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Canadian Beatles Albums Identification Guide Updated: 22 De 16
Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
The Beatles in Hamburg Die Erfindung Der Pilzköpfe Vor 50 Jahren
COPYRIGHT: COPYRIGHT DiesesDieses Manuskript Manuskript ist urheberrechtlich ist urheberrechtlich geschützt. geschützt. Es darf E ohnes darf Genehmigung ohne Genehmigung nicht verwertet nicht werden.verwertet Insbesondere werden. darf Insbesondere es nicht ganz darf oder es teilwe nicht iseganz oder oder in Auszügen teilweise oderabgeschrieben in Auszügen oder in sonstigerabgeschrieben Weise vervielfältigt oder in sonstiger werden. Weise Für vervielfältigRundfunkzwecket werden. darf dasFür Manuskript Rundfunkzwecke nur mit Genehmigungdarf das Manuskript von DeutschlandRadio nur mit Genehmigung / Funkhaus Berlin von Deutsch benutzt landradiowerden. Kultur benutzt werden. Deutschlandradio Kultur Länderreport Sendung vom 17.8.2010 The Beatles in Hamburg Die Erfindung der Pilzköpfe vor 50 Jahren. Von Knut Benzner E 01 (McCartney) … Hamburg … Reeperbahn … geradeaus … AUT Es ist eine lange Geschichte. Sie spielt in Hamburg, sie spielt in Liverpool, dann in London und zuletzt bzw. bis heute auf der ganzen Welt. Auf St.Pauli spielt die Geschichte natürlich auch. E 02 (McCartney) AUT Viele, die mit dieser Geschichte zu tun haben, sind lange tot: Hirntumor, Herzversagen, Hypertonie, über den Haufen geschossen worden ... Es ist eine Geschichte, die die, die leben, nach wie vor beschäftigt, manchmal bestimmt sie ihr Leben, manchen tritt Wasser in die Augen, wenn sie an dieses oder jenes denken. Und alle, das bringt die Zeit ganz einfach mit sich, sind inzwischen alt. Der 16.August war, nicht weiter wichtig, ein Dienstag. Bruno Koschmieder, Manfred Weissleder, Peter Eckhorn und Horst Fascher ... E 03 (Fascher) „Natürlich in Hamburch geborn, das´s auch wichtich.“ AUT ... werden von all dem, was kommen sollte, nichts geahnt haben. Astrid Kirchherr, Jürgen Vollmer und Klaus Voormann, alle drei damals stets in Schwarz und somit Sartre eigentlich näher als der Show, schon gar nichts. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
The Beatles - Wikipedia, La Enciclopedia Libre the Beatles De Wikipedia, La Enciclopedia Libre (Redirigido Desde «Los Beatles»)
08/02/13 The Beatles - Wikipedia, la enciclopedia libre The Beatles De Wikipedia, la enciclopedia libre (Redirigido desde «Los Beatles») The Beatles fue una banda de rock inglesa activa durante la década de 1960, y reconocida como la más The Beatles exitosa comercialmente y críticamente aclamada en la historia de la música popular.1 2 3 4 5 6 Formada en Liverpool, estuvo constituida desde 1962 por John Lennon (guitarra rítmica, vocalista), Paul McCartney (bajo, vocalista), George Harrison (guitarra solista, vocalista) y Ringo Starr (batería, vocalista). Enraizada en el skiffle y el rock and roll de los años cincuenta, la banda trabajó más tarde con distintos géneros musicales, que iban desde las baladas pop hasta el rock psicodélico, incorporando a menudo elementos clásicos, entre otros, de forma innovadora en sus canciones. La naturaleza de su enorme popularidad, que había emergido primeramente con la moda de la «Beatlemanía», se transformó al tiempo que sus composiciones se volvieron más sofisticadas. Llegaron a ser percibidos como la encarnación de los ideales progresistas, extendiendo su influencia en las revoluciones sociales y culturales de la década de 1960. The Beatles en 1964 Arriba: John Lennon, Paul McCartney Con una formación inicial de cinco componentes que Abajo: George Harrison, Ringo Starr incluía a Lennon, McCartney, Harrison, Stuart Sutcliffe (bajo) y Pete Best (batería), la banda construyó su Datos generales reputación en los clubes de Liverpool y Hamburgo Origen Liverpool, Inglaterra, Reino Unido sobre un período de tres años a partir de 1960. Sutcliffe abandonó la formación en 1961, y Best fue Información artística reemplazado por Starr al año siguiente. -
ASTRID KIRCHHERR Und Grafiken Von KLAUS VOORMANN
InfoMail Nr. 857: Fotos von ASTRID KIRCHHERR und Grafiken von KLAUS VOORMANN Hallo M.B.M., hallo BEATLES-Fan, aus aktuellem Anlass bieten wir an: Astrid Kirchherr: Kunstfotos & Artprints 1. 2. 1. Mitte November 1960: ART PRINT (Original-Foto auf hochwertigem kartonierten Bogen) JOHN LENNON in Hamburg, im Hintergrund STUART SUTCLIFFE 75,00 € Zu dieser Zeit treten die BEATLES zunächst im Top Ten und später im Kaiserkeller auf. Das Foto machte die Fotografin ASTRID KIRCHHERR (frühere Verlobte von STUART SUTCLIFFE) Mitte November 1960 auf dem Hamburger „Dom“ (Platz für Kirmes- und Zirkusveranstaltungen). Dieser Kunstdruck ist nummeriert und auf 500 Stück limitiert und von KIRCHHERR signiert. Hochformat ca. 60 cm x 80 cm, schwarzweiß 2. Mitte November 1960: ART PRINT (Original-Foto) PAUL McCARTNEY in Hamburg, im Hintergrund STUART SUTCLIFFE 95,00 € Zu dieser Zeit treten die BEATLES zunächst im Top Ten und später im Kaiserkeller auf. Das Foto machte die Fotografin ASTRID KIRCHHERR (frühere Verlobte von STUART SUTCLIFFE) Mitte November 1960 auf dem Hamburger „Dom“ (Platz für Kirmes- und Zirkusveranstaltungen). Dieser Kunstdruck ist numeriert und auf 500 Stück limitiert und von KIRCHHERR signiert. Hochformat ca. 60 cm x 80 cm, schwarzweiß 3. 4. 5. 3. November 1960: ART PRINT (Original-Foto) STUART SUTCLIFFE 60,00 € Das Foto machte die Fotografin ASTRID KIRCHHERR (frühere Verlobte von STUART SUTCLIFFE) im November 1960 in Hamburg. Dieser Kunstdruck ist nummeriert und auf 500 Stück limitiert und von KIRCHHERR signiert. Hochformat ca. 60 cm x 80 cm, schwarzweiß HINWEIS: Dieser inzwischen rare Kunstdruck stammt aus der allerersten Serie Ende der 80er Jahre. 4. 1962: ART PRINT (Original-Foto) GEORGE HARRISON PORTRAIT 92,50 € Original-Foto von Astrid Kirchherr signiert, limitiert und nummeriert (nur 500 Stück weltweit) Hochformat ca. -
Beatles Cover Albums During the Beatle Period
Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964. -
PK 2 Hamburg Beatles History.Pdf (253.4
MEDIA INFORMATION NO HAMBURG, NO BEATLES: THE HISTORY OF THE FAB FOUR IN HAMBURG From the evolution of the Hamburg Sound to today’s club scene On 17 August 1960, John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and Pete Best played their first gig at the Indra Club in the legendary St Pauli district of Hamburg. Mark Lewisohn, the acclaimed Beatles author, aptly commented “No Hamburg, no Beatles”. The Beatles, some of whom were still minors in the beginning, spent two years in Hamburg, with only a few breaks in between. Here, they laid the foundations for their global career. Following their debut in 1960, the Beatles played in Hamburg more often than anywhere else in the world – with 300 concerts, five contracts with four different music clubs, and about 1,200 hours spent on Hamburg stages. John Lennon once said “I grew up in Liverpool but I came of age in Hamburg”, and this is arguably the story of the Beatles in Hamburg in a nutshell. It all began with a shock. When The Beatles got their first engagement in Hamburg on the 17th of August 1960, they where full of anticipation. The Hanseatic City was considered to be the perfect place to make good money by giging. And the Reeperbahn was the incarnation of adventure for those naive from Liverpool. Where nowadays countless cutting-edge music clubs line the neon bright streets, back in the day, the audience craved for all night entertainment – especially for exciting music, such as Rock‘n‘Roll and it‘s British exports. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Comunicato Stampa Mostra Hrair Sarkissian Da Verificare E Completare
Comunicato stampa “Astrid Kirchherr with the Beatles” The Beatles, Hugo Haase, 1960 ©GINZBURG FINE ARTS/PHOTO ASTRID KIRCHHERR Inaugurazione sabato 14 aprile 2018 – ore 18.00 Dal 15 aprile al 17 giugno 2018 Fondazione Carispezia via D. Chiodo 36, La Spezia Fondazione Carispezia inaugurerà sabato 14 aprile (ore 18.00) presso i propri spazi espositivi la mostra “Astrid Kirchherr with the Beatles”, una retrospettiva che ripercorre la storia degli anni formativi dei Beatles nell’Amburgo del dopoguerra – i cosiddetti “Hamburg Days” – attraverso gli scatti della fotografa tedesca che non solo immortalò il gruppo negli anni iniziali della carriera, ma ne influenzò profondamente lo stile trasformandolo in quello che tutti oggi conosciamo. Fondazione Carispezia Via Domenico Chiodo 36 - 19121 La Spezia Tel. 0187 77231 – Fax 0187 772330 www.fondazionecarispezia.it L’esposizione, a cura di ONO arte contemporanea in collaborazione con Ginzburg Fine Arts, sarà visitabile fino al 17 giugno e presenterà una ricca serie di scatti, la maggior parte in bianco e nero: dal primo vero e proprio servizio fotografico del gruppo a momenti privati che ripercorrono la stretta relazione tra i Beatles e la fotografa, oltre che la storia di un luogo e un periodo fondamentale per la band che ha cambiato la storia della musica pop. Nell’agosto del 1960 l’impresario tedesco Bruno Koschmider scritturò i Beatles, una giovane band di Liverpool composta da John Lennon, George Harrison, Paul McCartney, Pete Best e Stuart Sutcliffe, per suonare rock’n’roll in alcuni dei club da lui gestiti sulla Reeperbahn, ad Amburgo. Una delle tante sere in cui suonavano al Kaiserkeller, andarono a sentirli la giovane fotografa Astrid Kirchherr – allora assistente del celebre fotografo Reinhart Wolf – e il suo fidanzato di allora Klaus Voormann. -
A Visit to Liverpool Brings Beatles Fans Back to Their Roots Travel
6 7 A Where it all began A at the Cavern 292 times, earning just 5 British A visit to Liverpool brings Beatles fans back to their roots pounds (about $8) at the beginning. Crowds gen- By Kathy Rodeghier erated so much heat in the humid basement, Daily Herald Correspondent which had no air conditioning, that condensation ran down the walls, shorting out the equipment. LIVERPOOL, England — They were just another The Cavern Club was torn down and has since boy band, a gaggle of teenagers with too much energy. been rebuilt with the same bricks on part of its They’d meet in the basement of a friend’s suburban original site on Mathew Street, a walkway lined home, horsing around and playing guitar. One mis- with bars and restaurants. The club has two chievously began carving his name on a wood wall stages. A Beatles tribute band plays most Satur- board — J-O-H — before being day nights. smacked in the head by the friend’s Outside, a Wall of Fame has bricks mom. He’d finish later, adding the travel inscribed with more than 1,800 names of final “N.” artists who have performed here, among Graffiti etched by John Lennon is but one of the curi- them Jimi Hendrix, Elton John, The Who, Queen osities you’ll see on tours of the Casbah Coffee Club and Adele. A life-size statue of Lennon stands DAILYHERALD.COM/ENTERTAINMENT where the band that became the Beatles got its start alongside. Figures of all four Beatles perch on the in 1959.