«Musik Im Schloss»

Total Page:16

File Type:pdf, Size:1020Kb

«Musik Im Schloss» Musikerinnen und Künstler, die den akustisch wunderbaren Grossen Rittersaal im Schloss Rapperswil in der Konzertreihe «Musik im Schloss» seit 2001 bespielt haben «Musik im Schloss» Amar Quartett Musique Simili Amaryllis Quartett NEOBAROCK „Arpeggione“ Kammerorchester Ensemble nonSordino 18. Saison 2018/19 Arta Arnicane (Klavier) O DUO – Owen Gunnell, Grosser Rittersaal Δ Schloss Rapperswil Asasello Quartett Oliver Cox (Percussion) Avi Avital (Mandoline) Oreade Trio Philipp Bachofner (Flöte) Ramón Ortega Quero (Oboe) Juliane Banse (Sopran) Brita Ostertag (Flöte) Christoph Baumann (Jazzpianist) Perkussionsquartett Daniel Behle (Tenor) Tonhalle-Orchester Zürich Sonntag, 4. November 2018, 17 Uhr Bennewitz Quartet Lia Pale (Jazzsängerin) I Reto Bieri (Klarinette) René Perler (Bass) BriTA OSTERTAG unD PHILipp BACHOFNER, Flöten Robin Blaze (Altus) Jakob Pilgram (Tenor) Orion string trio Gábor Boldoczki (Trompete) Philharmonia Quartett Berlin casalQuartett Robert Pickup (Klarinette) HELGA VÁRADI, Cembalo Carion Ensemble Daniel Pezzotti (Violoncello) Patronat: AVINA STIFTUNG Viviane Chassot, (Akkordeon) Christian Poltéra (Violoncello) Ensemble „LA CIaccONA“ Vilija Poskute & Tomas Daukantas clair | obscur Saxofonquartett Quinteto Nuevo del Arco Concert Guitar Trio Tony Renold (Perkussion) Sonntag, 2. Dezember 2018, 17 Uhr II Xavier de Maistre (Harfe) Nuria Rial (Sopran) RACHEL HArnisCH, Sopran – ÄNEAS Humm, Bariton André Desponds (Klavier) Julian Riem (Klavier) Sybille Diethelm (Sopran) Dunja Robotti (Klavier) Jan Philip Schulze, Klavier Doric String Quartet Nicola Romanò (Violoncello) Patronat: SWIss CasINOS Pfäffikon-Zürichsee Duocalva Rolf Romei (Tenor) ELBEBLECH Blechbläserquintett Fabienne Romer (Klavier) Elias String Quartet Mathias Rüegg Eos Guitar Quartet Edward Rushton (Klavier) Sonntag, 20. Januar 2019, 17 Uhr III Barbara Erni (Alt) Valer Sabadus (Countertenor) Mats Eser (Perkussion) Sacconi Quartet GringoLTS QUARTETT Isabelle Faust (Violine) I Salonisti „Wien um 1900“ Gerry Fiddle Connor Noëmi Schindler (Violine) Rätus Flisch (Bass) Xenia Schindler (Harfe) Vital Julian Frey (Cembalo) Oliver Schnyder Trio Sonntag, 10. März 2019, 17 Uhr – »öffnen« 11 Galatea Quartett Julia Schröder (Violine) Alexej Gerassimez (Perkussion) La Scintilla dei Fiati Rapperswil Gringolts Quartett Ksenija Sidorova (Akkordeon) KABANTU – OF THE PEopLE Raphaela Gromes (Violoncello) Slokar Quartet Hanneli-Musig Zora Slokar (Horn) Patronat: MIGROS KULTURPROZENT Bernhard Heinrichs (Oboe) Adrienne Soós/Ivo Haag Claudius Herrmann (Violoncello) Spark – Die Klassische Band hornroh – modernes Alphorn Andreas Staier, Cembalo Sonntag, 7. April 2019, 17 Uhr Janoska Ensemble Maurice Steger (Blockflöte) IV kammerphilharmonie graubünden Hanna Dóra Sturludóttir (Sopran) TrombonCino QUARTETT Vesselina Kasarova (Sopran) Paul Suits (Klavier) Patronat: ZWEIFEL POMY-CHIps AG ZÜRICH Julien Kilchenmann (Violoncello) Swiss Brass Consort Daniel Kirch (Tenor) Tecchler Trio Emma Kirkby (Sopran) Lars-Anders