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Bad Company Biography
BAD COMPANY BIOGRAPHY One of the most acclaimed bands of the classic rock era, England's Bad Company has put its indelible stamp on rock 'n' roll with a straight- ahead, no-frills musical approach that has resulted in the creation of some of the most timeless rock anthems ever. Led by the incomparable singer and songwriter Paul Rodgers, arguably the finest singer in rock 'n ' roll and a huge songwriting talent. Formed in 1973, Bad Company came to life when Rodgers was looking to start anew after the disintegration of his legendary band Free. His powerhouse vocals and songwriting were a main ingredient during Free's impressive five-year run; a period of time that saw the release of seven extremely influential albums that featured Free's minimalist blues-rock approach. Included among Free's dynamic body of work is the 1970 smash, "All Right Now," one of the most recognizable rock anthems ever recorded. Lyrics and melody by Rodgers. He was Free’s main songwriter. Rodgers had met Mott The Hoople guitarist Mick Ralphs and after jamming together and listening to new songs that Ralphs had penned and songs that Rodgers had penned, Ralphs made the decision to leave Mott and form a new band with Rodgers. The duo recruited former King Crimson bassist/vocalist Boz Burrell, added drummer Simon Kirke and Rodgers Christened the band Bad Company. Rodgers’ brought in Led Zeppelin manager Peter Grant and Bad Company became the first band signed to Zeppelin's Swan Song label. "I had to fight to get the management and the record company to accept the name Bad Company," explains Rodgers. -
BLUESROCK, Apr 2021.Pdf
Editor: Dr. Spero S. Tshontikidis ABF Leadership Team: Dr. Spero Tshontikidis, President Brenda Kloeppel, Secretary Caryn Tshontikidis, Treasurer ABF Advisory Board: Jim Cantrell Jason Chesser David Daugherty Erick Kloeppel Steve LeClair Matt Thompson BLUESROCK is the official quarterly newsletter of the American Blues-Rock Foundation, a non-profit company created by the members of the blues-rock band, Unit Five. Published in January, April, July, and October, BLUESROCK covers Unit Five gigs, reviews of classic blues albums, and features on blues legends. BLUESROCK is available free of charge on our website: www.unitfivelive.com. THANKS, AND ENJOY! ON THE COVER: Editor’s Review of the April 2021 issue of BLUESROCK UNIT FIVE UPDATES: Unit Five Live … Again! A.B.F. Update Panther Powerlifting LISTEN: Johnny Winter: Captured Live! BLUES LEGENDS: Free BLUES BURN: Back in the next issue of BLUESROCK! CALENDAR: Upcoming Shows & Events WHAT’S NEXT: A Preview of the July edition of BLUESROCK CONTACT: American Blues-Rock Foundation, Inc. 107 LaCosta Street, Unit 402 * Melbourne Beach, FL 32951 321-505-1194 [email protected] The April issue of BLUESROCK marks the continued return of live music as bars begin to reopen across Brevard County. The band has secured monthly gigs at Lou’s Blues and The Shack for 2021, and we’ve scheduled dates to return to Monkey Bar and Oasis. Thanks to everyone that has come out to see us this year, and we look forward to seeing you again now that bars are opening up at full capacity again! The April issue of BLUESROCK will take a look at our live gigs, review Johnny Winter’s “Captured Live!” album, and spotlight the British blues band, Free. -
Ryan's New Federal
Montora Mike's Record hops... Joni Mitchell courts and sparks Since 1964 an dthe arrival of Rock I suppose I as an art form. For it is my opinion that Rock is have listened to approximately two to three thou the most dynamic art form to appear in many years. sand albums, singles, and tapes of numerous rock It encompasses music, dance, and dyric ability of artists. There are, of course, many high points the artist all in one neat package. For many Rock which I can reflect on such as Listenig to “Sergeant is just something they listen to or a vehicle they Pepper’s Lonely Hearts Club” or hearing Jethro use to express a feeling and communication. Tull’s “Thick as a Brick,” but no album is more For Joni Mitchell Rock is her vehicle for expres artistically, stylistically and musically satisfying sion of feeling, emotion, and psychological develop than Joni Mitchell’s new album, “Court and Spark.” ment conflicts within herself and the outside world. Her ability to confront questions of freedom and Since her appearance on the Rock scene, she has values in our modern society are unquestionably been associated with “ice cream castles” and “soar unique and refreshing in Rock today. ing rainbows." Her last album, before “Court and Many will argue 'that Rock has no form, no base, Spark,” called “Blue,” certainly was just that, very just a copy of simple rhythms and rhymes. I do not blue. She spoke of very heajrtbreal^g situations agree with this; I rather argue quite strongly between her and her old man. -
Young Howard the Making of a Male Lesbian a Novel by T.L. Winslow (C) Copyright 2000 by T.L. Winslow. All Rights Reserved. This
C:\younghoward\younghoward.txt Friday, June 07, 2013 2:30 PM Young Howard The Making Of A Male Lesbian A Novel by T.L. Winslow (C) Copyright 2000 by T.L. Winslow. All Rights Reserved. This novel is a work of fiction. Names, characters, places, and incidents either are the products of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. -1- C:\younghoward\younghoward.txt Friday, June 07, 2013 2:30 PM PREFACE This is my secret autobiography of my childhood. I keep it in encrypted form on my personal computer where only I can get at it. My password is pAtTypUkE. I don't want it to be published or known while I'm alive, but kept only for my private masturbation fantasies. I will supply the password to it in my will, with instructions to my lawyer to release it fifty years after my death. In case anybody cracks it, beware of the curse of Tutankhamen and respect its privacy. In the extremely unlikely event that somebody does crack it and publish it, I'm warning you: at least have the human decency to obliterate my name and label it as fiction. I make millions a year and can hire detectives and sue your ass off can't I? Labelled as fiction about a fictional character, I have plausible deniability and so do you. Humor me, okay? Note from the Editor. This document was indeed hacked and then mutilated as it circulated furiously around the Howard fan sites on the Web, with many Billy Shakespeares making anonymous additions. -
Entertainment Memorabilia Entertainment
Thursday 10 December 2015 Knightsbridge, London ENTERTAINMENT MEMORABILIA ENTERTAINMENT ENTERTAINMENT MEMORABILIA | Knightsbridge, London | Thursday 10 December 2015 22818 ENTERTAINMENT MEMORABILIA Thursday 10 December 2015 at 12noon Knightsbridge, London BONHAMS ENQUIRIES The following symbol is used Montpelier Street Natalie Downing to denote that VAT is due on Knightsbridge +44 (0) 20 7393 3844 the hammer price and buyer’s London SW7 1HH [email protected] premium www.bonhams.com Consultant Specialist † VAT 20% on hammer price VIEWING Stephen Maycock and buyer’s premium Sunday 6 December +44 (0) 20 7393 3844 11am – 3pm [email protected] * VAT on imported items at Monday 7 December a preferential rate of 5% on 9am – 4.30pm Administrator hammer price and the prevailing Tuesday 8 December Sarah McLean rate on buyer’s premium 9am – 4.30pm +44 (0) 20 7393 3871 Wednesday 9 December [email protected] W These lots will be removed to 9am – 4.30pm Bonhams Park Royal Warehouse Thursday 10 December SALE NUMBER: after the sale. Please read the 9am – 10am 22818 sale information page for more details. BIDS CATALOGUE: +44 (0) 20 7447 7447 £15 Y These lots are subject to CITES +44 (0) 20 7447 7401 fax regulations, please read the To bid via the internet PRESS ENQUIRIES information in the back of the please visit www.bonhams.com [email protected] catalogue. TELEPHONE BIDDING CUSTOMER SERVICES IMPORTANT INFORMATION Bidding by telephone will only Monday to Friday The United States Government be accepted on lots with a lower 8.30am – 6pm has banned the import of ivory estimate of £500 or above. -
Saiichi Sugiyama Band Epk 2016
