Bibliography

Archives

Oakland Museum of California – Deakin Clip File Metropolitan Archives

Newspapers

The Argonaut Asahi Shinbun, 1888–1930 The Beacon Weekly Mail Milwaukee Sentinel New York Times San Francisco Call Sheffield & Rotherham Independent Yomiuri Shinbun, 1888–1974

Pamphlets

“A Most Valuable Collection of Japanese and Chinese Art Treasures” Philadelphia: Thomas Birch and Son, November, 1877. “An Extraordinary Collection of Japanese and Chinese High-Class Art” Philadelphia: Thomas Birch and Son, December 1877. “Catalog of an Important Collection of Japan and Chinese Porcelains, Bronzes, Enamels, Lacquers, Ivory

DOI: 10.1057/9781137363336.0010   Bibliography

Carvings, Sword, Sword Guards, Cabinet Specimens, Embroideries, Screens, et. Etc. Selected by Mr. H. Deakin of Messrs. Deakin brothers & co. Formerly of Yokohama Japan and San Francisco to be Sold by Auction without Reserve of Monday 28 November and Following days at the American Art Galleries. Thomas E. Kirby Auctioneer”, 1892. Ella Sterling Cummins, A Veritable Japanese Village (Boston?: privately printed, 1886). “Exhibition of Japanese Painting and Sponsored by the Government of Japan”, 1953.

Publications

Alcock, Rutherford. Capital of the Tycoon. 2 Vols. New York: Harper & Brothers, 1963. Amagai Yoshinori, “The Kobu Bijutsu Gakko and the Beginning of Design Education in Modern Japan in Modern Japan” Design Issues Vol. 19, No. 2 (Spring 2003): 35–44. Amtlichter bericht uber Wienner Weltausstellung im Jahre 1873. Braunschweig: Reichscommission, 1874. Arnold, Edwin. Seas and Lands. New York: Longman, Green & Co. 1891. “Artistic Punch Bowl Set Valued at $40,000 on Exhibition in San Antonio, Texas, Jewelry Story” in The Jewelers Circular Vol. 81, No. 13 (27 October 1920). Bancroft, Herbert Howe. The Book of the Fair. Chicago and San Francisco: The Bancroft Co. 1893. Blanchard, H.P. A Visit to Japan in 1860. San Francisco: Privately Printed, 1878. Brandt, Kim. Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan. Durham, NC and London. Duke University Press, 2007. Brinkley, Frank. Artistic Japan at Chicago: A Description of Works of Art Sent to the World’s Fair. Yokohama: Japan Mail. n.d. ——. Japan: Its History Arts and Literature. Vol. 7. London: T.C. & E. C. Jack. 1904. Brooks, Van Wyck. Fenollosa and His Circle. New York: E.P. Dutton, 1962 Bushell, Raymond, ed. The Netsuke Handbook of Ueda Reikichi. Rutland, VT and Tokyo: Charles E. Tuttle, 1989.

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Carnegie, Andrew. Round the World. New York: Charles Scribner’s Sons, 1884. Chaiklin, Martha. “The Fine Art of Imperialism – Japanese Participation in World’s Fairs”, Japan Studies Review Vol. 12 (2008): 71–80. ——. “Up in the Hair – Strands of Meaning in Ornamental Hair Accessories in Early Modern Japan” In Asian Material Culture in Context, in Asian Material Culture edited by Marianne Hulsbosch Elizabeth Bedford, and Martha Chaiklin. University of Amsterdam, 2009. ——. “Ivory in World History – Early Modern Trade in Context” in History Compass, (8 June 2010): 530–542. ——. “Politicking Art”, East Asian History, No. 39. Checkland, Olive. Japan and Britain after 1859– Creating Cultural Bridges. London: RoutledgeCurzon, 2003. Chong, Alan, et al., eds. Journeys East: Isabella Stewart Gardner and Asia. Boston: Isabella Steward Gardner Museum, 2009. Clarke, Joseph I.C. Japan at First Hand. New York: Dodd, Mead and Company, 1918. Conant, Ellen P “Principles and Pragmatism: TheYatoi in the Field of Art”, in Edward R. Beauchamp and Akira Iriye, eds, Foreign Employees in Nineteenth-Century Japan, 137–170. Boulder, CO: Westview Press, 1990. ——, in collaboration with Steven D. Owyoung and J. Thomas Rimer. Nihonga: Transcending the Past. St. Louis: St. Louis Art Museum, 1995. —— e d . Challenging Past and Present – The Metamorphosis of Nineteenth Century . Honolulu: University of Hawai’i Press, 2006. Cortazzi, Hugh, ed. Kipling’s Japan. London: Athlone Press, 1988. Cram, Ralph Adams. Impressions of and the Allied Arts. New York: The Baker & Taylor Company, 1905. Curtis, Benjamin Robbins. Dottings Round the Circle. Boston: James Osgood & Company, 1876. Davidson, Augusta M. Campbell. Present-day Japan. London: J.B. Lippincott Company, 1904. Dillon, Frank. Exhibition of Japanese and Chinese Works of Art. London: The Burlington Fine Arts Club, 1878. Earle. Joe. Splendors of Imperial Japan: Arts of the Period from the Khalili Collection. London: Khalili Family Trust, 2002. Dennys, N.B. ed. The Treaty Ports of China and Japan. San Francisco: Chinese Materials Center, 1977.

