November 2016

Total Page:16

File Type:pdf, Size:1020Kb

November 2016 November 2016 Igor Levit INSIDE: Borodin Quartet Le Concert d’Astrée & Emmanuelle Haïm Imogen Cooper Iestyn Davies & Thomas Dunford Emerson String Quartet Ensemble Modern Brigitte Fassbaender Masterclasses Kalichstein/Laredo/ Robinson Trio Dorothea Röschmann Sir András Schiff and many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–X Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – X AAAA AAAA Lowest price This brochure is available in alternative formats. Please contact the Box Office if this would be of assistance to you. Telephone: 020 7935 2141, or Email: [email protected]. The right is reserved to substitute artists and vary programmes if necessary. Wigmore Hall • HRH The Duke of Kent, KG Royal Patron The Wigmore Hall Trust • Registered Charity No.1024838 Cover: Igor Levit © Gregor Hohenberg Peter Dazeley 2 Tuesday 1 November 1.00pm 1 YCAT Lunchtime Concert Series 2016 /17 Daniel Lebhardt piano Kaupo Kikkas Bach Italian Concerto in F BWV971 Thomas Adès Darknesse Visible Beethoven Piano Sonata No. 32 in C minor Op. 111 Hungarian-born pianist Daniel Lebhardt studied at the Franz Liszt Academy in Budapest with István Gulyás and Gyöngyi Keveházi and, since 2010, at the Royal Academy of Music with Christopher Elton and Pascal Nemirovski. Engagements this season have included recitals at the Kennedy Center in Washington DC, Merkin Concert Hall in New York, the Usedomer Festival in Finland and the Festspiele Mecklenburg-Vorpommern. ‘He brought narrative sweep and youthful abandon to the piece, along with power, poetry and formidable technique’ Anthony Tomassini, The New York Times, March 2016 £13 concs £11 Daniel Lebhardt Young Classical Artists Trust (Reg. Charity No. 326490) YCAT is grateful for support from the Fresh Leaf Charitable Foundation, the Paul Woodhouse Fund, the Anthony Nesbitt Fund and the legacy of Richard Oake for this series. Tuesday 1 November 7.30pm Rosenblatt Recitals 2016/17 Simone Piazzola baritone Victor Santiago Giuseppe Vaccaro piano Tosti Non t’amo più!; 2 Chansons: Chanson de l’adieu; A vucchella Liszt Paraphrase de concert sur Rigoletto (piano solo) Tosti L’ultima canzone; La serenata Verdi L’esule Donizetti Vien, Leonora from La favorite; Cruda, funesta smania from Lucia di Lammermoor Liszt Hungarian Rhapsody No. 2 S244 No. 2 Gounod Valentine’s Aria from Faust Verdi Il balen del suo sorriso from Il trovatore Awarded second prize in the 2013 Operalia competition, Simone Piazzola is an Italian baritone who displays ‘attractive warm colours and endless vocal lines’ (Bachtrack). With a burgeoning reputation built upon an affinity for the heavier Verdian roles, he makes his UK debut with a programme of predominantly Italian songs and opera. Simone Piazzola ‘Simone Piazzola’s baritone has a gorgeous sound, solid and full, depicting a young and impulsive Don Carlo. He wowed the audience with his tasteful phrasing, revealing a great adherence to the character and acting with authority.’ Bachtrack ‘The young baritone Simone Piazzola, the production’s Rodrigo, was a model of robust tone and sensitive phrasing.’ The New York Times £30 £26 £22 £18 £16 Tickets also on sale for Rosenblatt Recitals on 26 September (Alek Shrader & Roger Vignoles) 10 October (Eleonora Buratto & Nazzareno Carusi) 10 January (Maria Katzarava, Stefano La Colla & Simon Lepper) Giuseppe Vaccaro 3 Wednesday 2 November 7.30 pm 2 40th Anniversary Season Kalichstein/Laredo/RobinsonTrio Beethoven Piano Trio in Bb Op. 11 Christian Steiner Shostakovich Piano Trio No. 2 in E minor Op. 67 Brahms Piano Trio No. 1 in B Op. 8 (revised version) One of the world’s most distinguished piano trios, founded to perform at the inauguration of US President Carter in 1977, explores strikingly rich works in this programme, beginning with the creative struggles and expressive contrasts of Beethoven and Shostakovich. The Kalichstein/Laredo/Robinson Trio closes with Brahms’s youthful Piano Trio Op. 8, heavily