SAIICHI SUGIYAMA BAND EPK (July 2016) British blues-rock guitarist Saiichi Sugiyama and his band are touring the UK in September 2016 ahead of their new album release next year. Saiichi Sugiyama Band is a group of musicians hailing from Surrey/London that harks back to the halcyon days of rock and soul, 1965-1974, brought together in 2010 by the guitarist/composer Saiichi [pronounced: “sigh-eee- chee”], who has a career spanning 25 years as a solo artist in the British blues scene. The core of the group is Rietta Austin (lead vocals), Saiichi Sugiyama (guitar/vocals/composer), Ben Reed (bass guitar) and Mune Sugiyama (producer/arranger/drums). When playing live, the group are augmented by touring musicians including Stuart Dixon (rhythm guitar), Katrin Yr (lead vocals) and Wez Johnson (drums). The former members Lizzie Hibbert (lead vocals) and Dave Munch Moore (keys) also record with the group in studio. The group has been spending the past months working on their new studio album in various recording studios, a follow up to the studio live album “the Smokehouse Sessions” from 2014. The new album will include a track entitled “Melting Away”, written by Saiichi and featuring the late bass hero Andy Fraser, ex-Free and composer of the 1970 smash single, “All Right Now.” The initial inspiration for “Melting Away” came to Saiichi while on a trip to his native Japan. To Saiichi the melody was reminiscent of Free guitarist Paul Kossoff, who died in 1976. Creating a demo when he returned home to the UK, Saiichi came up with bass parts that brought Free bassman Andy Fraser to mind. -
Faces: Molt Més Que Rod Stewart I Ron Wood
It's only rock & roll | Pep Saña | Actualitzat el 14/09/2016 a les 16:55 Faces: Molt més que Rod Stewart i Ron Wood Faces, coneguda també com The Faces, va ser una de les bandes britàniques que, per alguna d'aquestes raons incomprensibles que té el rock, no va arribar a l' status de llegendària en comparació a d'altres grups del moment com The Who o The Rolling Stones, però van tenir una considerable influència a l'escena del rock. El seu rock en directe, amb classe i basat en la tornada a les arrels faria que moltes altres bandes estesin influenciades pels Faces, des dels Quireboys fins a Black Crowes, passant per Aerosmith, entre molts d'altres. Formada al 1969 de les restes dels Small Faces, als anys 60 els Small Faces, amb el lideratge d'Steve Marriott, va ser una de les bandes ?mod? més populars i un excel·lent grup de pop psicodèlic. Quan Steve Marriott els va deixar per formar Humble Pie amb un altre guitarrista, el senyor Peter Frampton, Lane, havia decidit continuar amb els altres membres dels Small Faces, escurçant el nom a, simplement, Faces. Ron Wood i Rod Stewart, tots dos procedents de The Jeff Beck Group, es van unir als anteriors membres dels Small Faces, Ronnie Lane, Ian McLagan i Kenney Jones per completar la formació. Jeff Beck Group era una d'aquestes bandes pels mes moderns, amants de la guitarra, del blues i del virtuosisme. El Jeff Beck Group era el projecte personal de Jeff Beck, que era (i és) un virtuós tocant la guitarra, amb una gran reputació dins l'escena del rock, nomes comparable, en aquells moments, a Jimi Hendrix i Eric Clapton. -
THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s. -
SW[112 L'hi Ir; Siii ; I 7
30. 1977 15p \ 1 r , r- 1 . I Irr 'SA _ SW[112_L'HI ir; Siii ; i 7_ -- =t. .. / . > io , M y:: a L [IN CIO LO ne Rod Stewovre Styr* lb- SC %Fie Supplied by Br116.h Market Re/search Bureau / Atuelc Meek. US Chart /supplied by Billboard. UR Soul Single. by Blue. & RECORD MIRROR/ SOUL UK Mato Chart compiled ?rum rea Wino. Ido 13.1 return. BBC CHARTS 5 Years* Yesteryear 1!K SIXE, I .451AZI SG GRACE. Royal Scut, Dragoon Goards hand 2 BACK OFF BOOOAI.OI/, RInAoSurr 3 W ITHOC'T YOU, V 110.on 4 S14 El. T TAU( I NG (al Y. The Chilton S COME: N HAT MAY, Vicky Leandro. 8 TIIE YOUNG NEW ME \ICAN 1111'1'ETEER, TomJone. Epic 1 1 Abbe I KNOWING ME KNOWING YOU,Abb. Epc 7 DEBORA, 1yrannosn u rue Rea I ARRIVAL r.a - A HUN 10. Ti RE N. Jain Gunn.. TS ThheShedoe. WMI 2 2 RED LIGHTSPELLSDANGER Billy 2 3 20GOLDENGREA 'o I Ocean GTO 9 it{0{.CE1/, The Marnwlade 111 HS Presley Roma 3 4 FREE. Denims Williams CBS III TU. IT'S TIME FUN t'OL' TOGO, Elvis 3 2 PORTRAIT OF SINATRA. Frank Slrotn lu Years Igo riJ'cs' HOLLIES HITS The Hollks Petals 4 9 SIR DUKE S byre Wonder Motown I PUPPET ON ANTNINOT, Sandie Sha.. 4 5 LIVE 2 8051ET1IIN' STUPID, Prank and Nancy Sinatra Epic 5 3 IDON'T WANT TO PUT A HOLD ON YOU. erniF lint 5 8 GREATEST HITS Alba EMI 3 A LITTLE BIT ME, A 11TTLE HIT YOU, The Montle,. -
November 28, 1978
- • Nov. 28 State University of New York at Cobleskill 1978 Living Downtown Mr. Herrick by Roseanne Monlilelto geology, and astronomy. by Darcy Miller decide that your cooking is better than Mr. Richard Herrick has been Mrs. Barbara Holmes, (Nu rsery the dining !lall food and a lways drop by nominated for the Excellence in Education), and Mr. Stanley Nevins, A lot of you people will probably want around dinner time. Teaching Award. Mr. Herrick is a IGeneral Education), were also to live downtown next semester Of next Li\'ing off campus is bette'r, in my professor in General Education and nominated. Both declined the year. Well, sometimes living downtown opinion, because you ha ~e more teaches such courses such .as physics, nomination. isn't aU thal it's cracked up to be. privacy and can do your school work FirSl of ail, finding a house can be a without your room turning into Grand hassle. You should go to the housing Central Station. Also, you can have office and gel a list of apartments that parties in your apartment without " Big will, be available. Ask friends who live Brother" CR .A.'s and dorm directors, downtown if they know of any apart watching over you and making sure Look Inside! ments for rent, too. that you're not too noisy or ha",e too The (.'Qst of renting an apartment many people in your room. But varies. Some landlords charge hi gh sometimes landlords can be a hassle. rent and may charge for all utiJilies. Look for a landlord that doesn't live in Others charge lower rents and some the same house or that' allows parties. -
Jewish Influence: an Introduction
NOTE: "The list below is available on the internet. A random sampling of the names were found to be generally accurate. Since the source is the internet, the reader is advised to also authenticate. The link is: http://www.subvertednation.net/jew-lists/ The below link from the Jewish Virtual Library contains many of the names identified on pages 36 – 38. http://www.jewishvirtuallibrary.org/jsource/US- Israel/obamajews.html Jewish Influence: An Introduction We have been accused of having “Jew on the brain”; of being negatively obsessed with the Jews, and of being “anti-Semitic.” Yet Jewish influence over the affairs of the world are undeniably powerful, far out of proportion to their numbers. Their role in shaping public opinion through their media interests, and their mastering of the world of business and trade is pivotal to the world economy. As a group they are the most successful in terms of income and wealth and they have reached the highest echelons or the pinnacle of power in every field. Jews are the masters of Hollywood, they are the masters of all forms of media, radio, and television. They are masters of trade and commerce and banking, medicine, and law. The following lists we believe prove this reality. Jewish Lists The lists below are available on the internet. A spot check of several of the names found it to be generally accurate, though we cannot vouch for ALL of the names, and some titles may be out of date. The second list claims to be updated in 2012. They are followed by quotes on Jewish control. -
Legendary Performances Rare, Previously
LEGENDARY PERFORMANCES RARE, PREVIOUSLY UNRELEASED MATERIAL SEPTEMBER 18th 2006 Universal Music Group has announced the forthcoming release of the definitive live performances of FREE. Slated for a simultaneous September 18th 2006 release with FREE – 'Live At The BBC' (CD), FREE 'FOREVER' will be available as a Limited Edition double-disc DVD set, and as a standard Amaray version 2 x disc set. Long sought by FREE devotees and collectors, this marks the first ever official release of these rare and legendary performances. Recent interviews with Paul Rodgers, Andy Fraser and Simon Kirke, fused with archive footage captured at the peak of their relatively short lived career, perfectly demonstrates why FREE remain the masters of understatement, pure musical passion and one of the finest blues rock bands of their time. Famed for their perennial ‘All Right Now’, FREE helped lay the foundations for the rise of rock, stripping the earthy tones of British blues down to its minimalist core and pioneering an exciting new sound. As bassist Andy Fraser explains, “I have had to relent, and submit to the fact that the memory of FREE still burns strong, despite all that has gone in between. I still receive thousands of letters from FREE fans, proving that I am not alone in the love I had for FREE”. Arguably as influential as their early 70’s super-group stable mates, the timeless Cream, FREE truly was a band where the whole was stronger than the individual parts, and their musical legacy lives on today in bands such as Kings Of Leon, Wolfmother and Jet.