Die Beatles-Geschichte
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
The Beatles, Instrumentals En Fora Mei 2009
L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 The Beatles, Instrumentals en Fora L.M. van der Schoot Studentnummer: 0456659. Begeleiding: Joke Dame Cursusnaam: MA Thesis Muziekwetenschap. Cursuscode: 200501202. Universiteit Utrecht; Faculteit Geesteswetenschappen; opleiding Muziekwetenschap. Datum: mei 2009. 1 Lotte van der Schoot The Beatles, Instrumentals en Google Maart 2009 “Anyone tackling the oft-told tale of John, Paul, George and Ringo had better come up with a new angle, or new facts, or new interviews, or new something - or risk suffering the wrath of zillions of Beatles nuts.” Kirkus Reviews 2007, Academic Search Elite 2 L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 Woord vooraf Aan het begin van collegejaar 2008/2009 heb ik een cursus popmuziek gevolgd. Deze cursus had als onderwerp 'the popular instrumental'. Uit onderzoek voor deze paper kwam naar voren dat de bekendste popgroep aller tijden - The Beatles - ook instrumentale songs hebben geschreven. Mijn interesse was gewekt, te meer omdat ik de Beatles voornamelijk kende van nummers zoals 'Hey Jude', 'Yesterday' en 'Strawberry Fields Forever'. Deze fameuze popgroep heeft dus eveneens andersoortige nummers geschreven. In deze thesis wil ik geen 'herziene' versie maken van informatie die al tot in den treuren is uitgeplozen. Dit is echter niet eenvoudig, maar 'instrumentale nummers' is één van de onderwerpen die als onderwerp op zichzelf, nooit onderzocht is. In de hoogtij dagen van The Beatles – de jaren 1960 – zijn er maar op 3 albums instrumentals terug te vinden. De bekendste is waarschijnlijk 'Revolution 9' van de White Album (1968). Verder staat op het album Magical Mystery Tour (1967) het nummer 'Flying'. -
The Last Days of John Lennon
Copyright © 2020 by James Patterson Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Little, Brown and Company Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 littlebrown.com twitter.com/littlebrown facebook.com/littlebrownandcompany First ebook edition: December 2020 Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or call (866) 376-6591. ISBN 978-0-316-42907-8 Library of Congress Control Number: 2020945289 E3-111020-DA-ORI Table of Contents Cover Title Page Copyright Dedication Prologue Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 — Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 — Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 -
KLOS Nov 11Th VINYL ONLY
1 1 2 YER PLAYLIST SUNDAY NOV. 11th 2012 BEATLES VINYL ONLY SHOW!!! Featuring the new 180 gram pressings just in time for yer holidays! 2 3 9AM The Beatles w/ Tony Sheridan My Bonnie - SINGLE Oct. 1961 GERMANY Ain’t She Sweet Cry For A Shadow Anthony Esmond Sheridan McGinnity The Beatles first time on vinyl recorded way back in 1961…before running water! 9.10 BREAK 3 4 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL Communications and Lenono Music. Fun fact: John Lennon shoplifted the harmonica he played on the song from a shop in Holland. -
The Beatles Destination Hamburg - Review of Documentary About the Be
The Beatles Destination Hamburg - review of documentary about The Be... http://classicrock.about.com/od/artistsaf/fr/beatles_hamburg.htm Classic Rock The Beatles - Destination Hamburg DVD Release Date: February 19, 2008 About.com Rating By Dave White, About.com I've always been intrigued by the portion of Beatles history covering their three "tours" of Hamburg, Germany in the early '60s. Accordingly, I was anxious to screen the DVD documentary, The Beatles - Destination Hamburg. To say that I was disappointed would be putting it kindly. Mistaken Identity The title suggests something that the film doesn't deliver. Oh, there is a segment on the band's three trips to Hamburg alright, but it is buried amid what tries to be a history of the band, with emphasis on the birth and death of Beatlemania. There is some stock footage of Hamburg and the exteriors of a couple of the clubs the band played, but nothing that conveys what the band was doing musically. The DVD's front cover prominently promises "never before seen" footage, which is an apparent reference to the two interviews with former Beatles associates that are excerpted. Courtesy MVDvisual At least there is no attempt at outright deception. Disclaimers on the back cover make it clear that "[t]his program contains no Beatles music" and that it has not been sanctioned by The Beatles or anybody associated with them. Odds and More Odds Instead of Beatles music, then, we get "the musical recordings of Tony Sheridan, an early collaborator of The Beatles." The recordings, which are inexplicably prominent in some very odd places, are of non-Beatles songs that The Beatles covered in their early years. -