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Dresser, Christopher. Japan: Its Architecture, Art and Art Manufactures. (London: Longman, Green and Co. 1882. East, Alfred. A British Artist in Meiji Japan. Sir Hugh Cortazzi, ed. Brighton: In Print, 1991. Fenollosa, Ernest. Epochs of Chinese and Japanese Art. 2 Vols. New York: Frederick Stokes Company, 1912. ——. “Chinese and Japanese Traits”. The Atlantic Monthly Vol. 69, No. 416 (1892): 769–775. ——. “Contemporary Japanese Art”. The Century: A Popular Quarterly. Vol. 46, No. 4 (1893): 577–582. ——. A Review of the Chapter on Painting in Gonse’s “L’Art Japonais”. Boston: James R. Osgood and Sons, 1885. ——. “Bijutsu shinsetsu” in Yoshino Sakuzō, ed. Meiji bunka zenshū Tokyo: Nihon hyakuronsha. 1928. 12:151–174. Ford, Worthington C. Letters of Henry Adams. Cambridge, MA: The Riverside Press, 1930. Fowler, Elizabeth. “The Rookwood Sage: Kitaro Shirayamadani, Japanism, art Nouveau and the Art Pottery Movement” Phd Dissertation University of Minnesota, 2005. Foxwell, Chelsea. “Crossing and Dislocations: Toshio Aoki (1854–1912), A Japanese Artist in California” Nineteenth-Century Art Worldwide Vol. 11, No. 3 (Autumn 2012). http://www.19thc-artworldwide.org/ index.php/autumn12/foxwell-toshio-aoki-a-japanese-artist-in- california Fujii, Jintarō, Outline of Japanese History in the Meiji Era. Tokyo: Obunsha, 1958, Fukui Yasutami. Nihon no zōge biijutsu-meiji no zōge chōkoku o chūshin ni [The Art of Japanese Ivory-Especially Meiji Ivory Sculpture]. Exhibition Catalogue. Tokyo: Shoto Museum of Art, 1996. General View of the Commerce and Industry in the . Tokyo: Bureau of Commerce and Industry, Department of Agriculture, 1893, 1897, 1900. Gonse, Louis. Japanese Art. Translated by M. P. Nickerson. Chicago: Bedford Clark Co., 1891. Gower, Ronald. Notes of a Tour from Brindisi to Yokohama. London: Kegan, Paul Trench & Co., 1885. Greey, Edward. The Wonderful City of Tokio. Boston: Lee and Shepard, 1888.