revised by the composer in later life. £36 £30 £25 £20 £15 Chamber Music Season Kalichstein/Laredo/Robinson Trio Thursday 3 November 1.00 pm – 4.00 pm 3 Friday 4 November 1.00 pm – 4.00 pm Brigitte Fassbaender Masterclasses One of Germany’s greatest singers, Brigitte Fassbaender received early encouragement from her actress mother and formative lessons from her father, the eminent baritone Willi Domgraf-Fassbaender. She made her debut as a Page in Wagner’s Lohengrin in Munich in 1961. During a long and illustrious career, the mezzo-soprano performed at all of the world’s leading opera houses and cultivated exceptional qualities as a Lieder singer. She is also celebrated for masterclass sessions that delve deep into the nature of the expressive art of singing. Brigitte Fassbaender returns to Wigmore Hall to lead two days of masterclasses, working with a company of postgraduate students from UK conservatoires. £8 concs £6 Supported by The Hargreaves and Ball Trust Wigmore Hall Learning Event Brigitte Fassbaender Thursday 3 November 7.30 pm Alexei Volodin piano SHAKESPEARE IN MUSIC Prokofiev Ten Pieces from Romeo and Juliet Op. 75 Marco Borggreve Mendelssohn/Rachmaninov Scherzo from A Midsummer Night’s Dream Medtner Tale in C# minor Op. 35 No. 4 Rachmaninov Piano Sonata No. 1 in D minor Op. 28 Alexei Volodin’s recital encompasses the unrestrained expressive range of Late Romantic Russian piano music. His Shakespearean- themed first half embraces everything from the fourth of Medtner’s Op. 35 Skazki or ‘Tales’, based on a quote from King Lear, to the vitality and vibrant emotions of Prokofiev’s arrangements of ten pieces from his 1935 ballet Romeo and Juliet. £36 £30 £25 £20 £15 London Pianoforte Series Alexei Volodin 4 Friday 4 November 1.00 pm – 4.00 pm 4 Brigitte Fassbaender Masterclasses See 3 November for further details. £8 concs £6 Wigmore Hall Learning Event Friday 4 November 7.30 pm Borodin Quartet Shostakovich String Quartet No. 9 in Eb Op. 117 Beethoven String Quartet in F Op. 59 No.1 ‘Razumovsky’ The Borodin Quartet’s odyssey through the string quartets of Shostakovich and Beethoven continues with a shrewd combination of works. Shostakovich’s Ninth String Quartet confronts anxiety and despair to discover a final sense of defiance; Beethoven’s first ‘Razumovsky’ Quartet, meanwhile, offsets the sorrow of its slow movement with a joyful final hymn of praise. £36 £30 £25 £20 £15 CAVATINA Part of the Chamber Zone scheme: Free tickets for schools and 8–25 year olds at selected Chamber Music Trust concerts, supported by CAVATINA Chamber Music Trust, with ongoing support from John www.cavatina.net Lyon’s Charity. To book, please contact the Box Office and quote ‘CHAMBER ZONE’. Chamber Music Season Ny Che/Goyang Aram Nuri Arts Center Borodin Quartet Saturday 5 November 7.30 pm 5 Dorothea Röschmann soprano Malcolm Martineau piano Russell Duncan Schubert From Gesänge aus Wilhelm Meister: Heiß WDR/Jim Rakete mich nicht reden; So laßt mich scheinen; Nur wer die Sehnsucht kennt Schubert Mignon (Kennst du das Land); Nachtstück; Der König in Thule; Gretchen am Spinnrade; Gretchen im Zwinger (Gretchens Bitte) Songs by Schumann Mahler Rückert Lieder A regular guest at the world’s leading opera houses and Dorothea Röschmann Malcolm Martineau concert halls, Dorothea Röschmann is blessed with the rare receptivity and imagination required to captivate listeners with her profoundly personal interpretations of words and music. She joins Malcolm Martineau to explore the dramatic intensity and compassion of songs by Schubert, Schumann and Mahler. £36 £30 £25 £20 £15 Song Recital Series/Schubert: The Complete Songs 5 Sunday 6 November 11.30 am 6 Endymion Mozart Piano Quartet No. 2 in Eb K493 Brahms Clarinet Quintet in B minor Op. 115 Eamonn McCabe From new commissions to landmarks of the classical repertoire, Endymion has made its mark as one of Britain’s finest chamber ensembles. This programme pairs Mozart’s high-spirited Piano Quartet No. 2, a pioneering work in the genre created in Vienna in 1786, with the lyrical warmth and spaciousness of Brahms’s late Clarinet Quintet. £13 concs £11 incl. programme and coffee/sherry/juice Endymion Sunday Morning Coffee Concert Sunday 6 November 3.00 pm Roderick Williams baritone Christopher Glynn piano Joanna Bergin SCHUBERT IN ENGLISH Benjamin Ealovega Schubert Winter Journey (Winterreise) London première of new English translation The narrative arc of Winterreise, supplied by Wilhelm Müller’s collection of 24 poems, follows a journey deep into the mysterious territory between life and death.
