Simon and Garfunkel.Pptx

Total Page:16

File Type:pdf, Size:1020Kb

Simon and Garfunkel.Pptx Simon & Garfunkel Created by Group 2 Kao-wei Chen, Rebecca Galarowicz, Bri@any Kelly, David Oberg, Nikolas Sell Kao-wei Chen Why Simon & Garfunkel? They were one of the first folk performers make it big in the music industry and became future role models for the upcoming generaon of folk rock singers. http://en.wikipedia.org/wiki/File:SimonandGarfunkel.jpg Background Informaon • Real Names • Paul Simon • Art Garfunkel • Both were born 1941, sll alive today • First met each other in elementary school • Realized their potenKal when singing together Doo-wop songs found on the radio at an early age h@p://www.last.fm/music/Simon+&+Garfunkel/ +images/138461 Beginning of Simon & Garfunkel • At age 16, they recorded their first single composed by Simon Ktled ‘’Hey Schoolgirl’’ • Peaked at the top 50 on the Billboard under Tom & Jerry • Late 50s/early 60s- both worked together ocassionally but were solo acts during this me • 1964, release of their debut album ‘’Wednesday Morning, 3 A.M.’’ • release did poorly • 1964-1965, Tom Wilson, a folk-rock producer, revised Simon’s & Garfunkel’s track Ktled ‘’The Sound of Silence’’ and released it in the market • Track rose to #1 in 1965 • Song was edited by incorporang electric bass, guitar and drums The High & End Life of S&G v 1966, placed 3 albums and four singles in the top 30 of the Billboard v E.g. ‘’The Sound of Silence’’, ‘’I Am A Rock’’, and ‘’Parsely, Sage, Rosemary & Thyme’’ v 1966-1969, their career was at a turning point v WriKng of songs and recording significantly took longer v Simon’s & Garfunkel’s relaonship started souring v 1970, release of their last original album Ktled ‘’Bridge Over Troubled Water’’ v Topped US album charts for over 10 weeks v Sold over 13 million copies World Wide v Took 2 Years to record v 1970 marked the official breakup of Simon & Garfunkel Post S&G Life • Simon & Garfunkel both pursued solo careers at the dawn of the new decade (1970s) • Simon wrote and recorded wry and angst- filled songs sung in different ethnic accents • Garfunkel recorded songs tended towards adult-oriented pop • 1990, Simon & Garfunkel were inducted into Rock and Roll Hall of Fame • In the 21st Century the duo reunited to put on performances around globe • Most recent performance was in 2010 at the New Orleans Jazz and Heritage FesKval Importance of S&G • First folk performers to reach new heights in the music industry with their album ‘’Bridge Over Troubled Water’’, which sold over 3 million copies • Lyrics & the group have been referenced in television series such as ‘’Friends’’, ‘’The Simpsons’’, and ‘’SNL’’ h@p://www.last.fm/music/Simon+&+Garfunkel/+images/ 138461 Musical Style • Simons and Garfunkel’s style combined elements of folk, rock, and Pop • Despite their clean sound, they appealed to a wide range of listeners during the tumultuous 60s • UKlized poec messages and internaonal musical styles to modernise folk-rock h@p://upload.wikimedia.org/wikipedia/commons/thumb/e/e5/ SimonandGarfunkel.jpg/250px-SimonandGarfunkel.jpg Musical Style (connued) • The duo, were it not for Simon’s background in Pop music, may have been remembered as simply another folk act • SimilariKes are apparent between Simon and Garfunkel’s music and other folk- rock of the Kme, including the story-telling feel and a much calmer sound than mainstream rock ‘n’ roll • Important differences are what separates this duo: – ‘’Sound of Silence’’ is an example which clearly stands out from other folk-rock, with its use of electric guitars, bass, and drums – Their impressive use of poetry set them apart – Ability to fuse popular sound with sophisKcated and clean song-wring gained them a wide audience Musical Style (connued) • Other defining features of their music include: – Close harmonies reminiscent of the Everly Brothers – Lyrics which commonly featured social commentary (these encouraged peace and projected calm in a Kme of great poliKcal, social, and military unrest) – In their later years, a wider range of influences from sounds around the world h@p://i2.listal.com/image/1672585/600full- simon-%26-garfunkel.jpg Musical Style (connued) • Their innovave combinaon of folk and rock music furthered the popularity of this trend during their me • However, while their musical style is memorable and unique, the greatest impact of their music was a social one – Song lyrics spoke to the counterculture of the 1960s – Messages of their songs discouraged hate and embraced love and peace – Even today, the feelings invoked through their music are sll relevant and tangible to listeners Musical Style (connued) • The musical differences of Simon and Garfunkel became apparent once they broke up for good • Paul Simon: – Clearly the driving force behind the duo’s songwring, this ability shone through in his solo career – Achieved comparable success