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Soundstage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56
SoundStage! Mike Bloomfield, Al Kooper, Steve Stills – Super Session 03.06.09 07:56 February 2009 Mike Bloomfield, Al Kooper, Steve Stills - Super Session Speakers Corner/Columbia Records CS 9701 Format: LP Originally Released: 1968 Reissue Released: 2008 by Joseph Taylor [email protected] Musical Performance Recording Quality Overall Enjoyment In 1968, Al Kooper had just left Blood Sweat & Tears, the horn band he had started, and was an A&R man at Columbia Records. Guitarist Mike Bloomfield, whom Kooper had played with on Highway 61 Revisited, was also between bands, so Kooper called him up and suggested they jam in the recording studio. Two other musicians, bassist Harvey Brooks and drummer Eddie Hoh, joined them for a marathon nine-hour session (pianist Barry Goldberg sat in on a couple of tracks). The next day, Bloomfield was a no show and Kooper, in a panic, cast about for another guitarist. He was lucky enough to track down Steven Stills, whose band, Buffalo Springfield, had just split up. After another long session, Kooper had enough material to create an album. Super Session, co-credited to Bloomfield, Kooper, and Stills, cost $13,000 to record and became a gold record. Kooper had horn arrangements dubbed onto some of the tunes, but otherwise they were released as originally recorded, except for some editing on a version of Donovan’s "Season of the Witch." Bloomfield is the reason to own the record. His searing guitar work is astonishing, some of the best of his brief career. He plays with focused intensity and a powerful grasp of blues tradition. -
Rolling Stones 2018
Contact: Miguel Ceballos Aaron Guerrero Jeep® vuelve a subirse al escenario con The Rolling Stones La marca Jeep® es Patrocinador Oficial de la gira europea "STONES - NO FILTER" 2018 La gira visitará países como Reino Unido, Irlanda, Francia, Alemania, la República Checa y Polonia del 17 de mayo al 8 de julio La estrella invitada en cada uno de los eventos será toda la gama Jeep por tercera ocasión La colaboración entre la marca Jeep y The Rolling Stones comenzó en 2014 con la aclamada gira europea "14 On Fire" April 11, 2018, Ciudad de México - The Rolling Stones volverá a los caminos este verano y la marca Jeep® volverá a ser su Patrocinador Oficial. La gira ‘STONES - NO FILTER' 2018 consta de 14 conciertos en el Reino Unido, Irlanda, Francia, Alemania, República Checa y Polonia entre el 17 de mayo y el 8 de julio. La marca Jeep acompañará a la banda por tercera ocasión, mientras Mick Jagger, Keith Richards, Charlie Watts y Ronnie Wood se embarcan en otra nueva aventura que se espera que eclipse el increíble éxito de la gira europea del año pasado. La colaboración entre la marca Jeep y The Rolling Stones comenzó en 2014 con la aclamada gira europea ‘14 On Fire'. Esta colaboración reúne a dos iconos con mucho en común: los Stones que revolucionaron la música rock con su sonido y estilo inconfundibles, y Jeep, la legendaria marca que durante más de 75 años ha sido la expresión más auténtica de libertad y aventura en el ámbito automovilístico. Producida por Concerts West/AEG Presents, la gira ‘STONES - NO FILTER' comenzará en Dublín (Irlanda) el 17 de mayo, antes de visitar Londres (22-25 de mayo), Southampton (29 de mayo), Coventry (2 de junio), Manchester (5 de junio), Edimburgo (9 de junio) y Cardiff (15 de junio) en el Reino Unido, antes de regresar al estadio Twickenham de Londres (19 de junio). -
North Carolina Obituaries Courier Tribune Name Date of Paper Page # Date of Death Abbott, Blannie Allen 7-Aug-84 7A 6-Aug-84
