Jerusalem Quartet
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Rawsthorne and Other Rarities
Rawsthorne and other rarities Alan Rawsthorne (1905-1971) Chamber Cantata 11:59 1 I Of a Rose is al myn Song 3:34 2 II Lenten ys come 2:17 3 III Wynter Wakeneth al my Care 4:11 4 IV The Nicht is near gone 1:56 Clare Wilkinson (mezzo-soprano), Harvey Davies (harpsichord), Solem Quartet Halsey Stevens (1908-1989) Sonatina Piacevole 5:29 5 I Allegro moderato 1:52 6 II Poco lento, quasi ciaccona 1:50 7 III Allegro 1:47 John Turner (recorder), Harvey Davies (harpsichord) Alan Rawsthorne (1905-1971), edited and arranged by Peter Dickinson (b.1934) Practical Cats (texts by T.S. Eliot) 21:09 8 I Overture 2:22 9 II The Naming of Cats 2:59 10 III The Old Gumbie Cat 4:25 11 IV Gus, the Theatre Cat 3:48 12 V Bustopher Jones 2:32 13 VI Old Deuteronomy 3:37 14 VII The Song of the Jellicles 1:24 Mark Rowlinson (reciter), Peter Lawson (piano) Basil Deane (1928-2006) / Raymond Warren (b.1928) The Rose Tree (texts by W. B. Yeats) 5:27 15 I The Rose Tree 2:23 16 II I am of Ireland 3:04 Clare Wilkinson (mezzo-soprano), John Turner (recorder), Stephanie Tress (cello) S This recording is dedicated to the memory of John McCabe, CBE Ralph Vaughan Williams (1872-1958) 17 The Willow Whistle 1:04 Clare Wilkinson (mezzo-soprano), John Turner (bamboo pipe) Karel Janovický (b.1930) 18 The Little Linden Pipe 3:19 John Turner (recorder) Alan Rawsthorne (1905-1971) String Quartet in B minor 15:12 19 I Fugue (molto adagio) — 5:00 20 II Andante – Allegretto 3:40 21 III Molto allegro quasi presto 6:31 Solem Quartet Donald Waxman (b.1925) 22 Serenade and Caprice 7:33 John -
Dan Hicks’ Caucasian Hip-Hop for Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media
Dan Hicks’ Caucasian Hip-Hop For Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media Author: Steve Roby Showdate : Feb. 18, 2015 Performance Venue : Yoshi’s Oakland Bay Area legend Dan Hicks performed to a sold-out crowd at Yoshi’s on Wednesday. The audience was made up of his loyal fans (Hicksters) who probably first heard his music on KSAN, Jive 95, back in 1969. At age 11, Hicks started out as a drummer, and was heavily influenced by jazz and Dixieland music, often playing dances at the VFW. During the folk revival of the ‘60s, he picked up a guitar, and would go to hootenannies while attending San Francisco State. Hicks began writing songs, an eclectic mix of Western swing, folk, jazz, and blues, and eventually formed Dan Hicks and his Hot Licks. His offbeat humor filtered its way into his stage act. Today, with tongue firmly planted in cheek, Hicks sums up his special genre as “Caucasian hip-hop.” Over four decades later, Hicks still delivers a unique performance, and Wednesday’s show was jammed with many great moments. One of the evenings highlights was the classic “I Scare Myself,” which Hicks is still unclear if it’s a love song when he wrote it back in 1969. “I was either in love, or I’d just eaten a big hashish brownie,” recalled Hicks. Adding to the song’s paranoia theme, back-up singers Daria and Roberta Donnay dawned dark shades while Benito Cortez played a chilling violin solo complete with creepy horror movie sound effects. -
Takács Quartet Beethoven String Quartet Cycle
