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Bad Company Biography
BAD COMPANY BIOGRAPHY One of the most acclaimed bands of the classic rock era, England's Bad Company has put its indelible stamp on rock 'n' roll with a straight- ahead, no-frills musical approach that has resulted in the creation of some of the most timeless rock anthems ever. Led by the incomparable singer and songwriter Paul Rodgers, arguably the finest singer in rock 'n ' roll and a huge songwriting talent. Formed in 1973, Bad Company came to life when Rodgers was looking to start anew after the disintegration of his legendary band Free. His powerhouse vocals and songwriting were a main ingredient during Free's impressive five-year run; a period of time that saw the release of seven extremely influential albums that featured Free's minimalist blues-rock approach. Included among Free's dynamic body of work is the 1970 smash, "All Right Now," one of the most recognizable rock anthems ever recorded. Lyrics and melody by Rodgers. He was Free’s main songwriter. Rodgers had met Mott The Hoople guitarist Mick Ralphs and after jamming together and listening to new songs that Ralphs had penned and songs that Rodgers had penned, Ralphs made the decision to leave Mott and form a new band with Rodgers. The duo recruited former King Crimson bassist/vocalist Boz Burrell, added drummer Simon Kirke and Rodgers Christened the band Bad Company. Rodgers’ brought in Led Zeppelin manager Peter Grant and Bad Company became the first band signed to Zeppelin's Swan Song label. "I had to fight to get the management and the record company to accept the name Bad Company," explains Rodgers. -
BLUESROCK, Apr 2021.Pdf
Editor: Dr. Spero S. Tshontikidis ABF Leadership Team: Dr. Spero Tshontikidis, President Brenda Kloeppel, Secretary Caryn Tshontikidis, Treasurer ABF Advisory Board: Jim Cantrell Jason Chesser David Daugherty Erick Kloeppel Steve LeClair Matt Thompson BLUESROCK is the official quarterly newsletter of the American Blues-Rock Foundation, a non-profit company created by the members of the blues-rock band, Unit Five. Published in January, April, July, and October, BLUESROCK covers Unit Five gigs, reviews of classic blues albums, and features on blues legends. BLUESROCK is available free of charge on our website: www.unitfivelive.com. THANKS, AND ENJOY! ON THE COVER: Editor’s Review of the April 2021 issue of BLUESROCK UNIT FIVE UPDATES: Unit Five Live … Again! A.B.F. Update Panther Powerlifting LISTEN: Johnny Winter: Captured Live! BLUES LEGENDS: Free BLUES BURN: Back in the next issue of BLUESROCK! CALENDAR: Upcoming Shows & Events WHAT’S NEXT: A Preview of the July edition of BLUESROCK CONTACT: American Blues-Rock Foundation, Inc. 107 LaCosta Street, Unit 402 * Melbourne Beach, FL 32951 321-505-1194 [email protected] The April issue of BLUESROCK marks the continued return of live music as bars begin to reopen across Brevard County. The band has secured monthly gigs at Lou’s Blues and The Shack for 2021, and we’ve scheduled dates to return to Monkey Bar and Oasis. Thanks to everyone that has come out to see us this year, and we look forward to seeing you again now that bars are opening up at full capacity again! The April issue of BLUESROCK will take a look at our live gigs, review Johnny Winter’s “Captured Live!” album, and spotlight the British blues band, Free. -
Live Nation Launches 'National Concert Week' with $20 All-In
Live Nation Launches ‘National Concert Week’ With $20 All-In Ticket Offer Celebrating Kickoff to Summer Season One Week Only – Over 1.5 Million Tickets Available to 2,000+ Summer Shows at NCW.LiveNation.com Starting April 30 LOS ANGELES (Apr 23, 2018) -- Today Live Nation announced ‘National Concert Week’ will take place April 30 through May 8 with an exclusive $20 all-in ticket offer for fans to celebrate the kickoff to its biggest summer season. The deal will include over 1.5 million tickets to 2,000+ shows across Live Nation’s roster of summer tours including Comedy, Country, Hip-Hop, Latin, Metal, Rock, Pop, and more. For one week only, fans can get their hands on the $20 all-in tickets Monday, April 30 at 8:00 am local time at NCW.LiveNation.com, through Tuesday, May 8 at 11:59 pm local time. DJ Khaled shared his excitement about the ticket offer from 45,000 feet, encouraging music fans to nab their tickets to the hottest summer shows. Watch the video HERE. Produced by Live Nation, National Concert Week is a time for artists and fans to celebrate their love of live music. To launch the week, Live Nation will hold a special media event in New York featuring dozens of their touring artists. Talent in attendance talking about their upcoming summer tours will include Paramore, Lindsey Stirling, Bush’s Gavin Rossdale, Jeff Beck, Counting Crows' Adam Duritz, Ann Wilson of Heart, Evanescence’s Amy Lee, Foreigner’s Mick Jones, 3 Doors Down, Bad Company and Free’s Paul Rodgers, Coheed and Cambria, Collective Soul, Pentatonix, O.A.R., Poison, Soul Asylum, Stone Temple Pilots, Styx, Taking Back Sunday, The Cult, The Offspring, Whitesnake, and more. -