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Griffis, William Elliot. “Japanese Ivory Carvings”Harpers Weekly Vol. 76, No. 455 (1 April 1888): 709–714. ——. The Mikado’s Empire.10th edn. New York: Harper & Brothers, 1903: 2 vols. ——. The Mikado: Institution and Person. Princeton: Princeton University Press, 1915. Guth, Christine. “Takamura Kōun and Katamura Kōtarō: On Being a Sculptor”, In Melinda Takeuchi, ed. The Artist as Professional in Japan, 152–179. Stanford: Stanford University Press, 2004. ——. Longfellow’s’ Tattoos: Tourism, Collecting and Japan. Seattle and London: University of Washington Press, 2004. Gyōkai hyakunen no ayumi. Tokyo: Tokyo zōge bijutsu kōgei kumai, 1986. Haga Yaichi, “Literature of the Meiji Era” in Okuma Shigenobu, ed. Fifty Years of New Japan. London: Smith Elder and Co. 1909: 2:421–442. Harada, Jiro. “Japanese Art and Artists of Today – V Wood and Ivory”, The International Studio Vol. 42, No. 168 (February 1911); 103–119. ——. “Studio Talk – Tokyo” The International Studio Vol. 47, No. 138 (October 1912): 328. ——. “Modern Tendencies in Japanese Sculpture” in The International Studio Vol. 59, No. 243 (14 June 1913): 13–20. Hardacre, Helen with Adam L. Kern, eds. New Directions in the Study of Meiji Japan. Leiden: Brill, 1997. Harris, Victor. 1994. Japanese Imperial Craftsmen– Meiji Art from the Khalili Collection London: Trustees of the British Museum. Hart, Ernest. “Japanese Art Industries” Journal of the Society of Arts Vol. 43, No. 2234 (Friday, 13 September 1895): 869–878. ——. “Japanese Art Work”. Journal of the Society of Arts Vol. 34, No. 1769 (15 October 1886), 1204–1215. Hartmann, Sadakichi. Japanese Art. Boston: L.C. Page & Company, 1904. Hattori, Yukimasa. The Foreign Commerce of Japan since the Restoration 1869–1900. Baltimore: The Johns Hopkins Press, 1904. Heco, Joseph, Narrative of a Japanese, James Murdoch, ed. Tokyo: Maruzen, 1895, 2 vols. History of Milwaukee, Wisconsin. Chicago: Western Historical Company, 1881. Holder, Charles. The Ivory King – A Popular History of the Elephant and Its Allies. New York: Charles Scribner’s Sons: 1886.

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Holme, Charles.The Diary of Charles Holme’s 1889 Visit to Japan and North America, Toni Huberman, et al., eds. Folkstone, Kent: Global Oriental, 2008. Huish, Marcus B. “The Evolution of a Netsuke” in Transactions and Proceedings of the Japan Society of London. Vol. 3, Part IV (1897), 2–16. Impey, Oliver and Malcolm Fairly. 1991. The Dragon King of the Sea. Oxford: Ashmolean Museum. Irokawa Daikichi, The Culture of the Meiji Period. Translated by Marius Jansen. Princeton: Princeton University Press, 1985. ——. “What Is Meiji?” in Helen Hardacre and Adam Kern, eds. New Directions in the Study of Meiji Japan. Leiden: Brill, 1997: 3–4. Ishikawa Yasujiro. Who’s Who in Japan, 5th edn. Tokyo: Keiseisha, 1916. The Japan Year Book. Tokyo: The Japan Yearbook Office. 1905–1922: 19 vols. Jarves, James Jackson. A Glimpse at the Art of Japan. New York: Hurd and Houghton, 1876. Johnston, William R. William and Henry Walters, the Reticent Collectors. Baltimore: Johns Hopkins University Press, 1999. Junkin, Paul S. A Cruise around the World: a Series of Letters. Creston, Iowa: Advertiser-Gazette, 1909. Kanda, James and William A. Gifford, eds. 1982. “The Kaneko Correspondence”, 41–76 Monumenta Nipponica Vol. 37, No. 1: 72–75. Kaneko Keimyo. “Nihon no zōgei chōkoku no genzai no mondai”. In 27th Nihon no zōgei chōkokuten, Exhibition Catalogue, 2004. Kellogg, Clara Louisa. Memoirs of an American Prima Donna. New York: G.P. Putnam’s Sons, 1913. Kikuchi, Yuko. Japan’s Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism. London: RoutledgeCurzon, 2004. Kinoshita Nagahiro, Okakura Tenshin. Tokyo: Minerva Shobo, 2005. Kipling, Rudyard. From Sea to Sea: Letters of Travel. New York: Doubleday 7 McClure, 1899. ——. Letters of Travel, 1892–1912. New York: Doubleday Page & Co., 1920. Koizumi Kazuko. “Shibayama zōgan”. In Fukui Yasutami Nihon no zōge biijutsu-meiji no zōge chōkoku o chushin ni. 204–209. Exhibition Catalogue. Tokyo: Shoto Museum of Art, 1996. Kumamoto Kenjiro. “Vincenzo Ragusa and his work”. Bijutsu Kenkyū n. 68 (1937).