Recommended publications
  • Curriculum Vitae of Ben Sieben
    Curriculum Vitae of Ben Sieben Table of Contents Education 2 Relevant Skills 2 Employment Positions Held 2 Performance Experience 3 Collaborative Experience 3 Master Classes 4 Teaching 4 Awards and Recognition 5 International Performances/Foreign Travel 5 Volunteer Work 5 Graduate Degree Recitals 6 Collaborative Repertoire 6 1 BEN SIEBEN [email protected] | 979-479-1197 | 61 San Jacinto St., Bay City, TX, 77414 Education Master of Music in Collaborative Piano 2017 University of Colorado Boulder Primary instructors: Margaret McDonald and Alexandra Nguyen Master of Music in Piano Performance 2012 University of Utah Primary instructor: Heather Conner Bachelor of Music in Piano Performance 2010 Houston Baptist University Primary instructor: Melissa Marse Relevant Skills 25 years of classical piano sight reading improvisation open-score reading transposition jazz and rock styles basso-continuo harpsichord music theory score arranging transcription by ear reading lead sheets keyboard/synthesizer proficiency Italian, German, French, and English diction fluent conversational Spanish Employment Positions Held Emerging Musical Artist-in-Residence, Penn State Altoona 2017 ​ Vocal coach and accompanist for private voice students Graduate Assistant, University of Colorado Boulder 2015-2017 ​ Collaborative pianist, pianist for instrumental students, vocal students, orchestra, opera, and opera scenes classes Choral Accompanist, Texas A&M University 2012-2015 ​ Accompanist for Century Singers and Women’s Chorus Choral Accompanist, Brazos Valley Chorale
    [Show full text]
  • Concert Guide
    Concert Guide Summer 2018 An Education with Music at its Heart THE PURCELL SCHOOL EVENTS FOR CHOGM 2018 The Purcell School based in Bushey, Hertfordshire, eminent international musicians who comprise This year the Commonwealth Heads of Government meeting will take place in London. The Purcell is Britain’s oldest specialist school for talented the instrumental teaching faculty. The School has School is marking this with a week of fantastic musical events in association with The Commonwealth young musicians. It is a co-educational boarding world-class facilities; state-of-the-art classrooms, Resounds!, Rotary London, The Royal Overseas League, and the Royal Society of St. George. Profits and day school for ages 10-18, and celebrated a professional recording studio, superb practice from both of the concerts below will be used to help support hurricane victims in Antigua and Barbuda, its 50th anniversary in 2012. The School holds rooms and a recital hall with exceptional acoustics. and Dominica to rebuild their homes and lives a­er the devastation that was caused by Hurricane Irma the UNESCO Mozart Gold Medal in recognition Pupils are given outstanding opportunities for last year. The Commonwealth Resounds! is enormously grateful to The Royal Society of St. George and of its unique contribution to music, education performances. We hold lunchtime concerts Rotary London for supporting these concerts. and international culture. The School’s Patron, every weekday, and all pupils perform at these. HRH The Prince of Wales, accepted the award at Chamber music and orchestral concerts take THURSDAY 19 APRIL, 7:30pm FRIDAY 20 APRIL, 7:30pm a special ceremony at the UNESCO headquarters place regularly, and every year performances COMMONWEALTH YOUNG SOUND, IMAGE, MOVEMENT in Paris.
