LSUG Feb.24 Harrisongs 2013

Total Page:16

File Type:pdf, Size:1020Kb

LSUG Feb.24 Harrisongs 2013 LSUG Playlist Feb. 24th 2013 Remembering George Harrison HOUR 1 George Harrison - When We Was Fab – Cloud 9/ `87 George Harrison's thirteenth album release, and final original album chart appearance. Credited to George Harrison Produced by Jeff Lynne and George Harrison. Personnel : George - Lead vocals, guitars and keyboards. Ringo - Drums. Jeff Lynne - Guitars, bass and keyboards. Eric Clapton - Guitar. Elton John - Piano. Gary Wright - Piano. Jim Keltner - Drums. Ray Cooper - Percussion and drums. Jim Horn - Baritone and tenor sax. Bobby Kok - Cello. OPENING "A good deal of confusion as to his real birthday was solved when a family birth record noted him as being born shortly before midnight around 11:50 P.M. on February 24th, 1943. He had believed his birthday was February 25th for his entire life. The Beatles - Blue Jay Way (Harrison) - Magical Mystery Tour Recorded 6th September 1967 Written in the Hollywood Hills while renting a house w/ Patti on Blue Jay Way. George was waiting for Beatle pal & employee Derek Taylor to arrive and as the hours past, George as a joke to pass the time began writing a song on the Hammond organ that was in the house. Lead vocal George. UK EP The Beatles – Love You To (Harrison) – Revolver Recorded April 11th 1966 “Love You To” was the first song George wrote for the sitar, as Norwegian Wood was more an accident as far as the sitar part was concerned. Lead vocal George The Beatles – Think For Yourself (Harrison) YELLOW SUB REMASTER Recorded Nov. 8th 1965 One of George’s most underrated rockers featuring Paul on fuzz bass…putting his Rickenbacker through a distortion The Beatles - Old Brown Shoe (Harrison) – Past Masters Recorded April 16th 1969 Abbey Road right before the Abbey Road sessions began, though some Abbey Road material was already laid down. Recorded Jan. 27th (LP) and single Jan. 28th 1969 flip of Ballad of John & Yoko Released as a single in UK April 11, 1969 And in the USA May 5th 1969. The Beatles 1st STEREO single in the USA Featuring Billy Preston on organ. George Harrison – What Is Life – ATMP 1.34 BREAK The Beatles – Sheik Of Araby - Anthology I (George) The Beatles at their Decca Audition of 1st January 1962. This session was held at the Broadhurst Gardens, West Hampstead studio's of Decca records in London, less than two miles from Abbey Road The Beatles – Three Cool Cats – Anthology I (George) The Beatles – Roll Over Beethoven (Chuck Berry) - With The Beatles Released as a Chuck Berry single May 1956 on Chess records peaking at #29. A song performed in the very early days when John sang lead. Lead vocal George US - Capitol LP The Beatles' Second Album The Beatles – Everybody’s Trying To Be My Baby (Carl Perkins) – The Beatles For Sale Recorded Oct. 18th 1964. Originally recorded by its author Carl Perkins on his Teen Beat LP from 1958…the Teen Beat LP also contained two other songs that the Beatles covered: “Matchbox” and “Honey Don’t”. US - Capitol LP Beatles '65 The Beatles – Nuthin` Shakin` – LIVE @ BBC The Beatles – Glad All Over – LIVE @ BBC 2.16 BREAK The Beatles – Don’t Bother Me - With The Beatles BOX Harrison’s first recorded song recorded September 11th and 12th 1963 Lead vocal George US - Capitol LP Meet the Beatles! The Beatles – For You Blue - Let It Be…NAKED "It's a simple 12-bar song following all the normal 12-bar principles except that it's happy-go-lucky!" - George on "For You Blue" flip Long & Winding Road in US First & last songs US Beatles records.. The Beatles – I Need You (Harrison) - HELP! Feb. 15th 1965 George’s second penned number found on a Beatle LP. George wrote this for Patti Boyd. Lead vocal George US - Capitol LP HELP! The Beatles – Something (Harrison) - Abbey Road - Recorded – April 16th 1969 - Released as a single in US on Oct. 6th 1969…George’s FIRST A Side on a Beatle single. - Inspired by Patti Harrison..and written during the very end of the White LP sessions. - The second most covered Beatles tune EVER…(Yesterday) Frank Sinatra – The greatest love song of the past fifty years George Harrison – Give Me Love (Give Me Peace On Earth) – LITMW `73 2.45 BREAK The Beatles – Cry For A Shadow (Harrison-Lennon) – Anthology I Recorded June 22 1961 at a session with Tony Sheridan, Line up: George on lead guitar, Paul on bass and backing vocals, John rhythm guitar, Pete Best on drums. HOUR 2 The Beatles – A Hard Days Night – AHDN – US Premiere Aug. 12th `64 Released as a single in the UK July 10 `64 going straight to #1.The title is a Ringoisum sez John Lennon who first used the phrase in his book In His Own Write. Written arranged, rehearsed and recorded in a 24 hour period on April 16th, 1964. Lead vocal John Lennon 1.00 US - United Artists LP A Hard Day’s Night Victor S- John Junkin /Richard Lester D & Walter Shenson P The Beatles – HELP! – HELP! – UK Premiere July 