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Kunz, George. Ivory and the Elephant, In Art, In Archeology, and in Science. Garden City: Doubleday, Page & Company, 1916. Kurtz, Charles M. 1893. Official Illustrations from the Art Gallery of the World’s Columbian Exposition. Philadelphia: George Barrie. Liberty, A.L. “The Industrial Arts of Japan” inArtistic Japan Vol. 5, No. 27 (1890): 61–65. Loring, John. Magnificent Tiffany Silver. New York: Harry N. Abrams, 2001. Lowell, Percival. The Soul of the Far East. Boston and New York: Houghton, Mifflin and Company, 1888. Mackellar, D.C., Scented Island and Coral Gardens. London: John Murray, 1912. MacKenzie, John M. Orientalism: History, Theory and the Arts. Manchester: University of Manchester Press, 1995. Marra, Michael. Modern Japanese Aesthetics – A Reader. Honolulu: University of Hawaii Press, 1999. Marshall, Bryan K. Capitalism and Nationalism in Prewar Japan: The Ideology of the Business Elite, 1868–1941. Standford: Stanford University Press, 1967. Masaki Naohiko, “The Fine Arts—Painting, Sculpture, etc”. in Shigenobu Okuma, ed. Fifty Years of New Japan, London: Smith, Elder & Co, 1909, 2: 323–357. ——. Kaikō shichijūnen. Tokyo: Gakkō bijutsu kyōkai shuppanbu, 1937. Masuda, Takashi. Japan: Its Commercial Development and Prospects. London: Sisley’s, 1908. Maus, L. Mervin. An Army Officer on Leave in Japan. Chicago: A.C. McClurg & Co., 1911. Menpes, Mortimer. Japan: A Record in Colour. London: Adam & Charles Black, 1901. Miyake Yujiro “Introduction of Western Philosophy” in Shigenobu Okuma, ed. Fifty Years of New Japan. London: Smith, Elder & Co., 1909, 2:226–241. Miyazaki Teruō “Shibayama zōgan kōgei seisaku kōtei [The Manufacturing Process of Shibayama Inlay]”. In Fukui Yasutami. Nihon no zōge biijutsu-meiji no zōge chōkoku o chushin ni, 221 Exhibition Catalogue. Tokyo: Shoto Museum of Art, 1996. Morita Tadayoshi, Yokohama seikō meiyō kagami. Yokohama: Yokohama Shinbunsha, 1910.