North Carolina Obituaries Courier Tribune Name Date of Paper Page # Date of Death Abbott, Blannie Allen 7-Aug-84 7A 6-Aug-84 Abbott, Douglas L. 1-Sep-82 12A 30-Aug-82 Abbott, Helen Hartsook 3-Dec-82 9A 2-Dec-82 Abbott, Molly Jeane 3-Nov-81 8A 31-Oct-81 Abbott, Nora Johnson Mitchell 14-Oct-83 12A 13-Oct-83 Abbott, Roger 1-Aug-84 6A 31-Jul-84 Abercrombie, Dodd 5-Oct-80 6A 3-Oct-80 Abernathy, Ray Paul 29-Jun-80 8A 28-Jun-80 Abernathy, Shaun Travis 24-May-83 8A 24-May-83 Abrams, Reagan Vincent 28-Sep-80 6A 26-Sep-80 Abston, Thomas Earl 30-Dec-82 10A 29-Dec-82 Ackerman, Elsie K. 20-Apr-82 8A 19-Apr-82 Acree, Una Mae Phillips 6-Jul-81 6A 5-Jul-81 Adams, Anna Threadgill 9-Dec-85 9A 8-Dec-85 Adams, Annie Vaughn 12-Mar-85 6A 11-Mar-85 Adams, Bernice Hooper 6-Jul-82 8A 5-Jul-82 Adams, Dora Carrick 13-Jun-80 10A 12-Jun-80 Adams, Edward Vance 23-May-83 6A 23-May-83 Adams, Herman Hugh Sr. 29-Oct-81 8A 27-Oct-81 Adams, James Clifton 18-Sep-84 9A 17-Sep-84 Adams, John Edwin 1-Mar-84 10A 29-Feb-84 Adams, T.B. 15-Oct-82 10A 14-Oct-82 Adams, Velma D. 11-Aug-81 8A 10-Aug-81 Adcock, Plackard C. 6-Jul-82 8A 5-Jul-82 Aderholt, Daniel H. 17-May-85 10A 13-May-85 Adkins, Clarence Odell 1-Jan-85 7A 1-Jan-85 Adkins, E.G. -
Dan Hicks’ Caucasian Hip-Hop for Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media
Dan Hicks’ Caucasian Hip-Hop For Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media Author: Steve Roby Showdate : Feb. 18, 2015 Performance Venue : Yoshi’s Oakland Bay Area legend Dan Hicks performed to a sold-out crowd at Yoshi’s on Wednesday. The audience was made up of his loyal fans (Hicksters) who probably first heard his music on KSAN, Jive 95, back in 1969. At age 11, Hicks started out as a drummer, and was heavily influenced by jazz and Dixieland music, often playing dances at the VFW. During the folk revival of the ‘60s, he picked up a guitar, and would go to hootenannies while attending San Francisco State. Hicks began writing songs, an eclectic mix of Western swing, folk, jazz, and blues, and eventually formed Dan Hicks and his Hot Licks. His offbeat humor filtered its way into his stage act. Today, with tongue firmly planted in cheek, Hicks sums up his special genre as “Caucasian hip-hop.” Over four decades later, Hicks still delivers a unique performance, and Wednesday’s show was jammed with many great moments. One of the evenings highlights was the classic “I Scare Myself,” which Hicks is still unclear if it’s a love song when he wrote it back in 1969. “I was either in love, or I’d just eaten a big hashish brownie,” recalled Hicks. Adding to the song’s paranoia theme, back-up singers Daria and Roberta Donnay dawned dark shades while Benito Cortez played a chilling violin solo complete with creepy horror movie sound effects. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
The Allman Betts Band
May 2020 May WashingtonBluesletter Blues Society www.wablues.org Remembering Wade Hickam COVID-19 Resources for Musicians Special Feature: Th e Allman Betts Band LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 You will find lots ofKeeping the Blues Alive Award information in this Bluesletter if you are a musician. Our 2020 OFFICERS editor, Eric Steiner, has kept President, Tony Frederickson [email protected] his eyes open and his ears Vice President, Rick Bowen [email protected] tuned for opportunities that Secretary, Marisue Thomas [email protected] musicians can explore to Treasurer, Ray Kurth [email protected] help them in this challenging Editor, Eric Steiner [email protected] time. He has a real knack for this as he’s worked in public and private sector grant programs. We will continue to print these 2020 DIRECTORS opportunities in both the Bluesletter and post them on our website Music Director, Amy Sassenberg [email protected] (www.wablues.org), and our Facebook page. Please explore these Membership, Chad Creamer [email protected] opportunities and share with your bandmates. Education, Open [email protected] For our members, please continue to practice social distancing, Volunteers, Rhea Rolfe [email protected] wear face masks and stay safe. As we overcome this first wave of Merchandise, Tony Frederickson [email protected] infections and our state reopens, be patient and stay informed as I Advertising, Open [email protected] hope to see all of you out and about once we can go see live music. We will overcome this and be back enjoying all of our favorite THANKS TO THE WASHINGTON BLUES SOCIETY 2020 STREET TEAM playing live music. -