Tomter (Viola) Goran Kovacevic (Akkordeon) Rudens Turku (Violine) Sonntag, 19. Mai 2019, 17 Uhr V Kuss Quartett Vienna Clarinet Connection Serenade im Schlosshof Ania Losinger (Xala) VOCES8 Lucerne Chamber Brass Vogler Quartett ELbTonAL PERCussion Aleksandar Madžar (Klavier) White Raven Sarah Maeder (Sopran) Matthias Wierig (Klavier) Martin O. (Stimmenkünstler) Marina Yakovleva (Violine) Alexander Melnikov (Klavier) Samuel Zünd (Bariton) Unterstützt durch www.artarena.ch Stutz Medien AG, CH-8820 Wädenswil, Tel. 044 783 99 11 Ein Wurf – ein Versprechen – Sehr verehrte Konzertbesucherinnen und Konzertbesucher eine Offenbarung! Es zeigt sich immer wieder, dass der Konzertbesuch mit keiner Liebe Musikfreundinnen, Alternative, sei es virtuell im Internet, Radio oder Fernsehen, zu liebe Musikfreunde ersetzen ist! Erleben Sie Künstlerinnen und Künstler live, nehmen Ja – es lebt, das Schloss Rapperswil! Nicht Sie teil an deren Interaktion und Zusammenspiel. Junge und zuletzt und zu einem schönen Teil dank etablierte Ensembles bringen uns mit grösstem Engagement, auf Brita Ostertag und Philipp Bachofner mit handwerklich und künstlerisch höchstem Niveau, die wunderbarsten ihrer 18. Ausgabe «Musik im Schloss» – Werke der Musikliteratur näher. "die Kammermusikreihe im schönsten Konzertsaal der Region“. Grossartig, Wir freuen uns, die 18. Saison der Reihe zusammen mit dem jungen wozu uns die beiden mit hohem Orion string trio mit Musik von J. S. Bach und G. P. Telemann zu Fachwissen, unermüdlichem Einsatz und eröffnen. Der aufstrebende Wädenswiler Bariton Äneas Humm hat einem weltweiten Beziehungsnetz Jahr sich mit der Walliser Sopranistin Rachel Harnisch zusammengetan für Jahr einladen! – für Hugo Wolfs "Italienisches Liederbuch". Das Gringolts Quartett wird grosse Kammermusikwerke von Johannes Brahms und Wahrlich, ein weiterer Wurf, wenn ich das vor mir liegende Erich Wolfgang Korngold interpretieren. Das 2018 gegründete Programm betrachte! Wie immer höchste Qualität, die Vielfalt in der Tromboncino Quartett wird auf Renaissance-, klassischen und Einheit Musik, das Vorfreude weckende Bekannte, das Interesse und modernen Posaunen mit Werken aus fünf Jahrhunderten aufspielen. Neugier entfaltende Neue! Ich betrachte die gelungenen Fotos der Künstlerinnen und Künstler An der Serenade im Schlosshof werden die vier Schlagwerker und entdecke unerwartete Besetzungen, musizierende Menschen von Elbtonal Percussion mit einem ganzen Arsenal von quer durch alle Altersschichten, eine Instrumentenpalette die lockt, Perkussionsinstrumenten beste Unterhaltung bieten. die erahnen lässt, die zu aussergewöhnlichen Konzerten lädt. Ein akustisches und visuelles Versprechen, das ganz bestimmt einmal Die »öffnen« 11 Veranstaltung – in dieser Saison wieder in der mehr erfüllt, ja übertroffen wird! *ALTEFABRIK – mit KABANTU und der unendlichen Vielfalt des Nicht zuletzt sind es für mich die ausgewählten Komponistinnen Crossovers von Klassik, Jazz und Folk. World Music – Global Sounds. und Komponisten, die spannende Klänge, animierende Rhythmen, berührende