Takács Quartet Beethoven String Quartet Cycle Concerts V and VI March 25–26, 2017 Rackham Auditorium Ann Arbor CONTENT Concert V Saturday, March 25, 8:00 pm 3 Beethoven’s Impact: Steven Mackey 7 Beethoven’s Impact: Adam Sliwinski 13 Concert VI Sunday, March 26, 4:00 pm 15 Beethoven’s Impact: Lowell Liebermann 18 Beethoven’s Impact: Augusta Read Thomas 21 Artists 25 Takács Quartet Concert V Edward Dusinberre / Violin Károly Schranz / Violin Geraldine Walther / Viola András Fejér / Cello Saturday Evening, March 25, 2017 at 8:00 Rackham Auditorium Ann Arbor 51st Performance of the 138th Annual Season 54th Annual Chamber Arts Series This evening’s presenting sponsor is the William R. Kinney Endowment. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. Special thanks to Steven Whiting for his participation in events surrounding this weekend’s performances. The Takács Quartet records for Hyperion and Decca/London Records. The Takács Quartet is Quartet-in-Residence at the University of Colorado in Boulder and are Associate Artists at Wigmore Hall, London. The Takács Quartet appears by arrangement with Seldy Cramer Artists. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM Beethoven String Quartets Concert V String Quartet in B-flat Major, Op. 18, No. 6 Allegro con brio Adagio ma non troppo Scherzo: Allegro La malinconia: Adagio — Allegretto quasi Allegro String Quartet in F Major, Op. 135 Allegretto Vivace Lento assai e cantante tranquillo Grave — Allegro — Grave, ma non troppo tratto — Allegro Intermission String Quartet in C Major, Op. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
Britten Connections a Guide for Performers and Programmers
Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman. -
Belcea Quartet Corina Belcea (Violine), Axel Schacher (Violine), Krzysztof Chorzelski (Viola), Antoine Lederlin (Violoncello)
„[…] das Auffälligste war der Geist der Freiheit“ BELCEA QUARTET CORINA BELCEA (VIOLINE), AXEL SCHACHER (VIOLINE), KRZYSZTOF CHORZELSKI (VIOLA), ANTOINE LEDERLIN (VIOLONCELLO) ...wie die London Times im Frühjahr 2019 schrieb, diese Musiker lassen sich nicht von Grenzen einengen. Mit der rumänischen Violinistin Corina Belcea und dem polnischen Bratschisten Krzysztof Chorzelski brachten 1994 gleich zwei Gründungsmitglieder eine unterschiedliche künstlerische Herkunft in das Ensemble ein, die durch die französischen Musiker Axel Schacher (Violine) und Antoine Lederlin (Violoncello) erweitert wurde. Dies gibt auch die Bandbreite ihres Repertoires wieder: So haben sie bereits sämtliche Streichquartette von Bartók, Beethoven, Brahms (Diapason d'or de l'année 2016) und Britten eingespielt und stellen dem Publikum immer wieder neue Werke von aktuellen Komponisten wie Joseph Phibbs (2018), Krzysztof Penderecki (2016), Thomas Larcher (2015) und Mark-Anthony Turnage (2014 & 2010) vor. Diese Auftragswerke entstehen in Zusammenarbeit mit der eigenen Stiftung des Quartetts, deren Ziel es zum einen ist die Streichquartettliteratur stetig zu erweitern, und zum anderen junge Quartette durch gemeinsame konzentrierte Probenarbeit zu unterstützen. So können sie auch die Erfahrungen, die sie selbst als Schüler vom Amadeus & Alban Berg Quartett gemacht haben an die nächste Generation weitergeben. Neben den Gesamtaufnahmen kann das Quartett auf eine mannigfaltige Diskographie mit Aufnahmen (u.a.) von Berg, Dutilleux, Mozart, Schönberg & Schubert verweisen. Zu den neueren Einspielungen zählen das Schostakowitsch Album, mit dem 3. Streichquartett sowie dem Klavierquintett mit Piotr Anderszewski, das im April 2018 erschienen ist, sowie die Streichquartette von Janáček & Ligetis ‚Metamorphoses nocturnes’, die im Frühjahr 2019 veröffentlicht wurden. Ihre Aufführungen aller Beethoven Streichquartette im Konzerthaus Wien 2012 erschien im Herbst 2014 beim Label EuroArts auf DVD, gefolgt von der Einspielung der drei Streichquartette Brittens im Herbst 2015. -
ACD 245 Book Kol Layout 1
