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COMMENCEMENT 2008 L-L Mir F 11 T .AJ R C Cetnen , Rs C 11 University
MARSHALL UNIVERSITY COMMENCEMENT 2008 l-l m Ir F 11 t .AJ r c cetnen , rs c 11 University Alma Mater Marshall Gracious Alma Mater, May the years be kind to Marshall; We thy name revere: May she growin fame; May each noble son and daughter May her children fail her never Cherish thine honor dear. True to her beacon flame. May thy lamp be ever bright May her spirit brave and strong Guiding us to truth and light; Honor right and conquer wrong; As a beacon o'er dark water This the burden of our song This is for thee our prayer. Ever her truth proclaim. C. E. and James Haworth Today's Ceremony Welcome to Marshall University on this day of special recognition of our candidates for graduation. We hope you will find these ceremonies - a culmination of the efforts of faculty, staff, our students and their families - both meaningful and impressive. While awaiting the start of the ceremonies, you may wish to read the historical notes on West Virginia's oldest university on the followingpages. There is also a brief descrip tion and picture of The Grand Mace. The narration on academic heraldry will detail the significance of the costumes worn by the participants in today's ceremony. The exercises begin with the traditional entry procession of the candidates for degrees. The degree candidates will be followed by representatives of the faculty and administra tion. The platform party consisting of the Academic Deans, Honorary Degree recipients, special guests of the President and the President of the University are led to the platform by the Chief Faculty Marshal, a distinguished member of the faculty,bearing The Grand Mace. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
FM STATION REPORTS - NEW ADDS/HOT ROTATION KRST-FM - ALBUQUERQUE - BOB SHULMAN ADDS: George Harrison
I'/jJ<LJjjI(JN 0 TW '1W WKS TITLE ARTIST LABEL T POP PRIME CUTS 1 1 16 Dire Straits Dire Straits WB 4' Sultans Of Swing, Waterline 2 3 8 Life For The Taking Eddie Money Columbia 14 Can't Keep, Some Water, I'm A Fool 3 4 13 Minute By Minute Doobie Bros. WB 2* What A Fool, Here To Love, Steamer, Title 4 2 13 Blondes Have More Fun Rod Stewart WB 3 Da Ya Think, Attractive, Shadows Of Love, Title 5 5 8 Armed Forces Elvis Costello Columbia 10 Oliver's Army, Accidents, Green Shirt, Goon Squad 6 10 3 Three Hearts Bob Welch Capitol 48* Little Star, I Saw Her, Devil Wind, Precious 7 9 3 George Harrison George Harrison Dark Horse 35* Blow Away, Not Guilty, Faster, Soft Touch 8. 20 2 Enlightened Rogues Allman Bros. Capricorn 58* Crazy Love, Need Your Love 9 6 13 Briefcase Full Of Blues Blues Bros. Atlantic 6 Soul Man, Messin', "B" Movie, Rubber Biscuit 10 11 5 McGuinn, Clark & Hillman McGuinn,Clark & Hillman Capitol 43* Surrender To Me, Don't You Write, Traffic 11 7 21 52nd Street Billy Joel Columbia 5 Big Shot, My Life, Title 12 8 14 Legend Poco MCA 27* Boomerang, Crazy Love, Title 13 14 4 Outlandos d'Amour The Police A&M 73* Roxanne, Next To You, Can't Stand Losing 14 12 19 Toto Toto Columbia 16 Hold The Line, I'll Supply The Love 15 13 7 Head First The Babys Chrysalis 30* Every Time I Think Of You, White Lightning, Title 16 16 3 AtBudokan Cheap Trick Epic 18* A Shame, Big Eyes, Want Me, Clock, Surrender 17 18 16 Sanctuary J. -
Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
KLOS Harrisongs B'day 2015
1 Three hours of GEORGE HARRISONGS – With and without the Beatles to celebrate his birth which took place this week 72 years ago. PLAYLIST Feb.22nd 2015 2 OPEN/9am George Harrison – Apple Scruffs - All Things Must Pass ‘70 This was a salute to the girls (and sometimes boys) who stood vigil at Apple, Abbey Road and anyplace a Fab was to likely to be. Upon recording the tune, George invited the “Apple Scruffs,” into the studio to have a listen. The Beatles - I Want To Tell You - Revolver (Harrison) Lead vocal: George The backing track was recorded in five takes on June 2, 1966. George Harrison's third song on “Revolver,” was, he later said, "about the avalanche of thoughts that are so hard to write down or say or transmit." Once again Harrison had no idea what to call his composition. The band briefly kicked around random ideas, and the song was recorded under the working title “Laxton's Superb,” a type of apple. It later became known as “I Don't Know,” which was George’s answer when producer George Martin asked whether Harrison had come up with a title. By the day of the final mix (June 6, 1966), Harrison had settled on the title “I Want To Tell You.” Contains the first bass overdub on a Beatles record. Paul had his bass recorded on a different track really allowed for more options when it came time to mix the song. On U.S. album: Revolver - Capitol LP 3 The Beatles - Blue Jay Way - Magical Mystery Tour (EP) (Harrison) Lead vocal: George Written by George Harrison on August 1, 1967 while vacationing in a rented house in the Hollywood Hills above Los Angeles. -