29th `65 Recorded April 1965. John’s autobiographical tune from what he called his “fat Elvis” period. #1 in the States for 3 weeks in 1965… and 4 weeks in the UK at #1. Lead vocal John Lennon .9 / McCartney .1 US - Capitol LP HELP! Richard Lester D & Walter Shenson P The Beatles - Magical Mystery Tour - Magical Mystery Tour Recorded 25th April 1967 Boxing Day in UK B&W Written mainly by Paul directly after recording for Sgt. Pepper had finished. Lead vocal Paul McCartney .9 / Lennon .1 UK EP / Apple Films – The Beatles – Yellow Submarine – Revolver Directed George Dunning – Prod> Al Brodox / Premieres - UK July 17 1968 / US Nov. 1968 / 3rd United Artists Film Written by Mr. McCartney while lying in bed one night sez Paul…You know as a kids story…And then we thought it would be good for Ringo to do. The Beatles - Let It Be – Single / Let It Be /Past Masters Recorded January 31st at Apple Studios WON an Oscar at the 1970 Academy Awards: Best Original Song score Released: March 6, 1970 in UK Weeks on chart: 9: March 14 to May 15, 1970 Highest chart position: 2 Originally planned as a TV documentary How about we stick to the Beatles on the BIG screen for the first hour anyway.. Go backwards this time… 2.34 VOICE BREAK The Beatles – I Should Have Known Better - AHDN Recorded Feb. 25th & 26th 1964. This song was performed in the film AHDN in the train compartment scene…, which was actually filmed in a van with the crewmembers rocking the van to fake the train in motion. Flip of AHDN in US. Lead vocal John Lennon 1.00 US - United Artists LP A Hard Day’s Night Apple LP Hey Jude The Beatles – Can’t Buy Me Love – AHDN A #1 in both the UK and US Recorded Jan. 29th 1964 at Pathe’ Marconi Studio Paris. Lead vocal Paul McCartney .9 / Lennon .1 US - United Artists LP A Hard Day’s Night Apple LP Hey Jude The Beatles – Ticket To Ride - HELP! Feb. 15th 1965 – Skiing in the Alps /Richard Lester D & Walter Shenson P Released as a single in the UK April 9th 1965 and in the US April 14th 1965. John sez in Playboy – quote: “This is the earliest heavy metal record“... Paul’s contribution was the way Ringo played the drums”. And he played lead guitar with George. Lennon 1.00 US - Capitol LP HELP The Beatles – You’ve Got To Hide Your Love Away - HELP! Recorded Feb. 18th `65 in a quick afternoon session. Interesting note: John’s original lyric was “I can’t go on feeling two foot tall “, but when singing it for Paul the first time he accidentally said, two foot “small”…Lennon then laughed and said “lets leave it…all those psudes will really love it.” Lead vocal John Lennon 1.00 US - Capitol LP HELP! The Beatles - Your Mother Should Know - Magical Mystery Tour Recorded 22nd August 1967 at Chappell Recording Studios London (1st of two) Abbey Road was booked on this day so they went to another George Martin used studio owned by the Chappell Publishing Co. also in London. Musicians: Paul McCartney – lead vocal, backing vocal, piano, bass guitar; John Lennon – backing vocal, organ; George Harrison – backing vocal, tabla; Ringo Starr – drums, tambourine The Beatles - Only A Northern Song - Yellow Submarine (Harrison) Recorded 13th February 1967 During the Sgt. Pepper sessions but not used. Musicians: George Harrison – lead vocal, organ, tape-effects, assorted noises; Paul McCartney – bass guitar, trumpet(?), tape-effects, assorted noises; John Lennon – piano, glockenspiel(?), tape-effects, assorted noises; Ringo Starr – drums Directed George Dunning – Prod> Al Brodox / Premieres - UK July 17 1968 / US Nov. 1968 / 3rd United Artists Film The Beatles – Across The Universe - Let It Be Recorded 4th February 1968 - 8 takes Overdubs 8th February 1968 onto take 8 Overdubs 1st April 1970 onto take 8 creating take 9 “Across the Universe" was originally donated to a charity album for the World Wildlife Fund. That original song was a faster, higher version than the Let It Be version, which was the original track slowed down and combined with an orchestra by producer Phil Spector. Musicians: [Wildlife version] John Lennon – lead vocal, backing vocal, acoustic guitar, lead guitar, Hammond organ (with George Martin); Paul McCartney – backing vocal, piano; George Harrison – backing vocal, sitar, tambura; Ringo Starr – maracas; George Martin – Hammond organ (with John Lennon); Lizzie Bravo and Gayleen Pease – backing vocals [Phil Spector version] John Lennon – lead vocal, backing vocal, acoustic guitar, lead guitar, Hammond organ (with George Martin); Paul McCartney – backing vocal, piano; George Harrison – backing vocal, sitar, tambura; Ringo Starr – maracas; George Martin – Hammond organ (with John Lennon); Unknown musicians – strings and choir 2.12 VOICE BREAK George was the Beatle most involved in the movie world…Hand Made Films…interesting SDTK choices…prompted by his buddies … George Harrison – Cheer Down (Harrison/Petty) – Lethal Weapon II Co-written by GH and tom Petty helped w/ this lyric’s.