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Munsterburg, Hugo. The Folk Arts of Japan. Rutland Vermont & Tokyo: Charles E. Tuttle, 1958. Naito Masamune, ed. Tokyo chōkōkaishi. Tokyo: Privately Printed, 1927. Nihon zōge chōkokukai, ed. Tokyo: 17th Nihon no zōge chōkokuten Exhibition Catalogue, 1994. Notehelfer, F.G. “On Idealism and Realism in the Thought of Okakura Tenshin” Journal of Japanese Studies, Vol. 16, No. 2 (Summer 1990), 309–355. Official Catalogue of the Department of Fine Arts-Panama-Pacific International Exposition. San Francisco: The Wahlgreen Company, 1915. The Official Catalog of the Exhibits, Vol. 1. Melbourne: Mason, Firth & McCutcheon, 1880. Official Report of the Calcutta International Exhibition, 1884–1885. Calcutta: Bengal Secretariat Press, 1885. Okakura Kakuzō (Tenshin). “A Lecture to the Painting Appreciation Society” in Michel Marra, Modern Japanese Aesthetics – A Reader, 71–73. Honolulu: University of Hawaii Press, 1999. Originally published in Dai Nihon Bijutsu Shinpo, December 1887. ——. “Kokka (1889)”. Translated by Timothy Unverzagt Godddard. Review of Japanese Culture and Society (December 2012): 176–183. ——. “Notes on Contemporary Japanese Art” in Studio International Vol. 25, No. 109 (15 April 1902), 126–128. ——. Ideals of the East. London: John Murray, 1903. ——. The Awakening of Japan. New York: The Century Co., 1904. ——. The Heart of Heaven. Tokyo: Nippon Bijutsuin, 1922. Okuma Shigenobu. Fifty Years of New Japan. London: Smith, Elder and Co., 1909: 2 vols. Ono, Yejiro. The Industries of Japan. Baltimore: The American Economic Association, 1890. Patric, John. Why Japan was Strong: A Journey of Adventure. Garden City: Doubleday, 1943. Pratt, Edward K. Japan’s Protoindustrial Elite: The Economic Foundations of the Gono. Cambridge, MA: Harvard University Center, 1999. Prentiss, Delight Sweetser. One Way Round the World, 2nd edn. Indianapolis: Bowen-Merrill Company, 1899. Purtell, Joseph. The Tiffany Touch. New York: Random House, 1971. Put, Max, ed. Plunder and Pleasure. Leiden: Hotei Press, 2000.

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Shibusawa Eiichi, “General Survey of the Industrial Situation”, in Alfred Stead, ed. Japan by the Japanese. New York: Dodd Mead & Co, 1904: 391–407. Shiner, Larry. The Invention of Art: A Cultural History. Chicago: University of Chicago Press, 2003. ——. “ ‘Blurred Boundaries’? Rethinking the Concept of Craft and its Relation to Art and Design” Philosophy Compass Vol.7, No. 4 (2012). Shirato Hideji. Nomura Yōzō den. Yokohama: Privately Printed, 1963. Shukan Asahi, ed. 1988. Nedanshi nenpyō Tokyo: Asahi Shinbun. Sims, Richard. 1998. French Policy towards the Bakufu and Meiji Japan, 1854–95. Routledge: London. Sladen, Douglas. “Curio Shops and Curio Stalls in Japan” in Frank Leslie’s Popular Monthly Vol. 31, No. 6 (June 1891): 741–749. ——. “A Visit to the Tiffany’s of Japan” in Home-Maker No. 3 (December 1892): 172–177. —— . Queer Things about Japan. London: Anthony Treherne & Co. 1904. Stead, Alfred, ed. Japan by the Japanese. New York: Dodd Mead & Co, 1904. Stratton, Chester R. Picturesque Japan or Land of the Mikado. Philadelphia: National Publishing Company, 1910. Suematsu, Baron. “Art and Literature” in Alfred Stead, ed. Japan by the Japanese. New York: Dodd Mead & Co, 1904; 520–536. Sunamoto Seiichirō. 1987. Kaitei shinban Netsuke no miryoku [The Fascination of Netsuke, New and Revised] Tokyo: Kogei shuppan. Suzuki, Junichirō. “A Resume of the History of Japanese Industries” in Shigenobu Okuma and Marcus B. Huish, eds. Fifty Years of New Japan. New York: E.P. Dutton & Company, 533–549. Takamura Kotarō Takamura Kotarō. Edited by Kitagawa Tarōichi Tokyo: Nihon tosho senta, 1994. Takamura Kōun. ishin kaikodan Tokyo: Iwanami bunko, 1995. ——. Kibori shichijūnen [Seventy Years a Wood Carver] Tokyo: Nihon zusho senta, 2000. Tanaka Shūji. Kindai nihon saisho no chōkokuka [The First Sculptors of Modern Japan] Tokyo: Yoshikawa Kobunkan. 1994. ——. “Sculpture” in J. Thomas Rimer, ed. Since Meiji. Honolulu: University of Hawaii Press, 2012, 284–285. Tanizaki Junichiro, Seven Japanese Tales. Translated by Howard Hibbet. New York: Knopf, 1963.