as a solo arKst as when he belonged to Simon and Garfunkel – Incorporated more challenging aspects, such as complex Kme signatures, into his solo music – His individual style was quite different as well, with influences anywhere from South Africa, to Andean mountain music, to gospel • Art Garfunkel: – Went on to a far less successful solo career – Dabbled in acKng and some singing h@p://greenobles.com/data_images/paul- hp://www.nndb.com/people/ simon/paul-simon-05.jpg 724/000022658/garfunkel- sm.jpg Other ArKsts of the Period Although Simon & Garfunkel had one of the most unique folk rock sounds, there are several arKsts with similariKes including the Beatles, The Lovin’ Spoonful, The Mama’s & The Papa’s, and Bob Dylan. Concurrent Music- The Beatles •The Beatles’ Sgt. Peppers Lonely Hearts Club Band album set the precedent for concept albums like Simon & Garfunkel’s Bookends album. • “Old Friends” has a large orchestra accompaniment that builds a wall of sound, similar to http://www.pollsb.com/photos/o/320202- “A Day in the Life” by the Beatles sgt_pepper_s_lonely_hearts_club_band.jpg Concurrent Music- The Lovin’ Spoonful •The Lovin’ Spoonful were a folk rock group with a similar sound to Simon & Garfunkel •Their song “Daydream”, has a similar sound and instrumentaon to Simon and Garfunkel’s “Mrs. Robinson” http://image.lyricspond.com/image/t/artist-the-lovin-spoonful/album-the-lovin- spoonful-greatest-hits/cd-cover.jpg Concurrent Music- The Mamas & The Papas • The Mamas and the Papas’ folk rock music was similar to Simon & Garfunkel’s in its sound and form. • Their song “California Dreamin’” has a similar form to Simon & Garfunkel’s “America”. http://www.jasondunn.com/albumart/images/ the_mamas_and_the_papas_california_dreamin__1994.jpg Concurrent Music- Bob Dylan • Bob Dylan was one of the major influences of the folk music movement, and is even considered one of the creators of folk rock • His lyrics influenced many of the arKsts of the Kme including Simon and Garfunkel, who did covers of Dylan’s songs in their early career. http://2.bp.blogspot.com/_Zde-OxOYou4/TINiSHncTJI/ AAAAAAAAA78/nBCP-n3nurI/s1600/bob_dylan6.jpg Concurrent Music: Everly Brothers • The Everly Brothers melded country with the emerging rock and roll of the fisies and greatly influenced Simon and Garfunkel through their style • Cover songs • Toured with Simon and Garfunkel (in support) on their Old Friends Tour • “Hey Schoolgirl”, “Bye, Bye Love”, “Wake Up Li@le Susie” http://progbeat-vvche.blogspot.com/2010/08/everly- brothers-two-yanks-in-england.html Concurrent Music: Peter, Paul and Mary • A folk singer, a comedian, and a Broadway actress created one of the most popular folk group that created contemporary folk music • Helped launch many songwriter’s careers • Influenced Simon and Garfunkel’s folk roots and http://greenobles.com/photos/peter,paul-and-mary/01/ musical style Popular Music of that Time Period • Other popular arKsts during the Kme period of Simon and Garfunkel include: – Rolling Stones – Bob Dylan – Beach Boys – Beatles – Jimi Hendrix http://emol.org/music/tina/ http://www.clashmusic.com/artists/ – Led Zeppelin peterpaulmary.html the-beach-boys – The Who – Jackson Five http://whitgunn.freeservers.com/ http://en.wikipedia.org/wiki/ Davemusic/L/led-zeppelin/led- The_Beatles zeppelin-iv.html PoliKcal & Social Influences • Simon and Garfunkel were known for their strong poliKcal views in their music. In the Kme period when they became a group, there was a change in music. People started wriKng what they called ‘Protest Songs’. A Protest Song is a song that is associated with a movement of social change. http://blog.interexchange.org/career-training-usa/ http://www.britannica.com/blogs/2009/01/2-the- 2012/05/10/u-s-involvement-in-the-vietnam-war/ vietnam-war-top-10-mistakes-by-us-presidents/ PoliKcal & Social Influences (conKnued) • Some of Simon and Garfunkel’s “Protest Songs” would include: – Seven O Clock News/Silent Night • Was for the general condemnaon of the war – Sound of Silence • This song was not intended to be an anK-war song but people of that Kme interpreted it that way – Last Night I Had the Strangest Dream • At the end of the song it says “I dreamed the world had all agreed to put an end to war” PoliKcal & Social Influences (conKnued) • Some poliKcal and social events of that Kme period that had an affect on some of their music include: – The war in Vietnam – The Cold War – Civil Rights Act of 1964 – John F. Kennedy’s Presidency – Naonal VoKng Rights Act of 1965 Musical Analysis: Sound of Silence revised rock-folk version • Instrumentaon: acousKc version “over- dubbed” with electric bass, electric guitar and drums to transform it into the revised rock- folk version • Meter and Beat Subdivision:
Recommended publications
  • Canadian Beatles Albums Identification Guide Updated: 22 De 16
    Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo.
