Sacconi Quartet Programmes 2020-22
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Past Commissions 2014/15
Past Commissions 2014/2015 Season Page 1 of 5 * Denotes commissioned by Wigmore Hall with the support of André Hoffmann, president of the Fondation Hoffmann, a Swiss grant-making foundation September Day Composer Title Performer(s) Première Variations from the 14 Birtwistle, Sir Harrison Nicolas Hodges World* Golden Mountains Study No. 44A after Chopin 15 Godowsky, Leopold Marc-André Hamelin UK nouvelle étude No.1 October Day Composer Title Performer(s) Première gefährlich dünn — fragile pieces Petraškevičs, Jānis for double string quartet (co-commissioned by Ensemble Modern and Wigmore Hall) 10 Ensemble Modern World* Schöllhorn, sous-bois – Sextet (co-commissioned by Ensemble Modern Johannes and Wigmore Hall) November Day Composer Title Performer(s) Première Carnaval for clarinet, piano and cello 11 Mantovani, Bruno (co-commissioned by Ensemble intercontemporain, Ensemble intercontemporain World* Opéra national de Paris and Wigmore Hall) Montague, Stephen nun-mul World 16 Jenna Sung World Pritchard, Gwyn Tide December Day Composer Title Performer(s) Première Uncanny Vale Britten Sinfonia (co-commissioned by Britten Sinfonia with 3 Jones, Patrick John (Emer McDonough, Nicholas Daniel, London* support from donors to the Musically Gifted Joy Farrall, Sarah Burnett, Stephen Bell) campaign and Wigmore Hall) Turnage, Contusion 6 (co-commissioned by The Radcliffe Trust, Belcea Quartet World* Mark-Anthony NMC Recordings and Wigmore Hall) Past Commissions 2014/2015 Season Page 2 of 5 January Day Composer Title Performer(s) Première Light and Matter Britten Sinfonia (co-commissioned by Britten Sinfonia with 14 Saariaho, Kaija (Jacqueline Shave, Caroline Dearnley, London* support from donors to the Musically Gifted campaign Huw Watkins) and Wigmore Hall) 3rd Quartet Holt, Simon (co-commissioned by The Radcliffe Trust, World* NMC Recordings, Heidelberger Frühling, and 19 Wigmore Hall) JACK Quartet Haas, Georg Friedrich String Quartet No. -
«Musik Im Schloss»
Musikerinnen und Künstler, die den akustisch wunderbaren Grossen Rittersaal im Schloss Rapperswil in der Konzertreihe «Musik im Schloss» seit 2001 bespielt haben «Musik im Schloss» Amar Quartett Musique Simili Amaryllis Quartett NEOBAROCK „Arpeggione“ Kammerorchester Ensemble nonSordino 18. Saison 2018/19 Arta Arnicane (Klavier) O DUO – Owen Gunnell, Grosser Rittersaal Δ Schloss Rapperswil Asasello Quartett Oliver Cox (Percussion) Avi Avital (Mandoline) Oreade Trio Philipp Bachofner (Flöte) Ramón Ortega Quero (Oboe) Juliane Banse (Sopran) Brita Ostertag (Flöte) Christoph Baumann (Jazzpianist) Perkussionsquartett Daniel Behle (Tenor) Tonhalle-Orchester Zürich Sonntag, 4. November 2018, 17 Uhr Bennewitz Quartet Lia Pale (Jazzsängerin) I Reto Bieri (Klarinette) René Perler (Bass) BriTA OSTERTAG unD PHILipp BACHOFNER, Flöten Robin Blaze (Altus) Jakob Pilgram (Tenor) Orion string trio Gábor Boldoczki (Trompete) Philharmonia Quartett Berlin casalQuartett Robert Pickup (Klarinette) HELGA VÁRADI, Cembalo Carion Ensemble Daniel Pezzotti (Violoncello) Patronat: AVINA STIFTUNG Viviane Chassot, (Akkordeon) Christian Poltéra (Violoncello) Ensemble „LA CIaccONA“ Vilija Poskute & Tomas Daukantas clair | obscur Saxofonquartett Quinteto Nuevo del Arco Concert Guitar Trio Tony Renold (Perkussion) Sonntag, 2. Dezember 2018, 17 Uhr II Xavier de Maistre (Harfe) Nuria Rial (Sopran) RACHEL HArnisCH, Sopran – ÄNEAS Humm, Bariton André Desponds (Klavier) Julian Riem (Klavier) Sybille Diethelm (Sopran) Dunja Robotti (Klavier) Jan Philip Schulze, Klavier Doric String -
NSF Programme Book 23/04/2019 12:31 Page 1
two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA. -
November 2016
November 2016 Igor Levit INSIDE: Borodin Quartet Le Concert d’Astrée & Emmanuelle Haïm Imogen Cooper Iestyn Davies & Thomas Dunford Emerson String Quartet Ensemble Modern Brigitte Fassbaender Masterclasses Kalichstein/Laredo/ Robinson Trio Dorothea Röschmann Sir András Schiff and many more Box Office 020 7935 2141 Online Booking www.wigmore-hall.org.uk How to Book Wigmore Hall Box Office 36 Wigmore Street, London W1U 2BP In Person 7 days a week: 10 am – 8.30 pm. Days without an evening concert 10 am – 5 pm. No advance booking in the half hour prior to a concert. By Telephone: 020 7935 2141 7 days a week: 10 am – 7 pm. Days without an evening concert 10 am – 5 pm. There