Heike Legacies

Total Page:16

File Type:pdf, Size:1020Kb

Heike Legacies Mikael Adolphson, Anne Commons, eds.. Lovable Losers: The Heike in Action and Memory. Honolulu: University of Hawaii Press, 2015. 284 pp. $55.00, cloth, ISBN 978-0-8248-4675-6. Reviewed by Naama Eisenstein Published on H-Buddhism (January, 2016) Commissioned by Erez Joskovich (Department of Philosophy Ben-Gurion University of the Negev) The close relationship of religion and politics and had the power to give new life to fgures al‐ in medieval Japan is well known and studied. In most forgotten by history. this new publication several scholars examine the Lovable Losers is the result of a four-year calculated combination of religious politics and process, beginning with an international confer‐ faith in Taira no Kiyomori’s (1118-81) rise to pow‐ ence in 2011 focusing on the Heike family and er. Due to its interdisciplinary nature, this book their cultural legacy. The discussions from that may not seem relevant to scholars of Japanese conference echo in the book even for those who, Buddhism at frst, but it is precisely that nature like me, were not lucky enough to participate in it. that exposes just how deeply embedded was Bud‐ The common ground of the chapters is laid out in dhism in premodern Japan. Kiyomori has been a well-written introduction, which surveys the immortalized as a temperamental and selfish chapters and clarifies the intentions and aims of tyrant, but from Lovable Losers he emerges a the writers, unifying twelve different papers into sharp leader, who understood well the religious, one coherent book. The book has two parts: the political, and social workings of his time, as well first focuses on the Heike and their activities dur‐ as how to use and adapt them. Patronage of reli‐ ing their prime in the late twelfth century; the gious centers and ceremonies was not only a key second part follows the image and memoraliza‐ point in Kiyomori and his kin’s strategies, but also tion of the Heike from the aftermath of the Genpei in the actions of their enemies in the aftermath of War to modern times. As the editors point out, the the Taira demise at the Genpei War (1180-85). differentiation is not quite clear in the years fol‐ Many of these religious acts were an expression of lowing the Genpei War because much of the the amalgamation of Buddhism and the local memorialization activity of the fallen Heike was kami worship, highlighting their unity. But reli‐ done by surviving kin. I did not always under‐ gion was not only a tool in the hands of the elites, stand the choice of chapter order within these H-Net Reviews parts, but this does not reduce the reading experi‐ Adolphson, Charlotte von Verchuer, and Heather ence. I do not keep to the order of the chapters in Blair. Adolphson (chapter 2) is very straightfor‐ this survey; rather I follow the chapters’ points of ward in reminding us that fgures who failed may intersection. still have had strong impact on historical develop‐ One of the declared aims of the book is to ment. His focus is Kiyomori’s attempt to move the question the image we have of the Heike, which capital to Fukuhara, near present-day Kobe. While greatly depends on the thirteenth-century Heike scholars often ask why Kiyomori wanted to leave Monogatari (平家物語), and to contextualize the Kyoto, Adolphson asks why he chose Fukuhara. changes to their image over time. In this I think it One of the answers is Fukuhara’s favored location succeeds greatly. One of the key fgures in this ap‐ for trade with the continent. This trade included a proach is renowned Japanese medievalist Taka‐ dramatic rise in imported copper coins, which hashi Masaaki, whose frst publication in English were mostly melted and reforged as Buddhist arti‐ is in this book (chapter 7). His focus is the dispari‐ facts for the numerous rituals Kiyomori spon‐ ty between representations of Heike characters in sored during his rise to power. However, these the Heike Monogatari and their true actions, as coins had a crucial part in the later development understood from contemporary Heian period doc‐ of monetary trade in Japan, a later impact of Kiy‐ uments. His discussion is a reminder that the im‐ omori’s actions. Kiyomori’s trade with the conti‐ portance of Heike Monogatari as a classical liter‐ nent is von Verchuer’s main focus (chapter 3). She ary work does not suggest transparency of the shows that in clear contrast to the ffteenth and text; on the contrary, the writers had agendas and sixteenth centuries, the main aim of the trade used literary tactics to retell history as they saw with China in Kiyomori’s time was cultural and fit. The chapter does not add much to Takahashi’s political prestige. Exotic items were not sold; they former