5, 2015 •Marina Park, Thunder
14TH ANNUAL BLUESFEST Your free festival program courtesy of your friends at The Chronicle-Journal JOHNNY REID • JULY 3 - 5, 2015 JULY • MARINA PARK, THUNDER BAY KENNY WAYNE SHEPHERD BAND PAUL RODGERS JOHNNY REID • ALAN FREW • THE PAUL DESLAURIERS BAND • THE BOARDROOM GYPSIES • KENNY WAYNE SHEPHERD BAND • ALAN DOYLE • THE WALKERVILLES • KELLY RICHEY • BROTHER YUSEF • THE BRANDON NIEDERAUER BAND • THE GROOVE MERCHANTS • LOOSE CANNON• PAUL RODGERS • DOYLE BRAMHALL II • WALTER TROUT • THE SHEEPDOGS • THE BROS. LANDRETH • JORDAN JOHN • THE HARPOONIST AND THE AXE MURDERER • THE KRAZY KENNY PROJECT THE VOICE... KEN WRIGHT rock guitar for more than two decades, Kenny Wayne SPECIAL TO THE CHRONICLE-JOURNAL Shepherd will hot wire the marquee on Saturday. Not to be missed, Paul Rogers, the peerless, 90-million-record-sell- What is it about a blues festival, that antsy sense of ing, oh-so-soulful voice of authoritative bands Free, Bad anticipation that we feel? It's a given that the music and Company and Queen will close the festival with the ulti- Ken Wright its performers will be royally entertaining. Yet, we all arrive mate in front man style and swagger on Sunday. with fingers crossed, hoping for that transcendent experi- Newfoundland's unstoppable native son, Alan Doyle, will Has the blues, but in a good way. He writes about them. A veteran director of ence that will reverse the spin of our world if only for an introduce East Coast reels to Top 40 pop with mandolins, fiddles and bouzoukis. Considered by Eric Clapton to be the Thunder Bay Blues Society, Wright puts his writing ability together with an hour to be relived again and again with all who shared it. -
Bourdieu and the Music Field
Bourdieu and the Music Field Professor Michael Grenfell This work as an example of the: Problem of Aesthetics A Reflective and Relational Methodology ‘to construct systems of intelligible relations capable of making sense of sentient data’. Rules of Art: p.xvi A reflexive understanding of the expressive impulse in trans-historical fields and the necessity of human creativity immanent in them. (ibid). A Bourdieusian Methodology for the Sub-Field of Musical Production • The process is always iterative … so this paper presents a ‘work in progress’ … • The presentation represents the state of play in a third cycle through data collection and analysis …so findings are contingent and diagrams used are the current working diagrams! • The process begins with the most prominent agents in the field since these are the ones with the most capital and the best configuration. A Bourdieusian Approach to the Music Field ……..involves……… Structure Structuring and Structured Structures Externalisation of Internality and the Internalisation of Externality => ‘A science of dialectical relations between objective structures…and the subjective dispositions within which these structures are actualised and which tend to reproduce them’. Bourdieu’s Thinking Tools “Habitus and Field designate bundles of relations. A field consists of a set of objective, historical relations between positions anchored in certain forms of power (or capital); habitus consists of a set of historical relations ‘deposited’ within individual bodies in the forms of mental and corporeal -
Young Howard the Making of a Male Lesbian a Novel by T.L. Winslow (C) Copyright 2000 by T.L. Winslow. All Rights Reserved. This
C:\younghoward\younghoward.txt Friday, June 07, 2013 2:30 PM Young Howard The Making Of A Male Lesbian A Novel by T.L. Winslow (C) Copyright 2000 by T.L. Winslow. All Rights Reserved. This novel is a work of fiction. Names, characters, places, and incidents either are the products of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. -1- C:\younghoward\younghoward.txt Friday, June 07, 2013 2:30 PM PREFACE This is my secret autobiography of my childhood. I keep it in encrypted form on my personal computer where only I can get at it. My password is pAtTypUkE. I don't want it to be published or known while I'm alive, but kept only for my private masturbation fantasies. I will supply the password to it in my will, with instructions to my lawyer to release it fifty years after my death. In case anybody cracks it, beware of the curse of Tutankhamen and respect its privacy. In the extremely unlikely event that somebody does crack it and publish it, I'm warning you: at least have the human decency to obliterate my name and label it as fiction. I make millions a year and can hire detectives and sue your ass off can't I? Labelled as fiction about a fictional character, I have plausible deniability and so do you. Humor me, okay? Note from the Editor. This document was indeed hacked and then mutilated as it circulated furiously around the Howard fan sites on the Web, with many Billy Shakespeares making anonymous additions. -
FOR IMMEDIATE RELEASE March 11, 2013 BAD COMPANY RELEASES
FOR IMMEDIATE RELEASE March 11, 2013 BAD COMPANY RELEASES FULL SUMMER 2013 ROUTING THAT KICKS OFF ON JUNE 15 IN RANCHO MIRAGE, CA 40th Anniversary Celebration Includes 13 Co-Headline Dates with Lynyrd Skynyrd New York --- Bad Company has announced the complete itinerary for the band's Summer tour of the U.S. Celebrating their 40th anniversary since forming, the excursion begins on June 15 in Rancho Mirage, CA and will stage 22 dates, ending on August 3 in Orilla, Ontario. The band appeared in June, 2012 at the Sweden Rock Festival, which followed a tour of the Japan and North America in 2010 that staged 21 appearances. Prior, Bad Company toured the U.K. for an eight-date run, which concluded at Wembley in London, followed by ten shows in the U.S. in 2009. In front of the tour, Paul Rodgers shares, "When Mick and I formed the band we were amazed at the instant success. It didn't hurt to have Led Zeppelin behind us, and we wrote some decent songs that still resonate. This one is for the fans." Bad Company were dubbed a super-group upon the band's formation due to the union of Free's Paul Rodgers (Vocals / Multi-Instrumentalist) with Mott The Hoople's Mick Ralphs (Guitar) plus Free's Simon Kirke (Drums) and King Crimson's Boz Burrell (Bass), who passed away in 2006. Over the next nine years, the band released a string of six albums that sold tens of millions of copies, yielding international hits "Can't Get Enough," "Bad Company," "Feel Like Makin' Love," and many others penned by the main songwriters Paul Rodgers and Mick Ralphs. -
Entertainment Memorabilia Entertainment
Thursday 10 December 2015 Knightsbridge, London ENTERTAINMENT MEMORABILIA ENTERTAINMENT ENTERTAINMENT MEMORABILIA | Knightsbridge, London | Thursday 10 December 2015 22818 ENTERTAINMENT MEMORABILIA Thursday 10 December 2015 at 12noon Knightsbridge, London BONHAMS ENQUIRIES The following symbol is used Montpelier Street Natalie Downing to denote that VAT is due on Knightsbridge +44 (0) 20 7393 3844 the hammer price and buyer’s London SW7 1HH [email protected] premium www.bonhams.com Consultant Specialist † VAT 20% on hammer price VIEWING Stephen Maycock and buyer’s premium Sunday 6 December +44 (0) 20 7393 3844 11am – 3pm [email protected] * VAT on imported items at Monday 7 December a preferential rate of 5% on 9am – 4.30pm Administrator hammer price and the prevailing Tuesday 8 December Sarah McLean rate on buyer’s premium 9am – 4.30pm +44 (0) 20 7393 3871 Wednesday 9 December [email protected] W These lots will be removed to 9am – 4.30pm Bonhams Park Royal Warehouse Thursday 10 December SALE NUMBER: after the sale. Please read the 9am – 10am 22818 sale information page for more details. BIDS CATALOGUE: +44 (0) 20 7447 7447 £15 Y These lots are subject to CITES +44 (0) 20 7447 7401 fax regulations, please read the To bid via the internet PRESS ENQUIRIES information in the back of the please visit www.bonhams.com [email protected] catalogue. TELEPHONE BIDDING CUSTOMER SERVICES IMPORTANT INFORMATION Bidding by telephone will only Monday to Friday The United States Government be accepted on lots with a lower 8.30am – 6pm has banned the import of ivory estimate of £500 or above. -
Saiichi Sugiyama Band Epk 2016
