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2019/20 SEASON JANUARY - MARCH 2020 2 • Director’s Introduction • 3 We are delighted to welcome the French mezzo-soprano Marianne Crebassa for her Wigmore Hall debut this spring, presenting a programme of her native repertoire alongside two works from the distinguished Turkish pianist, Fazıl Say, who will accompany Crebassa in January. Vijay Iyer continues his contemplations on musicality with two events in January. Ritual Ensemble draws on various musical systems to forge a unity of orchestrated and ecstatic expressions in their music. The following afternoon, Iyer is joined in conversation by Professor Georgina Born for an exchange of ideas traversing the arts, humanities, and social and natural sciences. Our Beethoven celebrations continue with the cycles begun in autumn, including Trio Shaham Erez Wallfisch’s complete piano trios, Jonathan Biss in the complete piano sonatas, and James Ehnes and Andrew Armstrong’s exploration of the composer’s violin sonatas. An evening in March is dedicated to Beethoven’s string trios with Daniel Sepec, Tabea Zimmermann and Jean-Guihen Queyras. The Dover Quartet presents two consecutive concerts in January covering composers from Mozart and Rossini to Hindemith and double bassist Edgar Meyer. Meyer joins the quartet on the Sunday night for a Rossini duet and his own Quintet for strings. In February 2020, Wigmore Hall Learning presents its annual Learning Festival. From Monday 10 to Saturday 22 February, we will explore the concept of Musical Conversations, with a special Bechstein Session event with the Sacconi Quartet to open the festival on 10 February. The celebrated soprano Nelly Miricioiu will be leading what promises to be an insightful masterclass in March, following her lunchtime recital a week before. In February, two evening concerts draw on the talents of many gifted chamber musicians, as they are brought together in new or unusual combinations to form the Kaleidoscope Chamber Collective. The Hall continues its focus on two more eminent composers, Britten and Brahms. Allan Clayton spearheads our Britten focus in a programme juxtaposing the composer’s works with those of John Dowland. Stephen Hough’s residency culminates in January, collaborating with numerous musicians to highlight Brahms alongside Beethoven and Frühling, and the Vienna Piano Trio brings further works by the composer to the fore. We are pleased to welcome the rising star Katharina Konradi for a BBC lunchtime concert in February. Our Chamber Ensemble in Residence, the Nash Ensemble, continues this season’s series Around Schubert, and Contents presents its annual Inventions concert, this year focussing on Mark- Anthony Turnage. Renowned baritone Christian Gerhaher is joined by his At a Glance 4 long-time pianist Gerold Huber for two concerts in January which are not to be missed. The wonderful Jerusalem Quartet, a Wigmore Hall regular, Calendar 8 joins us for a lunchtime and evening recital in January. January 10 We are looking forward to welcoming you to Wigmore Hall for an exciting February 40 line-up of performances and events this spring. March 68 Contemporary Music Series 94 Booking Information 98 January - March 2020 At a Glance See pages 10-92 for full details of these concerts and page 98 for booking information. Series and Events to look out for… Nelly Miricioiu 72 Sun 12 Jan Vienna Piano Trio/ 20 Radovan Vlatković Schumann Song Series 10 Sean Shibe 73 Fri 17 Jan ECMA: Quatuor 25 Pavel Kolesnikov 11 Stéphane Degout/Simon Lepper 74 Métamorphoses/Trio Incendio Britten