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Bibliography Archives Oakland Museum of California – Deakin Clip File Tokyo Metropolitan Archives Newspapers The Argonaut Asahi Shinbun, 1888–1930 The Beacon Japan Weekly Mail Milwaukee Sentinel New York Times San Francisco Call Sheffield & Rotherham Independent Yomiuri Shinbun, 1888–1974 Pamphlets “A Most Valuable Collection of Japanese and Chinese Art Treasures” Philadelphia: Thomas Birch and Son, November, 1877. “An Extraordinary Collection of Japanese and Chinese High-Class Art” Philadelphia: Thomas Birch and Son, December 1877. “Catalog of an Important Collection of Japan and Chinese Porcelains, Bronzes, Enamels, Lacquers, Ivory DOI: 10.1057/9781137363336.0010 Bibliography Carvings, Sword, Sword Guards, Cabinet Specimens, Embroideries, Screens, et. Etc. Selected by Mr. H. Deakin of Messrs. Deakin brothers & co. Formerly of Yokohama Japan and San Francisco to be Sold by Auction without Reserve of Monday 28 November and Following days at the American Art Galleries. Thomas E. Kirby Auctioneer”, 1892. Ella Sterling Cummins, A Veritable Japanese Village (Boston?: privately printed, 1886). “Exhibition of Japanese Painting and Sculpture Sponsored by the Government of Japan”, 1953. Publications Alcock, Rutherford. Capital of the Tycoon. 2 Vols. New York: Harper & Brothers, 1963. Amagai Yoshinori, “The Kobu Bijutsu Gakko and the Beginning of Design Education in Modern Japan in Modern Japan” Design Issues Vol. 19, No. 2 (Spring 2003): 35–44. Amtlichter bericht uber Wienner Weltausstellung im Jahre 1873. Braunschweig: Reichscommission, 1874. Arnold, Edwin. Seas and Lands. New York: Longman, Green & Co. 1891. “Artistic Punch Bowl Set Valued at $40,000 on Exhibition in San Antonio, Texas, Jewelry Story” in The Jewelers Circular Vol. 81, No. 13 (27 October 1920). Bancroft, Herbert Howe. The Book of the Fair. Chicago and San Francisco: The Bancroft Co. 1893. Blanchard, H.P. A Visit to Japan in 1860. San Francisco: Privately Printed, 1878. Brandt, Kim. Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan. Durham, NC and London. Duke University Press, 2007. Brinkley, Frank. Artistic Japan at Chicago: A Description of Works of Art Sent to the World’s Fair. Yokohama: Japan Mail. n.d. ——. Japan: Its History Arts and Literature. Vol. 7. London: T.C. & E. C. Jack. 1904. Brooks, Van Wyck. Fenollosa and His Circle. New York: E.P. Dutton, 1962 Bushell, Raymond, ed. The Netsuke Handbook of Ueda Reikichi. Rutland, VT and Tokyo: Charles E. Tuttle, 1989. DOI: 10.1057/9781137363336.0010 Bibliography Carnegie, Andrew. Round the World. New York: Charles Scribner’s Sons, 1884. Chaiklin, Martha. “The Fine Art of Imperialism – Japanese Participation in World’s Fairs”, Japan Studies Review Vol. 12 (2008): 71–80. ——. “Up in the Hair – Strands of Meaning in Ornamental Hair Accessories in Early Modern Japan” In Asian Material Culture in Context, in Asian Material Culture edited by Marianne Hulsbosch Elizabeth Bedford, and Martha Chaiklin. University of Amsterdam, 2009. ——. “Ivory in World History – Early Modern Trade in Context” in History Compass, (8 June 2010): 530–542. ——. “Politicking Art”, East Asian History, No. 39. Checkland, Olive. Japan and Britain after 1859– Creating Cultural Bridges. London: RoutledgeCurzon, 2003. Chong, Alan, et al., eds. Journeys East: Isabella Stewart Gardner and Asia. Boston: Isabella Steward Gardner Museum, 2009. Clarke, Joseph I.C. Japan at First Hand. New York: Dodd, Mead and Company, 1918. Conant, Ellen P “Principles and Pragmatism: TheYatoi in the Field of Art”, in Edward R. Beauchamp and Akira Iriye, eds, Foreign Employees in Nineteenth-Century Japan, 137–170. Boulder, CO: Westview Press, 1990. ——, in collaboration with Steven D. Owyoung and J. Thomas Rimer. Nihonga: Transcending the Past. St. Louis: St. Louis Art Museum, 1995. —— e d . Challenging Past and Present – The Metamorphosis of Nineteenth Century Japanese Art. Honolulu: University of Hawai’i Press, 2006. Cortazzi, Hugh, ed. Kipling’s Japan. London: Athlone Press, 1988. Cram, Ralph Adams. Impressions of Japanese Architecture and the Allied Arts. New York: The Baker & Taylor Company, 1905. Curtis, Benjamin Robbins. Dottings Round the Circle. Boston: James Osgood & Company, 1876. Davidson, Augusta M. Campbell. Present-day Japan. London: J.B. Lippincott Company, 1904. Dillon, Frank. Exhibition of Japanese and Chinese Works of Art. London: The Burlington Fine Arts Club, 1878. Earle. Joe. Splendors of Imperial Japan: Arts of the Meiji Period from the Khalili Collection. London: Khalili Family Trust, 2002. Dennys, N.B. ed. The Treaty Ports of China and Japan. San Francisco: Chinese Materials Center, 1977. DOI: 10.1057/9781137363336.0010 Bibliography Dresser, Christopher. Japan: Its Architecture, Art and Art Manufactures. (London: Longman, Green and Co. 1882. East, Alfred. A British Artist in Meiji Japan. Sir Hugh Cortazzi, ed. Brighton: In Print, 1991. Fenollosa, Ernest. Epochs of Chinese and Japanese Art. 2 Vols. New York: Frederick Stokes Company, 1912. ——. “Chinese and Japanese Traits”. The Atlantic Monthly Vol. 69, No. 416 (1892): 769–775. ——. “Contemporary Japanese Art”. The Century: A Popular Quarterly. Vol. 46, No. 4 (1893): 577–582. ——. A Review of the Chapter on Painting in Gonse’s “L’Art Japonais”. Boston: James R. Osgood and Sons, 1885. ——. “Bijutsu shinsetsu” in Yoshino Sakuzō, ed. Meiji bunka zenshū Tokyo: Nihon hyakuronsha. 1928. 12:151–174. Ford, Worthington C. Letters of Henry Adams. Cambridge, MA: The Riverside Press, 1930. Fowler, Elizabeth. “The Rookwood Sage: Kitaro Shirayamadani, Japanism, art Nouveau and the Art Pottery Movement” Phd Dissertation University of Minnesota, 2005. Foxwell, Chelsea. “Crossing and Dislocations: Toshio Aoki (1854–1912), A Japanese Artist in California” Nineteenth-Century Art Worldwide Vol. 11, No. 3 (Autumn 2012). http://www.19thc-artworldwide.org/ index.php/autumn12/foxwell-toshio-aoki-a-japanese-artist-in- california Fujii, Jintarō, Outline of Japanese History in the Meiji Era. Tokyo: Obunsha, 1958, Fukui Yasutami. Nihon no zōge biijutsu-meiji no zōge chōkoku o chūshin ni [The Art of Japanese Ivory-Especially Meiji Ivory Sculpture]. Exhibition Catalogue. Tokyo: Shoto Museum of Art, 1996. General View of the Commerce and Industry in the Empire of Japan. Tokyo: Bureau of Commerce and Industry, Department of Agriculture, 1893, 1897, 1900. Gonse, Louis. Japanese Art. Translated by M. P. Nickerson. Chicago: Bedford Clark Co., 1891. Gower, Ronald. Notes of a Tour from Brindisi to Yokohama. London: Kegan, Paul Trench & Co., 1885. Greey, Edward. The Wonderful City of Tokio. Boston: Lee and Shepard, 1888. DOI: 10.1057/9781137363336.0010 Bibliography Griffis, William Elliot. “Japanese Ivory Carvings”Harpers Weekly Vol. 76, No. 455 (1 April 1888): 709–714. ——. The Mikado’s Empire.10th edn. New York: Harper & Brothers, 1903: 2 vols. ——. The Mikado: Institution and Person. Princeton: Princeton University Press, 1915. Guth, Christine. “Takamura Kōun and Katamura Kōtarō: On Being a Sculptor”, In Melinda Takeuchi, ed. The Artist as Professional in Japan, 152–179. Stanford: Stanford University Press, 2004. ——. Longfellow’s’ Tattoos: Tourism, Collecting and Japan. Seattle and London: University of Washington Press, 2004. Gyōkai hyakunen no ayumi. Tokyo: Tokyo zōge bijutsu kōgei kumai, 1986. Haga Yaichi, “Literature of the Meiji Era” in Okuma Shigenobu, ed. Fifty Years of New Japan. London: Smith Elder and Co. 1909: 2:421–442. Harada, Jiro. “Japanese Art and Artists of Today – V Wood and Ivory”, The International Studio Vol. 42, No. 168 (February 1911); 103–119. ——. “Studio Talk – Tokyo” The International Studio Vol. 47, No. 138 (October 1912): 328. ——. “Modern Tendencies in Japanese Sculpture” in The International Studio Vol. 59, No. 243 (14 June 1913): 13–20. Hardacre, Helen with Adam L. Kern, eds. New Directions in the Study of Meiji Japan. Leiden: Brill, 1997. Harris, Victor. 1994. Japanese Imperial Craftsmen– Meiji Art from the Khalili Collection London: Trustees of the British Museum. Hart, Ernest. “Japanese Art Industries” Journal of the Society of Arts Vol. 43, No. 2234 (Friday, 13 September 1895): 869–878. ——. “Japanese Art Work”. Journal of the Society of Arts Vol. 34, No. 1769 (15 October 1886), 1204–1215. Hartmann, Sadakichi. Japanese Art. Boston: L.C. Page & Company, 1904. Hattori, Yukimasa. The Foreign Commerce of Japan since the Restoration 1869–1900. Baltimore: The Johns Hopkins Press, 1904. Heco, Joseph, Narrative of a Japanese, James Murdoch, ed. Tokyo: Maruzen, 1895, 2 vols. History of Milwaukee, Wisconsin. Chicago: Western Historical Company, 1881. Holder, Charles. The Ivory King – A Popular History of the Elephant and Its Allies. New York: Charles Scribner’s Sons: 1886. DOI: 10.1057/9781137363336.0010 Bibliography Holme, Charles.The Diary of Charles Holme’s 1889 Visit to Japan and North America, Toni Huberman, et al., eds. Folkstone, Kent: Global Oriental, 2008. Huish, Marcus B. “The Evolution of a Netsuke” in Transactions and Proceedings of the Japan Society of London. Vol. 3, Part IV (1897), 2–16. Impey, Oliver and Malcolm Fairly. 