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Tokyo kokuritsu bunkazaisho. Meijiki bankoku hakurankai bijutsuhin shuppin mokuroku [Index of Meiji Period Art Object Entries to Fairs and Expositions] Tokyo: Chuokoronsha, 1997. Tōkyō meikō kagami. Tokyo: Tokyo City Government. 1879. Trower, H. Seymour. “Netsukes and Okimonos. Artistic Japan” in Artistic Japan Vol. 5, No. 27 (1890): 347–353. ——. “Netsukes and Okimonos – Part II. Artistic Japan” in Artistic Japan Vol. 5, No. 27 (1890): 359–366. ——. “Netsuke: Their Makers, Use and Meaning”. Frank Leslies’s Popular Monthly, Vol. 45, No. 6 (June 1898), 1–10. Ueda, Reikichi. The Netsuke Handbook of Ueda Reikichi. Translated by Raymond Bushell. Rutland, VT and Tokyo: Tuttle, 1968. Urazaki Eiyo, ed. Nihon kindai bijutsu hattatsushi. Tokyo: Nihon kindai bijutsu hattatsushi kankokai, 1959. Uyeno, Naoteru. Japanese Arts & Crafts in the Meiji Era. Translated by Richard Lane. Tokyo: Pan-Pacific Press, 1958. Verne, Jules. Around the World in Eighty Days. Translated by George M. Towle. Boston: James R. Osgood and Company, 1883. von Schimdt auf Altenstadt, A. Van het Land van de Rijzende Zon. ‘s Gravenhage: W.P. van Stokum & Zoon, 1903. Walton, William. 1893. Art and Architecture, 3 vols. Philadelphia: G. Barrie. Wainwright, Samuel H. Beauty in Japan. New York: G.P. Putnam’s Sons, 1935. Watanabe, Toshio. High Victorian Japonisme. Bern: Peter Lang, 1991. Wertheimber, Louis. “Chats on Art and Artists in Japan” American Art Illustrated, Vol. 1, No. 1 (October 1886). 4–6. Weston, Victoria. Japanese Painting and National Identity. Ann Arbor, MI: Center for Japanese Studies, University of Michigan, 2004. Wittner, David G. Technology and the Culture of Progress in Meiji Japan. Routledge, 2008. Yamamori Yumiko. “A.A. Vantine and Company: Japanese Handcrafts for the American Consumer” PhD Dissertation Bard College, 2011. Yanagi, Soetsu. The Way of Tea. Honolulu: Hawaii Academy of Arts, 1953. ——. A Brief History of the Japan Folk Crafts Museum”, Juliet Winters Carpenter, trans. Mingei: Masterpieces of Japanese Folkcraft. Tokyo: Kodansha International, 1991. Yiengpruksewan, Mimi Hall. “Japanese Art History 2001: The State and Stakes of Research” The Art Bulletin Vol. 83, No.1 (Mar. 2001): pp: 105–122.

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DOI: 10.1057/9781137363336.0010 Index

Adams, Henry 24, 33, 82 authenticity 21–24, 32–33, Alcock, Rutherford 52 46n12, 53–54 antiquarianism 33–34, 54–55, 84, 87 bargaining 32 Arnold, Edwin 32 Bigelow, William Sturgis 22, art 47 criticism 14–15, 33, 77–82, Buddhism 5, 18, 36, 42, 54, 63, 86, 91, 98–99 79, 86, 88 education 81, 83–91, 101, bund 26–27 102, 105 exhibitions 4, 13, 35, 40–43, collectors 7, 12, 13, 24, 41, 52, 53, 57, 65–67, 69–70, 43, 52–55, 57, 59, 60, 76, 80, 98–101, 104 66, 79 painting 14, 21, 40, 43, 45, Bigelow, William Sturgis 22, 65–66, 70, 77, 79, 86, 47 98–100 Carnegie, Andrew 79 Nihonga 日本画 70, 98 Cooke, Anna Rice 27 yoga 洋画 70, 98 Gardener, Isabella Stuart 24 societies 69, 101 Hart, Ernest 53–54, 59, 63, Chōkōkai 彫工会 68–70 87–88 ChōkokuKyōgikai 彫刻競 Freer, Charles Lang 27 技会 65–70, 86 Masuda Takashi 4, 12–13 Kankōkai 勧工会 64 Stanford, Jane (Mrs. Mukei 101 Leland) 27 Ryūchikai (Dragon Pond Trower, H. Seymour 53–54, Society) 龍地会 66–67, 72n14 70 Walters, Henry 24, 41 Arthur & Bond 27–28, 30, 31, Weld, Charles 81 36, 38 connoisseurship 14, 54 Asahi Gyokuzan 旭玉山 36, Cooke, Anna Rice 27 37, 44, 59, 65, 68, 69, craft 3–5, 8, 11–15, 22, 33–35, 104 43–44, 54, 64, 66, 68, Asakura Fumio 朝倉文夫 92, 71,76, 83–84, 87–92, 93, 101, 105 98–105