    [Show full text]
  • Tribute to Three Giants Figures of the Sixties' Pop
    TRIBUTE TO THREE GIANTS FIGURES OF THE SIXTIES’ POP MUSIC IN THE 50th ANNIVERSAIRE OF THEIR DEATH. ALAN WILSON, JIMI HENDRIX AND JANIS JOPLIN: ASTROLOGICAL REVIEW OF THREE 27’ CLUB MEMBERS. We were at the end of the “sixties”, a remarkable decade of 20th century for popular music, revolutionary movements, technological achievements and radical changes in human relationships. It was also the time of “hippie liberation”, the spread of drugs through young people. Everything was fine when, just in the span of thirty days, three outstanding members of musical background suddenly died. 1970, September the 3th: Alan Wilson, “Canned Heat” guitar, harmonica and vocal, commit suicide at home of another member group, Bob Hite, in Topanga Canyon, California. An overdose was the cause of his death. He was 27 years old. 1970, September the 18th: Jimi Hendrix, one of the bests guitarrist of all times, share his last night with Monica Dannemann in Samarkand Hotel, London. When she woke up Jimi was inconscious, yet breathe. He was moved at St. Mary Abbot Hospital, but he was not alive. The cause of his death: asphyxia per vomit. His partner declared that Jimi had had seven tablets of Vesparax, a barbituric, say, 18 times the recommended dose. He was 27 years old. 1970, October the 4th: Janis Joplin, a singer and contraculture icon of the sixties was found dead in her hotel room, at Los Angeles, just when she was going to record the vocal part of Buried Alive in the Blues next morning. A portent, maybe a synchronicity. The official cause of her death was an heroine overdose, probably combined with alcohol effects.
    [Show full text]
  • Midnight Special Songlist
    west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
    [Show full text]
  • Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
    Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend.
    [Show full text]
  • Things Have Changed Bob Dylan
    Things have changed Bob Dylan Gm Gm A worried man with a worried mind I’ve been walkin’ forty miles of bad road Cm Cm No one in front of me and nothing behind If the Bible is right the world will explode Gm Gm D7 There’s a woman on my lap and she’s drinking I’m tryin’ to get as far away from myself as I can D7 champagne Gm Gm Some things are too hot to touch Got white skin, got assassin’s eyes Cm Cm The human mind can only stand so much I’m looking up into the sapphire tinted skies Gm D7 Gm Gm D7 Gm You can’t win with a losing hand I’m well dressed, waiting on the last train Eb D7 Gm Eb D7 Gm Feel like falling in love with the first woman I meet Standin’ on the gallows with my head in the noose Eb D7 Eb D7 Puttin’ her in a wheelbarrow and wheelin’ her down the Any minute now I’m expectin’ all hell to break street loose Gm Gm People are crazy and times are strange People are crazy and times are strange Cm Cm I’m locked in tight, I’m out of range I’m locked in tight, I’m out of range Gm D7 Gm Gm D7 Gm I used to care but - things have changed. I used to care but - things have changed. Gm This place ain’t doin’ me any good Gm Cm I hurt easy, I just don’t show it I’m in the wrong town, I should’ve been in Cm Hollywood You can hurt someone and not even know it Gm Gm D7 Just for a second there I thought I saw something The next sixty seconds could be like an eternity D7 move Gm Gm Gonna get lowdown, gonna fly high Gonna take dancin’ lessons, do the jitterbug rag Cm Cm All the truth in the world adds up to one big lie Ain’t no shortcuts, gonna dress in drag Gm D7 Gm Gm D7 I’m in love with a woman that don’t even appeal to me Only a fool in here would think he got anythin’ to Eb D7 Gm Gm prove Mr.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • 265 Edward M. Christian*
    COPYRIGHT INFRINGEMENT ANALYSIS IN MUSIC: KATY PERRY A “DARK HORSE” CANDIDATE TO SPARK CHANGE? Edward M. Christian* ABSTRACT The music industry is at a crossroad. Initial copyright infringement judgments against artists like Katy Perry and Robin Thicke threaten millions of dollars in damages, with the songs at issue sharing only very basic musical similarities or sometimes no similarities at all other than the “feel” of the song. The Second Circuit’s “Lay Listener” test and the Ninth Circuit’s “Total Concept and Feel” test have emerged as the dominating analyses used to determine the similarity between songs, but each have their flaws. I present a new test—a test I call the “Holistic Sliding Scale” test—to better provide for commonsense solutions to these cases so that artists will more confidently be able to write songs stemming from their influences without fear of erroneous lawsuits, while simultaneously being able to ensure that their original works will be adequately protected from instances of true copying. * J.D. Candidate, Rutgers Law School, January 2021. I would like to thank my advisor, Professor John Kettle, for sparking my interest in intellectual property law and for his feedback and guidance while I wrote this Note, and my Senior Notes & Comments Editor, Ernesto Claeyssen, for his suggestions during the drafting process. I would also like to thank my parents and sister for their unending support in all of my endeavors, and my fiancée for her constant love, understanding, and encouragement while I juggled writing this Note, working full time, and attending night classes. 265 266 RUTGERS UNIVERSITY LAW REVIEW [Vol.
    [Show full text]
  • 1 Hey Jude the Beatles 1968 2 Stairway to Heaven Led Zeppelin 1971 3 Stayin' Alive Bee Gees 1978 4 YMCA Village People 1979 5
    1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 Stayin' Alive Bee Gees 1978 4 YMCA Village People 1979 5 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 6 Da Ya Think I'm Sexy? Rod Stewart 1979 7 Jailhouse Rock Elvis Presley 1957 8 (I Can't Get No) Satisfaction Rolling Stones 1965 9 Tragedy Bee Gees 1979 10 Le Freak Chic 1978 11 Macho Man Village People 1978 12 I Will Survive Gloria Gaynor 1979 13 Yesterday The Beatles 1965 14 Night Fever Bee Gees 1978 15 Fire Pointer Sisters 1979 16 I Want To Hold Your Hand The Beatles 1964 17 Shake Your Groove Thing Peaches & Herb 1979 18 Hound Dog Elvis Presley 1956 19 Heartbreak Hotel Elvis Presley 1956 20 The Twist Chubby Checker 1960 21 Johnny B. Goode Chuck Berry 1958 22 Too Much Heaven Bee Gees 1979 23 Last Dance Donna Summer 1978 24 American Pie Don McLean 1972 25 Heaven Knows Donna Summer & Brooklyn Dreams 1979 26 Mack The Knife Bobby Darin 1959 27 Peggy Sue Buddy Holly 1957 28 Grease Frankie Valli 1978 29 Love Me Tender Elvis Presley 1956 30 Soul Man Blues Brothers 1979 31 You Really Got Me The Kinks 1964 32 Hot Blooded Foreigner 1978 33 She Loves You The Beatles 1964 34 Layla Derek & The Dominos 1972 35 September Earth, Wind & Fire 1979 36 Don't Be Cruel Elvis Presley 1956 37 Blueberry Hill Fats Domino 1956 38 Jumpin' Jack Flash Rolling Stones 1968 39 Copacabana (At The Copa) Barry Manilow 1978 40 Shadow Dancing Andy Gibb 1978 41 Evergreen (Love Theme From "A Star Is Born") Barbra Streisand 1977 42 Miss You Rolling Stones 1978 43 Mandy Barry Manilow 1975
    [Show full text]
  • The Relationship Between Fame and Fortune in Performance Related Careers with A
    International Journal of Health and Economic Development, 6(2), 36-46, July 2020 36 The Relationship between Fame and Fortune in Performance Related Careers with a Shorter Life Expectancy due to Accidents, Addiction, Homicide and Suicide S. Eric Anderson, Ginny Sim La Sierra University, Riverside, California, USA [email protected] Abstract Around 92% of the US population dies from natural causes. However, only 49% of famous musician stars die from natural causes resulting in performance related careers being one of the most dangerous professions in the United States. According to this study, musicians were 20 times more likely to die from an addiction, four times more likely to die from an accident, six times more likely to die of homicide and four times more likely to die of suicide than the general population. Why do dangerous profession lists fail to include musicians in the high risk career list categories? It is not the profession that is dangerous, but primarily the personality type gravitating towards the profession that creates risk. Should certain personality types be directed to non-performance related careers? Probably not, since performing on stage may be a more effective intervention than psychiatric treatment. Keywords: Accidents, Alcohol, Anxiety, depression, homicide, musicians and suicide. Introduction Is there a relationship between fame in performance related careers with the shorter life expectancy due to accidents, drug overdose, homicide and suicide? The number of musicians, Elvis Presley, Janis Joplin, Jimi Hendrix, Keith Moon, Sid Vicious, Kurt Cobain, Amy International Journal of Health and Economic Development, 6(2), 36-46, July 2020 37 Winehouse, Michael Jackson, Whitney Houston and Prince who died of addiction is staggering.
    [Show full text]
  • Queen of Tejano Music: Selena
    Lesson Plan / Teacher’s Guide English Language Arts - Grade 4 (adaptable) TEACHING WITH A PICTURE BOOK BIOGRAPHY Queen of Tejano Music: Selena By Silvia López Illustrated by Paola Escobar Little Bee Books, 2020 ISBN 978-1499811421 Created by Mrs. Barbara C. Trujillo Miami Dade County Public Schools, Florida Student Objectives: ȴȴ Establish purpose for reading selected text. ȴȴ Listen attentively, ask relevant questions, seek clarification and locate facts and details about the story. Supporting answers with evidence from the text. ȴȴ Participate in teacher and student lead discussion by posing and answering questions with appropriate detail and providing suggestions that build upon the ideas of others. ȴȴ Discuss the concept of a personal motto. Engage in dialogue with their classmates as to how having a motto can help us to reach our goals. English Language Arts Standards: Main Idea LAFS.4.RI.1.2 - Determine the main idea of a text and explain how it is supported by key details; summarize the text. Inferencing LAFS.4.RL.1.1 - Refer to details and examples in a text when explaining what the text says explicitly and when drawing inferences from the text. Theme LAFS.4.RL.1.2 - Determine a theme of a story, drama or poem from details in the text; summarize the text. Structure LAFS.4.RI.2.5 - Describe the overall structure (e.g., chronology, comparison, cause/effect, problem/solution) of events, ideas, concepts, or information in a text or part of a text. Vocabulary LAFS.4.RI.2.4 - Determine the meaning of general academic and domain-specific words or phrases in a text relevant to a grade 4 topic or subject area.
    [Show full text]
  • The Racialization of Jimi Hendrix Marcus K
    Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2007 The Racialization of Jimi Hendrix Marcus K. Adams Follow this and additional works at: http://commons.emich.edu/honors Part of the African American Studies Commons Recommended Citation Adams, Marcus K., "The Racialization of Jimi Hendrix" (2007). Senior Honors Theses. 23. http://commons.emich.edu/honors/23 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. The Racialization of Jimi Hendrix Abstract The period of history immediately following World War Two was a time of intense social change. The nde of colonialism, the internal struggles of newly emerging independent nations in Africa, social and political changes across Europe, armed conflict in Southeast Asia, and the civil rights movement in America were just a few. Although many of the above conflicts have been in the making for quite some time, they seemed to unite to form a socio-political cultural revolution known as the 60s, the effects of which continues to this day. The 1960s asw a particularly intense time for race relations in the United States. Long before it officially became a republic, in matters of race, white America collectively had trouble reconciling what it practiced versus what it preached. Nowhere is this racial contradiction more apparent than in the case of Jimi Hendrix. Jimi Hendrix is emblematic of the racial ideal and the racial contradictions of the 1960s.
    [Show full text]
  • Why Am I Doing This?
    LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
    [Show full text]