Schedule Quickprint TKRN-FM
Schedule QuickPrint TKRN-FM 12/26/2020 4AM through 12/26/2020 8AM s: AirTime s: Runtime Schedule: Description 04:00:00a 00:00 Saturday, December 26, 2020 4AM 04:00:00a 03:29 LET'S GO / CARS 04:03:29a 04:16 LEAN ON ME / BILL WITHERS 04:07:45a 04:02 RHIANNON (WILL YOU EVER WIN) / FLEETWOOD MAC 04:11:47a 04:09 WHAT IS LIFE / GEORGE HARRISON 04:15:56a 02:57 THAT'S THE WAY (I LIKE IT) / K.C. & THE SUNSHINE BAND 04:18:53a 03:30 OH GIRL / CHI-LITES 04:22:23a 04:08 WHO LOVES YOU / FOUR SEASONS 04:26:31a 03:40 LOVE IS ALIVE / GARY WRIGHT 04:30:15a 03:30 STOP-SET 04:37:01a 03:45 DANCING QUEEN / ABBA 04:40:46a 04:10 THE LETTER / JOE COCKER 04:44:56a 04:32 MY LIFE (ALBUM) / BILLY JOEL 04:49:28a 03:16 GO ALL THE WAY / RASPBERRIES 04:52:44a 03:30 STOP-SET 05:00:00a 00:00 Saturday, December 26, 2020 5AM 05:00:00a 04:22 GOODBYE STRANGER / SUPERTRAMP 05:04:22a 03:26 KODACHROME / PAUL SIMON 05:07:48a 03:00 MAGIC / PILOT 05:10:48a 03:19 WHY CAN'T I TOUCH YOU / RONNIE DYSON 05:14:07a 03:47 SATURDAY IN THE PARK / CHICAGO 05:17:54a 04:21 LET IT RIDE / BACHMAN-TURNER OVERDRIVE 05:22:15a 04:25 SUPERSTITION / STEVIE WONDER 05:26:44a 03:30 STOP-SET 05:33:30a 03:02 (SHAKE SHAKE SHAKE) SHAKE YOUR BOOTY / K.C. -
To Download a PDF Copy of Catalog 18
1 LYSERGIC SOUND DISTRIBUTORS RARE RECORD CATALOG – 2016 GRADING – Cover/disc. We use a slight variation of The Goldmine System with similar abbreviations. If you don’t understand, just ask. Most albums are play graded. One in a while, a problem may occur. If there is a problem, contact us at once and we will work it out. All records are 1st press stereo U.S. unless noted otherwise. Factory sealed records are guaranteed only if they are returned in a still-sealed condition. PAYMENT – We accept most forms of payment including checks drawn on U.S. banks. Checks may be held for a period of time for clearance. All prices are in U.S. dollars. POSTAGE – One album, media rate, is $4. Multiple media rate albums, priority postage & foreign postage will be calculated at actual rates. TRADES – Always looking for trades but usually not until this catalog has been out for about a month. LYSERGIC SOUND DISTRIBUTORS 8751 Old Spanish Trail Tucson, AZ. 85710 1-877-353-1775 Toll Free WWW.LSDSOUNDS.COM Like us on Facebook 2 7001 RECORD COLLECTORS DREAMS - HANS POKORA'S NEWEST HARDCOVER BOOK The cream of Folk, Psychedelic, Progressive, Garage and Beat music. Over 1000 professional colour photographs of the rarest 60s and 70s album covers from around the world. The rarest releases from AUSTRIA to NEW ZEALAND. A kaleidoscopic overview of the rarest and most expensive collectible albums from all over the world. An indispensable book for all serious collectors of 60's and 70's rare records, compiled from the collector Hans Pokora Includes accurate description of: Origin, Label, Value and Rarity. -
Andy Roberts Urban Cowboy 01
ANDY ROBERTS 01 URBAN COWBOY www.thebeesknees.com ANDY ROBERTS 02 URBAN COWBOY The first seeds for this album were sown in October 1970. Everyone, my Morgan Studios had been started by well-known drummer Barry Morgan post Liverpool Scene band, was put out of business in a devastating four years before, and was Samwell’s studio of choice. His principal client instant when our long wheelbase Transit was side swiped in Basingstoke in those days was Cat Stevens, who was well on his way to being a global by a jack-knifing flatbed, killing Paul Scard, our 19-year-old roadie, and superstar. One day after a Matthews session I was taking my time packing injuring Andy Rochford, his colleague. up my guitars, when in strolled Alan Davies, who was Steve’s right hand man on acoustic (still is, as far as I know). Alan and I knew each other from The musicians in the band were all safely back in London when it way back, when we had both at various times played with Jeremy Taylor happened. Earlier we had played at Southampton University, and I was and Sydney Carter. I showed him the Kriwaczek String Organ I had with Plainsong rehearsal photographs by Harry Isles sitting in drummer John Pearson’s kitchen in Bruton Place, having a cup me (a unique stringed instrument, designed by a great friend of mine, of of tea with John, Dave Richards and Paul, when Andy Rochford phoned up which I was at that time the sole exponent!), and then we began playing to ask if Paul could possibly return to Southampton to fetch him. -