is a non-refundable £3.00 administration fee for each transaction, which includes the return of your tickets by post if time permits. Online: www.wigmore-hall.org.uk 7 days a week; 24 hours a day. There is a non-refundable £2.00 administration charge. Standby Tickets Standby tickets for students, senior citizens and the unemployed are available from one hour before the performance (subject to availability) with best available seats sold at the lowest price. NB standby tickets are not available for Lunchtime and Coffee Concerts. Group Discounts Discounts of 10% are available for groups of 12 or more, subject to availability. Latecomers Latecomers will only be admitted during a suitable pause in the performance. Facilities for Disabled People full details available from 020 7935 2141 or [email protected] Wigmore Hall has been awarded the Bronze Charter Mark from Attitude is Everything TICKETS Unless otherwise stated, tickets are A–D divided into five prices ranges: BALCONY Stalls C – M W–X Highest price T–V Stalls A – B, N – P Q–S 2nd highest price Balcony A – D N–P 2nd highest price STALLS Stalls BB, CC, Q – S C–M 3rd highest price A–B Stalls AA, T – V CC CC 4th highest price BB BB PLATFORM Stalls W – X AAAA AAAA Lowest price This brochure is available in alternative formats. -
Romanian Traditional Musical Instruments
GRU-10-P-LP-57-DJ-TR ROMANIAN TRADITIONAL MUSICAL INSTRUMENTS Romania is a European country whose population consists mainly (approx. 90%) of ethnic Romanians, as well as a variety of minorities such as German, Hungarian and Roma (Gypsy) populations. This has resulted in a multicultural environment which includes active ethnic music scenes. Romania also has thriving scenes in the fields of pop music, hip hop, heavy metal and rock and roll. During the first decade of the 21st century some Europop groups, such as Morandi, Akcent, and Yarabi, achieved success abroad. Traditional Romanian folk music remains popular, and some folk musicians have come to national (and even international) fame. ROMANIAN TRADITIONAL MUSIC Folk music is the oldest form of Romanian musical creation, characterized by great vitality; it is the defining source of the cultured musical creation, both religious and lay. Conservation of Romanian folk music has been aided by a large and enduring audience, and by numerous performers who helped propagate and further develop the folk sound. (One of them, Gheorghe Zamfir, is famous throughout the world today, and helped popularize a traditional Romanian folk instrument, the panpipes.) The earliest music was played on various pipes with rhythmical accompaniment later added by a cobza. This style can be still found in Moldavian Carpathian regions of Vrancea and Bucovina and with the Hungarian Csango minority. The Greek historians have recorded that the Dacians played guitars, and priests perform songs with added guitars. The bagpipe was popular from medieval times, as it was in most European countries, but became rare in recent times before a 20th century revival. -
79 Musika Hamabostaldia Quincena Musical
79 Musika Hamabostaldia Quincena 2 agosto-1 septiembre 2018 Donostia/San Sebastián Musical Yannick Nézet-Séguin © Hans van der Woerd Ivan Fischer “La italiana en Argel” Budapest Festival Orchestra “La italiana en Argel”, G. Rossini Ivan Fischer Paolo Arrivabeni Marianna Pizzolato, Luca Pisaroni, Francisco Brito, Joan Martín-Royo... Rotterdams Philharmonisch (Nueva producción) Orkest Yannick Nézet-Séguin “La Creación”, J. Haydn NDR Philharmonie - Hamburgo La Fura dels Baus Krzysztof Urbanski © Felix Broede Jukka-Pekka Saraste © Gela Megrelizde “Amoria” WDR Sinfonieorchester - Colonia Katia y Marielle Labèque Jukka-Pekka Saraste “Les Nuits Barbares” Compañía de Danza Hervé Koubi “Adio” Kukai Dantza Orquesta Sinfónica de Euskadi, Orfeón Donostiarra, Christian Zacharias, Yefim Bronfman, Igor Levit, Alexandre Tharaud, Jordi Savall, Christian Gerhaher, … Krzysztof Urbanski Borggreve © Marco Venta de entradas a partir del 31 de mayo en www.quincenamusical.eus www.quincenamusical.eus 341 Pliego 1.qxp_Scherzo 25/5/18 12:42 Página 1 s c h e r z o ¢ Nº 341 JUNIO 2018 François-Xavier Roth 2 Opinión Félix de Azúa José Luis Téllez Javier Pérez Senz M. Borggreve M. 84 Dosier 6 Con nombre propio Arrigo Boito Colaboran en este número Benet Casablancas Artista del porvenir Por Germán Gan Quesada Por Edoardo Buroni Mariano Acero Ruilópez Miguel Ángel Aguilar Rancel Josep Armengol Charles Gounod El poeta-músico Félix de Azúa Por Fernando Fraga Por Emanuele D’Angelo Rafael Banús Irusta Nuria Blanco Álvarez Emili Blasco Un compositor diletante Alberto Bosco Edoardo Buroni 9 Hoja de contactos PorAlberto Bosco José Antonio Cantón Por Benjamín García Rosado Riccardo Cassani En la encrucijada de la ópera italiana Yahvé M. -