Harmonien offenbaren. Die vielfältig und hochwertig Unser günstiges Abonnements-Angebot verschafft Ihnen gestaltete Palette an Werken verspricht sowohl im herrlichen den Zugang zu hinreissend farbigen Konzerterlebnissen und Konzertsaal, wie auch einmal mehr „auswärts“ – in der *AltefabrIK beglückenden musikalischen Momenten – «Musik im Schloss» und im Schlosshof – grossartigen Genuss! heisst Sie herzlich live im Konzertsaal willkommen. «Musik im Schloss» ist hochstehend. Gedacht für Menschen mit Ihre Konzertveranstalter, Kultur, die bereit sind, sich auf Kultur einzulassen, sich mit Kultur – Ihr Flötistenpaar in diesem Falle mit Musik – auseinanderzusetzen. Und so, wie die Brita Ostertag und Ausführenden alle Altersschichten repräsentieren, eignet sich auch Philipp Bachofner dieses Programm hervorragend für junge und reifere Entdecker musikalischer Rosinen. Möge das neue Programm «Musik im Schloss» das Publikum zahlreich ansprechen, faszinieren, begeistern. Es ist wichtiger, strahlender, erstklassiger Mosaikstein in der Region Zürichsee Linth, in der Kulturstadt Rapperswil – Jona! Max Aeberli Musikalisch Kulturschaffender «Musik im Schloss» – Die Kammermusikreihe im schönsten Konzertsaal der Region – ein Engagement für die Kultur durch die Stadt Rapperswil-Jona und der Ortsbürger. 2 3 Sonntag, 4. November 2018, 17 Uhr ame stehen. Eröffnungskonzert 18. Saison 2018/19 N hr I Orion string trio Soyoung Yoon, Violine Veit Hertenstein, Viola ier könnte Benjamin Gregor-Smith, Violoncello H Brita Ostertag Philipp Bachofner, Flöten Das OrION string trio gab, neben den Auftritten in der Schweiz, Patronat: Patronat: auch Konzerte in Deutschland, England und anlässlich einer Katarzyna Nawrotek Korea-Tournee im Isang Yun-Geburtshaus in Tongyeoung und in und Birgit Müller, Violinen der Yongsan Concert Hall in Seoul. Samuele Sciancalepore, Kontrabass Helga Váradi, Cembalo Die ungarische Cembalistin Helga Váradi begann – nach jahrelangem Klavierunterricht J. S. Bach (1685-1750) – im Alter von dreizehn Jahren Cembalo zu Brandenburgisches Konzert Nr. 4, G-dur spielen. Nach der Grundausbildung setzte sie ihre Studien im Ausland fort: in Wien, Lyon, I L. van Beethoven (1770-1827) Basel und Zürich. Streichtrio Op. 9 Nr. 1 in G-dur Georg Philipp Telemann (1681-1767) 2014 gewann sie in Lugano den internationalen Preis Tafelmusik I, TWV 55:e1, e-moll "Gianni Bergamo“. 2016 tourte sie mit dem Geiger Daniel Hope und dem Kammerorchester Basel durch Peru, Brasilien, Kolumbien, Ecuador, Deutschland und Österreich; Zum Das Orion string trio wurde 2012 von der Geigerin Reformationsjubiläum in Zürich spielte sie 2017 an der grossen Soyoung Yoon (Südkorea), dem Bratschisten Veit Hertenstein Metzler-Orgel im Grossmünster und am Cembalo im Zwingli- (Deutschland) und dem Cellisten Benjamin Gregor-Smith Mysterienspiel. Ihr Interesse für die Schweizer Volksmusik wurde (Grossbritannien) in Basel gegründet. Freundschaft sowie ein durch gemeinsame Auftritte an der Orgel mit dem jungen tiefes musikalisches Verständnis weckten in ihnen den Wunsch, Appenzeller Hackbrett-Spieler Nicolas Senn geweckt. sich neben ihrer Solo- und Orchestertätigkeit auch dem Streichtrio zu widmen. Wichtige künstlerische Impulse erhielt Helga Váradi dokumentiert an der Zürcher Musikhochschule das das Trio von Harald Schoneweg (Cherubini Quartett), Bernard Leben der ungarischen Geigerin Stefi Geyer, der Jugendliebe Smith (Lindsay Quartett) und Thomas Demenga. von Béla Bartók. 2016 gewann es den ersten Preis beim Kammermusikwettbewerb