Series 12 Brahms Plus Series 79 Sat 18 Jan ECMA Masterclass: 25 80 Stephen Hough Residency 14 Mahan Esfahani: Professor Johannes Meissl/ Bach Harpsichord Project Marianne Crebassa/Fazıl Say 16 Trio Incendio Dame Sarah Connolly/ 81 Vijay Iyer Residency: Musicality 18 Sat 18 Jan Nash Ensemble: 28 Malcolm Martineau Rachel Podger Residency 17 Around Schubert Brentano String Quartet 83 Brahms Series 20 Sun 19 Jan ECMA: Trio Hélios/ 25 Cuarteto Casals 82 Simply Quartet Alexander Melnikov 19 Iestyn Davies Residency 84 Sun 19 Jan Dover Quartet/Edgar Meyer 27 Mozart and the Second Viennese School 21 Nash Inventions: 86 Mon 20 Jan Dover Quartet 27 Christian Gerhaher/Gerold Huber 22 Mark-Anthony Turnage 60th Birthday Tue 21 Jan Jerusalem Quartet 30 Philippe Jaroussky/Jérôme Ducros 26 85 Weinberg/Shostakovich Cycle Wed 22 Jan Britten Sinfonia Principal Nash Ensemble: Around Schubert 28 L’Arpeggiata 88 Musicians/Katie Bray 29 European Chamber Music Academy 24 Angela Hewitt: The Bach Odyssey 89 Fri 24 Jan Mark Padmore/ 31 Showcase 2020 Johannes Kammler/Roger Vignoles 90 Sacconi Quartet Jerusalem Quartet 30 Ensemble Marsyas Residency 91 Sat 25 Jan MILOŠ 33 La Nuova Musica 31 Thu 30 Jan Borodin Quartet 39 Andreas Scholl/Tamar Halperin 32 Sat 1 Feb Meta4/Khatia Buniatishvili 40 MILOŠ 33 BBC Radio 3 Lunchtime Concerts Sat 1 Feb Elena Urioste/ 41 Mon 6 Jan Louise Alder/ 15 Beethoven Series 34 Eivind Ringstad/Andrei Ioniţă/ Joseph Middleton Beethoven Piano Trios 34 Cédric Tiberghien Mon 13 Jan Alexander Melnikov 19 Beethoven Piano Sonatas 35 Sat 1 Feb Fatma Said/ 41 Mon 20 Jan Jerusalem Quartet 30 Catriona Morison/ Christian Blackshaw 37 Mon 27 Jan Jennifer Pike/ 37 Alessandro Fisher/ Christiane Karg Focus 36 Martin Roscoe Ashley Riches/Martin Fröst/ Mauro Peter/Helmut Deutsch 39 Eivind Ringstad/ Mon 3 Feb Katharina Konradi/ 45 Joseph Middleton BBC New Generation Artists 40 Eric Schneider 20th Anniversary Celebration Sat 1 Feb Allan Clayton/Martin Fröst/ 41 Mon 10 Feb Lucie Horsch/ 47 Lawrence Power/ Elsa Dreisig/Jonathan Ware 43 Thomas Dunford Elias String Quartet/ Kuss Quartet 42 Mon 17 Feb Daniel Müller-Schott/ 55 Christian Ihle Hadland Max Raabe/Christoph Israel 44 Annika Treutler Tue 4 Feb Kuss Quartet 42 Beatrice Rana 46 Mon 24 Feb Meta4 63 Sat 8 Feb Nash Ensemble: 46 Learning Festival: 48 Mon 2 Mar Lise Berthaud/ 71 Around Schubert Musical Conversations David Saudubray Wed 12 Feb The Endellion String Quartet 51 Bechstein Session Special Event: 49 Mon 9 Mar Ruby Hughes/Natalie Clein/ 76 Thu 13 Feb James Ehnes/ 52 Sacconi Quartet Julius Drake Andrew Armstrong Paul Lewis/Steven Osborne 50 Mon 16 Mar Alessandro Fisher/ 79 Fri 14 Feb Kaleidoscope Chamber 54 Roger Vignoles Beethoven Violin Sonatas 52 Collective Mon 23 Mar Brentano String Quartet 83 Carolyn Sampson Album Launch 53 Sat 15 Feb Kaleidoscope Chamber 54 Kaleidoscope Chamber Collective 54 Mon 30 Mar Anastasia Kobekina/ 92 Collective Jean-Sélim Abdelmoula Michael Collins Residency 57 Mon 17 Feb Michael Collins/ 57 London Winds/Peter Sparks/ Anna Caterina Antonacci/Donald Sulzen 57 Chamber Music Season Michael McHale Leif Ove Andsnes/Musicians from the 58 Mon 6 Jan Stephen Hough/ 14 Wed 19 Feb Pavel Haas Quartet/ 59 Mahler Chamber Orchestra Michael Collins/ Boris Giltburg The Sixteen 60 Castalian String Quartet Thu 20 Feb Leif Ove Andsnes/ 58 Tue 7 Jan Stephen Hough/ 14 Cédric Tiberghien: Beethoven Variations 63 Musicians from the Mahler Castalian String Quartet Akademie für Alte Musik Berlin 66 Chamber Orchestra Sat 11 Jan Stephen Hough/ 14 Beethoven Quartet Cycle 68 Sat 22 Feb Artemis Quartet 61 Renaud Capuçon Inon Barnatan 73 wigmore-hall.org.uk • 5 Wed 26 Feb Castalian String Quartet/ 64 Fri 21 Feb The Sixteen/ 60 Sat 4 Jan Allan Clayton/ 12 Cédric Tiberghien Harry Christophers Timothy Ridout/Sean Shibe/ Thu 27 Feb Septura 65 Tue 25 Feb The English Concert/ 64 James Baillieu Mon 2 Mar Belcea Quartet 68 Laurence Cummings Sun 5 Jan Julien Van Mellaerts/ 11 James Baillieu Tue 3 Mar Belcea Quartet 68 Sat 29 Feb Isabelle Faust/ 66 Akademie für Alte Musik Berlin/ Wed 8 Jan Marianne Crebassa/ 16 Fri 6 Mar 73 Sean Shibe Bernhard Forck/Xenia Löffler Fazıl Say Sat 7 Mar 75 Nash Ensemble: Wed 4 Mar Florilegium/Ashley Solomon/ 71 Sun 12 Jan Peter Kellner/Pedro Costa 19 Around Schubert Alexandra Bellamy/ Mon 13 Jan Simon Bode/ 19 Wed 11 Mar 76 Daniel Sepec/ Bojan Čičić/Reiko Ichise Graham Johnson Tabea Zimmermann/ Tue 10 Mar London Handel Orchestra/ 76 Jean-Guihen Queyras Wed 15 Jan Christian Gerhaher/ 22 Adrian Butterfield Gerold Huber Sat 14 Mar Doric String Quartet 78 Thu 12 Mar Early Opera Company/ 77 Thu 16 Jan Philippe Jaroussky/ 26 Mon 16 Mar 79 Škampa Quartet Christian Curnyn/Anna Dennis/ Jérôme Ducros Sat 21 Mar 83 Keri Fuge/Benjamin Appl Brentano String Quartet Fri 17 Jan Christian Gerhaher/ 23 Mon 23 Mar Cuarteto Casals 82 Wed 18 Mar Film Screening: 80 Gerold Huber Zuzana: Music is Life Tue 24 Mar Nash Inventions: 86 Wed 22 Jan Graham Johnson 29 Mark-Anthony Turnage Wed 18 Mar Mahan Esfahani 80 Songmakers’ Almanac 60th Birthday Fri 27 Mar L’Arpeggiata/ 88 Fri 24 Jan Andreas Scholl/ 32 Wed 25 Mar Quatuor Danel 85 Christina Pluhar/ Tamar Halperin Luciana Mancini/ Tue 31 Mar Wye Valley Chamber Music 92 Sun 26 Jan 33 Vincenzo Capezzuto Royal Academy of Music Festival 20th Anniversary Song Circle Mon 30 Mar Ensemble Marsyas/ 91 Wed 29 Jan 36 Peter Whelan/ Christiane Karg/ Sunday Morning Concerts Rachel Redmond/ Malcolm Martineau Christopher Lowrey/ Fri 31 Jan Mauro Peter/ 39 Sun 5 Jan Phoenix Piano Trio 11 Nicholas Mulroy/Edward Grint Helmut Deutsch Sun 12 Jan Rachel Podger 17 Sun 2 Feb Elsa Dreisig/Jonathan Ware 43 Sun 19 Jan Edgar Meyer 27 London Pianoforte Series Sun 2 Feb Ermonela Jaho/ 45 Sun 26 Jan Trio Shaham Erez Wallfisch 34 Steven Maughan Fri 3 Jan Pavel Kolesnikov 11 Sun 2 Feb Chiaroscuro Quartet 43 Wed 5 Feb Max Raabe/Christoph Israel 44 Sun 5 Jan Jeremy Denk 15 Sun 9 Feb Heath Quartet 47 Fri 14 Feb Carolyn Sampson 53 Tue 14 Jan Elisabeth Leonskaja 21 Sun 16 Feb Andreas Brantelid/ 53 Album
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    Thursday, April 19, 2018, at 7:30 pm m a Art of the Song r g o Mark Padmore , Tenor r P Paul Lewis , Piano e h SCHUMANN Liederkreis (1840) Morgens steh’ ich auf und frage T Es treibt mich hin Ich wandelte unter den Bäumen Lieb Liebchen Schöne Wiege meiner Leiden Warte, warte, wilder Schiffmann Berg’ und Burgen schaun herunter Anfangs wollt’ ich fast verzagen Mit Myrten und Rosen BRAHMS Es liebt sich so lieblich im Lenze Sommerabend Mondenschein (1878) Es schauen die Blumen Meerfahrt Der Tod, das ist die kühle Nacht Intermission Please make certain all your electronic devices are switched off. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Alice Tully Hall, Starr Theater Adrienne Arsht Stage Great Performers Support is provided by Rita E. and Gustave M. Hauser, Audrey Love Charitable Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Endowment support for Symphonic Masters is provided by the Leon Levy Fund. Endowment support is also provided by UBS. Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center UPCOMING GREAT PERFORMERS EVENTS: Friday, April 27 at 8:00 pm in David Geffen Hall Los Angeles Philharmonic Gustavo Dudamel, conductor ESA-PEKKA SALONEN: Pollux (New York premiere) VARÈSE: Amériques SHOSTAKOVICH: Symphony No. 5 Pre-concert
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  • January 24, 2021 | 6:30Pm Tlaloc Lopez-Waterman Barbara B

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    ´ La BohemeA Vivid Original Design Production! Artistic Director Steffanie Pearce Music Director Greg Ritchey Stage Director Josh Shaw Assistant Conductor & Chorus Master Brian Holman Set Designer Ardean Landhuis Lighting & Projections Designer January 24, 2021 | 6:30pm Tlaloc Lopez-Waterman Barbara B. Mann Performing Arts Center Wardrobe Supervisor Caitlin Durrance The Blagojevic Sponsored -Sazonov Group In Part By: at A Message From The ARTISTIC DIRECTOR For our highly anticipated Barbara B. Mann debut, we present a fresh new look at this most popular Puccini opera. The idea came when I was searching for a poster image. Mindful that Puccini composed the work at the height of the Impressionist movement, I started looking at Paris street scenes of that period and came across Van Gogh’s Terrace Cafe at Night. The painting sparked a vision of the characters in the opera living upstairs from that cafe and coming down to hang out there, just like Van Gogh and the Paris Impressionists would have. A vibrant young creative team from across the United States have been collaborating since October to bring this original design production of Puccini’s most loved grand opera to Southwest Florida. Stage director, Josh Shaw, describing this new production explains, “La Bohème is a timeless story with themes as relevant today, as they were in the original setting. In the late 1880s Paris was filled with a concentration of larger than life artistic characters -- Van Gogh, Gauguin, Toulouse-Lautrec, and others. In our production, we are imagining our bohemian lovers as moving in the same circles as the great Impressionist artists who rebelled against classical subject matter and embraced modernity, creating works that reflected the world in which they lived.
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    DOWNLOAD NZSO ANNUAL REPORT 2013 Annual Report

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    Programmheft Herunterladen

    MUSIK LIEDERABEND BEREICHERT. CHRISTIAN GERHAHER Dienstag, 23.04.2013 · 20.00 Uhr So klingt nur Dortmund. CHRISTIAN GERHAHER BARITON GEROLD HUBER KLAVIER Abo: Große Stimmen I – Lied In unserem Haus hören Sie auf allen Plätzen gleich gut – leider auch Husten, Niesen und Handy- klingeln. Ebenfalls aus Rücksicht auf die Künstler bitten wir Sie, von Bild- und Tonaufnahmen während der Vorstellung abzusehen. Wir danken für Ihr Verständnis! 2,50 E 4I5 HEINZ HOLLIGER (GEB. 1939) HEINZ HOLLIGER »Elis« Drei Nachtstücke (1961) »Lunea« 23 Sätze von Nikolaus Lenau (2012) Christian Gerhaher gewidmet ROBERT SChumann (1810 – 1856) Zwölf Gedichte op. 35 (1840) ROBERT SCHUMANN ›Lust der Sturmnacht‹ Sechs Gedichte von Nikolaus Lenau und Requiem op. 90 (1850) ›Stirb, Lieb und Freud!‹ ›Lied eines Schmiedes‹ ›Wanderlied‹ ›Meine Rose‹ ›Erstes Grün‹ ›Kommen und Scheiden‹ ›Sehnsucht nach der Waldgegend‹ ›Die Sennin‹ ›Auf das Trinkglas eines verstorbenen Freundes‹ ›Einsamkeit‹ ›Wanderung‹ ›Der schwere Abend‹ ›Stille Liebe‹ ›Requiem‹ ›Frage‹ ›Stille Tränen‹ – Ende ca. 22.00 Uhr – ›Wer machte dich so krank?‹ ›Alte Laute‹ – Pause ca. 20.45 Uhr – 6I7 PROGRAMM 8I9 SUJ [Komponist] 4 œ œ œ œ œœœœœœœœœœ‰ Œ œœœœœœœœœœ œ œ & 4 ‰ Œ œ œ œ œ œ œ Klavier ? 4 Œ DER RETTUNGSANKER UNSTERBLICHKEIT? ÜBER EIN GRUNDTHEMA DER WERKE DES HEUTIGEN ABENDS Die Vergänglichkeit ist ein Problem, das wird wohl jedem Menschen irgendwann klar. Schon c h in der Antike prägte Heraklit den Ausspruch »Panta rhei«, der im Sinne der Vergänglichkeit alles Irdischen zu deuten war. Dies wurde zunächst zwar nicht unbedingt als angenehm empfunden, R t. aber doch hingenommen, solange man sich in Demut als Teil einer fest gefügten Ordnung begriff.
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    Centro nacional de Difusión Musical XXVI CICLO DE LIED rECItaL 05 | TEATRO DE LA ZARZUELA | LunEs 13/01/20 20:00h Christian Gerhaher BARítonO Gerold Huber piAnO Centro nacional de Difusión Musical Centro nacional de Difusión Musical UniVERsO BARROCO AUDiTORiO nACiOnAL DE MÚsiCA sala sinfónica 26/01/20 18:00h IL POMO D’ORO FRAnCEsCO CORTi DIrECtOr G. F. Haendel: Orlando M. E. Cencˇic´ COntratEnOr K. Lewek sOPranO D. Galou mEzzOsOPranO XXVI CICLO DE LIED rECItaL 05 | TEATRO DE LA ZARZUELA | LunEs 13/01/20 20:00h n. Rial sOPranO L. pisaroni bajO-barítOnO © Anna Hoffmann Christian Gerhaher BARítonO piAnO 02/03/20 19:30h Gerold Huber AKADEMIE FÜR ALTE MUSIK BERLIN | ISABELLE FAUST VIOLín BERnHARD FORCK COnCErtInO y DIrECCIón X. Löffler ObOE Obras DE j. s. bach y C. P. E. bach 22/03/20 19:00h EUROPA GALANTE FABiO BiOnDi DIrECtOr | s. Prina COntraLtO | H. summers y V. Genaux mEzzOsOPranOs s. Im, r. Invernizzi y m. Piccinini sOPranOs | m. borth bajO G. F. Haendel: Silla 05/04/20 18:00h VOX LUMINIS & FREIBURGER BAROCKORCHESTER | LiOnEL MEUniER DIrECtOr r. Höhn tEnOr j. s. bach: La Pasión según san Mateo síguenos cndm.mcu.es © Hugh Turvey para CNDM para © Hugh Turvey localidades: de 12€ a 50€, según concierto Auditorio nacional de Música Teatros del inAEM entradasinaem.es 902 22 49 49 * PrEsEntaCIón En EL Ciclo DE LIED Pantone 186c cmyk 100/81/0/4 pantone: 258C | cmyk 42/84/5/1 pantone: 144C | cmyk 0/50/100/0 pantone: 144C | cmyk 0/50/100/0 pantone: 2995C | cmyk 100/0/0/0 pantone: 370C | cmyk 50/0/100/25 pantone: 2935C | cmyk 100/46/0/0 pantone:
  • Download Program Notes

    Download Program Notes

    Notes on the Program By James M. Keller, Program Annotator, The Leni and Peter May Chair Piano Quintet in F minor, Op. 34 Johannes Brahms ohannes Brahms was 29 years old in 1862, seated at the other piano. Ironically, critics Jwhen he embarked on this seminal mas- now complained that the work lacked the terpiece of the chamber-music repertoire, sort of warmth that string instruments would though the work would not reach its final have provided — the opposite of Joachim’s form as his Piano Quintet until two years objection. Unlike the original string-quintet later. He was no beginner in chamber music version, which Brahms burned, the piano when he began this project. He had already duet was published — and is still performed written dozens of ensemble works before and appreciated — as his Op. 34bis. he dared to publish one, his B-major Piano By this time, however, Brahms must have Trio (Op. 8) of 1853–54. Among those early, grown convinced of the musical merits of his unpublished chamber pieces were 20-odd material and, with some coaxing from his string quartets, all of which he consigned friend Clara Schumann, he gave the piece to destruction prior to finally publishing his one more try, incorporating the most idiom- three mature works in that classic genre in atic aspects of both versions. The resulting the 1870s. In truth, he did get some use out Piano Quintet, the composer’s only essay of those early quartets — to paper the walls in that genre (and no wonder, after all that and ceilings of his apartment.