CNHI Woodstock 20190814
A half-century later, the mother of all music festivals still resonates ifty years after the fact, it still resonates with us. Tucked up in the Catskill Mountains, the Woodstock Music & Art Fair — promoted as “An Aquarian Exposition, Three Days of Peace and Music,” but known to one and all as simply Woodstock — took place in 1969 over three-plus days. From Friday, Aug. 15, through the morning of Monday, Aug. 18, dairy farmer Max Yasgur’s 600- acre parcel of land in Bethel, New York — forever immortalized in Joni Mitchell’s “Woodstock” (ironically, she wasn’t at the event itself) — became the epicenter of the music and cultural universe, a haven for 400,000-plus hippies, bohemians, music lovers and mem- bers of the counterculture. It began when folkie Richie Havens began strumming his gui- tar, kicking off the festival with Paul Gerry/Bethel Woods Collection “From the Prison.” Thirty-two more acts, about 66 hours and several rainstorms later, it ended when guitar god Jimi Hendrix capped off a stellar set with his rendition of “Hey Joe.” Thousands of cars were left stranded for miles and miles en route to the venue as concertgo- ers walked to their destination. Tickets for the festival were $18, but many attendees got in for free when the crowd more than tripled what organizers had anticipated. Dallas Taylor, the drummer for supergroup Crosby, Stills, Nash & Young (playing just its second-ever show), asked the helicopter pilot James Sarles/Bethel Woods Collection James Sarles/Bethel Woods Collection flying him to the event what body of More than 400,000 people descended on a dairy farm in Bethel, N.Y., for the concert held 50 years ago. -
The Grizzly, February 2, 1979 Jack Hauler Ursinus College
Ursinus College Digital Commons @ Ursinus College Ursinus College Grizzly Newspaper Newspapers 2-2-1979 The Grizzly, February 2, 1979 Jack Hauler Ursinus College Carol J. Kennedy Ursinus College David McPhillips Ursinus College Ruth R. Harris Ursinus College Rick Morris Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/grizzlynews Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Hauler, Jack; Kennedy, Carol J.; McPhillips, David; Harris, Ruth R.; Morris, Rick; Lazar, Joey; Woodland, Mark; Dougherty, Raymond; O'Neill, John; Armbrust, Lori; Plunkett, Jeffrey; Aaronson, Gary; and McSharry, Kathy, "The Grizzly, February 2, 1979" (1979). Ursinus College Grizzly Newspaper. 12. https://digitalcommons.ursinus.edu/grizzlynews/12 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ Ursinus College. It has been accepted for inclusion in Ursinus College Grizzly Newspaper by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Jack Hauler, Carol J. Kennedy, David McPhillips, Ruth R. Harris, Rick Morris, Joey Lazar, Mark Woodland, Raymond Dougherty, John O'Neill, Lori Armbrust, Jeffrey Plunkett, Gary Aaronson, and Kathy McSharry This book is available at Digital Commons @ Ursinus College: https://digitalcommons.ursinus.edu/grizzlynews/12 , VOLUME 1, NO. 12 URSINUS COLLEGE, COLLEGEVILLE, PA. 19426 FRIDAY, FEBRUARY 2, 1979 Frat Beating Draws · Administrat-ve F-re An incident that occurred near campus . -
Somewhere Who Inspire Music Of
13in the dark, nearly mystical narrative power of Townes Van Zandt's Poncho & Lefty. And the LP's representative hon- kytonk cut. I'll Be Your San Antone Rose, rings with a bittersweet ironic sting that transcends its source points in the more bathetic country standards. When Harris sings, "If tonight you'll be my tall dark stranger, I'll be your San Antone Rose." she instills a weariness and quiet sorrow that transcend mere pity. If Jeanne Moreau sang country songs.I suspect they'd sound like this one.s.s. George Harrison: Thirty -Three & George Harrison. producer. Dark Horse DH 3005, $6.98. Tape: 41_1) M5 3005. !. M83005. $7.97. "Thirty -Three & 1/3"is being billed as George Harrison's idea of a fun record. It does have a couple of fun songs: This Song and Crackerbox Palace. the former a catchy piece of fluff, the latter a zany delight. But it also has a lot of semi-lis- tenable dreck-some of it pallid, some of George Harrison- trying hard it self-righteous and stupid. to have a good time There may be a religious movement somewhere that inspires songs of beauty and light, but Harrison has not found it for all of his flirtation with Eastern mys- Crackerbox Palace proves that Harri- This is powerfulstuffbecause ticism. There may be accompanists son is still capable of giving a good time. McLauchlan avoids the trap of self pity somewhere who inspire music of but the rest of the album suggests he's even as he explores the limits of compas- strength and purpose, but Harrison seldom capable of having one.