KARL AMADEUS HARTMANN (1905–1963) Kwartet smyczkowy nr 1 Carillon / String Quartet No. 1 Carillon* (1933) [22’49] [1] Langsam – Sehr lebhaft 8’20 [2] (Con sordino) 8’01 [3] (Con tutta forza) 6’28 Kwartet smyczkowy nr 2 / String Quartet No. 2* (1945–48) [30’13] [4] Langsam – Äußerst lebhaft und sehr energisch 11’05 [5] Andantino (sehr ausdrucksvoll) 11’55 [6] Presto 7’13 ANTON WEBERN (1883–1945) [7] Langsamer Satz na kwartet smyczkowy / for string quartet (1905) 10’00 Total time: 63’09 * Polska premiera nagrania / Polish premiere recording Aleksandra Czajor Natalia Warzecha-Karkus Julia Kotarba Grażyna Zubik I skrzypce / 1st violin altówka / viola wiolonczela / cello II skrzypce / 2nd violin AIRIS STRING QUARTET PL KARL AMADEUS HARTMANN Karl Amadeus Hartmann to z całą pewnością jedna z najciekawszych, a zarazem najmniej rozpoznawalnych postaci w plejadzie kompozytorów XX wieku. II wojna światowa zmusiła młodego, wówczas dwudziestoośmioletniego Hartmanna do podjęcia trudnej życiowej decyzji – stojąc bowiem u progu obiecującej kariery artystycznej, odmówił wszelkiej współpracy z nazistami, godząc się tym samym na zniknięcie z oficjalnego życia muzycznego III Rzeszy. Pozostał jednak w kraju, świadomie wybierając drogę „wewnętrznej emigracji”. Postawa ta była bardzo rzadkim zjawiskiem wśród artystów. Ci, którzy wyrażali sprzeciw wobec okrutnej polityki nazizmu, zazwyczaj podejmowali decyzję o opuszczeniu kraju, by móc swobodnie tworzyć. Pozostanie w samym centrum szalejącego hitleryzmu, z widmem artystycznego wyroku śmierci, musiało być podyk- towane niezwykłą siłą charakteru i sumienia. Nie był to jednak bierny akt rezygnacji. W zaciszu domu swoich teściów w Kempfenhausen pod Monachium, otoczony posiad- łościami nazistów, w tajem nicy przed sąsiadami, Hartmann komponował muzykę kipiącą od emocji, będącą zwierciadłem stanu jego duszy i świadectwem jego człowieczeństwa. -
Nordsending Works for String Trio & Duo Nørgårdper Sørensenbent Hellsteniushenrik Saariahokaija Trio Aristos
NORDSENDING WORKS FOR STRING TRIO & DUO NØRGÅRDPER SØRENSENBENT HELLSTENIUSHENRIK SAARIAHOKAIJA TRIO ARISTOS SZYMON KRZESZOWIEC VIOLIN ALEXANDER ØLLGAARD VIOLA JAKOB KULLBERG CELLO SØRENSEN, Bent (b.1958) Gondole for violin, viola and cello (2010) (Wilhelm Hansen) 18'44 1 I. La Gondola che balla il valzer (The Waltzing Gondola) 0'55 2 II. Gondola dei sogni (Gondola in Dreams) 3'43 3 III. La Gondola con il vestito dei fiori (The Gondola with the Flowery Dress) 2'32 4 IV. Gondola dell’amore (Love’s Gondola) 3'30 5 V. Lugubre gondola (Sinister Gondola) 7'53 NØRGÅRD, Per (b.1932) Strings for violin, viola and cello (1992) (Wilhelm Hansen) 14'53 6 I. Moderato 6'15 7 II. Allegro 1'36 8 III. Adagio 2'35 9 IV. Presto 4'21 SAARIAHO, Kaija (b.1952) Cloud Trio for violin, viola and cello (2009) (Chester Music Ltd) 16'39 10 I. Calmo, meditato 2'47 11 II. Sempre dolce ma energico, sempre a tempo 3'41 12 III. Sempre energico 2'58 13 IV. Tranquillo ma sempre molto espressivo 6'55 2 NØRGÅRD, Per Tjampuan ‘Where the Rivers meet’ (Wilhelm Hansen) 11'52 Six Movements for violin and cello (1992) 14 1. Sostenuto, molto affettuoso – attacca – 2'05 15 2. Poco con moto affettuoso 0'37 16 3. Con moto sostenuto – attacca – 1'15 17 4. Più mosso 3'13 18 5. Andantino leggiero, un poco rubato 2'45 19 6. Presto frenético 1'51 HELLSTENIUS, Henrik (b.1963) 20 Rift for violin, viola and cello (2014) (Wilhelm Hansen) 9'20 NØRGÅRD, Per 21 Pastorale from Babette’s Feast (Wilhelm Hansen) 6'16 for violin, viola and cello (1988) Lento TT: 78'49 Trio Aristos Szymon Krzeszowiec violin Alexander Øllgaard viola Jakob Kullberg cello 3 Nordsending Nordsending was the name given by southern Norwegian people of the late Medieval and Early Modern period to magical attacks from the sorcerous sub- Arctic and Arctic. -
Mark Padmore
