CNHI Woodstock 20190814

Total Page:16

File Type:pdf, Size:1020Kb

CNHI Woodstock 20190814 A half-century later, the mother of all music festivals still resonates ifty years after the fact, it still resonates with us. Tucked up in the Catskill Mountains, the Woodstock Music & Art Fair — promoted as “An Aquarian Exposition, Three Days of Peace and Music,” but known to one and all as simply Woodstock — took place in 1969 over three-plus days. From Friday, Aug. 15, through the morning of Monday, Aug. 18, dairy farmer Max Yasgur’s 600- acre parcel of land in Bethel, New York — forever immortalized in Joni Mitchell’s “Woodstock” (ironically, she wasn’t at the event itself) — became the epicenter of the music and cultural universe, a haven for 400,000-plus hippies, bohemians, music lovers and mem- bers of the counterculture. It began when folkie Richie Havens began strumming his gui- tar, kicking off the festival with Paul Gerry/Bethel Woods Collection “From the Prison.” Thirty-two more acts, about 66 hours and several rainstorms later, it ended when guitar god Jimi Hendrix capped off a stellar set with his rendition of “Hey Joe.” Thousands of cars were left stranded for miles and miles en route to the venue as concertgo- ers walked to their destination. Tickets for the festival were $18, but many attendees got in for free when the crowd more than tripled what organizers had anticipated. Dallas Taylor, the drummer for supergroup Crosby, Stills, Nash & Young (playing just its second-ever show), asked the helicopter pilot James Sarles/Bethel Woods Collection James Sarles/Bethel Woods Collection flying him to the event what body of More than 400,000 people descended on a dairy farm in Bethel, N.Y., for the concert held 50 years ago. Organizers expected water they were going over ... and crowds one-third the size. Traffic jams were so severe, Gov. Nelson Rockefeller threatened to call in the National Guard. He didn’t, was told it was a sea of humanity. but a U.S. Army helicopter was used to drop medical supplies, canned goods and more than 10,000 sandwiches to the crowd. Legendary performances — Joe Country Joe and the Fish, Hendrix anyone for acts of violence and film came out a year later. Cocker, Jefferson Airplane, The — ensued. So did a few poor ones had glowing reviews for those in It was, and remains, a seminal Who, Santana, Sly (ask the Grateful Dead). Members attendance. Festival organizers lost moment in rock ’n’ roll music history, & the Fam- of the “establishment” — i.e., law more than $1 million, but recouped one that we’ll still be talking about ily Stone, enforcement — didn’t have to arrest much of that when the Woodstock with reverence 50 years from now. LIZ VAN STEENBURGH / Shutterstock.com Country Joe McDonald and his band Joe Cocker wrapping up a strong show- electric set The guitar and playing the anti-Vietnam War anthem “The ing with a memorable cover of The Beatles’ Jimi Hendrix playing “The Star Span- dove became ‘Fish’ Cheer/I-Feel-Like-I’m-Fixin’-to-Die Rag” “With A Little Help From My Friends” gled Banner” as it had never been played the symbol of the Carlos Santana, a virtual unknown to Crosby, Stills, Nash & Young, playing previously on Woodstock Music many in attendance, blistering his way before a live audience for just the second his electric Festival. This plaque is on through “Soul Sacrifice” time, performing both an acoustic and an guitar the marker that sits on the original site. Officially called the “Woodstock Music & Art Fair.” Iconic symbol of the event was a white dove perched upon the neck of a guitar. (in order of appearance) Held on Max Yasgur’s farm in Bethel, N.Y. Richie Havens Janis Joplin Attended by more than 400,000 concertgoers. Swami Satchidananda Sly & the Thirty-three acts performed over three-plus days, Sweetwater Family Stone with Country Joe McDonald playing on both Saturday Bert Sommer The Who and Sunday. Tim Hardin Jefferson Many fans were let in for free after attendance Ravi Shankar Airplane more than tripled what festival organizers had Melanie Safka The Grease Band expected. Arlo Guthrie Joe Cocker Janis Three deaths were reported. Joan Baez Ten Years After Joplin, Virtually all of the 100 or so arrests were related Quill The Band Jimi to hard drug use/possession. Country Joe McDonald Johnny Winter Hendrix Jimi Hendrix’s iconic rendition of “The Star- Santana Blood, Sweat & Tears and the Spangled Banner,” played on electric guitar, was only John Sebastian Crosby, Stills, Nash Grateful witnessed by one-quarter of the original crowd come The Keef Hartley Band & Young Dead. Monday morning. The Incredible String Band Paul Butterfield Among the most popular performers of the day Canned Heat Blues Band Public domain who did not appear at Woodstock were Bob Dylan, Mountain Sha Na Na photos The Beatles and The Rolling Stones. Grateful Dead Jimi Hendrix PHIL STACEY & JIM REILY/The Salem News Creedence Clearwater Revival.
Recommended publications
  • Tribute to Three Giants Figures of the Sixties' Pop
    TRIBUTE TO THREE GIANTS FIGURES OF THE SIXTIES’ POP MUSIC IN THE 50th ANNIVERSAIRE OF THEIR DEATH. ALAN WILSON, JIMI HENDRIX AND JANIS JOPLIN: ASTROLOGICAL REVIEW OF THREE 27’ CLUB MEMBERS. We were at the end of the “sixties”, a remarkable decade of 20th century for popular music, revolutionary movements, technological achievements and radical changes in human relationships. It was also the time of “hippie liberation”, the spread of drugs through young people. Everything was fine when, just in the span of thirty days, three outstanding members of musical background suddenly died. 1970, September the 3th: Alan Wilson, “Canned Heat” guitar, harmonica and vocal, commit suicide at home of another member group, Bob Hite, in Topanga Canyon, California. An overdose was the cause of his death. He was 27 years old. 1970, September the 18th: Jimi Hendrix, one of the bests guitarrist of all times, share his last night with Monica Dannemann in Samarkand Hotel, London. When she woke up Jimi was inconscious, yet breathe. He was moved at St. Mary Abbot Hospital, but he was not alive. The cause of his death: asphyxia per vomit. His partner declared that Jimi had had seven tablets of Vesparax, a barbituric, say, 18 times the recommended dose. He was 27 years old. 1970, October the 4th: Janis Joplin, a singer and contraculture icon of the sixties was found dead in her hotel room, at Los Angeles, just when she was going to record the vocal part of Buried Alive in the Blues next morning. A portent, maybe a synchronicity. The official cause of her death was an heroine overdose, probably combined with alcohol effects.
    [Show full text]
  • Blues Tour De Forst
    | 1 Monday, June 22, 2020 Blues Tour de Forst It’s June 2008. Tom Forst, a regional vice president at Cox Communications Group, is about to walk away from 25 years as a corporate suit to chase a lifelong passion. The dream to be a full-time musician had been on hold since his post-college touring days, circa 1974. It’s June 2008. Tom Forst, a regional vice president at Cox Communications Group, is about to walk away from 25 years as a corporate suit to chase a lifelong passion. The dream to be a full-time musician had been on hold since his post-college touring days, circa 1974. He recalls the exact moment his life changed course. “My wife was sitting in the living room. She pays the bills, and she said, ‘Look at that, I’m paying our last two $30,000 college tuition bills for our last two kids.’ I looked at her and said, ‘I’m going to quit.’” “My wife simply said, ‘Go ahead,’ and that’s kind of the way she is. Her attitude was, what’s the worst that can happen?” She only wanted assurances they wouldn’t starve. © 2021 CAPTRUST Financial Advisors Blues Tour de Forst | 1 | 2 So Forst, then 57, gave his six-month notice at Cox Communications. At the end of that year, he stepped away from legions of direct reports, the jet-setting lifestyle, power, prestige, and pay. Big pay. What followed is a wild ride of a second act—from boardroom to bandstand, Forst was on his way to be a successful indie blues musician.
    [Show full text]
  • The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
    L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic.
    [Show full text]
  • Vietnam War Protest Song Analysis Suggested Grades 6-12 Overview Creativity Was an Important Asset to Protesting the Vietnam War
    Vietnam War Protest Song Analysis Suggested Grades 6-12 Overview Creativity was an important asset to protesting the Vietnam War. Many popular musicians of the 1960s and 1970s wrote and performed songs in order to express opposition to the violence in Vietnam. These songs are still played today, which serves as a reminder of the power of music. Objective Learn about the antiwar movement, discuss the reasons for opposing the war in Vietnam and reflect. Time needed About thirty minutes: fifteen to discuss the antiwar movement, five minutes to listen to the song, and ten minutes for reflection and discussion. Materials needed: A computer with speakers Handouts of song lyrics A piece of paper Instructions 1. Give a summary of the antiwar movement to the students and be sure to include examples of why the individuals chose to protest. 2. Hand out a copy of the lyrics of the chosen Vietnam protest song. 3. Aloud, play the song for the students and give some time after the song is finished for the students to write a reflection of the song. 4. Together, have the class discuss the reason why the musician might have written the song as well as different examples and issues brought up in the antiwar movement that they heard in the song. Examples: What’s Going On – Marvin Gaye Give Peace a Chance – John Lennon Fortunate Son – Creedence Clearwater Revival Alice’s Restaurant - Arlo Guthrie (son of Woody Guthrie) More examples: https://www.thoughtco.com/anti-war-protest-songs-of-the-60s- and-70s-748278 Questions 1.
    [Show full text]
  • Joan Baez, Ira Sandperl, and Thomas Merton's Non-Violent Activism
    21 Joan Baez, Ira Sandperl, and Thomas Merton’s Non-Violent Activism By Thomas Spencer In December 1966, Ira Sandperl, a teacher, Gandhi scholar, and outspoken advocate for peace and non-violence, and Joan Baez, the internationally known folk singer, visited Thomas Merton at the Abbey of Gethsemani. Merton’s close friend Wilbur “Ping” Ferry arranged the visit with the abbot, James Fox. Sandperl and Baez made a profound impression on Merton. As he later wrote Ferry, “They can help me just by being around: they are an inspiration.”1 Merton derived such inspiration from meeting people like Sandperl and Baez who not only shared common beliefs and principles but who also possessed eclectic interests that Merton could enjoy and appreciate. Sandperl, a self-taught scholar, and Baez, a talented and gifted singer, provided Merton with the type of fellowship and intellectual stimulation he found lacking at Gethsemani. Coming when it did, the visit was a welcome respite from the emotional turmoil Merton was experiencing in his personal life and from disagreements with his abbot. More importantly, their interest in visiting Merton attests to the far-reaching influence of what Baez describes as Merton’s “non-violent activism.” Although many might not think of Merton as an activist in the truest sense, others such as Baez and Sandperl certainly did. A close examination of Merton’s writings on peace and non-violence at this time shows that he did use the term activist in calling upon Christians of all faiths to further the cause of peace. Baez’s impressions of Merton’s importance and Merton’s writings confirm that activism is a term that can be defined in different ways.
    [Show full text]
  • BLUESROCK, Apr 2021.Pdf
    Editor: Dr. Spero S. Tshontikidis ABF Leadership Team: Dr. Spero Tshontikidis, President Brenda Kloeppel, Secretary Caryn Tshontikidis, Treasurer ABF Advisory Board: Jim Cantrell Jason Chesser David Daugherty Erick Kloeppel Steve LeClair Matt Thompson BLUESROCK is the official quarterly newsletter of the American Blues-Rock Foundation, a non-profit company created by the members of the blues-rock band, Unit Five. Published in January, April, July, and October, BLUESROCK covers Unit Five gigs, reviews of classic blues albums, and features on blues legends. BLUESROCK is available free of charge on our website: www.unitfivelive.com. THANKS, AND ENJOY! ON THE COVER: Editor’s Review of the April 2021 issue of BLUESROCK UNIT FIVE UPDATES: Unit Five Live … Again! A.B.F. Update Panther Powerlifting LISTEN: Johnny Winter: Captured Live! BLUES LEGENDS: Free BLUES BURN: Back in the next issue of BLUESROCK! CALENDAR: Upcoming Shows & Events WHAT’S NEXT: A Preview of the July edition of BLUESROCK CONTACT: American Blues-Rock Foundation, Inc. 107 LaCosta Street, Unit 402 * Melbourne Beach, FL 32951 321-505-1194 [email protected] The April issue of BLUESROCK marks the continued return of live music as bars begin to reopen across Brevard County. The band has secured monthly gigs at Lou’s Blues and The Shack for 2021, and we’ve scheduled dates to return to Monkey Bar and Oasis. Thanks to everyone that has come out to see us this year, and we look forward to seeing you again now that bars are opening up at full capacity again! The April issue of BLUESROCK will take a look at our live gigs, review Johnny Winter’s “Captured Live!” album, and spotlight the British blues band, Free.