Beatles Answers
1. John Lennon 2. Paul McCartney 3. George Harrison 4. Ringo Starr 5. Pete Best 6. Brian Epstein 7. Stu Sutcliffe 8. Billy Preston 9. George Martin 10. Astrid Kirshner 11. Meet the Beatles 12. A Hard Day’s Night 13. Let It Be 14. Revolver 15. The Beatles (1/2 point for “The White Album”) 16. I Saw Her Standing There 17. Lovely Rita 18. Day Tripper 19. Hey Jude 20. Good Day Sunshine 21. Sgt. Pepper’s Lonely Hearts Club Band (NOT “A Little Help from my Friends”) 22. Eleanor Rigby 23. Get Back 24. Ob-La-Di Ob-La-Da 25. Rocky Raccoon 26. Salvation Army house near John’s childhood home 27. A street near John’s childhood home in Liverpool 28. A street in the Hollywood Hills where George rented a house in 1967 29. A Day in the Life 30. Being for the Benefit of Mr. Kite 31. The Quarrymen 32. Rory Storm and the Hurricanes 33. Can’t Buy Me Love 34. Twist and Shout 35. She Loves You 36. I Want to Hold Your Hand 37. Please Please Me 38. I Want to Hold Your Hand 39. The Long and Winding Road 40. “1” (in the year 2000) 41. Peter & Gordon 42. “A World Without Love” 43. On the set of the movie “A Hard Day’s Night” (she was an extra) 44. Eric Clapton 45. John Lennon’s mother, Julia 46. Revolution #9 47. Strawberry Fields Forever 48. Glass Onion 49. She’s Leaving Home 50. I’m So Tired 51. -
Für Sonntag, 21
InfoMail 27.10.14: BEATLES-Buch THE FAB ONE HUNDRED AND FOUR mit Signaturen /// NEUERSCHEINUNGEN /// MANY YEARS AGO Angebot gilt meistens längere Zeit aber nicht auf Dauer. Die InfoMails archivieren wir auf Dauer auf unserer Internetseite. Montag, 27. Oktober 2014 InfoMails abbestellen oder umsteigen (täglich, wöchentlich oder monatlich): Nur kurze Email schicken. Alter Markt 12, 06108 Halle (Saale); Telefon / phone: 0345-2903900, Fax: 0345-2903900; Email: [email protected]; Internet: www.BeatlesMuseum.net Geöffnet: dienstags bis sonntags und an Feiertagen (außer Weihnachten und Jahreswechsel) jeweils 10.00 bis 18.00 Uhr (nach Absprache auch später - oder morgens früher) Zusätzliche Öffnungszeiten für Gruppen und Schulklassen auf Anfrage; auch abends. Geschlossen: Heiligabend/Weihnachten und Silvester/Neujahr. Hallo M.B.M.! Hallo BEATLES-Fan! BEATLES-Buch von David Bedford signiert von Autor oder signiert von ROD DAVIS und Autor Weitere Info und/oder bestellen: Einfach Abbildung anklicken Auch Abbildungen in pdf-Datei anklickbar. Freitag, 13. Dezember 2013: BEATLES-Buch THE FAB ONE HUNDRED AND FOUR (author signed edition) . 59,90 € Abbildungen unter dem Buch von links: Signaturen von Autor David Bedford und ROD DAVIS (THE QUARRYMEN) Freitag, 13. Dezember 2013: BEATLES-Buch THE FAB ONE HUNDRED AND FOUR (QUARRYMEN ROD DAVIS & author signed edition). 69,90 € Autor: David Bedford. Verlag: Dalton Watson Fine Books, USA; Gebundenes Buch; 25,4 cm x 24,8; 400 Seiten; über 570 Fotos (auch bisher unveröffentlichte). Inhalt: Foreword by BILL HARRY. Über 100 Kapitel über "BEATLES"-Personen mit vielen Fotos. Pressetext: We are proud to announce the new hard-back Limited Edition version of The Fab one hundred and Four. -
Beatles History – Part One: 1956–1964
BEATLES HISTORY – PART ONE: 1956–1964 January 1956–June 1957: The ‘Skiffle Craze’ In January 1956, Lonnie Donegan’s recording of “Rock Island Line” stormed into the British hit parade and started what would become known as the ‘skiffle craze’ in Great Britain (vgl. McDevitt 1997: 3). Skiffle was originally an amateur jazz style comprising elements of blues, gospel, and work songs. The instrumentation resembled New Or- leans street bands called ‘spasms,’ which relied on home-made instru- ments. Before skiffle was first professionally recorded by American jazz musicians in the 1920s and 1930s, it had been performed at ‘rent parties’ in North American cities like Chicago and Kansas City. Many African- American migrant workers organized rent parties in order to raise money for their monthly payments (vgl. Garry 1997: 87). Skiffle provided the musical entertainment at these parties, as everybody was able to partici- pate in the band, which usually consisted of home-made acoustic guitars or a piano backed by a rhythm section of household instruments, such as a washboard, a washtub bass, and a jug (vgl. McDevitt 1997:16). Jazz trumpeter and guitarist Ken Colyer pioneered the skiffle scene in Great Britain. In 1949, he formed the Crane River Jazz Band in Cran- ford, Middlesex, together with Ben Marshall (guitar), Pat Hawes (wash- board), and Julian Davies (bass). Their repertoire included skiffle songs “to illustrate aspects of the roots of jazz and to add variety to a pro- gramme” (Dewe 1998: 4). After leaving the group in 1951, Colyer mi- grated to the United States to work with jazz musicians in New Orleans. -