1991. The Dragon King of the Sea. Oxford: Ashmolean Museum. Irokawa Daikichi, The Culture of the Meiji Period. Translated by Marius Jansen. Princeton: Princeton University Press, 1985. ——. “What Is Meiji?” in Helen Hardacre and Adam Kern, eds. New Directions in the Study of Meiji Japan. Leiden: Brill, 1997: 3–4. Ishikawa Yasujiro. Who’s Who in Japan, 5th edn. Tokyo: Keiseisha, 1916. The Japan Year Book. Tokyo: The Japan Yearbook Office. 1905–1922: 19 vols.
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    Title Vincenzo Ragusa, Artista Siciliano Tra Tokyo E Yokohama

    Vincenzo Ragusa, artista siciliano tra Tokyo e Yokohama Title (Sguardo sul mondo) Author(s) Niglio, Olimpia Citation Agorà (2013), 45: 46-50 Issue Date 2013-03 URL http://hdl.handle.net/2433/175385 Right Type Journal Article Textversion publisher Kyoto University ARTISTI Sguardo sul mondo Vincenzo Ragusa, artista siciliano tra Tokyo e Yokohama Dalla seconda metà del XIX secolo il Giappone, grazie all’ascesa al trono dell’imperatore Meiji e al suo lungimirante governo, ruppe il suo secolare isolamento aprendosi al mondo occidentale. In questa apertura ruolo importante ebbe l’arte, attraverso cui si riuscirono a conoscere e mediare gli stili di vita occidentali. Decisivo l’apporto degli artisti italiani emigrati nella terra del Sol Levante. di Olimpia Niglio 1. Annotazioni storiche attraverso le missioni religiose(1). da Meiji favorì l’apertura del Giappone a letteratura storica individua con Nel 1868 il giovane imperatore Meiji verso l’esterno da cui ne scaturirono L il termine Restaurazione Meiji (1852-1912), ossia “autorité éclairée”, importanti scambi economici e (1868-1912) un momento storico aveva solo 14 anni e nonostante si culturali. L’influenza occidentale di molto importante per il Giappone. pensasse che fosse facilmente nuovi stili sia nel campo dell’arte e Con il ritorno della famiglia imperiale manipolabile, soprattutto da parte delle dell’architettura ben presto si manifestò nel 1868 termina infatti il lungo forze militari, il suo regno invece è stato anche nello sviluppo delle arti locali. dominio, durato quasi tre secoli della il più importante nonché decisivo per «In realtà - come afferma Giorgio famiglia Tokugawa. Così i lunghi anni il futuro politico e culturale del Amitrano - […] alla fine dell’Ottocento di chiusura del paese sotto gli Shôgun, Giappone.
  • 目 次 INDICE 哲学・宗教 Filosofia

    目 次 INDICE 哲学・宗教 Filosofia

    目 次 INDICE 哲学・宗教 Filosofia - Religione ................................................................................... 1 政治 Politica ............................................................................................................... 11 経済・産業 Economia – Industria.............................................................................. 19 法律 Diritto ............................................................................................................... 26 社会 Scienze sociali .................................................................................................. 31 教育 Educazione ....................................................................................................... 39 民俗学 Folclore.......................................................................................................... 44 科学･技術 Scienze ..................................................................................................... 45 建築 Architettura ..................................................................................................... 50 工芸・デザイン Disegno industriale - Arti minori ...................................................... 57 美術 Arte ................................................................................................................... 59 写真 Fotografia ......................................................................................................... 78 音楽 Musica .............................................................................................................