    [Show full text]
  • John Lee Hooker: King of the Boogie Opens March 29 at the Grammy Museum® L.A
    JOHN LEE HOOKER: KING OF THE BOOGIE OPENS MARCH 29 AT THE GRAMMY MUSEUM® L.A. LIVE CONTINUING THE 100TH ANNIVERSARY OF THE BIRTH OF LEGENDARY GRAMMY®-WINNING BLUESMAN JOHN LEE HOOKER, TRAVELING EXHIBIT WILL FEATURE RARE RECORDINGS AND UNIQUE ITEMS FROM THE HOOKER ESTATE; HOOKER'S DAUGHTERS, DIANE HOOKER-ROAN AND ZAKIYA HOOKER, TO APPEAR AT MUSEUM FOR SPECIAL OPENING NIGHT PROGRAM LOS ANGELES, CALIF. (MARCH 6, 2018) —To continue commemorating what would have been legendary GRAMMY®-winning blues artist John Lee Hooker’s 100th birthday, the GRAMMY Museum® will open John Lee Hooker: King Of The Boogie in the Special Exhibits Gallery on the second floor on Thursday, March 29, 2018. On the night of the opening, Diane Hooker-Roan and Zakiya Hooker, daughters of the late bluesman, will appear at the GRAMMY Museum for a special program. Presented in conjunction with the John Lee Hooker Estate and Craft Recordings, the exhibit originally opened at GRAMMY Museum Mississippi—Hooker's home state—in 2017, the year of Hooker's centennial. On display for a limited time only through June 2018, the exhibit will include, among other items: • A rare 1961 Epiphone Zephyr—one of only 13 made that year—identical to the '61 Zephyr played by John Lee Hooker. Plus, a prototype of Epiphone's soon-to-be-released Limited Edition 100th Anniversary John Lee Hooker Zephyr signature guitar • Instruments such as the Gibson ES-335, Hohner HJ5 Jazz, and custom Washburn HB35, all of which were played by Hooker • The Best Traditional Blues Recording GRAMMY Hooker won, with Bonnie Raitt, for "I'm In The Mood" at the 32nd Annual GRAMMY Awards in 1990 • Hooker's Best Traditional Blues Album GRAMMY for Don't Look Back, which was co-produced by Van Morrison and Mike Kappus and won at the 40th Annual GRAMMY Awards in 1998 • A letter to Hooker from former President Bill Clinton • The program from Hooker's memorial service, which took place on June 27, 2001, in Oakland, Calif.
    [Show full text]
  • Joan Baez in Moscow. Photo by Grace Warnecke
    Joan Baez in Moscow. Photo by Grace Warnecke. 10 | HARRIMAN FEATURED NEW BY GRACE KENNAN WARNECKE WATERS y new I rushed out and bought all of grad? Joan wanted to meet with the single Joan Baez’s records. As usual, I was famous physicist and political dis- life in flying blind. I did not know any sident Andrei Sakharov. Sakharov, San Russian folk singers, so I called all known as the father of the Soviet Fran- my Russian friends and one came hydrogen bomb, had shocked the cisco up with a song, “Circle of Friends,” Soviet government by coming out was by Bulat Okudzhava, a well-known against nuclear testing and was now Mjolted by a telephone call from John poet and bard. Often played and an intellectual hero in the West. Wasserman, the funny and outra- sung on the underground circuit, I accepted Joan’s invitation but geous music critic of the San Francisco Okudzhava’s works were just begin- realized that this was a very differ- Chronicle, whom I barely knew. “How ning to be officially published. He ent deal. In the original journey, would you like to go to Russia with was, like Joan, a popular protester. with Bill Graham making the Joan Baez?” he asked. Sitting at the press conference arrangements, there was a large He explained that Joan Baez was to when Bill Graham announced this staff seeing that everything was be part of a much-headlined con- concert, surrounded by musical done for us; now I was the staff. cert, with Santana and the Beach celebrities, I relished being part of John’s role was to write a series of Boys, in Winter Palace Square in the rock music scene.
    [Show full text]
  • The Road to Woodstock Free
    FREE THE ROAD TO WOODSTOCK PDF Michael Lang,Holly George-Warren | 352 pages | 15 Jul 2010 | HarperCollins Publishers Inc | 9780061576584 | English | New York, United States On the Road Again - ExtremeTech Janis Joplin is one of the most famous musicians of her era, creating and performing soulful songs like "Piece of my Heart" and The Road to Woodstock and Bobby McGee". She tragically died at the age of The Vietnam War bitterly divided the United States during the s and s, and it drastically impacted the music scene. Some of the most iconic musicians at Woodstock were known for their protest songs. Carlos Santana's signature sound is an infectious blend of rock and roll and Latin jazz. Santana is still popular today, pairing up with artists such as Rob Thomas on catchy tunes. The Who was one of the biggest names at Woodstock. They have an impressive roster of chart-topping albums, including fan-favorite "Tommy. The unique sound of Creedence Clearwater Revival, or CCR to their fans, is so catchy that the band remains popular today. Their work has been used in movies and television shows for decades. He played this plus many more incredible songs at Woodstock. Jefferson Airplane has gone through many transformations in their time, becoming Jefferson Starship and then Starship in later decades. During Woodstock, Jefferson Airplane was rocking out in their original name. Woodstock was held in The Road to Woodstock, New York. Specifically, it was held on Max Yasgur's dairy farm. Joan Baez wrote and performed some of the most iconic protest music from the s, including her soulful rendition of Bob Dylan's "Blowin' In The Wind.
    [Show full text]
  • Country Joe Mcdonald------3 Rivers Co-Op Natural Grocery & Deli
    OUR SPONSORS -----------------------Cover Story • Country Joe McDonald --------------------- 3 Rivers Co-op Natural Grocery & Deli ....................27 Aboite Grill ....................................................................26 Allen Co. Public Library/Rock the Plaza ....................15 Alley Sports Bar ..........................................................16 Beamer’s Sports Grill .................................................11 C2G Music Hall/Pink Droyd ........................................15 C2G Music Hall on TV .....................................................7 ‘F’ Is for Flower Power Calhoun Street Soups, Salads & Spirits ................13 Champions Sports Bar & Restaurant .....................16 By Mark Hunter website. “My father, Worden ‘Mac’ McDon- Wall Street and released on McDonald’s Rag CLASSIFIEDS ...............................................................31 ald, grew up in the little Oklahoma town of Baby label. Club Paradise ........................................................15, 18 If there’s one thing Joe McDonald Sallisaw, 100 miles from the Woody’s birth- McDonald was born in Washington, Columbia Street West ................................................14 knows about, it would be how to write a place of Okemah. My father was a farm boy D.C. in 1942 but grew up in Los Angeles. Digitracks Recording Studio .............................14, 31 good protest song. Or maybe it’s Florence and hobo like Woody. He talked about this He moved from the Los Angeles suburb of Duty’s Buckets Sports
    [Show full text]
  • Rock & Keyser Roll Final 3.13.21
    ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra.
    [Show full text]
  • Sixties Week Release
    News Release CONTACT: FOR IMMEDIATE RELEASE Lisa Martinez, VP, Marketing & Development Tuesday, Sept. 13, 2005 (330) 677-4549 / [email protected] HIGH RESOLUTION IMAGES AVAILABLE www.pbs4549.org/press PBS 45 & 49 takes trip back to turbulent sixties in prime time broadcast event Sept. 26-29 PBS (Kent, OH) — Although the rumblings could already be heard beneath the veneer of prosperity and conformity of the 1950s, America erupted in the 1960s with 45 & 49 electrifying change in nearly every aspect of life. It was a decade rocked by social, sexual and political changes, and the influence of a new kind of music that emerged as 1750 Campus Center Drive the soundtrack of the era remains as a lasting legacy of this explosive time. During Talking ’bout My Generation week, Sept. 26-29, PBS 45 & 49 will P. O. Box 5191 showcase several documentaries and biographies on this turning point in America’s cultural history, including the premiere of If You’re Not Dead, Play!!, the station’s Kent, Ohio new local documentary on the second wave of the 1970s Akron garage band scene. 44240-5191 No Direction Home: Bob Dylan, A Martin Scorsese Picture Monday, Sept. 26 & Tuesday, Sept. 27, 9 p.m. to 11 p.m. each night Phone This exclusive biography of the man who helped define a generation is directed by (330) 677-4549 the great American storyteller, Martin Scorsese. The film focuses on the singer- Fax songwriter’s life and music from 1961-66 and features previously unreleased footage (330) 678-0688 from Dylan’s groundbreaking live concerts, studio recording sessions, outtakes and interviews with Allen Ginsberg, Pete Seeger, Joan Baez, Maria Muldaur, Dave Van Web Site Ronk and many others.
    [Show full text]