The Beatles on Film
Roland Reiter The Beatles on Film Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 11 The Beatles on Film – Part One: 1964-1965 39 Beatles History – Part Two: 1964-1966. A Contextual Interpretation of The Beatles’ Image Change in 1966 87 The Beatles on Film – Part Two: 1965-1970 93 Beatles History – Part Three: 1970-2008 137 Screening the Past: Film and History 145 Movies about The Beatles 151 Documentaries about The Beatles 181 Spoofs 191 Conclusion: Image, Myth, History, and The Beatles 195 Works Cited 203 The Author/Acknowledgments 211 INTRODUCTION A star’s image generally reflects the ideals of his or her average audi- ence. It enables the fans to identify with their idol on an emotional and/or intellectual level. The potential of identification with a star can be an im- portant factor for his or her commercial success. -
Pdf/Beatles Chronology Timeline
INDEX 1-CHRONOLOGY TIMELINE - 1926 to 2016. 2-THE BEATLES DISCOGRAPHY. P-66 3-SINGLES. P-68 4-MUSIC VIDEOS & FILMS P-71 5-ALBUMS, (Only Their First Release Dates). P-72 6-ALL BEATLES SONGS, (in Alphabetical Order). P-84 7-REFERENCES and Conclusion. P-98 1 ==================================== 1-CHRONOLOGY TIMELINE OF, Events, Shows, Concerts, Albums & Songs Recorded and Release dates. ==================================== 1926-01-03- George Martin Producer of the Beatles was Born. George Martin died in his sleep on the night of 8 March 2016 at his home inWiltshire, England, at the age of 90. ==================================================================== 1934-09-19- Brian Epstein, The Beatles' manager, was born on Rodney Street, in Liverpool. Epstein died of an overdose of Carbitral, a form of barbiturate or sleeping pill, in his locked bedroom, on 27 August 1967. ==================================================================== 1940-07-07- Richard Starkey was born in family home, 9 Madyrn Street, Dingle, in Liverpool, known as Ringo Starr Drummer of the Beatles. Maried his first wife Maureen Cox in 1965 Starr proposed marriage at the Ad-Lib Club in London, on 20 January 1965. They married at the Caxton Hall Register Office, London, in 1965, and divorced in 1975. Starr met actress Barbara Bach, they were married on 27 April 1981. 1940-10-09- JohnWinston Lennon was born to Julia and Fred Lennon at Oxford Maternity Hospital in Liverpool., known as John Lennon of the Beatles. Lennon and Cynthia Powell (1939– 2015) met in 1957 as fellow students at the Liverpool College of Art. The couple were married on 23 August 1962. Their divorce was settled out of court in November 1968. -
A Vida Dos Beatles Hunter Davies a Vida Dos Beatles (A Única Biografia Autorizada)
a vida dos beatles http://groups.google.com/group/digitalsource hunter davies a vida dos beatles (a única biografia autorizada) editôra expressão e cultura TÍTULO ORIGINAL: THE BEATLES COPYRIGTH, 1968 BY FORSTER DAVIES LIMITED PRIMEIRA EDIÇÃO ORIGINAL: JUNHO DE 1968 PRIMEIRA EDIÇÃO EM LÍNGUA PORTUGUÊSA: NOVEMBRO DE 19 68 RESERVADOS TODOS OS DIREITOS DE PUBLICAÇÃO EM LÍNGUA PORTUGUÊSA PARA O BRASIL, NOS TÊRMOS DA LEGISLAÇÃO EM VIGOR. TRADUÇÃO DE HENRIQUE BENEVIDES CAPA DE MIGUEL MASCARENHAS DIAGRAMAÇÃO E PAGINAÇÃO DE MÁRIO PAULO COMPOSIÇÃO, IMPRESSÃO E ACABAMENTO: OFICINAS DA EMPRÊSA GRÁFICA “O CRUZEIRO” S. A. RIO DE JANEIRO Para Brian Epstein Sinceros agradecimentos são também devidos aos pais, amigos, pare ntes e a todos os que os acompanharam em Liverpool, Hamburgo e Londres e deram a sua ajuda a êste livro. Igualmente recebi grandes subsídios de Queenie Epstein, Cliv e Epstein, Peter Brown, Geoffrey Ellis, Neil Aspinall, Mal Evans, Tony Bar row e muitos outros colaboradores da Nems e Apple. Agradecimentos também a George M artin, Dick James, Sir Joseph Lockwood, Richard Simon e a todos da Cur tis Brown. Evidentemente, sem esquecer John, Paul, George e Ringo, sem os quais... ÍNDICE Introdução................................................................... 08 l.ª PARTE: LIVERPOOL 1. John ....................................................................... 12 2. John e os “Quarrymen” ........................................... 25 3. Paul ........................................................................ 42 4. Paul e os “Quarrymen”