Recommended publications
  • Past Commissions 2014/15
    Past Commissions 2014/2015 Season Page 1 of 5 * Denotes commissioned by Wigmore Hall with the support of André Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation September Day Composer Title Performer(s) Première Variations from the 14 Birtwistle, Sir Harrison Nicolas Hodges World* Golden Mountains Study No. 44A after Chopin 15 Godowsky, Leopold Marc-André Hamelin UK nouvelle étude No.1 October Day Composer Title Performer(s) Première gefährlich dünn — fragile pieces Petraškevičs, Jānis for double string quartet (co-commissioned by Ensemble Modern and Wigmore Hall) 10 Ensemble Modern World* Schöllhorn, sous-bois – Sextet (co-commissioned by Ensemble Modern Johannes and Wigmore Hall) November Day Composer Title Performer(s) Première Carnaval for clarinet, piano and cello 11 Mantovani, Bruno (co-commissioned by Ensemble intercontemporain, Ensemble intercontemporain World* Opéra national de Paris and Wigmore Hall) Montague, Stephen nun-mul World 16 Jenna Sung World Pritchard, Gwyn Tide December Day Composer Title Performer(s) Première Uncanny Vale Britten Sinfonia (co-commissioned by Britten Sinfonia with 3 Jones, Patrick John (Emer McDonough, Nicholas Daniel, London* support from donors to the Musically Gifted Joy Farrall, Sarah Burnett, Stephen Bell) campaign and Wigmore Hall) Turnage, Contusion 6 (co-commissioned by The Radcliffe Trust, Belcea Quartet World* Mark-Anthony NMC Recordings and Wigmore Hall) Past Commissions 2014/2015 Season Page 2 of 5 January Day Composer Title Performer(s) Première Light and Matter Britten Sinfonia (co-commissioned by Britten Sinfonia with 14 Saariaho, Kaija (Jacqueline Shave, Caroline Dearnley, London* support from donors to the Musically Gifted campaign Huw Watkins) and Wigmore Hall) 3rd Quartet Holt, Simon (co-commissioned by The Radcliffe Trust, World* NMC Recordings, Heidelberger Frühling, and 19 Wigmore Hall) JACK Quartet Haas, Georg Friedrich String Quartet No.
    [Show full text]
  • NSF Programme Book 23/04/2019 12:31 Page 1
    two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA.
    [Show full text]
  • November 2016
    November 2016 Igor Levit INSIDE: Borodin Quartet Le Concert d’Astrée & Emmanuelle Haïm Imogen Cooper Iestyn Davies & Thomas Dunford Emerson String Quartet Ensemble Modern Brigitte Fassbaender Masterclasses Kalichstein/Laredo/ Robinson Trio Dorothea Röschmann Sir András Schiff and many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–X Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – X AAAA AAAA Lowest price This brochure is available in alternative formats.
    [Show full text]
  • 79 Musika Hamabostaldia Quincena Musical
    79 Musika Hamabostaldia Quincena 2 agosto-1 septiembre 2018 Donostia/San Sebastián Musical Yannick Nézet-Séguin © Hans van der Woerd Ivan Fischer “La italiana en Argel” Budapest Festival Orchestra “La italiana en Argel”, G. Rossini Ivan Fischer Paolo Arrivabeni Marianna Pizzolato, Luca Pisaroni, Francisco Brito, Joan Martín-Royo... Rotterdams Philharmonisch (Nueva producción) Orkest Yannick Nézet-Séguin “La Creación”, J. Haydn NDR Philharmonie - Hamburgo La Fura dels Baus Krzysztof Urbanski © Felix Broede Jukka-Pekka Saraste © Gela Megrelizde “Amoria” WDR Sinfonieorchester - Colonia Katia y Marielle Labèque Jukka-Pekka Saraste “Les Nuits Barbares” Compañía de Danza Hervé Koubi “Adio” Kukai Dantza Orquesta Sinfónica de Euskadi, Orfeón Donostiarra, Christian Zacharias, Yefim Bronfman, Igor Levit, Alexandre Tharaud, Jordi Savall, Christian Gerhaher, … Krzysztof Urbanski Borggreve © Marco Venta de entradas a partir del 31 de mayo en www.quincenamusical.eus www.quincenamusical.eus 341 Pliego 1.qxp_Scherzo 25/5/18 12:42 Página 1 s c h e r z o ¢ Nº 341 JUNIO 2018 François-Xavier Roth 2 Opinión Félix de Azúa José Luis Téllez Javier Pérez Senz M. Borggreve M. 84 Dosier 6 Con nombre propio Arrigo Boito Colaboran en este número Benet Casablancas Artista del porvenir Por Germán Gan Quesada Por Edoardo Buroni Mariano Acero Ruilópez Miguel Ángel Aguilar Rancel Josep Armengol Charles Gounod El poeta-músico Félix de Azúa Por Fernando Fraga Por Emanuele D’Angelo Rafael Banús Irusta Nuria Blanco Álvarez Emili Blasco Un compositor diletante Alberto Bosco Edoardo Buroni 9 Hoja de contactos PorAlberto Bosco José Antonio Cantón Por Benjamín García Rosado Riccardo Cassani En la encrucijada de la ópera italiana Yahvé M.
    [Show full text]
  • Sacconi Quartet Programmes 2020-22
    Sacconi Quartet SAMPLE PROGRAMMES 2020-22 String Quartet Repertoire Festival Programmes Haydn String Quartet in D min, Op. 76 No. 2 ‘Fifths’ These can be performed together as a concert or spread over the Panufnik String Quartet (Sacconi commission) course of a festival. Webern Langsamer Satz Roxanna Panufnik Schubert String Quartet in A min D. 804 ‘Rosamunde’ The Sacconi present a new disc of works and a new commission by acclaimed composer Roxanna Panufnik, with Roderick Williams OBE, Charles Purcell Fantasia No. 6 in F major Owen, Nicholas Daniel, Amy Harman and Mary Bevan: Purcell Chacony in G minor Purcell Fantasia No. 11 in G major Private Joe (Baritone & quartet) Cantator & Amanda (bassoon & quartet) Tippett String Quartet No. 2 Letters from Burma (oboe & quartet) Beethoven String Quartet Op. 59 No. 1 ‘Rasumovsky’ Second Home (piano, quartet, optional soprano) New Commission (quartet) Struggle and Oppression Hora Bessarabia (violin & double bass) Arvo Pärt Summa Canto (viola) Shostakovich String Quartet No. 8 in C minor, Op. 110 Due for release on Signum Records in 2021 Dove In Damascus for Tenor and String Quartet Transatlantic Minimalism With Mark Padmore or James Gilchrist Graham Fitkin (piano) and Ruth Wall (harp). Arvo Pärt Summa Sacconi Quartet and Freddy Kempf - Beethoven #250 Cage Interlude 1 and Sonata 5 (arranged by Ruth Wall for prepared Beethoven Piano Sonata in E minor Op. 90 harp) Beethoven Quartet Op. 131 Menotti Cantilena and Scherzo for harp and string quartet Beethoven Piano Concerto No. 4 arr. Lachner Fitkin Running and Breathing (solo piano) Fitkin Servant Sacconi Quartet and Freddy Kempf Fitkin String Haydn String Quartet Op.
    [Show full text]
  • 2019/20 S E a S
    2019/20 SEASON JANUARY - MARCH 2020 2 • Director’s Introduction • 3 We are delighted to welcome the French mezzo-soprano Marianne Crebassa for her Wigmore Hall debut this spring, presenting a programme of her native repertoire alongside two works from the distinguished Turkish pianist, Fazıl Say, who will accompany Crebassa in January. Vijay Iyer continues his contemplations on musicality with two events in January. Ritual Ensemble draws on various musical systems to forge a unity of orchestrated and ecstatic expressions in their music. The following afternoon, Iyer is joined in conversation by Professor Georgina Born for an exchange of ideas traversing the arts, humanities, and social and natural sciences. Our Beethoven celebrations continue with the cycles begun in autumn, including Trio Shaham Erez Wallfisch’s complete piano trios, Jonathan Biss in the complete piano sonatas, and James Ehnes and Andrew Armstrong’s exploration of the composer’s violin sonatas. An evening in March is dedicated to Beethoven’s string trios with Daniel Sepec, Tabea Zimmermann and Jean-Guihen Queyras. The Dover Quartet presents two consecutive concerts in January covering composers from Mozart and Rossini to Hindemith and double bassist Edgar Meyer. Meyer joins the quartet on the Sunday night for a Rossini duet and his own Quintet for strings. In February 2020, Wigmore Hall Learning presents its annual Learning Festival. From Monday 10 to Saturday 22 February, we will explore the concept of Musical Conversations, with a special Bechstein Session event with the Sacconi Quartet to open the festival on 10 February. The celebrated soprano Nelly Miricioiu will be leading what promises to be an insightful masterclass in March, following her lunchtime recital a week before.
    [Show full text]
  • Sacconi Quartet String Quartet
    Sacconi Quartet String Quartet “An exceptional ensemble… a unanimous sense of musical breath and a meticulous attention to detail.” Musical Opinion Website www.sacconi.com Contact Ellie Shouls Email [email protected] Ben Hancox violin Hannah Dawson violin Robin Ashwell viola Cara Berridge cello The award-winning Sacconi Quartet are recognised for their unanimous and compelling ensemble, consistently communicating with a fresh and imaginative approach. Performing with style and commitment, the quartet are known throughout the world for their creativity and integrity of interpretation. Formed in 2001, their four founder members continue to demonstrate a shared passion for string quartet repertoire, infectiously reaching out to audiences with their energy and enthusiasm. The Sacconi enjoy a busy international career, performing regularly across the world, at Europe’s major venues, in recordings and on radio broadcasts. The Sacconi are Quartet in Association at the Royal College of Music and Quartet in Residence in Folkestone. The Sacconis’ prolific recording career covers a broad swathe of repertoire from Haydn to present day. Their latest album featuring world premiere recordings of works by Roxanna Panufnik is just released on Signum Classics. The disc includes the Sacconi’s commission Heartfelt, which was premiered at the Wigmore Hall in September. Releases of recent years include premiere recordings of works by Jonathan Dove, Graham Fitkin and John McCabe. In Damascus, their album of music by Jonathan Dove including In Damascus, commissioned by the quartet, and featuring Mark Padmore and Charles Owen, hit the Classical Top Ten, and was chosen as one of Gramophone Magazine’s Recordings of the Year: “This important release cannot be recommended too highly”.
    [Show full text]
  • Generalprogramm Download (PDF)
    Musikerinnen und Musiker, die das kulturelle Leben im Grossen Rittersaal auf Schloss Rapperswil in der ∆ Konzertreihe «Musik im Schloss» ∆ seit 2001 bereichert haben «Musik im Schloss» Amar Quartett Musique Simili Amaryllis Quartett NEOBAROCK „Arpeggione“ Kammerorchester Ensemble nonSordino 20. Saison 2020/21 Arta Arnicane (Klavier) O DUO – Owen Gunnell, Grosser Rittersaal Δ Schloss Rapperswil Asasello Quartett Oliver Cox (Percussion) Avi Avital (Mandoline) Oreade Trio Philipp Bachofner (Flöte) Orion Trio Juliane Banse (Sopran) Ramón Ortega Quero (Oboe) Suzana Bartal (Klavier) Brita Ostertag (Flöte) Christoph Baumann (Jazzpianist) Perkussionsquartett Sonntag, 1. November 2020, 17 Uhr Daniel Behle (Tenor) Tonhalle-Orchester Zürich I Bennewitz Quartet Lia Pale (Jazzsängerin) CALmus EnsemBLE Reto Bieri (Klarinette) René Perler (Bass) Gábor Boldoczki (Trompete) Jakob Pilgram (Tenor) Claudio Bohórquez (Cello) Philharmonia Quartett Berlin Sonntag, 29. November 2020, 17 Uhr Carion Ensemble Robert Pickup (Klarinette) II Viviane Chassot, (Akkordeon) Daniel Pezzotti (Violoncello) WeiHNACHTSGescHicHTen Ensemble „LA CIaccONA“ Christian Poltéra (Violoncello) clair | obscur Saxofonquartett Vilija Poskute & Tomas Daukantas ALLIAGE QUINTETT & MARKus FenneRT, SPRecHER Concert Guitar Trio Quinteto Nuevo del Arco Patronat: SWIss CASINOS Pfäffikon-Zürichsee Xavier de Maistre (Harfe) Tony Renold (Perkussion) André Desponds (Klavier) Nuria Rial (Sopran) Sybille Diethelm (Sopran) Julian Riem (Klavier) Sonntag, 24. Januar 2021, 17 Uhr – »öffnen« 13 Doric String
    [Show full text]
  • Sacconi Quartet Biography String Quartet
    Sacconi Quartet Biography Ikon Arts Management Ltd String Quartet Suite 114, Business Design Centre 52 Upper Street, “An exceptional ensemble…a unanimous London N1 0QH sense of musical breath and a meticulous t: +44 (0)20 7354 9199 attention to detail.” Musical Opinion f: +44 (0)870 130 9646 [email protected] Website www.sacconi.com www.ikonarts.com Contact Costa Peristianis Email [email protected] Ben Hancox violin Hannah Dawson violin Robin Ashwell viola Cara Berridge cello The award-winning Sacconi Quartet is recognised for its unanimous and compelling ensemble, consistently communicating with a fresh and imaginative approach. Performing with style and commitment, the Quartet is known throughout the world for its creativity and integrity of interpretation. Formed in 2001, its four founder members continue to demonstrate a shared passion for string quartet repertoire, infectiously reaching out to audiences with their energy and enthusiasm. The Quartet have enjoyed a highly successful international career, performing regularly throughout Europe, at London’s major venues, in recordings and on radio broadcasts. The Sacconi is Quartet in Association at the Royal College of Music and Associate Artist at the Bristol Old Vic. Highlights of the 2014/15 season included collaborations with Miloš Karadaglić, Ksenija Sidorova and the Vertavo Quartet as well as performances in Switzerland, Spain and across the UK, including returning to the Wigmore Hall. Other recent highlights include collaborations with Pekka Kuusisto, Freddy Kempf, Mark Simpson and Lavinia Meijer, performances in Germany, Spain, Holland, the Quartet’s debut in Italy and the completion of their second major project at Kings Place, performing the great piano quintets over two years with pianist Simon Crawford-Phillips.
    [Show full text]
  • July 2017 List
    July 2017 Catalogue Issue 15 Prices valid until Friday 25 August 2017 unless stated otherwise 0115 982 7500 The new Elbphilharmonie Concert Hall in Hamburg - see DVD and Blu-ray of the Grand [email protected] Opening Concert on C Major Entertainment Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, The Europadisc offices happen to be situated above a laundrette, which is lovely in winter, but not quite so pleasant when the temperatures are already sweltering outside! As I write, forecasters are threatening thirty degrees once again, but we plough on, perhaps just a little thankful that business is slightly quieter at this time of year… Two eagerly awaited Elgar titles arrive this month: Barenboim’s Dream of Gerontius, recorded live in Berlin last September with the stellar cast of Andrew Staples (as Gerontius), Thomas Hampson and Catherine Wyn-Rogers; and another fascinating issue from Somm exploring his works for military band, once again including some on CD for the first time. Other July highlights for us include Brabbins’s second instalment of Walton for Hyperion (see ‘Disc of the Month’ below); a beautifully compiled set of Kurtag’s works for ensemble and choir on ECM New Series; a second volume of Haydn String Quartets from the superb Chiaruscuro Quartet on BIS; works for cello and piano by Faure, again on BIS; and a follow-up to Veronique Gens’s hugely successful recital disc, ‘Neere’, entitled ‘Visions’ and featuring French Romantic arias by the likes of David, Godard, Saint-Saens, Franck and Massenet.
    [Show full text]
  • A Tribute to William Pleeth Royal College of Music Amaryllis Fleming Concert Hall Sunday 20Th November 2016
    LONDON CELLO SOCIETY Registered Charity No 1098381 A Tribute to William Pleeth Royal College of Music Amaryllis Fleming Concert Hall Sunday 20th November 2016 ‘Whenever we make a stroke with our bow, when we place a finger on a string, we cause a sensation of sound and feeling; and the gesture of the bow and of the finger which brought that sound into existence must breathe with the life of the emotion that gave birth to it.’ William Pleeth ‘Wiliam Pleeth’s enthusiasm is absolutely boundless and anyone who comes into contact with him and his teaching will be able to feed from his love for music.’ Jacqueline du Pré 3 Participating Artists Anthony Pleeth and Tatty Theo Alasdair Beatson, piano Lana Bode, piano Adrian Brendel, Natasha Brofsky, Colin Carr, Nicholas Parle, harpsichord Thomas Carroll, Robert Cohen, Rebecca Gilliver, Sacconi Quartet, Quartet in Association at the John Heley, Frans Helmerson, Seppo Kimanen, Royal College of Music Joely Koos, Stephen Orton, Melissa Phelps, Hannah Catherine Bott, presenter Roberts, Sophie Rolland, Christopher Vanderspar, Kristin von der Goltz, Jamie Walton RCM Cello Ensemble with Richard Lester The London Cello Society extends its warmest thanks and appreciation to the Royal College of Music and J & A Beare for their gracious support of this event. To the Pleeth family and to all the artists who are taking part today, we are deeply grateful to you for making this celebration possible, a testimony to the high esteem in which William Pleeth is held by the cello community in the United Kingdom and abroad. Afternoon Events 2.00 PM RCM Cello Ensemble P.
    [Show full text]
  • The Young Conductor Looks to the Future
    THE WORLD’S BEST CLASSICAL MUSIC REVIEWS Est 1923 . APRIL 2018 gramophone.co.uk Robin Ticciati The young conductor looks to the future PLUS Paul Lewis explores Haydn’s piano sonatas Handel’s Saul: the finest recordings UNITED KINGDOM £5.75 Intimate concerts featuring internationally acclaimed classical musicians in central London Now Booking Until July 2018 Igor Levit Cuarteto Casals: Beethoven Cycle Roderick Williams: Exploring Schubert’s Song Cycles O/Modernt: Purcell from the Ground Up Haydn String Quartet Series Jörg Widmann as Composer-Performer and much more… The Wigmore Hall Trust 36 Wigmore Street, London W1U 2BP Director: John Gilhooly OBE www.wigmore-hall.org.uk Registered Charity Number 1024838 A special eight-page section focusing on recent recordings from the US and Canada JS Bach Solo Violin Sonatas and Partitas, BWV1001-1006 talks to ... Johnny Gandelsman vn In a Circle F b ICR101 (124’ • DDD) Johnny Gandelsman The violinist and co-founder Bach’s Violin of Brooklyn Rider discusses his Sonatas and debut solo recording of Bach Partitas are among the most frequently Was it a challenge to plunge straight into performed works for the instrument, Bach for your first solo recording? or any instrument. Recordings evince a Not really. Over the the last three years spectrum of approaches, from historical I’ve performed all six Sonatas and Partitas treatments on period instruments to in concert about 30 times, which has been concepts Romantic and beyond. deeply rewarding. I wanted to capture this Among the newest journeys is Johnny moment of personal learning and growth. Gandelsman’s freshly considered account Do you miss the collaborative process of these monuments.
    [Show full text]