Blood Sweat Tears and When I Die Download Free Blood Sweat Tears and When I Die Download Free
blood sweat tears and when i die download free Blood sweat tears and when i die download free. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67addf555e0b7b6b • Your IP : 188.246.226.140 • Performance & security by Cloudflare. BLOOD SWEAT AND TEARS AND WHEN I DIE lyric. Now troubles are many there as deep as a well I can swear there ain't no Heaven but I pray there ain't no hell Swear there ain't no Heaven and I'll pray there ain't no hell but I'll never know by livin' only my dyin' will tell, yes only my dyin' will tell, oh yeah, Only my dyin' will tell. And when I die, and when I'm gone there'll be, one child born, in this world to carry on, to carry on yeah yeah. Give me my freedom for as long as I be All I ask of livin' is to have no chains on me All I ask of livin' is to have no chains on me And all I ask of dyin' is to go natrually, only wanna go naturally Here I go! hey hey Here come the devil right behind look out children, here he come here he come, heyyy. -
Jerusalem Quartet
The 2019/20 Beethoven Festival Opening Weekend BOOKING DETAILS ENCLOSED JERUSALEM QUARTET BARTÓK EXPLORED THE JERUSALEM QUARTET INTERVIEW SIMON MAJARO MBE SPRING SPECIAL CELEBRATION EMANUEL AX TURNS 70 2019 FRIENDS OF OF FRIENDS INSERT 2019/20 HIGHLIGHTS Beethoven was born in Bonn in December 1770. Throughout the 2019/20 Season, we will celebrate the 250th anniversary of his birth with a festival encompassing almost all of his instrumental and chamber repertoire and, through our Learning department, the influence of his legacy. Given Beethoven’s hearing loss later in times and we are delighted to introduce her life, in the 2019/20 Season we will have to the Wigmore Hall audience in March. Your the opportunity to examine how we listen exceptional financial support enables us to to music individually either as performers, present debut concerts such as this. It also composers or audience members. Included allows us to celebrate significant milestones with this issue of The Score magazine are with established artists such as Emmanuel the details for the exciting opening weekend Ax, in special gala events. celebrations on the 14 and 15 September We are delighted to announce that Kikkas © Kaupo when we present ten concerts in two days, Wigmore Hall is to become the new home placing Beethoven in context through the for CAVATINA’s extraordinary activities ABOVE John Gilhooly works of his predecessors and successors, nationwide. For those of you who don’t and those in the 20th century, and even already know CAVATINA and the story of its In this edition, there is also a very today, who still felt his influence. -
PATTO – the JOHN HALSEY INTERVIEW
PATTO – the JOHN HALSEY INTERVIEW Patto, apart from being one of the finest (purely subjective, of course) bands this country ever produced, were not blessed with good fortune. Forever on the verge of making it really big, they broke up after six years of knocking on the door and finding no-one home. Subsequently, two of their number died while the other two were involved in a terrible car smash which left one with severe physical injuries and the other with severe mental problems. Drummer John Halsey is now the only Patto member who could possible give us an interview. Mike Patto and Ollie Halsall are both gone, while bassist Clive Griffiths apparently doesn't even recall being in a band! Despite bearing the scars of the accident (Halsey walks with a pronounced limp), John was only too pleased to submit to a Terrascopic grilling - an interview which took place in the wonderful Suffolk pub he runs with his wife Elaine. Bancroft and I spent a lovely afternoon and evening with the Halseys, B & B'd in the shadow of a 12th Century church cupboard and returned to London the next morning with one of the most enjoyable interviews either of us has ever done. John Halsey: I started playing drums because two mates who lived in my road in North Finchley (N. London), where I'm from, wanted to form a group. This was years and years ago, 1958, 1959. Want to see the photo? PT: Oh, look at that! 1959! Me, with a microphone inside me guitar that used to go out through me Mum's tape recorder, and if you put 'Record' and 'Play' on together, it'd act like an amplifier. -
