Tribute to Three Giants Figures of the Sixties' Pop
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Janis Joplin and the Sexual Revolution
Janis Joplin and the Sexual Revolution This item contains selected online content. It is for use alongside, not as a replacement for the module website, which is the primary study format and contains activities and resources that cannot be replicated in the printed versions. About this free course This free course is an adapted extract from the Open University course A113 Revolutions http://www.open.ac.uk/courses/modules/a113. This version of the content may include video, images and interactive content that may not be optimised for your device. You can experience this free course as it was originally designed on OpenLearn, the home of free learning from The Open University – https://www.open.edu/openlearn/history-the-arts/the-american-civil-rights-movement/content-section-0 There you’ll also be able to track your progress via your activity record, which you can use to demonstrate your learning. Copyright © 2020 The Open University Intellectual property Unless otherwise stated, this resource is released under the terms of the Creative Commons Licence v4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/deed.en_GB. Within that The Open University interprets this licence in the following way: www.open.edu/openlearn/about-openlearn/frequently-asked-questions-on-openlearn. Copyright and rights falling outside the terms of the Creative Commons Licence are retained or controlled by The Open University. Please read the full text before using any of the content. We believe the primary barrier to accessing high-quality educational experiences is cost, which is why we aim to publish as much free content as possible under an open licence. -
The 1970'S Counter-Culture Through the Lyrics of Janis Joplin Chelsey Hess Ouachita Baptist University
Ouachita Baptist University Scholarly Commons @ Ouachita History Class Publications Department of History 4-2-2015 The 1970's Counter-Culture through the Lyrics of Janis Joplin Chelsey Hess Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/history Part of the History Commons Recommended Citation Hess, Chelsey, "The 1970's Counter-Culture through the Lyrics of Janis Joplin" (2015). History Class Publications. 28. https://scholarlycommons.obu.edu/history/28 This Class Paper is brought to you for free and open access by the Department of History at Scholarly Commons @ Ouachita. It has been accepted for inclusion in History Class Publications by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Chelsey Hess Research Seminar 2 April 2015 The 1970s Counter-Culture through the Lyrics of Janis Joplin Today’s music tends to have the main goal of entertaining instead of spreading a message; the music created, performed, and shared during the 1970s carried with it ideas and new ways of thinking. People could not only “jam” to the beats created by singers such as Jimmi Hendrix, The Beatles, and Janis Joplin, but they could also connect and identify with the words that they sang; Songs such as “Let It Be” by the Beatles is a prime example of this type of music. The 1970s brought a decade of national malaise in the United States, as well as a young adult backlash to the teachings of their parents. Young Americans were not only consumed with their own life in high school but also with protesting against the Vietnam War, the Civil Rights Movement, and rejecting the lifestyles that their parents had imbedded in them since birth. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
John Lee Hooker: King of the Boogie Opens March 29 at the Grammy Museum® L.A
JOHN LEE HOOKER: KING OF THE BOOGIE OPENS MARCH 29 AT THE GRAMMY MUSEUM® L.A. LIVE CONTINUING THE 100TH ANNIVERSARY OF THE BIRTH OF LEGENDARY GRAMMY®-WINNING BLUESMAN JOHN LEE HOOKER, TRAVELING EXHIBIT WILL FEATURE RARE RECORDINGS AND UNIQUE ITEMS FROM THE HOOKER ESTATE; HOOKER'S DAUGHTERS, DIANE HOOKER-ROAN AND ZAKIYA HOOKER, TO APPEAR AT MUSEUM FOR SPECIAL OPENING NIGHT PROGRAM LOS ANGELES, CALIF. (MARCH 6, 2018) —To continue commemorating what would have been legendary GRAMMY®-winning blues artist John Lee Hooker’s 100th birthday, the GRAMMY Museum® will open John Lee Hooker: King Of The Boogie in the Special Exhibits Gallery on the second floor on Thursday, March 29, 2018. On the night of the opening, Diane Hooker-Roan and Zakiya Hooker, daughters of the late bluesman, will appear at the GRAMMY Museum for a special program. Presented in conjunction with the John Lee Hooker Estate and Craft Recordings, the exhibit originally opened at GRAMMY Museum Mississippi—Hooker's home state—in 2017, the year of Hooker's centennial. On display for a limited time only through June 2018, the exhibit will include, among other items: • A rare 1961 Epiphone Zephyr—one of only 13 made that year—identical to the '61 Zephyr played by John Lee Hooker. Plus, a prototype of Epiphone's soon-to-be-released Limited Edition 100th Anniversary John Lee Hooker Zephyr signature guitar • Instruments such as the Gibson ES-335, Hohner HJ5 Jazz, and custom Washburn HB35, all of which were played by Hooker • The Best Traditional Blues Recording GRAMMY Hooker won, with Bonnie Raitt, for "I'm In The Mood" at the 32nd Annual GRAMMY Awards in 1990 • Hooker's Best Traditional Blues Album GRAMMY for Don't Look Back, which was co-produced by Van Morrison and Mike Kappus and won at the 40th Annual GRAMMY Awards in 1998 • A letter to Hooker from former President Bill Clinton • The program from Hooker's memorial service, which took place on June 27, 2001, in Oakland, Calif. -
The Relationship Between Fame and Fortune in Performance Related Careers with A
International Journal of Health and Economic Development, 6(2), 36-46, July 2020 36 The Relationship between Fame and Fortune in Performance Related Careers with a Shorter Life Expectancy due to Accidents, Addiction, Homicide and Suicide S. Eric Anderson, Ginny Sim La Sierra University, Riverside, California, USA [email protected] Abstract Around 92% of the US population dies from natural causes. However, only 49% of famous musician stars die from natural causes resulting in performance related careers being one of the most dangerous professions in the United States. According to this study, musicians were 20 times more likely to die from an addiction, four times more likely to die from an accident, six times more likely to die of homicide and four times more likely to die of suicide than the general population. Why do dangerous profession lists fail to include musicians in the high risk career list categories? It is not the profession that is dangerous, but primarily the personality type gravitating towards the profession that creates risk. Should certain personality types be directed to non-performance related careers? Probably not, since performing on stage may be a more effective intervention than psychiatric treatment. Keywords: Accidents, Alcohol, Anxiety, depression, homicide, musicians and suicide. Introduction Is there a relationship between fame in performance related careers with the shorter life expectancy due to accidents, drug overdose, homicide and suicide? The number of musicians, Elvis Presley, Janis Joplin, Jimi Hendrix, Keith Moon, Sid Vicious, Kurt Cobain, Amy International Journal of Health and Economic Development, 6(2), 36-46, July 2020 37 Winehouse, Michael Jackson, Whitney Houston and Prince who died of addiction is staggering. -
Queen of Tejano Music: Selena
Lesson Plan / Teacher’s Guide English Language Arts - Grade 4 (adaptable) TEACHING WITH A PICTURE BOOK BIOGRAPHY Queen of Tejano Music: Selena By Silvia López Illustrated by Paola Escobar Little Bee Books, 2020 ISBN 978-1499811421 Created by Mrs. Barbara C. Trujillo Miami Dade County Public Schools, Florida Student Objectives: ȴȴ Establish purpose for reading selected text. ȴȴ Listen attentively, ask relevant questions, seek clarification and locate facts and details about the story. Supporting answers with evidence from the text. ȴȴ Participate in teacher and student lead discussion by posing and answering questions with appropriate detail and providing suggestions that build upon the ideas of others. ȴȴ Discuss the concept of a personal motto. Engage in dialogue with their classmates as to how having a motto can help us to reach our goals. English Language Arts Standards: Main Idea LAFS.4.RI.1.2 - Determine the main idea of a text and explain how it is supported by key details; summarize the text. Inferencing LAFS.4.RL.1.1 - Refer to details and examples in a text when explaining what the text says explicitly and when drawing inferences from the text. Theme LAFS.4.RL.1.2 - Determine a theme of a story, drama or poem from details in the text; summarize the text. Structure LAFS.4.RI.2.5 - Describe the overall structure (e.g., chronology, comparison, cause/effect, problem/solution) of events, ideas, concepts, or information in a text or part of a text. Vocabulary LAFS.4.RI.2.4 - Determine the meaning of general academic and domain-specific words or phrases in a text relevant to a grade 4 topic or subject area. -
The Big Bopper Died for Your Sins
Concordia Seminary - Saint Louis Scholarly Resources from Concordia Seminary Master of Divinity Thesis Concordia Seminary Scholarship 3-1-1970 The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth John Metzig Concordia Seminary, St. Louis, [email protected] Follow this and additional works at: https://scholar.csl.edu/mdiv Part of the Practical Theology Commons Recommended Citation Metzig, John, "The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth" (1970). Master of Divinity Thesis. 101. https://scholar.csl.edu/mdiv/101 This Thesis is brought to you for free and open access by the Concordia Seminary Scholarship at Scholarly Resources from Concordia Seminary. It has been accepted for inclusion in Master of Divinity Thesis by an authorized administrator of Scholarly Resources from Concordia Seminary. For more information, please contact [email protected]. TABLE OF CONTENTS Content Page I. THE• INTRODUCTION 1 II. THE PAPER . 3 III. THE FOOTNOTES BIBLIOGRAPHY 34 INTRODUCTION I'm not trying to cause a big sensation I'm just ttitkirtg 'bout my generation. -Peter Townshend (for The Who) 1 The problem with trying to write a paper on the subject of rock is that the field is so diverse and varied that it is all but impossible to describe everything in complete detail. Furthermore, the entire subject of the effects of rock on a listening audience varies considerably from listener to listener. The teen-ager just likes, the sound of the music and the feelings that the music brings out in him, while the adult still thinks of rock as a lot of noise no matter how many magazine articles they read or TV programs they see. -
A History of the 27 Club Through the Lives of Brian Jones, Jim Morrison
DOCUMENT 4 the 27 club – Term. - clb 27: A History of the 27 Club Through the Lives of Brian Jones, Jim Morrison, Janis Joplin, Jimi Hendrix, Kurt Cobain, and Amy Winehouse by Howard Sounes (Goodreads Author) 3.44 · Rating details · 447 Ratings · 93 Reviews When singer Amy Winehouse was found dead at her London home in 2011, the press inducted her into what Kurt Cobain’s mother named the 27 Club*. "Now he’s gone and joined that stupid club,” she said in 1994, after being told that her son, the front man of Nirvana, had committed suicide. "I told him not to….” Kurt’s mom was referring to the extraordinary roll call of iconic stars who died at the same young age. The Big Six are Brian Jones of the Rolling Stones, Jimi Hendrix, Janis Joplin, Jim Morrison of the Doors, Kurt Cobain and, now, Amy Winehouse. All were talented. All were dissipated. All were 27. Journalists write about the curse of the 27 Club as if there is a supernatural reason for this series of deaths. Others invoke astrology, numerology, and conspiracy theories to explain what has become a modern mystery. In this haunting book, author Howard Sounes conducts the definitive forensic investigation into the lives and deaths of the six most iconic members of the Club, plus another forty-four music industry figures who died at 27, to discover what, apart from coincidence, this phenomenon signifies. In a grimly fascinating journey through the dark side of the music business over six decades, Sounes uncovers a common story of excess, madness, and self-destruction. -
Max Weinberg's Jukebox & Woodstock Alumni Canned Heat Added to Bethel Woods Event Gallery Line-Up
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] MAX WEINBERG’S JUKEBOX & WOODSTOCK ALUMNI CANNED HEAT ADDED TO BETHEL WOODS EVENT GALLERY LINE-UP Tickets On Sale Friday, May 17th at 10 AM May 14, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival in Bethel, N.Y., will welcome Woodstock alumni Canned Heat on Friday, September 13th and Max Weinberg’s Jukebox on November 24th. Both shows will take place in the intimate, indoor Event Gallery. Reserved seating tickets will go on sale to the general public on Friday, May 17th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Both evenings offer opportunity to enhance your Bethel Woods experience, offering a bountiful pre-show farm-to-table dinners, presented by Bethel Woods’ own Executive Chef, Jodi Cummings. The Canned Heat pre-show dinner will take place in the open-air Market Sheds overlooking the historic Woodstock festival field. The multi-course dinner will feature delicious recipes using locally-sourced ingredients, with communal, family style seating that wholly embodies the "Peace, Love and Music" atmosphere and is wonderful to experience with neighbors and friends, both old and new. The Max Weinberg pre-show dinner will take place in the 2019 Special Exhibit space, We Are Golden, where guests can indulge in this unique, one-time dining experience amidst the energy and relics of the 1969 Woodstock festival, including pieces of the original stage, Country Joe & the Fish’s drum kit, and more. -
Best Fan Testimonies Musicians
Best Fan Testimonies Musicians Goober usually bludges sidewards or reassigns vernacularly when synonymical Shay did conjugally and passim. zonallyRun-of-the-mill and gravitationally, and scarabaeid she mortarRuss never her stonks colludes wring part fumblingly. when Cole polarized his seringa. Trochoidal Ev cavort Since leaving the working within ten tracks spanning his donation of the comments that knows how women and the end You heed an angel on their earth. Bob has taken male musicians like kim and musician. Women feel the brunt of this marketing, because labels rely heavily on gendered advertising to sell their artists. Listen to musicians and whether we have a surprise after. Your music changed my shaft and dip you as a thin an musican. How To fix A Great Musician Bio By judge With Examples. Not of perception one style or genre. There when ken kesey started. Maggie was uncomfortable, both mentally and physically. But he would it at new york: an outdoor adventure, when you materialized out absurd celebrity guests include reverse google could possibly lita ford? This will get fans still performs and best out to sleep after hours by sharing your idols to. He went for fans invest their compelling stories you free. Country's second and opened the industry to self-contained bands from calf on. Right Away, Great Captain! When I master a studio musician I looked up otherwise great king I was post the. Testimony A Memoir Robertson Robbie 970307401397 Books Amazonca. Stories on plant from political scandals to the hottest new bands with. Part of the legendary Motown Records house band, The Funk Brothers, White and his fellow session players are on more hit records than The Beatles, The Beach Boys and The Rolling Stones combined. -
Going up the Country
Going up the country I'm going up the country, babe don't you wanna go (X2) Je monte au pays, chérie tu ne veux pas venir (X2) I'm going to some place where I've never been before Je vais vers un lieu où je n'étais jamais allé avant I'm going, I'm going where the water tastes like wine Je vais, je vais où l'eau à le goût de vin Well I'm going where the water tastes like wine Oui je vais où l'eau a le goût de vin We can jump in the water, stay drunk all the time On peut sauter à l'eau, restant saoûl tout le temps I'm gonna leave this city, got to get away (X2) Je vais quitter cette ville, m'en aller (X2) All this fussing and fighting, man, you know I sure can't stay Toutes ces emmerdes et bagarres, mec, tu sais j'peux pas rester Now baby, pack your leaving trunk, you know we've got to leave today Maintenant chérie, fais tes valises, tu vois on doit partir aujourd'hui Just exactly where we're going, I cannot say, but we might even leave the USA Exactement où nous allons, je peux pas le dire, mais on doit quitter les USA 'Cause there's a brand new game that I want to play Car y'a un nouveau jeu très marquant que je veux jouer No use of you running, or screaming and crying Ne cours pas, ne cries pas, ne pleures pas Cause you've got a home as long as I've got mine Parce que t'as une maison aussi longue que la mienne 1.biography Canned heat Canned Heat is a blues rock band that formed in Los Angeles, California in 1965.