KLOS Nov 11Th VINYL ONLY
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Happy Family I Love Mother; She Loves Me We Love Daddy, Yes Sir
Songs La , la, la. The snow on the ground goes Crunch, crunch, crunch A Happy Family The boys and the girls I love mother; she loves me All jump with glee We love daddy, yes sir-ree He loves us and so you see Baa Baa Black Sheep We are a happy family Baa, baa black sheep, Have you any wool? I love sister; she loves me Yes sir, yes sir, We love brother yes sir-ree Three bags full. He loves us and so you see We are a happy family One for my master, One for my dame, Animal Sounds (tune Brother John) And one for the little boy I’m a duck, Who lives down the lane. I’m a duck Watch me walk, watch me walk Baby Put Your Pants On Hear me when I talk hear me when I talk (tune: Mama’a Little Baby Loves Shortnin’) Quack, quack, quack, Baby put your pants on, pants on, pants on, Quack, quack, quack Baby put your pants on 1, 2, 3 *repeat: Repeat with shirt, socks, etc I’m a birdie, watch me fly-tweet Now that you’re all dressed, all dressed, all I’m a kitten, watch me scratch-meow dressed, I’m a dog, watch me dig-woof Now that you’re all dressed lets go play! Then sing in reverse order Apricot Tree Baby take your socks off, socks off, socks off I looked out the window and what did I see? Baby take your socks off, 1, 2, 3 Popcorn popping on the apricot tree! Repeat with shirt, pants, etc Spring has brought me such a nice surprise Now that you’re all naked, all naked, all naked Blossoms popping right before my eyes Now that you’re all naked Let’s take a bath! I can take an armful and make a treat A popcorn ball that would smell so sweet Bicycle It wasn’t really so, but it seemed to me (Tune: Row, Row, Row Your Boat) Popcorn popping on the apricot tree! Ride, ride, ride your bike Up and down the street At Christmas Time (Tune: Wheel on the Bus) Happily, happily, happily, happily, The bells on the sleigh go ring, ring ,ring. -
Identifying Beatles New Zealand 45'S
Identifying New Zealand Beatles 45's Page Updated 23 De 16 Red and Silver Parlophone Label The Beatles first began hitting it big in New Zealand in the middle of 1963. During the early 1960's, New Zealand Parlophone was issuing singles on a red label with "Parlophone" at the top. The writing on this issue is in silver print. The singles originally issued on this label style were as follows: Songs Catalog Number "Please Please Me"/"Ask Me Why" NZP 3142 "From Me to You"/"Thank You Girl" NZP 3143 "She Loves You"/"I'll Get You" NZP 3148 "I Want to Hold Your Hand"/"This Boy" NZP 3152 "I Saw Her Standing There"/"Love Me Do" NZP 3154 "Can't Buy Me Love"/"You Can't Do That" NZP 3157 "Roll Over Beethoven"/"All My Loving" NZP 3158 "Twist and Shout"/"Boys" NZP 3160 "Money"/"Do You Want to Know a Secret" NZP 3163 "Long Tall Sally"/"I Call Your Name" NZP 3166 "Hard Day's Night"/"Things We Said Today" NZP 3167 "I Should Have Known Better"/"And I Love Her" NZP 3172 "Matchbox"/"I'll Cry Instead" NZP 3173 Red, Silver, and Black Parlophone Label At the end of 1964, the Parlophone label went through a transition period. Black lettering was used for the singles' information on the existing red-and-silver backdrops. Notice that "Parlophone" still appears in silver at the top of the label. The following singles were released originally on this label style. Songs Catalog Number "I Feel Fine"/"She's a Woman" NZP 3175 Red and Black Parlophone Label Once again in 1965, New Zealand Parlophone changed label styles. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
WORLD ARCHAEOLOGICAL CONGRESS E-Newsletter No 35