Recommended publications
  • Bright Tunes Music V. Harrisongs Music
    420 F.Supp. 177 United States District Court, S. D. New York. BRIGHT TUNES MUSIC CORP., Plaintiff, v. HARRISONGS MUSIC, LTD., et al., Defendants. No. 7 1 Civ. 602. | Aug. 31, 1976. | As Amended Sept. 1, 1976. OPINION AND ORDER OWEN, District Judge. This is an action in which it is claimed that a successful song, My Sweet Lord, listing George Harrison as the composer, is plagiarized from an earlier successful song, He’s So Fine, composed by Ronald Mack, recorded by a singing group called the “Chiffons,” the copyright of which is owned by plaintiff, Bright Tunes Music Corp. He’s So Fine, recorded in 1962, is a catchy tune consisting essentially of four repetitions of a very short basic musical phrase, “sol-mi-re,” (hereinafter motif A),1 altered as necessary to fit the words, followed by four repetitions of another short basic musical phrase, “sol-la-do-la-do,” (hereinafter motif B).2 While neither motif is novel, the four repetitions of A, followed by four repetitions of B, is a highly unique pattern.3 In addition, in the second use of the motif B series, there is a grace note inserted making the phrase go “sol-la-do-la-re-do.”4 My Sweet Lord, recorded first in 1970, also uses the same motif A (modified to suit the words) four times, followed by motif B, repeated three times, not four. In place of He’s So Fine’s fourth repetition of motif B, My Sweet Lord has a transitional passage of musical attractiveness of the same approximate length, with the identical grace note in the identical second repetition.5 The harmonies of both songs are identical.6 *179 George Harrison, a former member of The Beatles, was aware of He’s So Fine.
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • President to Veto Vets' Bonus Bill E1(»1T Are Killed, Over
    VOL. LIIL, NO. 126. s.) MANCHESTER. CONN.. TUESDAY. FEBRUARY 27.1984. (T B N P A 6E 8) PRICE THREE CaUCH|^ PRESIDENT TO VETO Pastor’s Daughter Seized With Bandit Suq>ects ISAPFIADDED E1(»1T ARE KILLED, FORDEFENDDIG VETS’ BONUS BILL MHAILDEAL OVER 25 INJURED Makes First Ddbnte State­ STUDENTS’ BODIES Senate b retlig a ton ToU IN RAIL ACCIDENT ment on Snbject in Letter ARE SHIPPED HOME Tint PoBdeal Inflnence to Speaker Rainey— Vote PU-YI P R E P m Pennsylvania Train Leava and Personal Friaddiip Comes on March 12. College (Mfidals Advised FOR ENTHRONEMENT Tracks— Engine Plots Used to Obtain Contracts. Parents Not to Come to Down 20 Foot Embank­ WMhlngton, Feb. 27.— (AP)— The Preeldent's letter to Speaker Washington, Feb. 27.-^(AP)— Emperor of Manchokno To ment — Steel Coaches Rainey that he would veto the Pat­ Dartmonth. charges that “political influence man bonufl bill wga made public to­ and personal friendship were gener­ Be Principal Figure at Im- Keep On Moving, Knock day by the Speaker as follows: ally used” by airmail operators In "Memorandum for the Speaker: Hanover, N. H., Peb. 27.— (A P )— "Dear Henry: Men of Dartmouth today platmed a obtaining contracts during the Hoo­ pressve Rites Thursday. Down Two Story Signal "Mac has shown me your letter of farewell tribute to nine fellow stu­ ver administration, were laid before February twenty-first. Senate Investigators today by Karl “Naturally when I sugrgested to dents who were taken from them Tower and Wreck Three you that I could not approve the bill Simday by an invisible death.
    [Show full text]
  • COMMENCEMENT 2008 L-L Mir F 11 T .AJ R C Cetnen , Rs C 11 University
    MARSHALL UNIVERSITY COMMENCEMENT 2008 l-l m Ir F 11 t .AJ r c cetnen , rs c 11 University Alma Mater Marshall Gracious Alma Mater, May the years be kind to Marshall; We thy name revere: May she growin fame; May each noble son and daughter May her children fail her never Cherish thine honor dear. True to her beacon flame. May thy lamp be ever bright May her spirit brave and strong Guiding us to truth and light; Honor right and conquer wrong; As a beacon o'er dark water This the burden of our song This is for thee our prayer. Ever her truth proclaim. C. E. and James Haworth Today's Ceremony Welcome to Marshall University on this day of special recognition of our candidates for graduation. We hope you will find these ceremonies - a culmination of the efforts of faculty, staff, our students and their families - both meaningful and impressive. While awaiting the start of the ceremonies, you may wish to read the historical notes on West Virginia's oldest university on the followingpages. There is also a brief descrip­ tion and picture of The Grand Mace. The narration on academic heraldry will detail the significance of the costumes worn by the participants in today's ceremony. The exercises begin with the traditional entry procession of the candidates for degrees. The degree candidates will be followed by representatives of the faculty and administra­ tion. The platform party consisting of the Academic Deans, Honorary Degree recipients, special guests of the President and the President of the University are led to the platform by the Chief Faculty Marshal, a distinguished member of the faculty,bearing The Grand Mace.
    [Show full text]
  • The Twenty Greatest Music Concerts I've Ever Seen
    THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there.
    [Show full text]
  • Observations & Questions Contexts & Consequences Meet the Beatles
    Sgt. Pepper’s Lonely Meet The Beatles Hearts Club Albums recorded 1963-1970 Band An album by the Beatles December 1966 – April 1967 “perhaps the most creative 129 days in the history of rock music” 1964 Observations & questions Producer George Martin • Song analysis models “The 5th Beatle” • Is this album a unified work of art similar to a symphony, suite or song cycle in classical music? – The invention of the “concept album” – McCartney “. like writing your novel” – Lennon disagreed – The first album to print the lyrics on the sleeve contexts & consequences ‘The Frame’ • Pop music gets its own Art Tradition • Opening (title) song (SPLHCB) • Queen – “We don’t compose songs, we compose albums” • Alter ego/distancing (dissimulation) tactic • Punk reacts against this (Metallica struggles on) • Polystylistic now, polystylistic then, but in the • The Recording is the Work future? – Before, recordings were supplements to the ‘real thing,’ live performance • 12 + 5 bar phrase lengths – gives it a chopped – Now, the live concert is the supplement to the up feel? recording – Financially, this may be reverting back, but the recording still seems to be the site of music With a Little Help . Getting Better • A “character song” (as in an opera or musical) • Optimism with one or two negative, even • Musical traits? (Simplicity of harmony seems shocking, twists in the lyrics to set up the next song) • “the album’s first track with no harmonic • Drug reference? Surrealistic verse? innovations” – Walter Everett • Rating on your personal normalcy/weirdness – (but I think that guitar spiking away on a note that chart? may or may not fit into the chords is really cool) • Falsetto “foolish rules” • Appeal to fantasies/Beatlemania? With a Little Help .
    [Show full text]
  • Music & Film Memorabilia
    MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played.
    [Show full text]
  • Was Original Whom He Liked, Though He's Not Too Keen on Originally As Nobody Ever Asked Me to Play Live
    HARRY NILSSON r.,I3 ej ictor "We thought it had a sense of humour. I don't know... things that the studio has to offer which you can't do in I guess I'm just bitter about it. I think that sense of g a live situation. I did some TV shows in America a long humour is the single most lacking thing in popular time ago -the Johnny Carson show, the Mike Douglas music. It's also the single most lacking quality in the show -with just me and a piano. people that present popular music to the public. It hurts, "I was once advised to do live shows and appear on TV. because that's what rock'n'roll is all about -fun. I agreed to the TV. 'Everybody's Talkin" had just come out and "'Acting lilce a man on a fuzzy tree. .'It's humour. How serious can you it was a hit, so I went on this TV show. I didn't have a suit to wear so I get about'your baby, my baby'?Lots of musicians take it too seriously and borrowed my manager's suit, which didn't fit. As soon as it was over it's dull and boring, and that's what's killing pop music. I like humour and I realised I was making a mistake and stopped doing it. My reputation I like songs that have humour. That's why I'm arguing with RCA. is now unscathed. "They don't get the joke aboutGod's Greatest Hits.I asked them whether "I've talked about it with the band that I use on the albums but I don't they'd have turned downJesus Christ Superstarfor the same reason.