    [Show full text]
  • 21 MARCH FRIDAY SERIES 11 Helsinki Music Centre at 19
    21 MARCH FRIDAY SERIES 11 Helsinki Music Centre at 19 Oliver Knussen, conductor Leila Josefowicz, violin Kirill Gerstein, piano Hans Werner Henze: Barcarola 20 min INTERVAL 20 min Alban Berg: Chamber Concerto 39 min I Thema scherzoso con variazioni II Adagio III Rondo ritmico con introduzione Interval at about 19.30. The concert ends at about 20.45. Broadcast live on Yle Radio 1 and the internet (yle.fi/klassinen). 1 The LATE-NIGHT CHAMBER MUSIC will begin in the main Concert Hall after an interval of about 10 minutes. Those attending are asked to take (unnumbered) seats in the stalls. Petri Aarnio & Jari Valo, violin Riitta-Liisa Ristiluoma & Martta Tolonen, viola Tuomas Lehto & Mikko Ivars, cello Arnold Schönberg: Verklärte Nacht (Transfigured Night) 28 min I Sehr langsam II Etwas bewegter III Schwer betont IV Sehr breit und langsam V Sehr ruhig 2 HANS WERNER ginning of the piece the Eton Boating Song from my opera We Come to the HENZE (1926–2012): River, can be heard briefly in the harps. BARCAROLA Later, after extended cantilenas, the real Barcarola is played by the solo vi- Hans Werner Henze was one of the ola, accompanied lightly by flutes and leading post-WWII composers in harps. In the score, the musical progress both his native Germany and Europe. is carried out like a journey: the musi- Barcarola was commissioned by the cal material is transformed, changed Tonhalle-Gesellschaft Zürich and and developed in the same sense as is was first performed there with Gerd the mental process of metamorphosis. Albrecht conducting in April 1980.
    [Show full text]
  • Poul Ruders Four Dances Birmingham Contemporary Music Group, Oliver Knussen DACAPO 8.226028 POUL RUDERS (B
    POUL RUDERS Four Dances Birmingham Contemporary Music Group, Oliver Knussen DACAPO 8.226028 POUL RUDERS (b. 1949) Four Dances in One Movement (1983) 19:04 1 Whispering – 1:44 2 Rocking – 5:03 Four Dances 3 Ecstatic – 3:52 4 Extravagant 8:25 Birmingham Contemporary Music Group Oliver Knussen, conductor 5 Nightshade (1987) 8:35 Marie-Christine Zupancic | flute, piccolo, alto Abysm (2000) 23:32 Melinda Maxwell | oboe * 6 I Abysm 12:32 Rebecca Kozam | oboe, cor anglais ** 7 II Burning 1:48 Joanna Patton | clarinet ** 8 III Spectre 9:09 Mark O’Brien | clarinet, bass clarinet *, contra bass clarinet ** Margaret Cookhon | bassoon, contra bassoon ** Total: 51:08 Mark Phillips | horn Jonathan Holland | trumpet Alan Thomas | trumpet * Ed Jones | trombone Julian Warburton | percussion 1 Adrian Spillett | percussion 2 Malcolm Wilson | piano Alexandra Wood | violin 1 Gabriel Dyker | violin 2 ** Christopher Yates | viola Ulrich Heinen | cello John Tattersdill | double bass * Abysm ** Four Dances; Nightshade Dacapo is supported by the Danish Arts Council Committee for Music POUL RUDERS (b. 1949) Four Dances in One Movement (1983) 19:04 1 Whispering – 1:44 2 Rocking – 5:03 Four Dances 3 Ecstatic – 3:52 4 Extravagant 8:25 Birmingham Contemporary Music Group Oliver Knussen, conductor 5 Nightshade (1987) 8:35 Marie-Christine Zupancic | flute, piccolo, alto Abysm (2000) 23:32 Melinda Maxwell | oboe * 6 I Abysm 12:32 Rebecca Kozam | oboe, cor anglais ** 7 II Burning 1:48 Joanna Patton | clarinet ** 8 III Spectre 9:09 Mark O’Brien | clarinet, bass clarinet
    [Show full text]
  • Boston Symphony Orchestra