` BRITTEN Death in Venice, Royal Opera House, Covent Garden At the centre, there’s a tour de force performance by tenor Mark Padmore as the blocked writer Aschenbach, his voice apparently as fresh at the end of this long evening as at the beginning Erica Jeal, The Guardian, November 2019 Tenor Mark Padmore, exquisite of voice, presents Aschenbach’s physical and spiritual breakdown with extraordinary detail and insight Warwick Thompson, Metro, November 2019 Mark Padmore deals in a masterly fashion with the English words, so poetically charged by librettist Myfanwy Piper, and was in his best voice, teasing out beauty with every lyrical solo. Richard Fairman, The Financial Times, November 2019 Mark Padmore is on similarly excellent form as Aschenbach. Padmore doesn’t do much opera, but this role is perfect for him………Padmore is able to bring acute emotion to these scenes, without extravagance or lyricism, drawing the scale of the drama back down to the personal level. Mark Padmore Gavin Dixon, The Arts Desk, November 2019 Tenor ..It’s the performances of Mark Padmore and Gerald Finley that make the show unmissable. …Padmore……conveys so believably the tragic arc of Aschenbach’s disintegration, from pompous self-regard through confusion and brief ecstatic abandon to physical and moral collapse. And the diction of both singers is so clear that surtitles are superfluous. You will not encounter a finer performance of this autumnal masterpiece. Richard Morrison, The Times, November 2019 BACH St John Passion¸ Orchestra of the Age of Enlightenment, Simon Rattle. Royal Festival Hall, London Mark Padmore has given us many excellent evangelists, yet this heartfelt, aggrieved, intimate take on St John’s gospel narrative, sometimes spiked with penetrating pauses, still seemed exceptional. -
2017-2018 | Hh So.Org
AMERICAN MOS IC TH SEASON | 2017-2018 | HHSO.ORG 36 SYMPHONYHHSO OF THE LOWCOUNTRY AMERICAN HHSO HHSO.ORG MOS IC “The American musical experience offers music, traditions and cultures of the world, like a mosaic, to create a soundscape that defines our nation. It is music that captures tragedy and triumph, struggle and freedom, and conveys the essence of the American ethos. The Hilton Head Symphony Orchestra devotes its 2017-2018 Season to the American Mosaic with both new and familiar works for orchestra composed by the greatest generation of American composers as well as many of the most beloved works in the orchestral repertoire. The music of Beethoven, 2017-2018 2017-2018 SYMPHONY OF Brahms, Tchaikovsky and Ravel rubs shoulders THE LOWCOUNTRY with Gershwin, Copland, Bernstein and Barber as our orchestra celebrates richly diverse musical styles that are as evocative as they are sumptuous. Join us, as we come together to bring beauty and harmony to the Lowcountry.” John Morris Russell Music Director and Conductor *The conductor will give a pre-concert talk before each classical concert. SPECIAL PERFORMANCE: MOZART FEST AND GALA 36TH SEASON 36TH EMANUEL AX IN CONCERT MONDAY, SEPTEMBER 18, 2017 • 7:30PM John Morris Russell Conductor • Emanuel Ax Piano Mozart Piano Concerto No. 19 • Mozart Piano Concerto No. 27 EMANUEL AX World-renowned pianist, Emanuel Ax is considered one Emanuel Ax has been an exclusive Sony Classical of the finest concert pianists of the 21st century. He is a recording artist since 1987. Recent releases include Grammy award-winning, Polish-born naturalized Ameri- Strauss's Enoch Arden narrated by Patrick Stewart; can classical pianist, an internationally acclaimed per- discs of two-piano music by Johannes Brahms and former, a teacher on the faculty of The Juilliard School Sergei Rachmaninov with Yefim Bronfman; and soon to and the main duo recital partner of cellist Yo-Yo Ma. -