    [Show full text]
  • Common Course Outline the Community College of Baltimore
    Common Course Outline MUSC 128 The Beatles in the Rock Generation 3 Semester Hours The Community College of Baltimore County Description The Beatles in the Rock Generation Examines the development of the musical and lyrical artistry of the Beatles presented within the framework of aesthetic and social movement, 1957 to 1970. Corequisites: ENGL 051 or ESOL 051 or LVE 1 or LVE 2 or LVE 3 and RDNG 052 or LVR 2. Overall Course Objectives Upon successful completion of this course, the student will be able to: 1. Understand and articulate how and why the Beatles became the most influential pop group of the 1960’s and beyond. 2. Identify the principal musical and social influences on the Beatles. 3. Evaluate the growth and change of the Beatles' body of work as their career progressed. 4. Identify the influence the Beatles had on the music that succeeded them. 5. Evaluate the Beatles’ contribution to the cultural and social climate of the 1960's. 6. Trace the development of popular music in the 20th century. 7. Identify the stylistic and formal aspects of popular music. 8. Articulate the importance of music in human experience. 9. Utilize analytical and critical listening and thinking skills in evaluating music. Major Topics 1. A brief history of popular music; the Beatles early career, 1957-1963 a. Influences: Post-World War II popular music, Anglo-Irish folk music, English Music Hall/European Cabaret, American Rock and Roll: Elvis, Chuck Berry, Little Richard, Buddy Holly, Everly Bros., etc. b. Performances: Hamburg, Cavern Club c. Recordings: The Beatles Live at the BBC, Live at the Star Club, The Early Beatles, Please Please Me, With the Beatles, Past Masters Vol.
    [Show full text]
  • Abbey Road's Beatles' Breakfast & Bloody Mary
    Abbey Road’s Beatles’ Breakfast & Bloody Mary Bar “Welcome. We’re Glad You’re Here!” Served Saturdays and Sundays at 9:00 a.m. THE BLOODY MARY BAR SEXY SADIE’S SIDES A variety of condiments to make Bagel and cream cheese 1.99 your own Bloody Mary. Featuring mild, spicy, Toast, white, wheat, rye, 1.99 and Clamato juice for a Bloody Caesar. Hash Browns or Potato Cakes 2.29 Each Vodka selection is served in a hurricane 2.99 glass and presented to your table. Bacon or Sausage Visit the Bloody Mary Bar to create Corned Beef Hash 2.29 your own special concoction! Fresh Fruit, seasonal 3.99 House Vodka 3.99 Absolut Peppar or Ketel One 4.99 BAKON Bacon Flavored Vodka 5.99 BEVERAGES Soft Drinks (w/one refill): Lady Madonna’s Mimosas Coke, Diet Coke, Mr. Pibb, Root Beer, Champagne and Orange Juice 4.99 Sprite & Pink Lemonade 2.49 Breakfast at Tiffanys Juices Champagne, Orange Juice, Grenadine, Orange, Grapefruit, & Southern Comfort 5.99 Pineapple, & Cranberry 2.49 1.99 Chartini Girl Iced or Hot Tea Raspberry vodka, champagne, splash Milk or Hot Chocolate 2.49 of Chambord 6.99 Café Selections Premium Coffee 100% Arabica Beans 1.99 Hair of the Bulldog Vodka, Red Bull, and Orange Juice 5,99 CELEBRATING 32 YEARS IN BUSINESS! Good Morning Martini Bombay Gin, Cointreau, Orange Juice and a splash of lemon sour 6.99 Blushing Maggie Mae Raspberry Liqueur, Peach Schnapps 5.99 Yesterday… Norwegian (a.m.) Wood A stiff drink, w/Vodka, Sour, Orange Juice, Black Raspberry Liq., & Peach Schnapps 5.99 Prudence’s Pancake Cocktail Jamieson, Butterscotch, & OJ 5.99 and Today.
    [Show full text]
  • The Beatles on Film
    Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
    [Show full text]