Research School of Pacific and Asian Studies Australian National University Canberra ACT 0200, Australia Phone +61 26249 3140 Fax +61 26249 5525 email [email protected] Subscription Enquiries to Subscriptions, East Asian History, at the above address Annual Subscription Australia A$45 Overseas US$45 (for two issues) iii CONTENTS 1 Whose Strange Stories? P'u Sung-ling (1640-1715), Herbert Giles (1845- 1935), and the Liao-chai chih-yi John Minford and To ng Man 49 Nihonbashi: Edo's Contested Center Marcia Yonemoto 71 Was Toregene Qatun Ogodei's "Sixth Empress"? 1. de Rachewiltz 77 Photography and Portraiture in Nineteenth-Century China Regine Thiriez 103 Sapajou Richard Rigby 131 Overcoming Risk: a Chinese Mining Company during the Nanjing Decade Ti m Wright 169 Garden and Museum: Shadows of Memory at Peking University Vera Schwarcz iv Cover calligraphy Yan Zhenqing M.c�J�n, Tang calligrapher and statesman Cover illustration Talisman-"Passport for wandering souls on the way to Hades," from Henri Dore, Researches into Chinese superstitions (Shanghai: T'usewei Printing Press, 1914-38) NIHONBASHI: EDO'S CONTESTED CENTER � Marcia Yonemoto As the Tokugawa 11&)II regime consolidated its military and political conquest Izushi [Pictorial sources from the Edo period] of Japan around the turn of the seventeenth century, it began the enormous (Tokyo: Chikuma Shobo, 1975), vol.4; project of remaking Edo rI p as its capital city.
    [Show full text]
  • Manusi Karate Manusi Karate "Classic"
    BUDO BEST Listă de preţuri 12 decembrie 2013 www.budobest.eu [email protected] Str. Valdemar Lascarescu nr.4, sector 5, Bucuresti, cod 052378 Telefon: 0744 500 680; 0722 268 420; 021.456.25.15; Fax: 021.456.28.16 Pentru preţuri "en gros": Sumă minimă 5.000 RON Preturile se pot modifica fara preaviz (în lipsa unui contract) Stocurile produselor se pot verifica pe www.eshop-budo.ro Nr. Produs Material Culoare Marime EAN Magazin En Gros Casti Casca Clasic Piele artificiala - A9 Casca Clasic Rosu XS 6423796000018 PU 126 lei 105.00 lei Piele artificiala - A1258 Casca Clasic Rosu S 6423796015661 PU 126 lei 105.00 lei Piele artificiala - A1259 Casca Clasic Rosu M 6423796015678 PU 126 lei 105.00 lei Piele artificiala - A1260 Casca Clasic Rosu L 6423796015685 PU 126 lei 105.00 lei Piele artificiala - A1261 Casca Clasic Rosu XL 6423796015692 PU 126 lei 105.00 lei Piele artificiala - A1262 Casca Clasic Rosu XXL 6423796015708 PU 126 lei 105.00 lei Piele artificiala - A1263 Casca Clasic Albastru XS 6423796015715 PU 126 lei 105.00 lei Piele artificiala - A1264 Casca Clasic Albastru S 6423796015722 PU 126 lei 105.00 lei Piele artificiala - A1265 Casca Clasic Albastru M 6423796015739 PU 126 lei 105.00 lei Piele artificiala - A1266 Casca Clasic Albastru L 6423796015746 PU 126 lei 105.00 lei Page 1 Piele artificiala - A1267 Casca Clasic Albastru XL 6423796015753 PU 126 lei 105.00 lei Piele artificiala - A1268 Casca Clasic Albastru XXL 6423796015760 PU 126 lei 105.00 lei Piele artificiala - A1269 Casca Clasic Negru XS 6423796015777 PU 126 lei 105.00 lei
    [Show full text]
  • A New Interpretation of the Bakufu's Refusal to Open the Ryukyus To
    Volume 16 | Issue 17 | Number 3 | Article ID 5196 | Sep 01, 2018 The Asia-Pacific Journal | Japan Focus A New Interpretation of the Bakufu’s Refusal to Open the Ryukyus to Commodore Perry Marco Tinello Abstract The Ryukyu Islands are a chain of Japanese islands that stretch southwest from Kyushu to In this article I seek to show that, while the Taiwan. The former Kingdom of Ryukyu was Ryukyu shobun refers to the process by which formally incorporated into the Japanese state the Meiji government annexed the Ryukyu as Okinawa Prefecture in 1879. Kingdom between 1872 and 1879, it can best be understood by investigating its antecedents in the Bakumatsu era and by viewing it in the wider context of East Asian and world history. I show that, following negotiations with Commodore Perry, the bakufu recognized the importance of claiming Japanese control over the Ryukyus. This study clarifies the changing nature of Japanese diplomacy regarding the Ryukyus from Bakumatsu in the late 1840s to early Meiji. Keywords Tokugawa bakufu, Bakumatsu, Ryukyu shobun, Commodore Perry, Japan From the end of the fourteenth century until the mid-sixteenth century, the Ryukyu kingdom was a center of trade relations between Japan, China, Korea, and other East Asian partners. According to his journal, when Commodore Matthew C. Perry demanded that the Ryukyu Islands be opened to his fleet in 1854, the Tokugawa shogunate replied that the Ryukyu Kingdom “is a very distant country, and the opening of its harbor cannot be discussed by us.”2 The few English-language studies3 of this encounter interpret this reply as evidence that 1 16 | 17 | 3 APJ | JF the bakufu was reluctant to become involved in and American sources relating to the discussions about the international status of negotiations between Perry and the bakufu in the Ryukyus; no further work has been done to 1854, I show that Abe did not draft his guide investigate the bakufu’s foreign policy toward immediately before, but rather after the Ryukyus between 1854 and the early Meiji negotiations were held at Uraga in 1854/2.
    [Show full text]
  • Japonisme in Britain - a Source of Inspiration: J
    Japonisme in Britain - A Source of Inspiration: J. McN. Whistler, Mortimer Menpes, George Henry, E.A. Hornel and nineteenth century Japan. Thesis Submitted for the Degree of Doctor of Philosophy in the Department of History of Art, University of Glasgow. By Ayako Ono vol. 1. © Ayako Ono 2001 ProQuest Number: 13818783 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818783 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 GLASGOW UNIVERSITY LIBRARY 122%'Cop7 I Abstract Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called Japonisme , and it spread widely throughout Western art. It is quite hard to make a clear definition of Japonisme because of the breadth of the phenomenon, but it could be generally agreed that it is an attempt to understand and adapt the essential qualities of Japanese art. This thesis explores Japanese influences on British Art and will focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933).
    [Show full text]
  • Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
    UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance.
    [Show full text]