works, but is an important introduction of were treasured and displayed in banquets or pre‐ his prevalent scholarship to English readers. sented as gifts or donations. It is interesting to see that Kiyomori’s gifts to and sponsorship of tem‐ The literary legacy of the Heike is discussed in ples extended to China as well as Japan. The fact Anne Commons’s fascinating survey of the Heike that many of Kiyomori’s actions were modeled af‐ poetic circle (chapter 5), which bloomed in the ter Fujiwara no Michinaga (966-1127) indicates capital during the 1170s and early 1180s. The ac‐ that this was the accepted, even expected, course tivities of the circle--mainly Taira no Tsunemori of action to gain courtly prestige and power. (1124-85), Tadanori (1144-84), and Tsunemasa (ca. 1147-84)--were part of the Heike’s broader search Adolphson’s and von Verchuer’s discussion of for cultural prestige and political power. Howev‐ Fukuhara’s importance is complemented by er, they were also part of greater changes in the Heather Blair’s examination of the vital part ritu‐ position, function, and style of waka (和歌), and al played Kiyomori’s rise to power (chapter 4). She their poems demonstrate some of the characteris‐ proposes that Kiyomori was not a proto-Kamaku‐ tics of later medieval poetry. Thus Commons ra ruler, as is often suggested, but a clear case of a shows that the Heike understood the rules of their Heian-style ruler, adapting political tactics initiat‐ time but also dared to break them, and that these ed by previous examples as the Fujiwara and re‐ breaks became their--often underestimated--lega‐ tired emperors. In this she continues the reposi‐ cy. tioning of the Heike as innovators working within their contemporary context. To analyze Kiy‐ The neglect of studies of the Heike legacy is a omori’s ritual activities Blair uses her model of rit‐ repeated point in the book, seen most clearly in ual regime that focuses on a triangular structure the discussions of Taira no Kiyomori by Mikael of “signature sites, rites and text” (p. 59).[1] In Kiy‐ 2 H-Net Reviews omori’s case the triangular points were Fukuhara scriptions of Kiyomori’s devotion. Returning to and Itsukushima as sites, the grand Thirty Lotus Kiyomori’s words in his vow, Dix traces the repre‐ Readings as rite, and the Lotus Sutra as text, sentations of Kiyomori’s miraculous dream in set‐ demonstrated in the lavish copy known as the suwa (説話) and Heike Monogatari variants. These Heike nōkyō (平家納経). Kiyomori further stories explain Kiyomori’s remarkable success in strengthened his position by gaining imperial ap‐ religious terms, giving much of the credit to his proval, having retired emperor Go-Shirakawa devotional acts towards the Itsukushima deity, (1127-92, r. 1155-58), and later Emperor Takakura like the dedication of the Heike nōkyō. (1161-81, r. 1168-80), pilgrimage to Itsukushima Lori Meeks and Naoko Gunji examine the top‐ and participate in rituals he initiated in both It‐ ic of spirit pacification. Gunji (chapter 9) focuses sukushima and Fukuhara. Blair uses the ritual on one temple, Amidaji near Dannoura, and posi‐ regime model to demonstrate how well calculated tions it in a wider frame of spirit-pacification ac‐ were Kiyomori’s innovations within the conven‐ tivity, while Meeks (chapter 8) takes a private per‐ tions of political power displays in his time. spective, focusing on the fgure of Kenreimon’in Monika Dix’s discussion of the Heike nōkyō (ca. 1155-23), daughter of Kiyomori and mother of (chapter 6) reminds us that the fact that it had the child-emperor Antoku (1178-85, r.1180-85). very clear political aims does not mean that the Gunji shows how seemingly separate activities-- Heike did not believe it had a religious function. including rituals in Amidaji, the erection of Yō‐ On the contrary, it was the very combination of fukuji, and the composition of the Heike Mono‐ political and cultural capital with personal devo‐ gatari--all return to the same group of leading po‐ tion that made this act of dedication so valuable. litical and religious fgure. These include enemies Dix gives a fascinating discussion of sutra-copying of the Heike, such as Go-Shirakawa and Minamoto history in Japan and situates the Heike nōkyō no Yoritomo (1147-99), as well as Heike descen‐ within it. The nōkyō includes a dedication vow by dents such as Chūkai (1162-1227). The similar tim‐ Kiyomori, which Dix parallels with its contempo‐ ings and commissioners of these activities suggest rary understanding of sutra-copying practices. a wider project of spirit pacification, aimed to She demonstrates that the extravagance of the protect the state not only from Antoku and his Heike nōkyō was not only a political show of pow‐ kin, but from vengeful spirits in general.