  • Kenneth E. Querns Langley Doctor of Philosophy

    Kenneth E. Querns Langley Doctor of Philosophy

    Reconstructing the Tenor ‘Pharyngeal Voice’: a Historical and Practical Investigation Kenneth E. Querns Langley Submitted in partial fulfilment of Doctor of Philosophy in Music 31 October 2019 Page | ii Abstract One of the defining moments of operatic history occurred in April 1837 when upon returning to Paris from study in Italy, Gilbert Duprez (1806–1896) performed the first ‘do di petto’, or high c′′ ‘from the chest’, in Rossini’s Guillaume Tell. However, according to the great pedagogue Manuel Garcia (jr.) (1805–1906) tenors like Giovanni Battista Rubini (1794–1854) and Garcia’s own father, tenor Manuel Garcia (sr.) (1775–1832), had been singing the ‘do di petto’ for some time. A great deal of research has already been done to quantify this great ‘moment’, but I wanted to see if it is possible to define the vocal qualities of the tenor voices other than Duprez’, and to see if perhaps there is a general misunderstanding of their vocal qualities. That investigation led me to the ‘pharyngeal voice’ concept, what the Italians call falsettone. I then wondered if I could not only discover the techniques which allowed them to have such wide ranges, fioritura, pianissimi, superb legato, and what seemed like a ‘do di petto’, but also to reconstruct what amounts to a ‘lost technique’. To accomplish this, I bring my lifelong training as a bel canto tenor and eighteen years of experience as a classical singing teacher to bear in a partially autoethnographic study in which I analyse the most important vocal treatises from Pier Francesco Tosi’s (c.
  • Mark Padmore

    Mark Padmore

    ` BRITTEN Death in Venice, Royal Opera House, Covent Garden At the centre, there’s a tour de force performance by tenor Mark Padmore as the blocked writer Aschenbach, his voice apparently as fresh at the end of this long evening as at the beginning Erica Jeal, The Guardian, November 2019 Tenor Mark Padmore, exquisite of voice, presents Aschenbach’s physical and spiritual breakdown with extraordinary detail and insight Warwick Thompson, Metro, November 2019 Mark Padmore deals in a masterly fashion with the English words, so poetically charged by librettist Myfanwy Piper, and was in his best voice, teasing out beauty with every lyrical solo. Richard Fairman, The Financial Times, November 2019 Mark Padmore is on similarly excellent form as Aschenbach. Padmore doesn’t do much opera, but this role is perfect for him………Padmore is able to bring acute emotion to these scenes, without extravagance or lyricism, drawing the scale of the drama back down to the personal level. Mark Padmore Gavin Dixon, The Arts Desk, November 2019 Tenor ..It’s the performances of Mark Padmore and Gerald Finley that make the show unmissable. …Padmore……conveys so believably the tragic arc of Aschenbach’s disintegration, from pompous self-regard through confusion and brief ecstatic abandon to physical and moral collapse. And the diction of both singers is so clear that surtitles are superfluous. You will not encounter a finer performance of this autumnal masterpiece. Richard Morrison, The Times, November 2019 BACH St John Passion¸ Orchestra of the Age of Enlightenment, Simon Rattle. Royal Festival Hall, London Mark Padmore has given us many excellent evangelists, yet this heartfelt, aggrieved, intimate take on St John’s gospel narrative, sometimes spiked with penetrating pauses, still seemed exceptional.