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The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
The Beatles, Instrumentals En Fora Mei 2009
L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 The Beatles, Instrumentals en Fora L.M. van der Schoot Studentnummer: 0456659. Begeleiding: Joke Dame Cursusnaam: MA Thesis Muziekwetenschap. Cursuscode: 200501202. Universiteit Utrecht; Faculteit Geesteswetenschappen; opleiding Muziekwetenschap. Datum: mei 2009. 1 Lotte van der Schoot The Beatles, Instrumentals en Google Maart 2009 “Anyone tackling the oft-told tale of John, Paul, George and Ringo had better come up with a new angle, or new facts, or new interviews, or new something - or risk suffering the wrath of zillions of Beatles nuts.” Kirkus Reviews 2007, Academic Search Elite 2 L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 Woord vooraf Aan het begin van collegejaar 2008/2009 heb ik een cursus popmuziek gevolgd. Deze cursus had als onderwerp 'the popular instrumental'. Uit onderzoek voor deze paper kwam naar voren dat de bekendste popgroep aller tijden - The Beatles - ook instrumentale songs hebben geschreven. Mijn interesse was gewekt, te meer omdat ik de Beatles voornamelijk kende van nummers zoals 'Hey Jude', 'Yesterday' en 'Strawberry Fields Forever'. Deze fameuze popgroep heeft dus eveneens andersoortige nummers geschreven. In deze thesis wil ik geen 'herziene' versie maken van informatie die al tot in den treuren is uitgeplozen. Dit is echter niet eenvoudig, maar 'instrumentale nummers' is één van de onderwerpen die als onderwerp op zichzelf, nooit onderzocht is. In de hoogtij dagen van The Beatles – de jaren 1960 – zijn er maar op 3 albums instrumentals terug te vinden. De bekendste is waarschijnlijk 'Revolution 9' van de White Album (1968). Verder staat op het album Magical Mystery Tour (1967) het nummer 'Flying'. -
KLOS Nov 11Th VINYL ONLY
1 1 2 YER PLAYLIST SUNDAY NOV. 11th 2012 BEATLES VINYL ONLY SHOW!!! Featuring the new 180 gram pressings just in time for yer holidays! 2 3 9AM The Beatles w/ Tony Sheridan My Bonnie - SINGLE Oct. 1961 GERMANY Ain’t She Sweet Cry For A Shadow Anthony Esmond Sheridan McGinnity The Beatles first time on vinyl recorded way back in 1961…before running water! 9.10 BREAK 3 4 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL Communications and Lenono Music. Fun fact: John Lennon shoplifted the harmonica he played on the song from a shop in Holland. -
Die Beatles-Geschichte
Die Beatles Die vier Bandmitglieder der Gruppe – oft als „Fab Four“ (wegen ihrer Frisur in den Anfangs- jahren auch scherzhaft als „Pilzköpfe“) bezeichnet – waren: • John Lennon (John Winston Lennon, später John Winston Ono Lennon, * 9. Oktober 1940 in Liverpool), Gesang, Rhythmusgitarre, Keyboards und Mundharmonika. Am † 8. Dezember 1980 wurde John Lennon von dem geistig verwirrten Attentäter Mark David Chapman in New York vor dem Dakota Building, in dem Lennon mit seiner Frau ein Apartment bewohn- te, erschossen. • Paul McCartney, (James Paul McCartney, * 18. Juni 1942 in Liverpool), Gesang, Bass- Gitarre, Gitarre und Keyboards • George Harrison (* 25. Februar 1943 in Liverpool, † 29. November 2001 in Los Angeles an Krebs), Gesang, Leadgitarre und Sitar • Ringo Starr (Richard Starkey, * 7. Juli 1940 in Liverpool), Schlagzeug und Gesang ab Au- gust 1962 - auf Anraten des Produzenten George Martin - an Stelle von Pete Best Zeitweilig wirkten in der Gruppe mit: • Stuart („Stu“) Sutcliffe, Bass bis 1960 (* 23. Juni 1940 in Edinburgh, † 10. April 1962 in Hamburg an einem Blutgerinnsel im Gehirn) • Randolph Peter („Pete“) Best, Schlagzeug bis 1962 (* 24. November 1941 in Madras) John Lennon und Paul McCartney waren die musikalischen Köpfe der Beatles. Sie kompo- nierten die meisten Lieder der Band, darunter zahlreiche Hits wie Yesterday, Let It Be, I Want To Hold Your Hand, A Hard Day's Night, She Loves You, Help!, Michelle, Yellow Submari- ne, Lucy in the Sky with Diamonds (das nach einem selbstgemalten Bild von John Lennons Sohn Julian, der sagte, das sei seine Schulkameradin Lucy am Himmel mit Diamanten, be- nannt wurde), Hey Jude und I am the Walrus. -
Beatles History – Part One: 1956–1964