Acoustic Guitar
45 ACOUSTIC GUITAR THE CHRISTMAS ACOUSTIC GUITAR METHOD FROM ACOUSTIC GUITAR MAGAZINE COMPLETE SONGS FOR ACOUSTIC BEGINNING THE GUITAR GUITAR ACOUSTIC METHOD GUITAR LEARN TO PLAY 15 COMPLETE HOLIDAY CLASSICS METHOD, TO PLAY USING THE TECHNIQUES & SONGS OF by Peter Penhallow BOOK 1 AMERICAN ROOTS MUSIC Acoustic Guitar Private by David Hamburger by David Hamburger Lessons String Letter Publishing String Letter Publishing Please see the Hal Leonard We’re proud to present the Books 1, 2 and 3 in one convenient collection. Christmas Catalog for a complete description. first in a series of beginning ______00695667 Book/3-CD Pack..............$24.95 ______00699495 Book/CD Pack...................$9.95 method books that uses traditional American music to teach authentic THE ACOUSTIC EARLY JAZZ techniques and songs. From the folk, blues and old- GUITAR METHOD & SWING time music of yesterday have come the rock, country CHORD BOOK SONGS FOR and jazz of today. Now you can begin understanding, GUITAR playing and enjoying these essential traditions and LEARN TO PLAY CHORDS styles on the instrument that truly represents COMMON IN AMERICAN String Letter Publishing American music: the acoustic guitar. When you’re ROOTS MUSIC STYLES Add to your repertoire with done with this method series, you’ll know dozens of by David Hamburger this collection of early jazz the tunes that form the backbone of American music Acoustic Guitar Magazine and swing standards! The and be able to play them using a variety of flatpicking Private Lessons companion CD features a -
Violin Syllabus / 2013 Edition
VVioliniolin SYLLABUS / 2013 EDITION SYLLABUS EDITION © Copyright 2013 The Frederick Harris Music Co., Limited All Rights Reserved Message from the President The Royal Conservatory of Music was founded in 1886 with the idea that a single institution could bind the people of a nation together with the common thread of shared musical experience. More than a century later, we continue to build and expand on this vision. Today, The Royal Conservatory is recognized in communities across North America for outstanding service to students, teachers, and parents, as well as strict adherence to high academic standards through a variety of activities—teaching, examining, publishing, research, and community outreach. Our students and teachers benefit from a curriculum based on more than 125 years of commitment to the highest pedagogical objectives. The strength of the curriculum is reinforced by the distinguished College of Examiners—a group of fine musicians and teachers who have been carefully selected from across Canada, the United States, and abroad for their demonstrated skill and professionalism. A rigorous examiner apprenticeship program, combined with regular evaluation procedures, ensures consistency and an examination experience of the highest quality for candidates. As you pursue your studies or teach others, you become not only an important partner with The Royal Conservatory in the development of creativity, discipline, and goal- setting, but also an active participant, experiencing the transcendent qualities of music itself. In a society where our day-to-day lives can become rote and routine, the human need to find self-fulfillment and to engage in creative activity has never been more necessary. -
2019/20 S E a S
2019/20 SEASON JANUARY - MARCH 2020 2 • Director’s Introduction • 3 We are delighted to welcome the French mezzo-soprano Marianne Crebassa for her Wigmore Hall debut this spring, presenting a programme of her native repertoire alongside two works from the distinguished Turkish pianist, Fazıl Say, who will accompany Crebassa in January. Vijay Iyer continues his contemplations on musicality with two events in January. Ritual Ensemble draws on various musical systems to forge a unity of orchestrated and ecstatic expressions in their music. The following afternoon, Iyer is joined in conversation by Professor Georgina Born for an exchange of ideas traversing the arts, humanities, and social and natural sciences. Our Beethoven celebrations continue