    Tangtewqpd 19 3 7-1987 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Saturday, 29 August at 8:30 The Boston Symphony Orchestra is pleased to present WYNTON MARSALIS An evening ofjazz. Week 9 Wynton Marsalis at this year's awards to win in the last four consecutive years. An exclusive CBS Masterworks and Columbia Records recording artist, Wynton made musical history at the 1984 Grammy ceremonies when he became the first instrumentalist to win awards in the categories ofjazz ("Best Soloist," for "Think of One") and classical music ("Best Soloist With Orches- tra," for "Trumpet Concertos"). He won Grammys again in both categories in 1985, for "Hot House Flowers" and his Baroque classical album. In the past four years he has received a combined total of fifteen nominations in the jazz and classical fields. His latest album, During the 1986-87 season Wynton "Marsalis Standard Time, Volume I," Marsalis set the all-time record in the represents the second complete album down beat magazine Readers' Poll with of the Wynton Marsalis Quartet—Wynton his fifth consecutive "Jazz Musician of on trumpet, pianist Marcus Roberts, the Year" award, also winning "Best Trum- bassist Bob Hurst, and drummer Jeff pet" for the same years, 1982 through "Tain" Watts. 1986. This was underscored when his The second of six sons of New Orleans album "J Mood" earned him his seventh jazz pianist Ellis Marsalis, Wynton grew career Grammy, at the February 1987 up in a musical environment. He played ceremonies, making him the only artist first trumpet in the New
    [Show full text]
  • Past Commissions 2014/15
    Past Commissions 2014/2015 Season Page 1 of 5 * Denotes commissioned by Wigmore Hall with the support of André Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation September Day Composer Title Performer(s) Première Variations from the 14 Birtwistle, Sir Harrison Nicolas Hodges World* Golden Mountains Study No. 44A after Chopin 15 Godowsky, Leopold Marc-André Hamelin UK nouvelle étude No.1 October Day Composer Title Performer(s) Première gefährlich dünn — fragile pieces Petraškevičs, Jānis for double string quartet (co-commissioned by Ensemble Modern and Wigmore Hall) 10 Ensemble Modern World* Schöllhorn, sous-bois – Sextet (co-commissioned by Ensemble Modern Johannes and Wigmore Hall) November Day Composer Title Performer(s) Première Carnaval for clarinet, piano and cello 11 Mantovani, Bruno (co-commissioned by Ensemble intercontemporain, Ensemble intercontemporain World* Opéra national de Paris and Wigmore Hall) Montague, Stephen nun-mul World 16 Jenna Sung World Pritchard, Gwyn Tide December Day Composer Title Performer(s) Première Uncanny Vale Britten Sinfonia (co-commissioned by Britten Sinfonia with 3 Jones, Patrick John (Emer McDonough, Nicholas Daniel, London* support from donors to the Musically Gifted Joy Farrall, Sarah Burnett, Stephen Bell) campaign and Wigmore Hall) Turnage, Contusion 6 (co-commissioned by The Radcliffe Trust, Belcea Quartet World* Mark-Anthony NMC Recordings and Wigmore Hall) Past Commissions 2014/2015 Season Page 2 of 5 January Day Composer Title Performer(s) Première Light and Matter Britten Sinfonia (co-commissioned by Britten Sinfonia with 14 Saariaho, Kaija (Jacqueline Shave, Caroline Dearnley, London* support from donors to the Musically Gifted campaign Huw Watkins) and Wigmore Hall) 3rd Quartet Holt, Simon (co-commissioned by The Radcliffe Trust, World* NMC Recordings, Heidelberger Frühling, and 19 Wigmore Hall) JACK Quartet Haas, Georg Friedrich String Quartet No.
