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Tribute to Three Giants Figures of the Sixties' Pop
TRIBUTE TO THREE GIANTS FIGURES OF THE SIXTIES’ POP MUSIC IN THE 50th ANNIVERSAIRE OF THEIR DEATH. ALAN WILSON, JIMI HENDRIX AND JANIS JOPLIN: ASTROLOGICAL REVIEW OF THREE 27’ CLUB MEMBERS. We were at the end of the “sixties”, a remarkable decade of 20th century for popular music, revolutionary movements, technological achievements and radical changes in human relationships. It was also the time of “hippie liberation”, the spread of drugs through young people. Everything was fine when, just in the span of thirty days, three outstanding members of musical background suddenly died. 1970, September the 3th: Alan Wilson, “Canned Heat” guitar, harmonica and vocal, commit suicide at home of another member group, Bob Hite, in Topanga Canyon, California. An overdose was the cause of his death. He was 27 years old. 1970, September the 18th: Jimi Hendrix, one of the bests guitarrist of all times, share his last night with Monica Dannemann in Samarkand Hotel, London. When she woke up Jimi was inconscious, yet breathe. He was moved at St. Mary Abbot Hospital, but he was not alive. The cause of his death: asphyxia per vomit. His partner declared that Jimi had had seven tablets of Vesparax, a barbituric, say, 18 times the recommended dose. He was 27 years old. 1970, October the 4th: Janis Joplin, a singer and contraculture icon of the sixties was found dead in her hotel room, at Los Angeles, just when she was going to record the vocal part of Buried Alive in the Blues next morning. A portent, maybe a synchronicity. The official cause of her death was an heroine overdose, probably combined with alcohol effects. -
A High School Tradition for 84 Years Volume 84, Number 6 Salem Senior High School March 14,1997
A High School Tradition for 84 Years Volume 84, Number 6 Salem Senior High School March 14,1997 In this issue Erica Godfrey, Connie Morris, and Stephanie Schmid look at the dangers ofsmoking. Smoke and choke Pay for your crime by Stephanie Schmid Smoking at Salem McShane, have asked juve hard-core smokers has also High School is a continu nile court judge Ashley decreased in contrast to the ing problem. The Pike to support them in al increasing number of stu restrooms have become a lowing them to cite smok dents sharing cigarettes. haven for smokers; the ers to court. This would The first time a most popular being in Se then become a legal matter student is caught smoking nior Hall. Even though vari in which smokers would be or possessing a tobacco ous staff members monitor punished with fines for un product, the punishment is the restrooms between derage possession of a to three days of in- school classes, it is still possible bacco product and smoking suspension. The second for students to ·smoke dur in a public building. time is five days and the ing classes. The rate of SHS third time is ten days of in Some public smokers fluctuates. The school suspension. If two buildings are fining smok overall number of smokers or more students are ers $50 if they are caught has decreased in the men's caught in the same stall, all smoking in places such as restrooms whereas in the are punished with four the restrooms. The princi women's restrooms it is on night detention. -
Christa Anna Ockert L-Tage
Christa Anna Ockert L-Tage oder: "Hitler wird nicht bedient!" Verlag Autonomie und Chaos Leipzig – Berlin Christa Anna Ockert L-Tage Christa Anna Ockert (9. Dezember 1932 – 22. Oktober 2017) Herausgegeben von Petra Bern Diese Erinnerungen wurde von der Autorin Kapitel für Kapitel durchgesehen, korrigiert, ergänzt und autorisiert. Aufgrund chronischer Krankheit der Herausgeberin verzögerte sich die Fertigstellung der Arbeit. Herausgeberin und Verleger bedauern dies sehr! Liste der Episoden ab Seite 362 © 2020 Christa Anna Ockert (Erben) Originalausgabe im Verlag Autonomie und Chaos Leipzig – Berlin ISBN 978-3-945980-19-4 Diese online-Ausgabe kann für den Privatgebrauch kostenfrei heruntergeladen und ausgedruckt werden. Jede weitere Nutzung, insbesondere zu kommerziellen Zwecken, unterliegt der schriftlichen Genehmigung der RechteinhaberInnen. www.autonomie-und-chaos.berlin 2 Christa Anna Ockert L-Tage Was sagen Sie dazu? Ich hatte viele Namen. Fremde in meiner Kindheit konnten nur sehen, wie klein ich war, und sagten Mausi oder Mäuschen. (Großmutter, die mich kannte und nicht unterschätzte, nannte mich so vor dem Kindergarten.) Ich habe mich früh wie später nicht, wie anzunehmen wäre, in Mauselöcher verkrochen …! Die Pohlings riefen noch "de Kleene", als ich den Lehrlingsschuhen entwachsen war. Doch Mäusel mit sächsischem Zwielaut flüsterte und schmetterte mein geliebter zweiter Mann. Mutter machte keine Umstände und sagte – wie manche meiner Kolleginnen und Bekannten – Christa. Durch Giga, die Liebkosung meines Bruders Harald vor seiner Schulzeit, war ich hellhörig für das, was im Elternhaus fehlte… www.autonomie-und-chaos.berlin 3 Christa Anna Ockert L-Tage Ich hüpfte in den dreißiger Jahren an Vaters Hand durch Leipzig: Für Kurt Röller und andere seiner Freunde wurde ich Huppegra. -
SKIVLISTA 3-2018 Hello Music Lovers, the Following Items Will Be Sold on Open Auction Which Means You Can Ask About Leading Bids by Phone Or Mail
AUCTION – AUKTION SKIVLISTA 3-2018 Hello music lovers, The following items will be sold on open auction which means you can ask about leading bids by phone or mail. Please send your starting bids by mail, phone or post before the last day of auction. Hoppas allt är bra med er och era skivspelare. Här kommer en ny lista och jag hoppas du hittar något intressant till Auction deadline is Tuesday, March 27, 2018 at 22.00 / 10 PM Central samlingen. Jag har reflekterat över att vissa artister som tidigare brukade vara mycket efterfrågade nu är tämligen European time (20.00 / 8 PM UTC/GMT) svårsålda. Två bra exempel är Elvis och Spotnicks. Visst, jag förstår att det är ointressant om man redan har alla STOPPDATUM ALLTSÅ TISDAGEN DEN 27 MARS 2018 KL. 22.00 SVENSK skivorna på listan i samlingen. Men då ser jag heller ingen anledning att aktivt leta efter skivor med dessa artister för SOMMARTID. att eventuellt hitta något ni saknar. Det bästa är om ni som bara vill ha Elvis eller någon annan artist skickar en lista på vad ni har eller vad ni söker. Jag hjälper gärna till att leta fram skivor ni saknar men att lägga ner tid och resurser 7" SINGLES/EPs FOR AUCTION på att köpa in speciella artister som ni ändå aldrig köper verkar knappast meningsfullt. Men kom gärna med förslag på vad ni vill se mer av i mina listor. Någon speciell musikgenre? Minimum bid (M.B.) is SEK 50 / US$ 8 / € 6,- / £ 5 unless otherwise noted . Rutan har fått en fettknöl på huvudet bortopererad i dag men är nu hemma igen, pigg och glad. -
John Lee Hooker: King of the Boogie Opens March 29 at the Grammy Museum® L.A
JOHN LEE HOOKER: KING OF THE BOOGIE OPENS MARCH 29 AT THE GRAMMY MUSEUM® L.A. LIVE CONTINUING THE 100TH ANNIVERSARY OF THE BIRTH OF LEGENDARY GRAMMY®-WINNING BLUESMAN JOHN LEE HOOKER, TRAVELING EXHIBIT WILL FEATURE RARE RECORDINGS AND UNIQUE ITEMS FROM THE HOOKER ESTATE; HOOKER'S DAUGHTERS, DIANE HOOKER-ROAN AND ZAKIYA HOOKER, TO APPEAR AT MUSEUM FOR SPECIAL OPENING NIGHT PROGRAM LOS ANGELES, CALIF. (MARCH 6, 2018) —To continue commemorating what would have been legendary GRAMMY®-winning blues artist John Lee Hooker’s 100th birthday, the GRAMMY Museum® will open John Lee Hooker: King Of The Boogie in the Special Exhibits Gallery on the second floor on Thursday, March 29, 2018. On the night of the opening, Diane Hooker-Roan and Zakiya Hooker, daughters of the late bluesman, will appear at the GRAMMY Museum for a special program. Presented in conjunction with the John Lee Hooker Estate and Craft Recordings, the exhibit originally opened at GRAMMY Museum Mississippi—Hooker's home state—in 2017, the year of Hooker's centennial. On display for a limited time only through June 2018, the exhibit will include, among other items: • A rare 1961 Epiphone Zephyr—one of only 13 made that year—identical to the '61 Zephyr played by John Lee Hooker. Plus, a prototype of Epiphone's soon-to-be-released Limited Edition 100th Anniversary John Lee Hooker Zephyr signature guitar • Instruments such as the Gibson ES-335, Hohner HJ5 Jazz, and custom Washburn HB35, all of which were played by Hooker • The Best Traditional Blues Recording GRAMMY Hooker won, with Bonnie Raitt, for "I'm In The Mood" at the 32nd Annual GRAMMY Awards in 1990 • Hooker's Best Traditional Blues Album GRAMMY for Don't Look Back, which was co-produced by Van Morrison and Mike Kappus and won at the 40th Annual GRAMMY Awards in 1998 • A letter to Hooker from former President Bill Clinton • The program from Hooker's memorial service, which took place on June 27, 2001, in Oakland, Calif. -
Vieraita Kieliä Främmande Språk
KOULURADIO SKOLRADIO VIERAITA KIELIÄ FRÄMMANDE SPRÅK V KOULUHALLITUS SKOLSTYRELSEN OY SUOMEN YLEISRADIO AB VIERAITA KIELIÄ KOULURADIOSSA KEVÄÄLLÄ 1943 FRÄMMANDE SPRÅK I SKOLRADION VÅREN 1943 KOULUHALLITUS SKOLSTYRELSEN OY SUOMEN YLEISRADIO AB WERNER SÖDERSTRÖM OSAKEYHTIÖ WERNER SÖDERSTRÖM OSAKEYHTIÖN KIRJAPAINOSSA PORVOOSSA 1943 Kouluradion ohjelmistoja suunniteltaessa ovat Kouluhallituksen jäsenet auliisti anta neet neuvojaan ja ohjeitaan. Erikoisen huomattava oli Kouluhallituksen äskettäin kuol leen ylijohtajan, fil. tri Oskari Mantereen arvokas tuki. Oppikouluradion lukuvuoden ensimmäisen lähetyksen yhteydessä piti hän aina puheen. Viimeisessä, lokakuun 1o päivänä 1942 pitämässään avajaispuheessa tri Mantere lausui mm. seuraavaa : »On tärkeätä, että maamme nuoriso näissäkin vaikeissa oloissa, samalla kuin se val mistuu tarvittaessa puolustamaan isänmaan itsenäisyyttä, myös oppii mahdollisimman perusteellisesti tuntemaan toisia kansoja, niiden saavutuksia, niiden sivistystä ja ajatus tapaa. Se taas ei ole mahdollista, ellei opi toisten kansojen kieltä, koska se vasta avaa mahdollisuuden vieraan kulttuurin syvempään ymmärtämiseen ja arvostamiseen. On sen takia onnellista, että meidän nuorisollamme on tähän yhä tilaisuus ja että se voi, vieläpä syntyperäisten ulkomaalaisten apua kouluradion välityksellä hyväkseen käyttäen, vapaasti opiskella Euroopan suurten sivistyskansojen kieliä. —» Alkaneen kevätlukukauden oppikouluradion esitelmien tai oppituntien pitäjiksi on nyt kuten aiemminkin saatu maassamme oleskelevia syntyperäisiä saksalaisia, -
Five Die Filming This Lazy Lark Cd/Lp (Vespertine 007 1998)
FIVE DIE FILMING THIS LAZY LARK CD/LP (VESPERTINE 007 1998) SOUP SPILLED I was raised on wholesome chemicals and now I’m sick without the additives you spilled your soup... just look at it you've spilled your soup now I’m sailing on the blood vessel set adrift on the ocean of shame every book I’ve never read they're gonna reach conclusions the same you've spilled your soup just look at it. HAIRDO AT 90 you can murder your sister or disown your brother but you still have to live in relation to others still it's all about timing I thought as I told the wife and lad that I was off for good on fathers day you mean there's a channel 5? I thought they were just adverts for an early night in winter fires choking sweet cinema popcorn or colostomy bag needs emptying like an alcoholic on anti-biotics I’ll muddle through this hairdo at 90 I can't believe you’re letting me wear my new socks 2 days before my birthday if you need to know the guts of every situation I tell them I’m a film crew scouting for locations the march of the insect nation without favour or consideration the loft window opened slightly to the sunny Paris morning peeping over rooftops with a mixture of her scent and the warm bakery odour floating upwards gently wakes you .... not really you're in prison spent his teenage years brawling with all comers in denial of his sexuality while I spent mine in denial of the fact that I’m a vicious thug but I’m suspicious of anyone who knows what they want hairdo at 90 .. -
Title Artist Key Capo 20 C 500 Miles Proclaimers E a Groovy Kind Of
Title Artist Key Capo 20 C 500 Miles Proclaimers E A Groovy Kind Of Love Phil Collins C A House Is Not A Home Burt Bacharach Cm A night like this C Aber bitte mit Sahne Udo Jürgens F Abracadabra Steve Miller Am Achy Breaky Heart A Against All Odds Phil Collins Db Agua De Beber Dm Ai se eu te pego (Nossa Nossa) Michel Teló B Ain't No Sunshine Bill Withers Am Aint nobody Em All about that bass Meghan Trainor A all blues Miles Davis C All summer long Kid Rock G All that she wants st: Ace Of Base C#m All The Things You Are Bbm Amazing Grace Misc. Traditional C Angels Robbie Williams E Another One Bites The Dust Queen F#m At Last F Atemlos B Auf Uns D Autumn Leaves Nat King Cole Gm Baby I love you Artist Name C Back To Black Amy Winehouse Dm Bad Moon Rising Creedence Clearwater Revival G Baker Street Gerry Rafferty Ab Bamboleo Gipsy Kings F#m Beautiful Christina Aguilera Eb Believe F# Bergwerk D Besame Mucho Joao Gilberto Am Best (the) F Billy Jean Michael Jackson F#m Birds And The Bees Misc. Unsigned Bands D Black Horse And Cherry Tree Kt Tunstall Em Black magic woman Santana Dm Blue Bossa} Cm Blue Moon Elvis Presley Cb Bobby Brown Frank Zappa C Book of love Artist Name A Brazil G Bubbly A Bye Bye Blackbird Db Calm after the storm Artist Name Ab Can't Help Falling In Love Elvis Presley D Can't wait until tonight_Max C Mutzke Candle In The Wind Elton John E Cocaine E Copacabana Barry Manilow Bbm Corazon espinado Bm Corcovado C Could You Be Loved Bob Marley Bm Country Roads 2 John Denver D Crazy Little Thing Called Love Queen D Daddy Cool Boney -
"The Who Sings My Generation" (Album)
“The Who Sings My Generation”—The Who (1966) Added to the National Registry: 2008 Essay by Cary O’Dell Original album Original label The Who Founded in England in 1964, Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon are, collectively, better known as The Who. As a group on the pop-rock landscape, it’s been said that The Who occupy a rebel ground somewhere between the Beatles and the Rolling Stones, while, at the same time, proving to be innovative, iconoclastic and progressive all on their own. We can thank them for various now- standard rock affectations: the heightened level of decadence in rock (smashed guitars and exploding drum kits, among other now almost clichéd antics); making greater use of synthesizers in popular music; taking American R&B into a decidedly punk direction; and even formulating the idea of the once oxymoronic sounding “rock opera.” Almost all these elements are evident on The Who’s debut album, 1966’s “The Who Sings My Generation.” Though the band—back when they were known as The High Numbers—had a minor English hit in 1964 with the singles “I’m the Face”/”Zoot Suit,” it wouldn’t be until ’66 and the release of “My Generation” that the world got a true what’s what from The Who. “Generation,” steam- powered by its title tune and timeless lyric of “I hope I die before I get old,” “Generation” is a song cycle worthy of its inclusive name. Twelve tracks make up the album: “I Don’t Mind,” “The Good’s Gone,” “La-La-La Lies,” “Much Too Much,” “My Generation,” “The Kids Are Alright,” “Please, Please, Please,” “It’s Not True,” “The Ox,” “A Legal Matter” and “Instant Party.” Allmusic.com summarizes the album appropriately: An explosive debut, and the hardest mod pop recorded by anyone. -
New Entry of Record Labels in the Music Industry
Start Me Up: New Entry of Record Labels in the Music Industry Master Thesis MSc Business Administration Management and Entrepreneurship in the Creative Industries Faculty of Economics and Business, Amsterdam Business School Myra Alice Wilhelmina Ruers - 11903929 Supervisor: Dr. M. Piazzai 21st of June 2018 Statement of Originality This document is written by Student Myra Ruers, who declares to take full responsibility for the contents of this document. I declare that the text and the work presented in this document is original and that no sources other than those mentioned in the text and its references have been used in creating it. The Faculty of Economics and Business is responsible solely for the supervision of completion of the work, not for the contents. 2 Abstract The music industry is extremely vibrant, diverse, and inherently uncertain. Record labels are the main intermediaries in this industry, facilitating the connection between the creative input from musicians and the demand from the consumers. Due to many technological advancements, the barriers to entry have decreased significantly, hence making it easier to enter this industry as a new record label. Additionally, strategic integration options allow existing firms to start new ventures by acquiring or initiating subsidiaries. This research focuses on the multiple modes through which new entry can be commenced. These entry modes all have their own characteristics and consequences for the configurations of the industry. The likelihood of entry, the subsequent performance of new record labels, and the effects on the diversity of the output are the main topics that are explored. In this study, databases storing longitudinal information on musical releases are used to compile a dataset with the necessary information on new record labels. -
Deutsche Oldies Deutsche Oldies S E I D L O E H C S T U
DEUTSCHE OLDIES 165 DEUTSCHE OLDIES ACE CATS BLUE DIAMONDS 8 BEST OF CD 515219 € 9.90 RAMONA BCD 16437 € 15.34 Heut’ Nacht- Rockabella- Linda- Katzen tanzen durch die Nacht- Ramona- Liebe mich (All Of Me)- Wie damals in Paris(In A Little Lass den Vorhang zu- Verrückt nach Dir- Du liebst mich- Gina- Du Span ish Town)- Sieben Musikanten- Itsy Bitsy Teenie Weenie Hono - nur Du- Helden der Nacht- Stundenlang im Fieber- Vielleicht- Nur lulu Strand...- Dreamy- Sing mit uns das alte Heimwehlied- einmal- Streng geheim- Süsse 16- Immmer wieder solo- Keiner liebt Ahoi-Ohe (Are You Sure)- Ein Schiff fährt nach Shang hai (Red mich Sails...)- Mandolinata (Stair way To Heaven)- Träum von mir (Dream & (2003/SONY) 17 tracks 1984/85 - Sonderpreis ! special Of Me)- Die blaue See (Alo-Ahe)- Golden glänzt das Meer (Rio price while stock last Nights)- Blaues Boot der Sehnsucht (Little Ship)- Lady Sunshine und ADAM & EVE Mister Moon- Angelina, lass das weinen (Good Night Ladies)- My 8 ELECTROLA STARS CD EMI 60303 € 11.90 Sunny Sunshine (You Are My Sunshine)- Baluba, oh Baluba- Einmal Hey, hey in Tampico- Ave Maria No Morro- Wenn die Sonne erwacht wirst du wieder bei mir sein- Suki yaki- Piccadilly Baby- in den Bergen- Das macht die Liebe allein- Dann kommt der Tokio-Geisha- Banjo-Boy und Banjo-Girl- Sweet Lorraine, komm Sonnenschein- Komm und tanz mit mir (Dance Of Love)- Wie ein wieder- Moonlight, Liebe, roter Wein (Freight Train)- Es geht alles Stern in dunkler Nacht- In Manuel’s Taverne- Ein Stern geht auf- vorbei (You Don’t Have To Be..)- Die Liebe ist -
Max Weinberg's Jukebox & Woodstock Alumni Canned Heat Added to Bethel Woods Event Gallery Line-Up
FOR IMMEDIATE RELEASE Media Contact: Bridget Smith v.845.583.2179 Photos & Interviews may be available upon request [email protected] MAX WEINBERG’S JUKEBOX & WOODSTOCK ALUMNI CANNED HEAT ADDED TO BETHEL WOODS EVENT GALLERY LINE-UP Tickets On Sale Friday, May 17th at 10 AM May 14, 2019 (BETHEL, NY) – Bethel Woods Center for the Arts, the nonprofit cultural center located at the site of the 1969 Woodstock festival in Bethel, N.Y., will welcome Woodstock alumni Canned Heat on Friday, September 13th and Max Weinberg’s Jukebox on November 24th. Both shows will take place in the intimate, indoor Event Gallery. Reserved seating tickets will go on sale to the general public on Friday, May 17th at 10:00 AM at www.BethelWoodsCenter.org, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Both evenings offer opportunity to enhance your Bethel Woods experience, offering a bountiful pre-show farm-to-table dinners, presented by Bethel Woods’ own Executive Chef, Jodi Cummings. The Canned Heat pre-show dinner will take place in the open-air Market Sheds overlooking the historic Woodstock festival field. The multi-course dinner will feature delicious recipes using locally-sourced ingredients, with communal, family style seating that wholly embodies the "Peace, Love and Music" atmosphere and is wonderful to experience with neighbors and friends, both old and new. The Max Weinberg pre-show dinner will take place in the 2019 Special Exhibit space, We Are Golden, where guests can indulge in this unique, one-time dining experience amidst the energy and relics of the 1969 Woodstock festival, including pieces of the original stage, Country Joe & the Fish’s drum kit, and more.