DOI: 10.1057/9781137363336.0011   Index

Cram, Ralph Adams 14, 80, 104 Hartmann, Sadakichi 78–80, 88 critics Hattori, Yasumasa 3–4 Cram, Ralph Adams 14, 80, 104 Holme, Charles 87 Harada Jirō 91, 96, 98 Hartmann, Sadakichi 78–80, 88 Ishikawa Kōmei (Mitsuaki) Jarves, James Jackson 77–78, 88 石川光明 35, 38, 45, 56, curios 22, 32, 40, 44, 52 59, 65, 66, 68–70, 89, 90, 91, 100, 104, 105 Deakin Irokawa, Daikichi 色川大吉 2, 16n2, Brothers 32, 37, 38, 40, 48 99,104 Edwin 40, 48n43 ivory Frederic 32, 48n43 craftsmen 8, 11, 21, 34–35, 43–44, 51, Harry 32, 37 55, 59, 63–68, 99 Walter 32, 40 exports 6, 11–13, 22, 27, 34, 35, 44, Domestic Industrial Exhibitions 55–59, 65–67, 70–71, 80, 83, 88, (Naikokukangyōkai 内国勧業 90, 98, 99, 101, 103 会) 42 50n78, 65–67, 98 imports 3–5, 9–12, 32, 35, 63 dress 34, 41, 54, 55, 86 mammoth 10–11 geta 下駄 55 netsuke 5–8, 11, 13–14, 21, 34–35, 43, hair ornaments 5, 55, 57 52–55, 57–61, 70, 77, 79, 86, 88, 103 earthquake 27, 30, 47, 57, 70, 99–100 okimono 34, 35, 55–60, 62, 65–70 Edo See Tokyo Sensei School 先生派 67, 88, 104 exhibitions 4, 13, 35, 40–43, 52, 53, 57, sources 11 65–67, 69–70, 76, 80, 98–101, Yanaka School 谷中派 67–68, 104 104 Anglo-British 35 Japanese Village 40–41, 45 Bunten 文展 70, 93, 99–101 Japonisme 4, 79 Chōkoku Kyōgikai 彫刻競技会 Jarves, James Jackson 77–78, 88 65–70, 86 Domestic Industrial 42, 50n78, Kaneda Kanejirō (Kinjirō, Kenjirō, 65–67, 98 Kingorō) 金田謙次郎 35, 36, Japanese Village 40–41, 45 65, 68, 70n48 World’s Fairs 3, 4, 19, 25, 35, 41–44, Kawase Hideharu (Hideji) 河瀬秀治 59, 64–67, 69 65, 66, 69 Kipling, Rudyard 21, 24 Fenollosa, Ernest 22, 47, 83–88, 91, 102 Kiritsu [Kiryu] Kōshō Kaisha 起立工 Freer, Charles 27 商会社 64, 69 Kobari Jushō 小針樹生 93 Gardener, Isabella Stuart 24 Kobu bijutsu gakko 工部美術学校 83, Greey, Edward 20, 22 89, 91 Kōbusho 工部所 3 Hananuma Masakichi 華沼政吉 Korea 11, 47n40 37–38, 39 Kuhn & Komor 27, 28 Harada Jirō 91, 96, 98 Kuki Ryūichi 69 Hart, Ernest 53–54, 59, 63, 87–88 Kyoto 8, 15, 18, 68, 88