Yes Highlights the Very Best of Yes Mp3, Flac, Wma
Yes Highlights The Very Best Of Yes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Highlights The Very Best Of Yes Country: Australia Released: 1993 Style: Pop Rock, Prog Rock MP3 version RAR size: 1373 mb FLAC version RAR size: 1419 mb WMA version RAR size: 1575 mb Rating: 4.8 Votes: 675 Other Formats: ASF FLAC AHX AC3 AU ADX WAV Tracklist Hide Credits Survival Engineer – Gerald ChevinPerformer – Bill Bruford, Chris Squire, Jon 1 6:18 Anderson, Peter Banks, Tony KayeProducer – Paul Clay, YesWritten- By – Anderson* Time And A Word Arranged By [Orchestral Arrangements] – Tony CoxEngineer – Eddie 2 Offord*Performer – Bill Bruford, Chris Squire, Jon Anderson, Peter 4:31 Banks, Tony KayeProducer – Tony ColtonWritten-By – Foster*, Anderson* Starship Trooper Engineer – Eddie Offord*Performer – Bill Bruford, Chris Squire, (9:26) Jon Anderson, Steve Howe, Tony KayeProducer – Eddie Offord*, Yes Life Seeker 3a. Written-By – Anderson* Disillusion 3b. Written-By – Squire* Würm 3c. Written-By – Howe* I've Seen All Good People Engineer – Eddie Offord*Performer – Bill Bruford, Chris Squire, (6:53) Jon Anderson, Steve Howe, Tony KayeProducer – Eddie Offord*, Yes Your Move 4a. Written-By – Anderson* All Good People 4b. Written-By – Squire* Roundabout Engineer – Eddie Offord*Performer – Bill Bruford, Chris Squire, Jon 5 8:31 Anderson, Rick Wakeman, Steve HoweProducer – Eddie Offord*, YesWritten-By – Anderson*, Howe* Long Distance Runaround Engineer – Eddie Offord*Performer – Bill Bruford, Chris Squire, Jon 6 3:33 Anderson, Rick Wakeman, Steve -
Mark Padmore
` BRITTEN Death in Venice, Royal Opera House, Covent Garden At the centre, there’s a tour de force performance by tenor Mark Padmore as the blocked writer Aschenbach, his voice apparently as fresh at the end of this long evening as at the beginning Erica Jeal, The Guardian, November 2019 Tenor Mark Padmore, exquisite of voice, presents Aschenbach’s physical and spiritual breakdown with extraordinary detail and insight Warwick Thompson, Metro, November 2019 Mark Padmore deals in a masterly fashion with the English words, so poetically charged by librettist Myfanwy Piper, and was in his best voice, teasing out beauty with every lyrical solo. Richard Fairman, The Financial Times, November 2019 Mark Padmore is on similarly excellent form as Aschenbach. Padmore doesn’t do much opera, but this role is perfect for him………Padmore is able to bring acute emotion to these scenes, without extravagance or lyricism, drawing the scale of the drama back down to the personal level. Mark Padmore Gavin Dixon, The Arts Desk, November 2019 Tenor ..It’s the performances of Mark Padmore and Gerald Finley that make the show unmissable. …Padmore……conveys so believably the tragic arc of Aschenbach’s disintegration, from pompous self-regard through confusion and brief ecstatic abandon to physical and moral collapse. And the diction of both singers is so clear that surtitles are superfluous. You will not encounter a finer performance of this autumnal masterpiece. Richard Morrison, The Times, November 2019 BACH St John Passion¸ Orchestra of the Age of Enlightenment, Simon Rattle. Royal Festival Hall, London Mark Padmore has given us many excellent evangelists, yet this heartfelt, aggrieved, intimate take on St John’s gospel narrative, sometimes spiked with penetrating pauses, still seemed exceptional. -
Het Verhaal Van De 340 Songs Inhoud
Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisfi ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise.