Sino-Japanese Interactions Through Rare Books
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Antique Japanese Swords for Sale
! Antique Japanese Swords For Sale As of October 24, 2012 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho 17th Eisho (1520) ¥2,400,000 5 A ‘FUYUHIRO’ TACHI 71.6 NTHK Kanteisho Tenbun (1532~1555) ¥1,200,000 6 A TADAKUNI KATANA 65.3 NBTHK Hozon Jokyo (1684~1688) ¥1,150,000 7 A MORIIE KATANA 71.0 NBTHK Hozon Eisho (1504~1521) ¥1,050,000 HOLD A TAKAHIRA KATANA 69.7 Tokubetsu Kicho 5th Kanai (1628) 9 A NOBUHIDE KATANA 72.1 NTHK Kanteisho 2nd Bunkyu (1862) ¥2,500,000 10 A KIYOMITSU KATANA 67.6 NBTHK Hozon 2nd Eiroku (1559) ¥2,500,000 SOLD A KANEUJI KATANA 69.8 NTHK Kanteisho Kyoho (1716~1735) ¥2,000,000 12 A NAOTSUNA KATANA 61.8 NTHK Kanteisho Oei (1394~1427) ¥600,000 13 A YOSHIKUNI KATANA 69.0 Keian (1648~1651) -
No.720 (January Issue)
NBTHK SWORD JOURNAL ISSUE NUMBER 720 January, 2017 Meito Kansho Examination of Important Swords Juyo Bunkazai Important Art Object Type: Tachi Mei: Bitchu no kuni ju Yoshitsugu Shochu 3 nen 3 gatsu pi Owner: Fujishima shrine Length: 2 shaku 5 sun 1 bu 3 rin (76.15 cm) Sori: 8 bu 4 rin (2.55 cm) Motohaba: 9 bu 2 rin (2.8 cm) Sakihaba: 5 bu 9 rin (1.8 cm) Motokasane: 1 bu 7 rin (0.5 cm) Sakikasane: 1 bu 3 rin (0.4 cm) Kissaki length: 8 bu 6 rin (2.6 cm) Nakago length: 7 sun 4 bu 6 rin (22.6 cm) Nakago sori: 7 rin (0.2 cm) Commentary This is a narrow shinogi zukuri tachi with an ihorimune, and the widths at the moto and saki are different. It has a standard thickness, there is a large sori, and a short chu-kissaki. The jihada is a tight ko-itame and on the bottom half of the blade it is mixed with ohada. There are ji-nie, some small chikei, and at the koshimoto there is a pale mizukage. The entire jihada has fine stripe-like dan utsuri. The hamon is a wide suguha, and at the koshimoto, and around the monouchi the hamon is mixed with ko-notare and ko-gunome. There are ashi, ko-ashi, yo, and on the ura side’s bottom half there are some saka-ash. In the center of the blade, there is a medium width suguha with a tight nioiguchi. The entire hamon is a nioiguchi type with ko- nie. -
After Kiyozawa: a Study of Shin Buddhist Modernization, 1890-1956
After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 ABSTRACT After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 Copyright by Jeff Schroeder 2015 Abstract This dissertation examines the modern transformation of orthodoxy within the Ōtani denomination of Japanese Shin Buddhism. This history was set in motion by scholar-priest Kiyozawa Manshi (1863-1903), whose calls for free inquiry, introspection, and attainment of awakening in the present life represented major challenges to the -
Treasures of Jodo Shinshu and the Hongwanji II —The Preservation of Beauty and Teachings—
Special Exhibition Treasures of Jodo Shinshu and the Hongwanji II —The Preservation of Beauty and Teachings— March 4th to June 11th, 2017 at Ryukoku Museum List of Works Notes • The list numbers corespond to the exhibition labels. • Not all the works of this list will be exhibited at the same time because of the exhibition rotations. Chapter 1 Past Chief Priests of Hongwanji No. Title Artist or Author Materials Date Location and Owner [National Treasure] Inscription and Endorsed Muromachi period, 1 Colors on silk Hongwanji, Kyoto Portrait of Shinran (Anjō no Go'ei ) by Rennyo (1415-99) Bunmei 11 (1479) Momoyama period, 2 Portraits of Shinran (Hana no Go'ei ) Colors on silk Hongyō-ji, Shiga 16th-17th century Endorsed by Muromachi period, 3 Portraits of Shinran Colors on silk Konjōbō, Toyama Jitsunyo (1458-1525) Meiō 6 (1497) Endorsed by Muromachi period, 4 Portraits of Shinran Colors on silk Hōon-ji, Toyama Shōnyo (1516-54) 16th century Wood with Kamakura-Nambokuchō 5 Seated Image of Shinran pigments, Hongaku-ji, Fukui period, 14th century crystal Eyes Wood with toned Nambokuchō-Muromachi 6 Seated Image of Shinran repairs, Konkaikōmyō-ji, Kyoto period, 14th-15th century crystal Eyes Illustrated Biography of Shinran Nambokuchō period, 7 Colors on paper Kōraku-ji, Nagano (Hongwanji shōnin Shinran denne ) 14th century [Important Cultural Property] Inscription by Nambokuchō period, Jōsembō in Temma, 8 Illustrated Biography of Shinran Colors on paper Zonkaku (1290-1373) 14th century Osaka (Hongwanji shōnin Shinran denne ) by Tokuriki Zensetsu, -
Guts and Tears Kinpira Jōruri and Its Textual Transformations
Guts and Tears Kinpira Jōruri and Its Textual Transformations Janice Shizue Kanemitsu In seventeenth-century Japan, dramatic narratives were being performed under drastically new circumstances. Instead of itinerant performers giving performances at religious venues in accordance with a ritual calendar, professionals staged plays at commercial, secular, and physically fixed venues. Theaters contracted artists to perform monthly programs (that might run shorter or longer than a month, depending on a given program’s popularity and other factors) and operated on revenues earned by charging theatergoers admission fees. A theater’s survival thus hinged on staging hit plays that would draw audiences. And if a particular cast of characters was found to please crowds, producing plays that placed the same characters in a variety of situations was one means of ensuring a full house. Kinpira jōruri 金平浄瑠璃 enjoyed tremendous though short-lived popularity as a form of puppet theater during the mid-1600s. Though its storylines lack the nuanced sophistication of later theatrical narra- tives, Kinpira jōruri offers a vivid illustration of how theater interacted with publishing in Japan during the early Tokugawa 徳川 period. This essay begins with an overview of Kinpira jōruri’s historical background, and then discusses the textualization of puppet theater plays. Although Kinpira jōruri plays were first composed as highly masculinized period pieces revolving around political scandals, they gradually transformed to incorporate more sentimentalism and female protagonists. The final part of this chapter will therefore consider the fundamental characteristics of Kinpira jōruri as a whole, and explore the ways in which the circulation of Kinpira jōruri plays—as printed texts— encouraged a transregional hybridization of this theatrical genre. -
Some Observations on the Weddings of Tokugawa Shogun╎s
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics. -
Research Trends in Japan on the Japanese Invasion of Korea in 1592(Imjin War) 1
International Journal of Korean History (Vol.18 No.2, Aug. 2013) 31 Research Trends in Japan on the Japanese Invasion of Korea in 1592(Imjin War) 1 Nakano Hitoshi* Foreword The Japanese invasion of Korea in the late 16th Century is also called the Chosŏn (Joseon) Campaign or the Bunroku Keicho Offensive in Japan or the Imjin (Jp., Jinshin) War. In Japan, studies of the event have been actively conducted since the Edo period. There is a large amount of aca- demic research also in the early modern period. A historic review of the Bunroku Keicho Offensive that I wrote in regard of Japan in the early modern period appeared in the Report of the Second Round of the Korea- Japan Commission for the Joint Study of History, Subcommittee-2 (2010). Here, I intend to focus on recent research trends in Japan. Therefore, please refer to that previous article for discussions carried on in the period preceding Shōwa. In the main text, I intend to outline the research trends up to the 1970s, which relates to what I am asked to do, and then review the state of research in the 1980s and thereafter. Part of this will overlap with the contents of the previous article. I will deal with the task in units of a decade, and include explanation where necessary. * Kyushu University Faculty of Social and Cultural Studies 32 Research Trends in Japan on the Japanese Invasion of Korea in 1592(Imjin War) Research Trend up to the 1970s In the post-World War II period, a new view was adopted concerning the flow of the post-war study of history, inheriting the demonstrative research of the pre-war period. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Boku in Edo Epistolary Texts
Boku in Edo Epistolary Texts KATSUE AKIBA REYNOLDS The change from the feudal period to the modern via the Meiji Restoration was certainly one of the most turbulent and complex in the history of Japan and many details of the change remain unexplained. In the process of such a fundamental social change, language inevitably plays a crucial role in forming and accommodating new meanings and new ideologies. This essay is about boku, a first person pronoun or self-reference form for males. It ar.peared rather abruptly in Japanese around the time of the MeiJi Restoration and it lias quickly become one of the major male first person pronouns. Although it is apparently of a Chinese origin, its history as a Japanese word is not necessarily clear. How and why did it come into being in Japanese at the time when it did? I have examined some texts from the Edo period in an attempt to bring to light the early history of boku in Japanese. Bringing various linguistic, sociological and historical facts together, it becomes possible to see the way boku entered Japanese. Spread of the use of boku began in personal letters exchanged among a close circle of samurai scholars-forerunners of modern intellectuals. Self in Feudal Society That Japanese has several variants of self-reference is well known. Where an English speaker uses 'I' regardless of his/her social status, class, age, gender, etc., for example, a Japanese speaker would have to choose an appropriate form from a set of first person pronouns including watakushi, watashi, boku, and ore. -
Nihonbashi: Edo's Contested Center Marcia Yonemoto
, East Asian History NUMBERS 17/18· JUNE/DECEMBER 1999 Institute of Advanced Studies Australian National University 1 Editor Geremie R. Barme Assistant Editor Helen Lo Editorial Board Mark Elvin (Convenor) John Clark Andrew Fraser Helen Hardacre Colin Jeffcott W. ]. F. Jenner Lo Hui-min Gavan McCormack David Marr Tessa Morris-Suzuki Michael Underdown Design and Production Helen Lo Business Manager Marion Weeks Printed by Goanna Print, Fyshwick, ACT This double issue of East Asian History, 17/18, was printed in FebrualY 2000. Contributions to The Editor, East Asian History Division of Pacific and Asian History Research School of Pacific and Asian Studies Australian National University Canberra ACT 0200, Australia Phone +61 26249 3140 Fax +61 26249 5525 email [email protected] Subscription Enquiries to Subscriptions, East Asian History, at the above address Annual Subscription Australia A$45 Overseas US$45 (for two issues) iii CONTENTS 1 Whose Strange Stories? P'u Sung-ling (1640-1715), Herbert Giles (1845- 1935), and the Liao-chai chih-yi John Minford and To ng Man 49 Nihonbashi: Edo's Contested Center Marcia Yonemoto 71 Was Toregene Qatun Ogodei's "Sixth Empress"? 1. de Rachewiltz 77 Photography and Portraiture in Nineteenth-Century China Regine Thiriez 103 Sapajou Richard Rigby 131 Overcoming Risk: a Chinese Mining Company during the Nanjing Decade Ti m Wright 169 Garden and Museum: Shadows of Memory at Peking University Vera Schwarcz iv Cover calligraphy Yan Zhenqing M.c�J�n, Tang calligrapher and statesman Cover illustration Talisman-"Passport for wandering souls on the way to Hades," from Henri Dore, Researches into Chinese superstitions (Shanghai: T'usewei Printing Press, 1914-38) NIHONBASHI: EDO'S CONTESTED CENTER � Marcia Yonemoto As the Tokugawa 11&)II regime consolidated its military and political conquest Izushi [Pictorial sources from the Edo period] of Japan around the turn of the seventeenth century, it began the enormous (Tokyo: Chikuma Shobo, 1975), vol.4; project of remaking Edo rI p as its capital city. -
Title the NEW ECONOMIC POLICY in the CLOSING DAYS of the TOKUGAWA SHOGUNATE Author(S) Honjo, Eijiro Citation Kyoto University Ec
CORE Metadata, citation and similar papers at core.ac.uk Provided by Kyoto University Research Information Repository THE NEW ECONOMIC POLICY IN THE CLOSING DAYS Title OF THE TOKUGAWA SHOGUNATE Author(s) Honjo, Eijiro Citation Kyoto University Economic Review (1929), 4(2): 52-75 Issue Date 1929-12 URL http://hdl.handle.net/2433/125185 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University 1 Kyoto University Economic Review MEMOIRS OF THE DEPARTMENT OF ECONOMICS IN THE IMPERIAL. UNIVERSITY OF KYOTO VOLUME IV 1929 PUBUSIIED bY THE DEPARTMENT OF ECONOMICS IN 'fHR IMPERIAL UNIVERSITY OF KYOTO THE NEW ECONOMIC POLICY IN THE CLOSING DAYS OF THE TOKUGAW A SHOGUNATE The period of about 260 years following the Keicho and Genna eras (1596-1623) is called either the Tokugawa period or the age of the feudal system based on the centralisation of power; but, needless to say, the situation in this period, as in other periods, was subject to a variety of changes. Especially in and after the middle part of the Tokugawa Shogunate, commerce and industry witnessed considerable development, currency was widely circulated and the chanin class, or commercial interests, gained much influence in consequence of the growth of urban districts. This led to the development of the currency economy in addition to the land economy already existing, a new economic power thus coming into being besides the agrarian economic power. Owing to this remarkable economic change, it became im· possible for the samurai class to maintain their livelihood, and for the farming class to support the samurai class as under the old economic system, with the result that these classes had to bow to the new economic power and look to the chiinin for financial help. -
Global Regents Review Packet 16-B
GLOBAL REGENTS REVIEW PACKET NUMBER 16-B - PAGE 1 of 24 THIS IS GLOBAL REGENTS REVIEW PACKET NUMBER 16-B THE TOPICS OF STUDY IN THIS PACKET ARE: • JAPAN’S TOKUGAWA SHOGUNATE • THE MEIJI RESTORATION • JAPANESE IMPERIALISM GLOBAL REGENTS REVIEW PACKET NUMBER 16-B - PAGE 2 of 24 JAPAN’S TOKUGAWA SHOGUNATE The Tokugawa shogunate created a FEUDAL government in Japan; FEUDALISM provided SOCIAL STABILITY; Know the social structure of feudal Japan: (Emperor>Shogun>Daimyo>Samurai>Peasants & Artisans>Merchants); Samurai = WARRIORS, they followed the CODE OF BUSHIDO; The Tokugawa shoguns ISOLATED JAPAN; geographic isolation often leads to the strengthening of traditional culture; Japanese isolation ended when Commodore Matthew Perry forced Japan to open up trade with the West. • The Tokugawa shoguns gained control of Japan in the 1600s. Tokugawa = the name of the family that ruled Japan from 1603 – 1868 shogun = the leader of Japanʼs military—this job was hereditary (it was inherited) The term shogunate refers to the Japanese government during the era it was ruled by Tokugawa shoguns. • The Tokugawa shogunate created a FEUDAL government in Japan. Feudalism is a system in which land is exchanged for military service and loyalty. FEUDALISM can be described as a DECENTRALIZED POLITICAL SYSTEM that also provides SOCIAL STABILITY (or social structure). For this reason, feudalism is sometimes referred to as a both a political system and a social system. The Global Regents Exam often compares Japanese (Tokugawa) feudalism to Medieval European feudalism. In both Japan and Europe, emperors and kings were to weak to prevent invasions or stop internal disputes. Feudalism provided a way for rulers to preserve law and order (see Regents Review Packet #5 for more on European feudalism).