SAIICHI SUGIYAMA BAND EPK (July 2016) British blues-rock guitarist Saiichi Sugiyama and his band are touring the UK in September 2016 ahead of their new album release next year. Saiichi Sugiyama Band is a group of musicians hailing from Surrey/London that harks back to the halcyon days of rock and soul, 1965-1974, brought together in 2010 by the guitarist/composer Saiichi [pronounced: “sigh-eee- chee”], who has a career spanning 25 years as a solo artist in the British blues scene. The core of the group is Rietta Austin (lead vocals), Saiichi Sugiyama (guitar/vocals/composer), Ben Reed (bass guitar) and Mune Sugiyama (producer/arranger/drums). When playing live, the group are augmented by touring musicians including Stuart Dixon (rhythm guitar), Katrin Yr (lead vocals) and Wez Johnson (drums). The former members Lizzie Hibbert (lead vocals) and Dave Munch Moore (keys) also record with the group in studio. The group has been spending the past months working on their new studio album in various recording studios, a follow up to the studio live album “the Smokehouse Sessions” from 2014. The new album will include a track entitled “Melting Away”, written by Saiichi and featuring the late bass hero Andy Fraser, ex-Free and composer of the 1970 smash single, “All Right Now.” The initial inspiration for “Melting Away” came to Saiichi while on a trip to his native Japan. To Saiichi the melody was reminiscent of Free guitarist Paul Kossoff, who died in 1976. Creating a demo when he returned home to the UK, Saiichi came up with bass parts that brought Free bassman Andy Fraser to mind. -
2015 Annual Report (PDF)
elections monitored elections Over Under cases of Guinea worm Annual Report 2014–15 Elections Monitored, by Country Bolivia (2) Cherokee Nation (2) China (14) Cote d’Ivoire (2) Democratic Republic of the Congo (2) Dominican Republic (3) Ecuador (2) Egypt (3) Ethiopia Ghana (2) Guatemala Guinea Guyana (4) Haiti Indonesia (3) Jamaica (2) Kenya (2) Lebanon Liberia (3) Libya Madagascar Mali Mexico (4) Mozambique (4) Myanmar Nepal (3) Nicaragua (5) Nigeria (4) Occupied Palestinian Territory (3) Panama (2) Paraguay Peru (2) Philippines Sierra Leone (2) Sudan (2) Timor-Leste (4) Tunisia (3) Venezuela (4) Zambia (2) Worldwide Guinea Worm Case Count, by Year est. 1986 = 3.5 million 1989 = 892,926 1990 = 623,844 1991 = 547,575 1992 = 374,202 1993 = 229,773 1994 = 164,973 1995 = 129,852 cases of Guinea worm cases of Guinea 1996 = 152,814 1997 = 77,863 1998 = 78,557 1999 = 96,298 2000 = 75,223 2001 = 63,717 2002 = 54,638 Under 2003 = 32,193 2004 = 16,026 2005 = 10,674 2006 = 25,217 2007 = 9,585 2008 = 4,619 2009 = 3,190 2010 = 1,797 2011 = 1,058 2012 = 542 2013 = 148 2014 = 126 2015 = 22 Annual Report 2014–15 Contents A Message from President Jimmy Carter ...............1 In 2007, former U.S. President Jimmy Carter comforts > Our Mission.........................................3 6-year-old Ruhama Issah at Savelugu Hospital in The Carter Center at a Glance.........................5 Ghana as a Guinea worm is extracted from her ankle. The Carter Center has led the international campaign A Letter from the Officers ............................6 to eradicate Guinea worm disease for 30 years. -
THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s. -
Official Electronic Press Kit Official Electronic Press Kit
AA TributeTribute to the music of Paul Rodgers & Mick Ralphs Official Electronic Press Kit “Johnny was a schoolboy when he heard his first Beatles song…” -Shooting Star Bad Company, the English hard rock band from London, were mega-stars throughout the 1970s. Their first three albums, Bad Company (1974), Straight Shooter (1975), and Run with the Pack (1976), charted in the top 5 in both the UK and US. Formed by Singer Paul Rodgers and guitarist, Mick Ralphs along with drummer Simon Kirke and bassist Boz Burrell, Bad Company’s music and Iconic sound is timeless and listened to and loved by fans around the globe. Roc Steady is excited to share the iconic music made popular by Paul Rodgers and Mick Ralphs with fans young and old! Tribute bands like Roc Steady differ from cover bands. Tribute bands re-create the experience of attending the original band’s concerts. When we take the stage, Dale Prince, Nic Cocco, Scott Biggs, David Gregory and Larry James transform and become Paul Rodgers, Mick Ralphs, Simon Kirke, Boz Burrell and Howard Leese. Roc Steady not only deliver’s the live music adlib for adlib, but also studies the mannerisms, stage presence, movements and facial expressions of the original band members. The bands outfits, backdrops, lighting and sound are designed to give the fan the experience of attending an actual Bad Company concert! ©2020 CoccoMusic, LLC All Rights Reserved Diamond Dale Prince Singing the part of Paul Rodgers Born: Flint, MI Hobbies: Harleys, Hot rods and Rock n’ Roll Top 5 Musical Influences: Steve Marriott, Paul Rodgers, Sammy Hagar, Steven Tyler and Chris Cornell Top 5 favorite Albums: Humble Pie- Smokin’, Bad Company- Bad Co, Montrose- Montrose, Aerosmith- Get Your Wings, Guns and Roses- Appetite for Destruction.