WORLD ARCHAEOLOGICAL CONGRESS e-Newsletter No 35: November 2010 ____________________________________________________________ ____________________________________________________________ Editors: Shoshaunna Parks and Marisol Rodriguez Miranda [email protected]; [email protected] _______________________________________________________________ _________________________________________________________ Contents: 1. Executive News Skype Meeting of the Executive The WAC Executive held a Skype meeting on 5th October, 2010. The topics of discussion included the Regional Council meeting for African members of the WAC Council, planned for Dakar, Senegal in early November, 2010; formalising submissions for WAC‘s small grants program; the revitalisation and rationalisation of WAC‘s standing committees; the development of a Memorandum of Understanding concerning the planned organisation of WAC-7 in Jordan in 2012; and plans for WAC‘s 25th Anniversary celebrations in 2011. Global Libraries Anastasia Tsimourtous, of Flinders University, organized a major mail out for the WAC Global Libraries Program. Libraries involved in the program should have received their books at this point, or will receive them in the near future. The WAC Executive would like to thank Anastasia for all the work she has done on this program. Human Skull for Sale at Etsy WAC acted on requests concerning the sale of a human skull at etsy: (http://www.etsy.com/listing/57877817/real-human-skull?ref=cat2_gallery_20). The human skull was subsequently removed from sale. WAC Inter-Congress in Beijing, China: Heritage Management in East and South East Asia This is a reminder that WAC is calling for expressions of interest in presenting a paper at the Heritage Management in East and South East Asia Inter-Congress, which will be held at the Institute of Archaeology, Chinese Academy of Social Sciences, Beijing, China, 5-8 July, 2011. -
Beatles Cover Albums During the Beatle Period
Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
The Beatles Record Review
WRITING ASSIGNMENT Record Review You are going to write a record review of an album that is deemed significant in Rock Music. A list of groups/artists can be accessed by clicking on link below http://www.rollingstone.com/ news/story/5938174/the_rs_500_greatest_albums_of_all_time Criteria: Title Page Name, word count, course number, section number, etc. Introduction: Write a biography of the group you're critiquing. This should include the year the group/artist began recording, a list of and year of recordings, billboard chart positions, and any awards, Grammys, etc. www.allmusic.com is a great source for biographical information. Section 1 You will need to include all of the specifics of the recording, record label, producer(s), year, and dates of recording. Listen to the album several times as if you were a record critic and write an overview of the album, i.e. style of music, mood, highlights, lowlights, etc. Here are some things to consider: Is there a unifying theme throughout the album? Are there contrasting themes? If so, what are they? Is there enough variety musically in your opinion? What is it about this album in particular that makes it stand out? Section 2 Pick four songs and discuss them in more detail. Discuss your likes and dislikes as we have in relation to the journal entries in class but you will need to go into more detail. Discuss any other elements you find compelling, i.e., imagery from the lyrics or lack thereof, the use of and/or role of instrumentation, tempos, solos, vocals, etc. Section 3 Summarize your experience. -
Beatles Mexican Singles, Identification Guide
Mexican Single Releases Identification Guide Revised: 28 My 16 Musart Singles Since Mexico is part of North America, Capitol Records USA (whose role it was to oversee Beatles releases in North America) was able to dictate how their records were marketed in Mexico. However, prior to 1965, Capitol had no record company offices in Mexico and therefore licensed its releases to the Musart label, a prominent Mexican record label. All Mexican singles on the Musart label are somewhat scarce; consequently, this list is incomplete. The Beatles' Musart singles are particularly hard to find in VG+ or better condition. singles originally released on this label style Catalog Number "She Loves You"/"I Saw Her Standing There" 3576 "Can't Buy Me Love"/"You Can't Do That" 3595 "From Me to You"/"This Boy" 3596 "I Want to Hold Your Hand"/"I'll Get You" 3605 "Roll Over Beethoven"/"All My Loving" 3611 "Twist and Shout"/"Do You Want to Know a Secret" 3615 "Hard Day's Night"/"Things We Said Today" 3669 "I Should Have Known Better"/"Anytime at All" 3721 "I'll Be Back"/"Love Me Do" 3722 "And I Love Her"/"Tell Me Why" 3761 "I Feel Fine"/"She's a Woman" 3764 "Eight Days a Week"/"I Don't Want to Spoil the Party" 3821 "Rock and Roll Music"/"Baby's in Black" 3823 NOTE 1: Musart promotional singles have orange backgrounds with the words "PROHIBIDA SU VENDA" and "PROMOCION" on the label. Capitol Singles Capitol Records established a factory and offices in Mexico in May, 1965. -
The Beatles, Instrumentals En Fora Mei 2009
L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 The Beatles, Instrumentals en Fora L.M. van der Schoot Studentnummer: 0456659. Begeleiding: Joke Dame Cursusnaam: MA Thesis Muziekwetenschap. Cursuscode: 200501202. Universiteit Utrecht; Faculteit Geesteswetenschappen; opleiding Muziekwetenschap. Datum: mei 2009. 1 Lotte van der Schoot The Beatles, Instrumentals en Google Maart 2009 “Anyone tackling the oft-told tale of John, Paul, George and Ringo had better come up with a new angle, or new facts, or new interviews, or new something - or risk suffering the wrath of zillions of Beatles nuts.” Kirkus Reviews 2007, Academic Search Elite 2 L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 Woord vooraf Aan het begin van collegejaar 2008/2009 heb ik een cursus popmuziek gevolgd. Deze cursus had als onderwerp 'the popular instrumental'. Uit onderzoek voor deze paper kwam naar voren dat de bekendste popgroep aller tijden - The Beatles - ook instrumentale songs hebben geschreven. Mijn interesse was gewekt, te meer omdat ik de Beatles voornamelijk kende van nummers zoals 'Hey Jude', 'Yesterday' en 'Strawberry Fields Forever'. Deze fameuze popgroep heeft dus eveneens andersoortige nummers geschreven. In deze thesis wil ik geen 'herziene' versie maken van informatie die al tot in den treuren is uitgeplozen. Dit is echter niet eenvoudig, maar 'instrumentale nummers' is één van de onderwerpen die als onderwerp op zichzelf, nooit onderzocht is. In de hoogtij dagen van The Beatles – de jaren 1960 – zijn er maar op 3 albums instrumentals terug te vinden. De bekendste is waarschijnlijk 'Revolution 9' van de White Album (1968). Verder staat op het album Magical Mystery Tour (1967) het nummer 'Flying'. -
The Beatles BC
Last Updated: 29 Jn 20 If you have a copy of Introducing the Beatles that you are trying to identify ... search on this page for 1062. Beatles records in the United States are typically found on the Capitol or Apple label. But people often ask about records, such as Introducing the Beatles, which were released by companies other than Capitol/Apple. In these articles, I will attempt to discuss the history of Beatles recordings in the US which predate their Capitol contract. Known variations of those records will be listed, along with their approximate values. The first Beatles record released anywhere was "My Bonnie" and "The Saints," with the Beatles backing Tony Sheridan. This German record (Polydor NH 24-673) was issued in two forms (with a German intro or an English intro) and with a picture sleeve. [More information can be found in this article about the Beatles' association with Tony Sheridan.] "My Bonnie" was Tony's first record and his break into the record industry. As many people know, the word "Beatles" was considered difficult to interpret by Germans, so Polydor billed the artist as Tony Sheridan and the Beat Brothers (October 1961). From that point on, Tony's band was known as the Beat Brothers, which caused some confusion to later Beatles fans. In January of 1962, Beatles manager Brian Epstein began negotiating with Polydor to release "My Bonnie" in England. Because of his negotiations, the UK "My Bonnie" release (Polydor NH 66-833) showed the artist as "Tony Sheridan and the Beatles." The record sold modestly, apparently well enough to consider releasing it in America. -
Die Beatles-Geschichte
Die Beatles Die vier Bandmitglieder der Gruppe – oft als „Fab Four“ (wegen ihrer Frisur in den Anfangs- jahren auch scherzhaft als „Pilzköpfe“) bezeichnet – waren: • John Lennon (John Winston Lennon, später John Winston Ono Lennon, * 9. Oktober 1940 in Liverpool), Gesang, Rhythmusgitarre, Keyboards und Mundharmonika. Am † 8. Dezember 1980 wurde John Lennon von dem geistig verwirrten Attentäter Mark David Chapman in New York vor dem Dakota Building, in dem Lennon mit seiner Frau ein Apartment bewohn- te, erschossen. • Paul McCartney, (James Paul McCartney, * 18. Juni 1942 in Liverpool), Gesang, Bass- Gitarre, Gitarre und Keyboards • George Harrison (* 25. Februar 1943 in Liverpool, † 29. November 2001 in Los Angeles an Krebs), Gesang, Leadgitarre und Sitar • Ringo Starr (Richard Starkey, * 7. Juli 1940 in Liverpool), Schlagzeug und Gesang ab Au- gust 1962 - auf Anraten des Produzenten George Martin - an Stelle von Pete Best Zeitweilig wirkten in der Gruppe mit: • Stuart („Stu“) Sutcliffe, Bass bis 1960 (* 23. Juni 1940 in Edinburgh, † 10. April 1962 in Hamburg an einem Blutgerinnsel im Gehirn) • Randolph Peter („Pete“) Best, Schlagzeug bis 1962 (* 24. November 1941 in Madras) John Lennon und Paul McCartney waren die musikalischen Köpfe der Beatles. Sie kompo- nierten die meisten Lieder der Band, darunter zahlreiche Hits wie Yesterday, Let It Be, I Want To Hold Your Hand, A Hard Day's Night, She Loves You, Help!, Michelle, Yellow Submari- ne, Lucy in the Sky with Diamonds (das nach einem selbstgemalten Bild von John Lennons Sohn Julian, der sagte, das sei seine Schulkameradin Lucy am Himmel mit Diamanten, be- nannt wurde), Hey Jude und I am the Walrus. -
LSUG June 17Th 2012
FATHERS DAY 2012…and Paul’s 70TH Birthday Show!!!! MACCA HOUR 1 Paul McCartney – I Lost My Little Girl (Lennon/McCartney) – Unplugged ‘91 This was Paul’s first composition, written at the age of 14. The Beatles - I’ll Follow The Sun - Beatles For Sale (Lennon-McCartney) Lead vocal: Paul One of the earliest Beatle originals, “I’ll Follow The Sun” was composed entirely in 1959 by Paul McCartney in the front room of his family home on Forthlin Road in Liverpool. Recorded in eight takes on October 18, 1964. On U.S. album: Beatles ‘65 - Capitol LP The Beatles – When I’m Sixty-Four - Sgt. Pepper’s Lonely Hearts Club Band Recorded Dec. 6th 1966 1st song recorded for Sgt. Pepper. Written by Paulie when he was just about 15 or 16 years old. Lennon - “I would have never even dream of writing a song like that”….though he did help write some of the lyrics! Lead vocal Paul McCartney .85 / Lennon .15 EARLY SONGWRITING 1.02 VOICE BREAK The Beatles – Birthday - The Beatles Recorded Sept. 18th 1968 Recorded after watching the movie The Girl Can Help It at Paul’s house. The 1956 film starred Jayne Mansfield and featured performances by Fats domino, the Platters, Gene Vincent and Little Richard. Lennon: “it was a piece a garbage”. Features backing vox by Pattie and Yoko. McCartney .7 Lennon .3 The Beatles - Mother Nature's Son - The Beatles Recorded Aug. 9th 1968 Paul said he wrote it at his Dad’s house in Liverpool. John said Paul wrote it in India.