    [Show full text]
  • Download PDF Booklet
    THE CALL INTRODUCING THE NEXT GENERATION OF CLASSICAL SINGERS Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick Malcolm Martineau piano our future, now Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick THE CALL Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick Malcolm Martineau THE CALL FRANZ SCHUBERT (1797-1828) 1 Fischerweise (Franz von Schlechta) f 2’53 2 Im Frühling (Ernst Schulze) a 4’32 ROBERT SCHUMANN (1810-1856) 3 Mein schöner Stern (Friedrich Rückert) d 2’39 JOHANNES BRAHMS (1833-1897) 4 An eine Äolsharfe (Eduard Mörike) f 3’52 ROBERT SCHUMANN 5 Aufträge (Christian L’Egru) b 2’30 GABRIEL FAURÉ (1845-1924) 6 Le papillon et la fleur (Victor Marie Hugo) e 2’08 CLAUDE ACHILLE DEBUSSY (1862-1918) 7 La flûte de Pan (Pierre-Félix Louis) b 2’45 REYNALDO HAHN (1874-1947) 8 L’heure exquise (Paul Verlaine) c 2’27 CLAUDE ACHILLE DEBUSSY 9 C’est l’extase (Paul Verlaine) a 2’54 FRANCIS POULENC (1899-1963) Deux poèmes de Louis Aragon (Louis Aragon) d 10 i C 2’44 11 ii Fêtes galantes 0’57 GABRIEL FAURÉ 12 Notre amour (Armand Silvestre) e 1’58 MEIRION WILLIAMS (1901-1976) 13 Gwynfyd (Crwys) c 3’25 HERBERT HOWELLS (1892-1983) 14 King David (Walter de la Mare) b 4’51 RALPH VAUGHAN WILLIAMS (1872-1958) 15 The Call (George Herbert) f 2’12 16 Silent Noon (Dante Gabriel Rossetti) c 4’03 BENJAMIN BRITTEN (1913-1976) 17 The Choirmaster’s Burial (Thomas Hardy) d 4’08 IVOR GURNEY (1890-1937) 18 Sleep (John Fletcher) e 2’55 BENJAMIN
    [Show full text]
  • Rawsthorne and Other Rarities
    Rawsthorne and other rarities Alan Rawsthorne (1905-1971) Chamber Cantata 11:59 1 I Of a Rose is al myn Song 3:34 2 II Lenten ys come 2:17 3 III Wynter Wakeneth al my Care 4:11 4 IV The Nicht is near gone 1:56 Clare Wilkinson (mezzo-soprano), Harvey Davies (harpsichord), Solem Quartet Halsey Stevens (1908-1989) Sonatina Piacevole 5:29 5 I Allegro moderato 1:52 6 II Poco lento, quasi ciaccona 1:50 7 III Allegro 1:47 John Turner (recorder), Harvey Davies (harpsichord) Alan Rawsthorne (1905-1971), edited and arranged by Peter Dickinson (b.1934) Practical Cats (texts by T.S. Eliot) 21:09 8 I Overture 2:22 9 II The Naming of Cats 2:59 10 III The Old Gumbie Cat 4:25 11 IV Gus, the Theatre Cat 3:48 12 V Bustopher Jones 2:32 13 VI Old Deuteronomy 3:37 14 VII The Song of the Jellicles 1:24 Mark Rowlinson (reciter), Peter