BEATLES HISTORY – PART ONE: 1956–1964 January 1956–June 1957: The ‘Skiffle Craze’ In January 1956, Lonnie Donegan’s recording of “Rock Island Line” stormed into the British hit parade and started what would become known as the ‘skiffle craze’ in Great Britain (vgl. McDevitt 1997: 3). Skiffle was originally an amateur jazz style comprising elements of blues, gospel, and work songs. The instrumentation resembled New Or- leans street bands called ‘spasms,’ which relied on home-made instru- ments. Before skiffle was first professionally recorded by American jazz musicians in the 1920s and 1930s, it had been performed at ‘rent parties’ in North American cities like Chicago and Kansas City. Many African- American migrant workers organized rent parties in order to raise money for their monthly payments (vgl. Garry 1997: 87). Skiffle provided the musical entertainment at these parties, as everybody was able to partici- pate in the band, which usually consisted of home-made acoustic guitars or a piano backed by a rhythm section of household instruments, such as a washboard, a washtub bass, and a jug (vgl. McDevitt 1997:16). Jazz trumpeter and guitarist Ken Colyer pioneered the skiffle scene in Great Britain. In 1949, he formed the Crane River Jazz Band in Cran- ford, Middlesex, together with Ben Marshall (guitar), Pat Hawes (wash- board), and Julian Davies (bass). Their repertoire included skiffle songs “to illustrate aspects of the roots of jazz and to add variety to a pro- gramme” (Dewe 1998: 4). After leaving the group in 1951, Colyer mi- grated to the United States to work with jazz musicians in New Orleans. -
The Beatles on Film
Roland Reiter The Beatles on Film Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 11 The Beatles on Film – Part One: 1964-1965 39 Beatles History – Part Two: 1964-1966. A Contextual Interpretation of The Beatles’ Image Change in 1966 87 The Beatles on Film – Part Two: 1965-1970 93 Beatles History – Part Three: 1970-2008 137 Screening the Past: Film and History 145 Movies about The Beatles 151 Documentaries about The Beatles 181 Spoofs 191 Conclusion: Image, Myth, History, and The Beatles 195 Works Cited 203 The Author/Acknowledgments 211 INTRODUCTION A star’s image generally reflects the ideals of his or her average audi- ence. It enables the fans to identify with their idol on an emotional and/or intellectual level. The potential of identification with a star can be an im- portant factor for his or her commercial success. -
Pdf/Beatles Chronology Timeline
INDEX 1-CHRONOLOGY TIMELINE - 1926 to 2016. 2-THE BEATLES DISCOGRAPHY. P-66 3-SINGLES. P-68 4-MUSIC VIDEOS & FILMS P-71 5-ALBUMS, (Only Their First Release Dates). P-72 6-ALL BEATLES SONGS, (in Alphabetical Order). P-84 7-REFERENCES and Conclusion. P-98 1 ==================================== 1-CHRONOLOGY TIMELINE OF, Events, Shows, Concerts, Albums & Songs Recorded and Release dates. ==================================== 1926-01-03- George Martin Producer of the Beatles was Born. George Martin died in his sleep on the night of 8 March 2016 at his home inWiltshire, England, at the age of 90. ==================================================================== 1934-09-19- Brian Epstein, The Beatles' manager, was born on Rodney Street, in Liverpool. Epstein died of an overdose of Carbitral, a form of barbiturate or sleeping pill, in his locked bedroom, on 27 August 1967. ==================================================================== 1940-07-07- Richard Starkey was born in family home, 9 Madyrn Street, Dingle, in Liverpool, known as Ringo Starr Drummer of the Beatles. Maried his first wife Maureen Cox in 1965 Starr proposed marriage at the Ad-Lib Club in London, on 20 January 1965. They married at the Caxton Hall Register Office, London, in 1965, and divorced in 1975. Starr met actress Barbara Bach, they were married on 27 April 1981. 1940-10-09- JohnWinston Lennon was born to Julia and Fred Lennon at Oxford Maternity Hospital in Liverpool., known as John Lennon of the Beatles. Lennon and Cynthia Powell (1939– 2015) met in 1957 as fellow students at the Liverpool College of Art. The couple were married on 23 August 1962. Their divorce was settled out of court in November 1968. -
Beatles Recording Variations
The Usenet Guide to Beatles Recording Variations by Joseph Brennan: [email protected] 435 South Ridgewood Road, South Orange NJ 07079 Current version revised by Frank Daniels: [email protected] www.friktech.com/btls/btls2.htm © 1993,1994,1995,1996,1997,1998,1999,2000,2002 Joseph Brennan Portions © 2010, 2014 by Frank Daniels; version 3 © 2014, 2019, 2021 by Joseph Brennan & Frank Daniels. Introduction • What is Usenet? • Introduction: What's a Variation, and Why Do We Care? • Frank’s Intro • Credits • Notes on US Record Releases • Notes on CD Releases • The Films and the Videos • Format of entries Variations and Conclusions • 1958 to 1961 (including recordings with Tony Sheridan) • 1962 • 1963 (Please Please Me, With the Beatles) • 1964 (A Hard Day's Night, Beatles for Sale) • 1965 (Help!, Rubber Soul) • 1966 (Revolver) • 1967 (Sgt Pepper’s Lonely Hearts Club Band, Magical Mystery Tour & Yellow Submarine) • 1968 (The Beatles and Yellow Submarine) • 1969 and 1970 (Abbey Road, Let It Be) • 1994 and 1995 (Anthology) • The Yellow Submarine Songtrack (1999) • British and German Discographies • Love (2006) and The Mono and Stereo Remasters (2009) • Song Index While researching recording variations, we ended up making lists of the Beatles original vinyl releases in the United Kingdom, the United States, and Germany. Please see Frank Daniels's Across the Universe pages on worldwide releases. The releases of the Beatles' Hamburg Recordings (from 1961 and 1962) are so confusing that there is a special introduction to those eight songs in the Guide. For links and stuff, please go see The Internet Beatles Album. What is Usenet? Usenet is a worldwide Internet, threaded discussion system that operates via news servers all around the world. -
THE BEATLES IMAGE: MASS MARKETING 1960S BRITISH and AMERICAN MUSIC and CULTURE, OR BEING a SHORT THESIS on the DUBIOUS PACKAGE of the BEATLES
THE BEATLES IMAGE: MASS MARKETING 1960s BRITISH AND AMERICAN MUSIC AND CULTURE, OR BEING A SHORT THESIS ON THE DUBIOUS PACKAGE OF THE BEATLES by Richard D Driver, Bachelor of Arts A Thesis In HISTORY Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Aliza S Wong Randy McBee John Borrelli Dean of the Graduate School May, 2007 Copyright 2007, Richard Driver Texas Tech University, Richard D Driver, May 2007 ACKNOWLEDGMENTS This work could not have been possible without the encouragement and guidance of a number of individuals, as well as countless persons who pulled books, worked through interlibrary loans, and simply listened to me talk about it. Without the guidance, tolerance, insight, time, and encouragement of my committee, Aliza S Wong and Randy McBee, this thesis would have remained nothing more than a passing thought. Aliza, more than any other professor has been there for me since this project truly began over two years ago. It was her initial push for me to write about something I loved that drove me to attend Graduate school and then build upon what I had done previously with The Beatles “image.” Dr. McBee provided excellent guidance into understanding many of the post-war American facets of this work, not simply those related to The Beatles or music in general. Additional thanks are reserved for Dr. Julie Willett for her class on sexuality and gender where new methods and modes of historical thought were founded in this work. Finally, this thesis would have been impossible had I not been accepted into and granted a teaching position in the History Department at Texas Tech University, and it is to the entire department that I owe my greatest thanks. -
The World of Beatle Fandom
Written by BILL HARRY Produced by Colourgold Ltd, 80 Bell St, NWl. 01-402 8586, Distributed by Comag, West Drayton, Printed by: Chromoworks Ltd,Wigman Rd., Aspley, Nottingham. 1940-1980 orn October 9th, 1940 in At the art school John was popular with the Liverpool, died December 8th, girls and opted for one in particular: Cynthia 1980 in New York. The cruel Powell. Later, when she became pregnant, they hand of fate shut the door on the married secretly. He also met Stuart Sutcliffe, a talent of the best-loved musician talented artist who was to make a lasting of the Western world when the impession on him. Stu joined the band, now called Btragic killing of John Lennon occurred outside the The Silver Beatles. They made a short tour of Dakota Building in New York that fateful day Scotland and, with the addition of drummer Pete almost two years ago. Of all the Beatles, he was Best, set off for Hamburg. His exploits abroad the one on whom people had bestowed the title with the group became more important than the of 'genius'. college and he never returned. He was more than just a singer, a guitarist, one Together with Paul, he was the 'idol' of the fans, half of the Lennon/ McCartney songwriting team: although Paul became the main target of the girls' he was a working class hero, a rebel, a writer - affections when Julian was born and the marriage and his sometimes eccentric activities provided a details were revealed in the press. John was then touch of colour to many people's lives - although able to bring Cynthia and Julian to London and we mustn't forget the years of abuse he received bought variO\JS houses, ending up in the when he teamed up with Yoko, the ugly hustling stockbroker's belt in Weybridge. -
De Acht Sheridan/Beatles Opnames Van 1961 – 1962
De acht Sheridan/Beatles opnames van 1961 – 1962. Met dank aan Tommy Kent, Tony Sheridan, Bert Kaempfert en Roy Young. Een chronologisch overzicht… R. Develtere - versie 2020 1 1. De acht Sheridan/Beatles opnames, gemaakt in Duitsland in 1961-1962. Op donderdag 22 juni 1961, op het einde van hun 2e trip naar Hamburg (1 april – 2 juli 1961), nemen the Beatles als begeleiders van Tony Sheridan zeven nummers op, met Kaempfert als producer. De opnames vinden plaats in de Frederich Ebert Halle, Alter Postweg 30 te Harburg (een voorstadje van Hamburg). The Beatles begeleiden Tony Sheridan bij 5 nummers: My Bonnie (lies over the ocean), The Saints, Why, Nobody’s child, Take Out Some Insurance On Me Baby. Eén nummer met John Lennon als leadzanger: Ain’t She Sweet en één instrumentaal nummer: Cry For A Shadow. Op vrijdag 23 juni 1961 gebeurde hoogstwaarschijnlijk het mixen van de opnames. Muzikale bezetting: zang en leadgitaar: Tony Sheridan; gitaar: John Lennon en George Harrison; basgitaar: Paul McCartney; drums: Pete Best; opnametechnicus: Karl Hinze; geluidstechnicus: Günther Sörensen; producer: Bert Kaempfert. Een klein jaar later, op donderdag 24 mei 1962, tijdens hun 3e trip naar Hamburg (13 april – 30 mei 1962) , nemen the Beatles, om te voldoen aan hun contract met Kaempfert nog twee nummers op, ditmaal in de nieuw gebouwde studio Rahlstedt (ook studio Wandsbek genoemd), Rahlau 128 te Hamburg: Sweet Georgia Brown en Swannee River1. Swannee River met the Beatles is tot op vandaag nooit uitgebracht en is waarschijnlijk verloren geraakt. Muzikale bezetting: zang: Tony Sheridan2; gitaar: John Lennon en George Harrison; basgitaar: Paul McCartney; drums: Pete Best; piano: Roy Young; opnametechnicus: Hans Falkenberg; geluidstechnicus: Jürgen Kramer; producer: Bert Kaempfert /Paul McCartney. -
LSUG Feb.24 Harrisongs 2013
LSUG Playlist Feb. 24th 2013 Remembering George Harrison HOUR 1 George Harrison - When We Was Fab – Cloud 9/ `87 George Harrison's thirteenth album release, and final original album chart appearance. Credited to George Harrison Produced by Jeff Lynne and George Harrison. Personnel : George - Lead vocals, guitars and keyboards. Ringo - Drums. Jeff Lynne - Guitars, bass and keyboards. Eric Clapton - Guitar. Elton John - Piano. Gary Wright - Piano. Jim Keltner - Drums. Ray Cooper - Percussion and drums. Jim Horn - Baritone and tenor sax. Bobby Kok - Cello. OPENING "A good deal of confusion as to his real birthday was solved when a family birth record noted him as being born shortly before midnight around 11:50 P.M. on February 24th, 1943. He had believed his birthday was February 25th for his entire life. The Beatles - Blue Jay Way (Harrison) - Magical Mystery Tour Recorded 6th September 1967 Written in the Hollywood Hills while renting a house w/ Patti on Blue Jay Way. George was waiting for Beatle pal & employee Derek Taylor to arrive and as the hours past, George as a joke to pass the time began writing a song on the Hammond organ that was in the house. Lead vocal George. UK EP The Beatles – Love You To (Harrison) – Revolver Recorded April 11th 1966 “Love You To” was the first song George wrote for the sitar, as Norwegian Wood was more an accident as far as the sitar part was concerned. Lead vocal George The Beatles – Think For Yourself (Harrison) YELLOW SUB REMASTER Recorded Nov. 8th 1965 One of George’s most underrated rockers featuring Paul on fuzz bass…putting his Rickenbacker through a distortion The Beatles - Old Brown Shoe (Harrison) – Past Masters Recorded April 16th 1969 Abbey Road right before the Abbey Road sessions began, though some Abbey Road material was already laid down.