DOI: 10.1057/9781137363336.0011 Index 

Liberty, Arthur Lasenby 52, 87 Salway, Charlotte 2, 5 Samurai Shōkai サムライ商会 25–27, Masaki Naohiko 正木直彦 90, 98, 32, 35, 42 Masuda Takashi 益田孝 4, 12–13 sculpture 25, 37, 59, 66–70, 76–93, Matsuo Gisuke 松尾議助 64, 69 98–105 Meiji Emperor 40, 66, 69, 70, 72 Shibayama 柴山 34–35, 41, 42, The Mikado 40 48n55 Mingei 民芸 102–104 Shinbutsu hanzenrei 神仏判然令 63 Mingeikan 民芸館 102 Shimamura Shunmei (Toshiaki) Minoda Chōjirō 箕田長次郎 24–25, 嶋村俊明 35, 66, 68, 91, 35, 41–43 105 Modernism 76, 78, 93, 101 Shirataki Ikunosuke 白滝幾之助 Mori, Arinori 森有礼 84 42–43 Morse, Edward S. 47n31 shopping 21–23, 32 Mukei 无型 101 Sladen, Douglas 32, 54 Musashiya 武蔵屋 24, 25, 34–35 souvenirs 19–21, 33, 37, 65 nationalism 2–4, 16n2, 64, 83, 86, 99, Takamura Kōtarō 高村光太郎 101 102–103 Takamura Kōun 高村光雲 67, 88–89, netsuke 根付け 5–8, 11, 13–14, 21, 91, 93, 98, 101 34–35, 43, 52–55, 57–61, 70, 77, Takamura Tōun 高村東雲 88–89 79, 86, 88,103 Takamura Toyochika 高村豊周 101 Nomura Yōzō 野村洋三 25–27, 32, Takeuchi (Takenouchi) Kyūichi 35, 42 (Hisakazu) 竹内久一 66, 88–89 Okakura Kakuzō (Tenshin) 岡倉覚三 tattoo 36–37, 38 (天心) 82–91, 102 taxonomy 14–14 okimono 置物 34, 35, 55–60, 62, 65–70 Technical Art School. See Ōkuma Shigenobu 大隈重信 3 Kōbubijutsugakkō Osaka 8, 15, 35 tokonoma 床の間 57, 63 Ōzeki Yahei 大関弥兵衛 24, 34–35, Tokyo 15, 23, 24, 34–35, 41, 42 64–68, 41–42 70–75, 84 Ōzeki Teijirō (Sadajirō) 大関貞次 Tokyo Gekaku Kyodo Kumiai 東京牙 郎 24, 32, 41–42 角同業組合 67–69 Tōkyō meikokagami 東京名工鑑 patronage 5, 34–41, 44–45, 55, 69–70, 34–36, 68 76, 91 Tokyo School of Fine Arts (Tokyo Geijutsu Gakkō) 東京芸術学校 ragusa Vincenzo 83–84 82–93, 98–102, 104–105 Ranma 欄間 69 Rodin, Auguste 93, 101 Vantine, A.A. 25, 41–43 Rookwood Pottery Factory 40 Ryūchikai 龍地会 66–67, 70 wabi 侘び 102–103 Wakai Kanesaburō 若井兼三郎 64, sabi 寂び 54, 102–103 73n27 sagemono 提げもの 7 Walters, Henry 24, 41

DOI: 10.1057/9781137363336.0011  Index

Watanabe Kōki 渡辺洪基 69 Yanagi Sōetsu 柳総悦 102–103 World’s Fairs 3, 4, 19, 25, 35, 41–44, 59, Yokohama 20–45, 52, 70, 82, 64–67, 69 88 Chicago 41, 42, 65–66 shops 1–45, 81, 88 Melbourne 41, 42 Arthur & Bond 27–28, 30, 31, Paris 1867 4, 59 36 Paris 1878 25, 42, 43, 69 Kuhn &Komor 27, 28 Paris 1900 41, 74n48 Minoda Chōjirō 24–25, 35, Portland 35 41–43 St. Louis 35, 41, 42 Musashiya 24, 25, 34–35 San Francisco 42 Samurai Shōkai 25–27, 32, 35, Vienna 41, 59, 64 42

DOI: 10.1057/9781137363336.0011