The Time Is Now Thethe Timetime Isis Nownow Music Has the Power to Inspire, to Change Lives, to Illuminate Perspective, 20/21 SEASON and to Shift Our Vantage Point
20/21 SEASON The Time Is Now TheThe TimeTime IsIs NowNow Music has the power to inspire, to change lives, to illuminate perspective, 20/21 SEASON and to shift our vantage point. featuring FESTIVAL Your seats are waiting. Voices of Hope: Artists in Times of Oppression An exploration of humankind’s capacity for hope, courage, and resistance in the face of the unimaginable PERSPECTIVES Rhiannon Giddens “… an electrifying artist …” —Smithsonian PERSPECTIVES Yannick Nézet-Séguin “… the greatest generator of energy on the international podium …” —Financial Times PERSPECTIVES Jordi Savall “… a performer of genius but also a conductor, a scholar, a teacher, a concert impresario …” —The New Yorker DEBS COMPOSER’S CHAIR Andrew Norman “… the leading American composer of his generation ...” —Los Angeles Times Left: Youssou NDOUR On the cover: Mirga Gražinytė-Tyla carnegiehall.org/subscribe | 212-247-7800 Photos: NDOUR by Jack Vartoogian, Gražinytė-Tyla by Benjamin Ealovega. Box Office at 57th and Seventh Rafael Pulido Some of the most truly inspiring music CONTENTS you’ll hear this season—or any other season—at Carnegie Hall was written in response to oppressive forces that have 3 ORCHESTRAS ORCHESTRAS darkened the human experience throughout history. Perspectives: Voices of Hope: Artists in Times of Oppression takes audiences Yannick Nézet-Séguin on a journey unique among our festivals for the breadth of music 12 these courageous artists employed—from symphonies to jazz to Debs Composer’s popular songs and more. This music raises the question of why, 13 Chair: Andrew Norman no matter how horrific the circumstances, artists are nonetheless compelled to create art; and how, despite those circumstances, 28 Zankel Hall Center Stage the art they create can be so elevating. -
Boston Symphony Orchestra Concert Programs, Season 126, 2006-2007, Subscription, Volume 02
BOSTON SYM PHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE • a (tie. Leaa richer J [fH1*V?*!?n w If John Hancock is proud to support the Boston Symphony Orchestra. the future is yours A World-Class Alcohol and Drug Treatment Program lliii View from The McLean Center, Princeton, MA E McLEAN CENTER AT FERNSIDE A comprehensive residential treatment program. Expertise in treating co-occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. McLean Hospital: A Legacy of Compassionate Care and Superb Clinical Treatment wvvw.mclean.harvard.edu • 1-800-906-9531 McLean Hospital is a psychiatric teaching facility of Harvard Medical School, an affiliate of Partners Massachusetts General Hospital and a member of H E A I T H L \ R F Partners HealthCare. REASON #75 transplan exper s It takes more than just a steady hand to perform a successful organ transplant. The highly complicated nature of these procedures demands the utmost in experience and expertise. At Beth Israel Deaconess Medical Center, we offer one of the most comprehensive liver, kidney and pancreas transplant programs available today. Our doctors' exceptional knowledge and skill translate to enhanced safety and care in transplant surgery - and everything that goes into it. For more information on the Transplant Center, visit www.bidmc.harvard.edu or call 1-800-667-5356. A teaching hospital of Beth Israel Deaconess Harvard Medical School Medical Center Official | Hospital of the Boston Red Sox Affiliated with Joslin Clinic | A Research Partner of Dana-Farber/Harvard Cancer Center James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc.