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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Bad Company Biography
BAD COMPANY BIOGRAPHY One of the most acclaimed bands of the classic rock era, England's Bad Company has put its indelible stamp on rock 'n' roll with a straight- ahead, no-frills musical approach that has resulted in the creation of some of the most timeless rock anthems ever. Led by the incomparable singer and songwriter Paul Rodgers, arguably the finest singer in rock 'n ' roll and a huge songwriting talent. Formed in 1973, Bad Company came to life when Rodgers was looking to start anew after the disintegration of his legendary band Free. His powerhouse vocals and songwriting were a main ingredient during Free's impressive five-year run; a period of time that saw the release of seven extremely influential albums that featured Free's minimalist blues-rock approach. Included among Free's dynamic body of work is the 1970 smash, "All Right Now," one of the most recognizable rock anthems ever recorded. Lyrics and melody by Rodgers. He was Free’s main songwriter. Rodgers had met Mott The Hoople guitarist Mick Ralphs and after jamming together and listening to new songs that Ralphs had penned and songs that Rodgers had penned, Ralphs made the decision to leave Mott and form a new band with Rodgers. The duo recruited former King Crimson bassist/vocalist Boz Burrell, added drummer Simon Kirke and Rodgers Christened the band Bad Company. Rodgers’ brought in Led Zeppelin manager Peter Grant and Bad Company became the first band signed to Zeppelin's Swan Song label. "I had to fight to get the management and the record company to accept the name Bad Company," explains Rodgers. -
Blues Tour De Forst
| 1 Monday, June 22, 2020 Blues Tour de Forst It’s June 2008. Tom Forst, a regional vice president at Cox Communications Group, is about to walk away from 25 years as a corporate suit to chase a lifelong passion. The dream to be a full-time musician had been on hold since his post-college touring days, circa 1974. It’s June 2008. Tom Forst, a regional vice president at Cox Communications Group, is about to walk away from 25 years as a corporate suit to chase a lifelong passion. The dream to be a full-time musician had been on hold since his post-college touring days, circa 1974. He recalls the exact moment his life changed course. “My wife was sitting in the living room. She pays the bills, and she said, ‘Look at that, I’m paying our last two $30,000 college tuition bills for our last two kids.’ I looked at her and said, ‘I’m going to quit.’” “My wife simply said, ‘Go ahead,’ and that’s kind of the way she is. Her attitude was, what’s the worst that can happen?” She only wanted assurances they wouldn’t starve. © 2021 CAPTRUST Financial Advisors Blues Tour de Forst | 1 | 2 So Forst, then 57, gave his six-month notice at Cox Communications. At the end of that year, he stepped away from legions of direct reports, the jet-setting lifestyle, power, prestige, and pay. Big pay. What followed is a wild ride of a second act—from boardroom to bandstand, Forst was on his way to be a successful indie blues musician. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
The Twist”—Chubby Checker (1960) Added to the National Registry: 2012 Essay by Jim Dawson (Guest Post)*
“The Twist”—Chubby Checker (1960) Added to the National Registry: 2012 Essay by Jim Dawson (guest post)* Chubby Checker Chubby Checker’s “The Twist” has the distinction of being the only non-seasonal American recording that reached the top of “Billboard’s” pop charts twice, separately. (Bing Crosby’s “White Christmas” topped the holiday tree in 1942, 1945, and 1947). “The Twist” shot to No. 1 in 1960, fell completely off the charts, then returned over a year later like a brand new single and did it all over again. Even more remarkable was that Checker’s version was a nearly note-for- note, commissioned mimicry of the original “The Twist,” written and recorded in 1958 by R&B artist Hank Ballard and released as the B-side of a love ballad. Most remarkable of all, however, is that Chubby Checker set the whole world Twisting, from Harlem clubs to the White House to Buckingham Palace, and beyond. The Twist’s movements were so rudimentary that almost everyone, regardless of their level of coordination, could maneuver through it, usually without injuring or embarrassing themselves. Like so many rhythm and blues songs, “The Twist” had a busy pedigree going back decades. In 1912, black songwriter Perry Bradford wrote “Messin’ Around,” in which he gave instructions to a new dance called the Mess Around: “Put your hands on your hips and bend your back; stand in one spot nice and tight; and twist around with all your might.” The following year, black tunesmiths Chris Smith and Jim Burris wrote “Ballin’ the Jack” for “The Darktown Follies of 1913” at Harlem’s Lafayette Theatre, in which they elaborated on the Mess Around by telling dancers, “Twist around and twist around with all your might.” The song started a Ballin’ the Jack craze that, like nearly every new Harlem dance, moved downtown to the white ballrooms and then shimmied and shook across the country. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Son Sealsseals 1942-2004
January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page. -
Young Howard the Making of a Male Lesbian a Novel by T.L. Winslow (C) Copyright 2000 by T.L. Winslow. All Rights Reserved. This
C:\younghoward\younghoward.txt Friday, June 07, 2013 2:30 PM Young Howard The Making Of A Male Lesbian A Novel by T.L. Winslow (C) Copyright 2000 by T.L. Winslow. All Rights Reserved. This novel is a work of fiction. Names, characters, places, and incidents either are the products of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. -1- C:\younghoward\younghoward.txt Friday, June 07, 2013 2:30 PM PREFACE This is my secret autobiography of my childhood. I keep it in encrypted form on my personal computer where only I can get at it. My password is pAtTypUkE. I don't want it to be published or known while I'm alive, but kept only for my private masturbation fantasies. I will supply the password to it in my will, with instructions to my lawyer to release it fifty years after my death. In case anybody cracks it, beware of the curse of Tutankhamen and respect its privacy. In the extremely unlikely event that somebody does crack it and publish it, I'm warning you: at least have the human decency to obliterate my name and label it as fiction. I make millions a year and can hire detectives and sue your ass off can't I? Labelled as fiction about a fictional character, I have plausible deniability and so do you. Humor me, okay? Note from the Editor. This document was indeed hacked and then mutilated as it circulated furiously around the Howard fan sites on the Web, with many Billy Shakespeares making anonymous additions. -
Entertainment Memorabilia Entertainment
Thursday 10 December 2015 Knightsbridge, London ENTERTAINMENT MEMORABILIA ENTERTAINMENT ENTERTAINMENT MEMORABILIA | Knightsbridge, London | Thursday 10 December 2015 22818 ENTERTAINMENT MEMORABILIA Thursday 10 December 2015 at 12noon Knightsbridge, London BONHAMS ENQUIRIES The following symbol is used Montpelier Street Natalie Downing to denote that VAT is due on Knightsbridge +44 (0) 20 7393 3844 the hammer price and buyer’s London SW7 1HH [email protected] premium www.bonhams.com Consultant Specialist † VAT 20% on hammer price VIEWING Stephen Maycock and buyer’s premium Sunday 6 December +44 (0) 20 7393 3844 11am – 3pm [email protected] * VAT on imported items at Monday 7 December a preferential rate of 5% on 9am – 4.30pm Administrator hammer price and the prevailing Tuesday 8 December Sarah McLean rate on buyer’s premium 9am – 4.30pm +44 (0) 20 7393 3871 Wednesday 9 December [email protected] W These lots will be removed to 9am – 4.30pm Bonhams Park Royal Warehouse Thursday 10 December SALE NUMBER: after the sale. Please read the 9am – 10am 22818 sale information page for more details. BIDS CATALOGUE: +44 (0) 20 7447 7447 £15 Y These lots are subject to CITES +44 (0) 20 7447 7401 fax regulations, please read the To bid via the internet PRESS ENQUIRIES information in the back of the please visit www.bonhams.com [email protected] catalogue. TELEPHONE BIDDING CUSTOMER SERVICES IMPORTANT INFORMATION Bidding by telephone will only Monday to Friday The United States Government be accepted on lots with a lower 8.30am – 6pm has banned the import of ivory estimate of £500 or above. -
Saiichi Sugiyama Band Epk 2016
SAIICHI SUGIYAMA BAND EPK (July 2016) British blues-rock guitarist Saiichi Sugiyama and his band are touring the UK in September 2016 ahead of their new album release next year. Saiichi Sugiyama Band is a group of musicians hailing from Surrey/London that harks back to the halcyon days of rock and soul, 1965-1974, brought together in 2010 by the guitarist/composer Saiichi [pronounced: “sigh-eee- chee”], who has a career spanning 25 years as a solo artist in the British blues scene. The core of the group is Rietta Austin (lead vocals), Saiichi Sugiyama (guitar/vocals/composer), Ben Reed (bass guitar) and Mune Sugiyama (producer/arranger/drums). When playing live, the group are augmented by touring musicians including Stuart Dixon (rhythm guitar), Katrin Yr (lead vocals) and Wez Johnson (drums). The former members Lizzie Hibbert (lead vocals) and Dave Munch Moore (keys) also record with the group in studio. The group has been spending the past months working on their new studio album in various recording studios, a follow up to the studio live album “the Smokehouse Sessions” from 2014. The new album will include a track entitled “Melting Away”, written by Saiichi and featuring the late bass hero Andy Fraser, ex-Free and composer of the 1970 smash single, “All Right Now.” The initial inspiration for “Melting Away” came to Saiichi while on a trip to his native Japan. To Saiichi the melody was reminiscent of Free guitarist Paul Kossoff, who died in 1976. Creating a demo when he returned home to the UK, Saiichi came up with bass parts that brought Free bassman Andy Fraser to mind. -
MEIEA 2012 Color.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 12, Number 1 (2012) Bruce Ronkin, Editor Northeastern University Published with Support from The 1969 Creedence Clearwater Revival Recording Contract and How it Shaped the Future of the Group and its Members Hank Bordowitz Bordowitz Media Werx Bergen Community College By 1969, the record business had been around in some way, shape, or form for nearly eighty years. For an octogenarian, it had never been healthier. A study commissioned by John Wiley of Columbia Records said that the business had grown 250 percent in the decade between 1955 and 1965. It predicted the record business would double in size again within the next decade. “The end of the upward trend is not yet in sight,” added Wiley. “Our future has never held more promise” (Rood 1965). With the passing of rock and roll into just rock, the day of the mu- sic business robber barons had begun to fade. The previous decade saw musicians with massive hit records living in poverty, contracted to virtual slavery as recording artists. As Etta James once said, “I…started my show business life living in a private hotel where you could cook. Other entertainers were there, like Curtis Mayfield. Ev- erybody lived in this one hotel. I was the one who had the kitchen. We used to put all our money together to eat. At that time, we would get two cents, three cents, five cents for bottles and at the end of the day we would get our money together and we’d get some food and cook it. -
Bands* 105 104 * Bands
approach make him stand was nominated in the 2018 impact on the young artist’s talents of eclectic artist, band over the years. Blues out. As a writer, he creates a Blues Blast Music Awards. life. He has five independent Wally B. Ford. The Lizzard The Movers has always been a big influ- sound all his own that clev- Ivy Ford shares the stage albums thus far in a career Kings captures the essences & Shakers ence in their playing style, PIKES PEAK BLUES erly blurs the lines between with long time bass player spanning several years. He’s of the music that influenced COMMUNITY traditional and modern blues. the real deal. its members and distills The Movers & Shakers are a Based in Williamsport, Penn- them into their own unique dynamic collaboration of sylvania, Gabe is thrilled to sound. Now, 30 years in, family and friends. Their live be back in Memphis for his The Jonny performances have become second attempt at the IBC. Monster Band SMOKY MOUNTAIN the stuff of legend in the BLUES SOCIETY The Halfway The Jonny Monster Band though it has become more Crooks steams into any venue with a prevalent in recent years with FORT SMITH RIVERFRONT high octane mix of rock ’n’ the addition of the harmon- BLUES SOCIETY roll and fast-paced blues. ica, creating an improvisa- The Halfway Crooks are a They deliver hard-driving orig- tional dueling element four-piece blues and rock and inal tunes and faithful covers they continue to deliver a between the harmonica and roll band hailing from Fort from the likes of Jimi Hendrix, finely honed and diverse guitar.