Lawson (piano) Basil Deane (1928-2006) / Raymond Warren (b.1928) The Rose Tree (texts by W. B. Yeats) 5:27 15 I The Rose Tree 2:23 16 II I am of Ireland 3:04 Clare Wilkinson (mezzo-soprano), John Turner (recorder), Stephanie Tress (cello) S This recording is dedicated to the memory of John McCabe, CBE Ralph Vaughan Williams (1872-1958) 17 The Willow Whistle 1:04 Clare Wilkinson (mezzo-soprano), John Turner (bamboo pipe) Karel Janovický (b.1930) 18 The Little Linden Pipe 3:19 John Turner (recorder) Alan Rawsthorne (1905-1971) String Quartet in B minor 15:12 19 I Fugue (molto adagio) — 5:00 20 II Andante – Allegretto 3:40 21 III Molto allegro quasi presto 6:31 Solem Quartet Donald Waxman (b.1925) 22 Serenade and Caprice 7:33 John
    [Show full text]
  • Takács Quartet Beethoven String Quartet Cycle
    Takács Quartet Beethoven String Quartet Cycle Concerts V and VI March 25–26, 2017 Rackham Auditorium Ann Arbor CONTENT Concert V Saturday, March 25, 8:00 pm 3 Beethoven’s Impact: Steven Mackey 7 Beethoven’s Impact: Adam Sliwinski 13 Concert VI Sunday, March 26, 4:00 pm 15 Beethoven’s Impact: Lowell Liebermann 18 Beethoven’s Impact: Augusta Read Thomas 21 Artists 25 Takács Quartet Concert V Edward Dusinberre / Violin Károly Schranz / Violin Geraldine Walther / Viola András Fejér / Cello Saturday Evening, March 25, 2017 at 8:00 Rackham Auditorium Ann Arbor 51st Performance of the 138th Annual Season 54th Annual Chamber Arts Series This evening’s presenting sponsor is the William R. Kinney Endowment. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. Special thanks to Steven Whiting for his participation in events surrounding this weekend’s performances. The Takács Quartet records for Hyperion and Decca/London Records. The Takács Quartet is Quartet-in-Residence at the University of Colorado in Boulder and are Associate Artists at Wigmore Hall, London. The Takács Quartet appears by arrangement with Seldy Cramer Artists. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM Beethoven String Quartets Concert V String Quartet in B-flat Major, Op. 18, No. 6 Allegro con brio Adagio ma non troppo Scherzo: Allegro La malinconia: Adagio — Allegretto quasi Allegro String Quartet in F Major, Op. 135 Allegretto Vivace Lento assai e cantante tranquillo Grave — Allegro — Grave, ma non troppo tratto — Allegro Intermission String Quartet in C Major, Op.
    [Show full text]
  • Guildhall School Gold Medal 2020 Programme
    Saturday 26 September 7pm Gold Medal 2020 Finalists Soohong Park Ben Tarlton Ke Ma Guildhall Symphony Orchestra Richard Farnes conductor Guildhall School of Music & Drama Founded in 1880 by the City of London Corporation Chairman of the Board of Governors Vivienne Littlechild Principal Lynne Williams am Vice Principal & Director of Music Jonathan Vaughan Please visit our website at gsmd.ac.uk Guildhall School is part of Culture Mile: culturemile.london Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation Gold Medal 2020 Saturday 26 September, 7pm The Gold Medal, Guildhall School’s most prestigious award for musicians, was founded and endowed in 1915 by Sir H. Dixon Kimber Bt MA Guildhall Symphony Orchestra Finalists Richard Farnes conductor Soohong Park piano During adjudication, Junior Guildhall Rachmaninov Piano Concerto No 2 in violinist Leia Zhu performs Ravel’s C minor Op 18 Tzigane with pianist Kaoru Wada. Leia’s Ben Tarlton cello performance was recorded in January 2020. Elgar Cello Concerto in E minor Op 85 The presentation of the Gold Medal will Ke Ma piano take place after Leia’s performance. Tchaikovsky Piano Concerto No 1 in B-flat minor Op 23 The Jury Jonathan Vaughan Vice-Principal & Director of Music Richard Farnes Conductor Emma Bloxham Editor, BBC Radio 3 Nicholas Mathias Director, IMG Artists Performed live on Friday 25 September and recorded and produced live by Guildhall School’s Recording and Audio Visual department. Gold Medal winners
    [Show full text]
  • London Mozart Players Wind Trio When He Left to Focus on His Freelance Career
    Timothy Lines (Clarinet) Timothy studied at the Royal College of Music with Michael Collins and now enjoys a wide- ranging career as a clarinettist. He has played with all the major symphony orchestras in London as well as with chamber groups including London Sinfonietta and the Nash Ensemble. From 1999 to 2003 he was Principal Clarinet of the London Symphony Orchestra and was also chairman of the orchestra during his last year there. From September 2004 to January 2006 he was section leader clarinet of the City of Birmingham Symphony Orchestra, London Mozart Players Wind Trio when he left to focus on his freelance career. He plays on original instruments with the English Baroque Soloists, the Orchestre Revolutionnaire et Romantique and the Orchestra of Thursday 12th March 2020 at 7.30 pm the Age of Enlightenment and is also frequently engaged to record film music and pop music Cavendish Hall, Edensor tracks. Timothy is Professor of Clarinet at both the Royal College of Music and the Royal Academy of Music, and is the clarinet coach for the National Youth Orchestra of Great Britain. In March 2016 he was awarded a Fellowship of the Royal College of Music and was later that year invited to become Principal Clarinet of the London Mozart Players. Concert Champêtre H. TOMASI Gareth Hulse (Oboe) (1901-1971) After reading music at Cambridge, Gareth Hulse studied with Janet Craxton at the Royal Divertimento K439b W.A. MOZART Academy of Music, and with Heinz Holliger at the Freiburg Hochschule fur Musik. On his (1756-1791) return to England he was appointed Principal Oboe with the Northern Sinfonia, a position he has since held with English National Opera and the London Philharmonic.
    [Show full text]
  • Eif.Co.Uk +44 (0) 131 473 2000 #Edintfest THANK YOU to OUR SUPPORTERS THANK YOU to OUR FUNDERS and PARTNERS
    eif.co.uk +44 (0) 131 473 2000 #edintfest THANK YOU TO OUR SUPPORTERS THANK YOU TO OUR FUNDERS AND PARTNERS Principal Supporters Public Funders Dunard Fund American Friends of the Edinburgh Edinburgh International Festival is supported through Léan Scully EIF Fund International Festival the PLACE programme, a partnership between James and Morag Anderson Edinburgh International Festival the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals Sir Ewan and Lady Brown Endowment Fund Opening Event Partner Learning & Engagement Partner Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Cruden Foundation Limited Lori A. Martin and Badenoch & Co. Joscelyn Fox Christopher L. Eisgruber The Calateria Trust Gavin and Kate Gemmell Flure Grossart The Castansa Trust Donald and Louise MacDonald Professor Ludmilla Jordanova Cullen Property Anne McFarlane Niall and Carol Lothian The Peter Diamand Trust Strategic Partners The Negaunee Foundation Bridget and John Macaskill The Evelyn Drysdale Charitable Trust The Pirie Rankin Charitable Trust Vivienne and Robin Menzies Edwin Fox Foundation Michael Shipley and Philip Rudge David Millar Gordon Fraser Charitable Trust Keith and Andrea Skeoch Keith and Lee Miller Miss K M Harbinson's Charitable Trust The Stevenston Charitable Trust Jerry Ozaniec The Inches Carr Trust Claire and Mark Urquhart Sarah and Spiro Phanos Jean and Roger Miller's Charitable Trust Brenda Rennie Penpont Charitable Trust Festival
    [Show full text]