Recommended publications
  • Some Reflections on Japanese Religion and Its Relationship to the Imperial System
    Japanese Journal of Religious Studies 1990 17/2-3 Some Reflections on Japanese Religion and Its Relationship to the Imperial System Joseph M. Kitagawa Autobiographical vs. Biographical Perspectives and Inner vs. Outer Meanings It is an irony of history and also probably a riddle beyond our normal comprehension and logic that a nation like Japan, which boasts rather sophisticated learning, technology and “enlightened civilization,” opted in the modern period (more particularly between 1868 and 1945) to legitimize its national identity and spiritual and physical well-being by means of a mythology-ridden imperial system. On the other hand, we must acknowledge the plain fact that Japan’s configuration of religion, national identity,and imperial system is no more puzzling or bizarre than other examples like the Dalai Lama of Tibet, believed to be the reincarnation of Avalokite^vara, or the allegedly “infallible” Roman papacy. All of these cases demonstrate the intimate relationships that exist between our “autobiographical” and “biographical” understandings and affirmations of experience, and between the “inner” and “outer” meanings of given historical phenomena. Thus, more often than not, the insider “autobiographically” affirms the self-authenticating “inner meaning” of his or her community or tradition. Indeed, to quote G. van der Leeuw on the meaning of “community” to the insider: 130 Japanese Journal of Religious Studies 11/2-3 [It] is something not manufactured, but given; it depends not upon sentiment or feeling, but on the Unconscious. It need be founded upon no conviction, since it is self-evident; [people] do not become members of it, but “belong to it” (1964, p.
    [Show full text]
  • Local Legends of the Genpei War: Reflections of Mediaeval Japanese History
    Local Legends of the Genpei War: Reflections of Mediaeval Japanese History By B a r b a r a L. A r n n Historians have characterized the twelfth century in Japan as a period of significant change, marked by political and military disturb­ ances, shrinkage of the landholdings and economic base of the ruling aristocracy, the emergence of new styles and genres in art and literature, and, symbolic of all the other changes and conflicts of the period, the Genpei War of 1180-1185, a civil war between adherents of two warrior families. The winning side, the Minamoto, established itself as the de facto political authority in the country and consolidated landholdings and civil power at the expense of the upper aristocracy, while the losing side, the Taira, were effectively destroyed as an independent political force. The Genpei War provided the subject matter for much of mediae­ val history and literature, which offer innumerable accounts of the lives of the nobles, priests, warriors and ladies who figured in the conflict. Mediaeval written sources are consistent in ignoring the commoners who were contemporary with these same warriors and nobles, but the commoners themselves could hardly be untouched by such momentous events, and they had their own versions to recount. An extensive body of local legends about the Genpei War arose in rural areas throughout Japan. These legends have persisted, or continued to be invented, into the present century, and they provide interesting evidence for the exist­ ence of a large audience with interests different from those expressed in written historical and fictional works treating the same period and the same characters.
    [Show full text]
  • ©Copyright 2012 Sachi Schmidt-Hori
    1 ©Copyright 2012 Sachi Schmidt-Hori 2 Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Paul S. Atkins, Chair Davinder L. Bhowmik Tani E. Barlow Kyoko Tokuno Program Authorized to Offer Degree: Department of Asian Languages and Literature 3 University of Washington Abstract Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori Chair of the Supervisory Committee: Associate Professor Paul S. Atkins Asian Languages and Literature This study is an attempt to elucidate the complex interrelationship between gender, sexuality, desire, and power by examining how premodern Japanese texts represent the gender-based ideals of women and men at the peak and margins of the social hierarchy. To do so, it will survey a wide range of premodern texts and contrast the literary depictions of two female groups (imperial priestesses and courtesans), two male groups (elite warriors and outlaws), and two groups of Buddhist priests (elite and “corrupt” monks). In my view, each of the pairs signifies hyperfemininities, hypermasculinities, and hypersexualities of elite and outcast classes, respectively. The ultimate goal of 4 this study is to contribute to the current body of research in classical Japanese literature by offering new readings of some of the well-known texts featuring the above-mentioned six groups. My interpretations of the previously studied texts will be based on an argument that, in a cultural/literary context wherein defiance merges with sexual attractiveness and/or sexual freedom, one’s outcast status transforms into a source of significant power.
    [Show full text]
  • Understanding Samurai Disloyalty
    New Voices Volume 2 To link to this article: http://dx.doi.org/10.21159/nv.02.05 Understanding Samurai Disloyalty Joshua Archer The University of Sydney Abstract Prevailing notions of samurai loyalty remain largely unopposed by Western scholarly literature. This should not be so. Minor efforts in recent scholarship have plainly shown that the stereotypical notion of samurai loyalty is fallacious. However, despite these assertions the myth remains a powerful and popular misconception. Clearly a greater scholarly undertaking is required. Through an in-depth historical analysis of samurai disloyalty, a more realistic conception of samurai behaviour may be achieved. This article seeks to provide a foundation for further research, arguing that disloyalty was favoured among samurai to further their personal ambitions or interests. Disloyalty between medieval samurai was not always considered morally deplorable, nor was it considered divergent to ‘normal’ samurai behaviour. Moreover, it is erroneous to argue that the majority of samurai were ‘loyal,’ when in fact many were often being coerced or manipulated by those in power. Logic suggests that loyalty must be voluntary, thus the use of coercion undermines assertions of samurai loyalty. Further scholarship should not merely seek to establish the frequency of samurai disloyalty, nor should it condemn such occurrences. It must endeavour to understand how and why disloyalty occurred. Keywords Samurai, Loyalty, Betrayal, Bakufu, Zanshin (残 心) Introduction In 1914, Takagi Takeshi, a scholar in Japanese literature, compared ‘Western Chivalry’ to ‘Japanese Bushidō,’ summarising bushidō into twenty rather broad doctrines.1 He wrote that in Western Chivalry, bravery was the highest virtue. Takagi argued that 1 Takagi, A Comparison of Bushi-do and Chivalry, pp.
    [Show full text]
  • Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
    UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance.
    [Show full text]
  • Discourses on Religious Violence in Premodern Japan
    The Numata Conference on Buddhist Studies: Violence, Nonviolence, and Japanese Religions: Past, Present, and Future. University of Hawaii, March 2014. Discourses on Religious Violence in Premodern Japan Mickey Adolphson University of Alberta 2014 What is religious violence and why is it relevant to us? This may seem like an odd question, for 20–21, surely we can easily identify it, especially considering the events of 9/11 and other instances of violence in the name of religion over the past decade or so? Of course, it is relevant not just permission March because of acts done in the name of religion but also because many observers find violence noa, involving religious followers or justified by religious ideologies especially disturbing. But such a ā author's M notion is based on an overall assumption that religions are, or should be, inherently peaceful and at the harmonious, and on the modern Western ideal of a separation of religion and politics. As one Future scholar opined, religious ideologies are particularly dangerous since they are “a powerful and Hawai‘i without resource to mobilize individuals and groups to do violence (whether physical or ideological of violence) against modern states and political ideologies.”1 But are such assumptions tenable? Is a quote Present, determination toward self-sacrifice, often exemplified by suicide bombers, a unique aspect of not violence motivated by religious doctrines? In order to understand the concept of “religious do Past, University violence,” we must ask ourselves what it is that sets it apart from other violence. In this essay, I the and at will discuss the notion of religious violence in the premodern Japanese setting by looking at a 2 paper Religions: number of incidents involving Buddhist temples.
    [Show full text]
  • Samurai Life in Medieval Japan
    http://www.colorado.edu/ptea-curriculum/imaging-japanese-history Handout M2 (Print Version) Page 1 of 8 Samurai Life in Medieval Japan The Heian period (794-1185) was followed by 700 years of warrior governments—the Kamakura, Muromachi, and Tokugawa. The civil government at the imperial court continued, but the real rulers of the country were the military daimy class. You will be using art as a primary source to learn about samurai and daimy life in medieval Japan (1185-1603). Kamakura Period (1185-1333) The Kamakura period was the beginning of warrior class rule. The imperial court still handled civil affairs, but with the defeat of the Taira family, the Minamoto under Yoritomo established its capital in the small eastern city of Kamakura. Yoritomo received the title shogun or “barbarian-quelling generalissimo.” Different clans competed with one another as in the Hgen Disturbance of 1156 and the Heiji Disturbance of 1159. The Heiji Monogatari Emaki is a hand scroll showing the armor and battle strategies of the early medieval period. The conflict at the Sanj Palace was between Fujiwara Nobuyori and Minamoto Yoshitomo. As you look at the scroll, notice what people are wearing, the different roles of samurai and foot soldiers, and the different weapons. What can you learn about what is involved in this disturbance? What can you learn about the samurai and the early medieval period from viewing this scroll? What information is helpful in developing an accurate view of samurai? What preparations would be necessary to fight these kinds of battles? (Think about the organization of people, equipment, and weapons; the use of bows, arrows, and horses; use of protective armor for some but not all; and the different ways of fighting.) During the Genpei Civil War of 1180-1185, Yoritomo fought against and defeated the Taira, beginning the Kamakura Period.
    [Show full text]
  • Understanding Japan: a Cultural History by Professor Mark J
    R E S O U R C E S T H E G R E A T C O U R S E S Understanding Japan: A Cultural History By Professor Mark J. Ravina Produced by The Great Courses (Chantilly, VA: The Teaching Company/Smithsonian, 2015) Twelve CDs with printed guidebook, six DVDs with printed guidebook, or download with digital guidebook Reviewed by Eric G. Dinmore While serving as President of the American Historical Association, William Cronon of the University of Wisconsin- Madison delivered one of the most inspiring addresses in years at that organization’s 2013 annual meeting in New Or - leans. Rather than promote an emerging subfield or present from his impressive original research, Professor Cronon used his time to focus on deep concerns he held about the diminished profile of professional historians in public life and the decline in public funding for history. To counter these trends, he urged his audience members to “come back from the cutting edge,” avoid “self-referential in - sider language,” and persuade the wider public of history’s importance and fascina - tions. Further, he reminded his fellow historians of the importance of good storytelling and passionate undergraduate teaching as keys “to keep asking what the past means and why ordinary people should care about it.” Professor Cronon called upon professional historians to join forces with other storytellers, including journal - ists and filmmakers, and to embrace the digital revolution as an opportunity to (re)connect their research with the concerns of outsiders. 1 Since well before Professor Cronon’s AHA presidential address, Mark Ravina of Emory University has worked hard to connect the uninitiated with the field of Japan - ese history.
    [Show full text]
  • Japanese Didactic Gunsho Commentaries in the Edo Period: a Study of the 17Th C
    WRITTEN MONUMENTS OF THE ORIENT. Vol. 6, No. 2 (12), 2020, p. 93–113 93 Alexey Lushchenko Japanese Didactic Gunsho Commentaries in the Edo Period: A Study of the 17th c. Commentary on the Heike Monogatari DOI 10.17816/wmo56802 Abstract: The Heike monogatari hyōban hidenshō is an anonymous 17th c. commentary on the medieval Heike monogatari. As a military studies text (gunsho) written for Edo-pe- riod warriors, the commentary differs substantially from the Heike monogatari in content and purpose. It consists of didactic essays that critically evaluate passages from the Heike monogatari and also includes fi ctional stories that expand and reinterpret the content of the Heike monogatari. The commentary’s content focuses on topics of governance, strategy, and ethics. In the 17th c., such gunsho commentaries functioned as educational texts with advice and admonition addressed to daimyo lords and warriors in general. As a didactic military studies text, the Heike monogatari hyōban hidenshō reveals a new facet of recep- tion of the Heike monogatari in the Edo period. Key words: Japan, Edo period, gunsho, didactic commentaries, gunki monogatari, Heike monogatari hyōban hidenshō, intellectual history, education Introduction The Tale of the Heike (Heike monogatari 平家物語, 13th c. CE), a well- known medieval Japanese “war tale” (gunki monogatari 軍記物語), narrates events of the late 12th c. with a focus on the Genpei 源平 confl ict (1180– 1185 CE) and the rise and fall of the Heike 平家 clan. For many centuries this major historical and literary text has infl uenced Japanese arts and culture. Studies of reception history of this text tend to examine visual arts, theatrical performances, and literary texts intended for entertainment.
    [Show full text]
  • Elizabeth Oyler
    Japanese Journal of Religious Studies 36/2: 295–317 © 2009 Nanzan Institute for Religion and Culture Elizabeth Oyler Tonsuring the Performer Image, Text, and Narrative in the Ballad-Drama Shizuka This essay explores the portrayal of the famous shirabyōshi dancer Shizuka in an illustrated, hand-copied book (nara ehon) dating from the late sixteenth cen- tury. The text for the nara ehon, taken from a somewhat earlier ballad-drama (kōwakamai), describes Shizuka’s capture by her lover’s brother and enemy, the shogun Minamoto Yoritomo. In the tale, Shizuka and her mother are taken from the capital to Kamakura, Yoritomo’s headquarters. Shizuka bravely refuses to reveal her lover’s whereabouts, spending her time in captivity defiantly dem- onstrating her formidable skills and erudition to Yoritomo and his retinue. By contrast, the illustrations of the text provide a counter-narrative stressing the loss and suffering that Shizuka endures during her time in Kamakura, ignor- ing some of the most famous parts of the narrative, including a defiant dance she performs at the Tsurugaoka Hachiman Shrine in front of Yoritomo and his men. I focus on the juxtaposition between text and image in this work, stressing the discontinuities between the two, especially in comparison with other, near- contemporary nara ehon versions whose illustrations more closely follow the text. I argue that the increasing enclosure and control of women during the late medieval period is reflected in the portrayals of Shizuka and her mother, whom we see only in captivity or on forced journeys that could end in death. keywords: shirabyōshi—nara ehon—Kamakura shogunate—Minamoto Yoritomo— Minamoto Yoshitsune—Shizuka Elizabeth Oyler is assistant professor in the Department of East Asian Languages and Cultures at the University of Illinois, Urbana-Champaign.
    [Show full text]
  • Visualising the Tales of Genji and Heike on the Folding Screen
    Swarthmore College Works Art & Art History Faculty Works Art & Art History 2009 Unfolding Narratives: Visualising The Tales Of Genji And Heike On The Folding Screen Tomoko Sakomura Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-art Part of the Asian Art and Architecture Commons Let us know how access to these works benefits ouy Recommended Citation Tomoko Sakomura. (2009). "Unfolding Narratives: Visualising The Tales Of Genji And Heike On The Folding Screen". The Golden Journey: Japanese Art From Australian Collections. 78-89. https://works.swarthmore.edu/fac-art/30 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Art & Art History Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Enfolding narratives: Visualising the tales of Genji AND HEIKE on the EOLDING SCREEN Ihe celebrated Japanese narratives, The tale of Genji (Genji monogatari) (p. 83) and The tales of Heike (Tleike monogatari) (pp. 76-7) are the subject of three folding screens {bydbu) in the collection of the Art Gallery of South Australia. The tale of Genji, authored around the turn of the eleventh century by Lady Murasaki Shikibu (died C.1014), is a courtly epic of fifty-four chapters which chronicles the life, loves and heirs of the protagonist Genji, an ideal courtier nicknamed the ‘Shining Lord’.^ The tales of Heike, with its best-known variant recorded in the mid-thirteenth century, is a warrior tale of twelve books, which centres around the tragic destruction of the Taira hy the Minamoto during the Genpei War (1180-85).
    [Show full text]
  • Creating Heresy: (Mis)Representation, Fabrication, and the Tachikawa-Ryū
    Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino Submitted in partial fulfillment of the Requirement for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Takuya Hino All rights reserved ABSTRACT Creating Heresy: (Mis)representation, Fabrication, and the Tachikawa-ryū Takuya Hino In this dissertation I provide a detailed analysis of the role played by the Tachikawa-ryū in the development of Japanese esoteric Buddhist doctrine during the medieval period (900-1200). In doing so, I seek to challenge currently held, inaccurate views of the role played by this tradition in the history of Japanese esoteric Buddhism and Japanese religion more generally. The Tachikawa-ryū, which has yet to receive sustained attention in English-language scholarship, began in the twelfth century and later came to be denounced as heretical by mainstream Buddhist institutions. The project will be divided into four sections: three of these will each focus on a different chronological stage in the development of the Tachikawa-ryū, while the introduction will address the portrayal of this tradition in twentieth-century scholarship. TABLE OF CONTENTS List of Abbreviations……………………………………………………………………………...ii Acknowledgements………………………………………………………………………………iii Dedication……………………………………………………………………………….………..vi Preface…………………………………………………………………………………………...vii Introduction………………………………………………………………………….…………….1 Chapter 1: Genealogy of a Divination Transmission……………………………………….……40 Chapter
    [Show full text]