with the cycles begun in autumn, including Trio Shaham Erez Wallfisch’s complete piano trios, Jonathan Biss in the complete piano sonatas, and James Ehnes and Andrew Armstrong’s exploration of the composer’s violin sonatas. An evening in March is dedicated to Beethoven’s string trios with Daniel Sepec, Tabea Zimmermann and Jean-Guihen Queyras. The Dover Quartet presents two consecutive concerts in January covering composers from Mozart and Rossini to Hindemith and double bassist Edgar Meyer. Meyer joins the quartet on the Sunday night for a Rossini duet and his own Quintet for strings. In February 2020, Wigmore Hall Learning presents its annual Learning Festival. From Monday 10 to Saturday 22 February, we will explore the concept of Musical Conversations, with a special Bechstein Session event with the Sacconi Quartet to open the festival on 10 February. The celebrated soprano Nelly Miricioiu will be leading what promises to be an insightful masterclass in March, following her lunchtime recital a week before. -
Sacconi Quartet String Quartet
Sacconi Quartet String Quartet “An exceptional ensemble… a unanimous sense of musical breath and a meticulous attention to detail.” Musical Opinion Website www.sacconi.com Contact Ellie Shouls Email [email protected] Ben Hancox violin Hannah Dawson violin Robin Ashwell viola Cara Berridge cello The award-winning Sacconi Quartet are recognised for their unanimous and compelling ensemble, consistently communicating with a fresh and imaginative approach. Performing with style and commitment, the quartet are known throughout the world for their creativity and integrity of interpretation. Formed in 2001, their four founder members continue to demonstrate a shared passion for string quartet repertoire, infectiously reaching out to audiences with their energy and enthusiasm. The Sacconi enjoy a busy international career, performing regularly across the world, at Europe’s major venues, in recordings and on radio broadcasts. The Sacconi are Quartet in Association at the Royal College of Music and Quartet in Residence in Folkestone. The Sacconis’ prolific recording career covers a broad swathe of repertoire from Haydn to present day. Their latest album featuring world premiere recordings of works by Roxanna Panufnik is just released on Signum Classics. The disc includes the Sacconi’s commission Heartfelt, which was premiered at the Wigmore Hall in September. Releases of recent years include premiere recordings of works by Jonathan Dove, Graham Fitkin and John McCabe. In Damascus, their album of music by Jonathan Dove including In Damascus, commissioned by the quartet, and featuring Mark Padmore and Charles Owen, hit the Classical Top Ten, and was chosen as one of Gramophone Magazine’s Recordings of the Year: “This important release cannot be recommended too highly”. -
Generalprogramm Download (PDF)
Musikerinnen und Musiker, die das kulturelle Leben im Grossen Rittersaal auf Schloss Rapperswil in der ∆ Konzertreihe «Musik im Schloss» ∆ seit 2001 bereichert haben «Musik im Schloss» Amar Quartett Musique Simili Amaryllis Quartett NEOBAROCK „Arpeggione“ Kammerorchester Ensemble nonSordino 20. Saison 2020/21 Arta Arnicane (Klavier) O DUO – Owen Gunnell, Grosser Rittersaal Δ Schloss Rapperswil Asasello Quartett Oliver Cox (Percussion) Avi Avital (Mandoline) Oreade Trio Philipp Bachofner (Flöte) Orion Trio Juliane Banse (Sopran) Ramón Ortega Quero (Oboe) Suzana Bartal (Klavier) Brita Ostertag (Flöte) Christoph Baumann (Jazzpianist) Perkussionsquartett Sonntag, 1. November 2020, 17 Uhr Daniel Behle (Tenor) Tonhalle-Orchester Zürich I Bennewitz Quartet Lia Pale (Jazzsängerin) CALmus EnsemBLE Reto Bieri (Klarinette) René Perler (Bass) Gábor Boldoczki (Trompete) Jakob Pilgram (Tenor) Claudio Bohórquez (Cello) Philharmonia Quartett Berlin Sonntag, 29. November 2020, 17 Uhr Carion Ensemble Robert Pickup (Klarinette) II Viviane Chassot, (Akkordeon) Daniel Pezzotti (Violoncello) WeiHNACHTSGescHicHTen Ensemble „LA CIaccONA“ Christian Poltéra (Violoncello) clair | obscur Saxofonquartett Vilija Poskute & Tomas Daukantas ALLIAGE QUINTETT & MARKus FenneRT, SPRecHER Concert Guitar Trio Quinteto Nuevo del Arco Patronat: SWIss CASINOS Pfäffikon-Zürichsee Xavier de Maistre (Harfe) Tony Renold (Perkussion) André Desponds (Klavier) Nuria Rial (Sopran) Sybille Diethelm (Sopran) Julian Riem (Klavier) Sonntag, 24. Januar 2021, 17 Uhr – »öffnen« 13 Doric String -
Sacconi Quartet Biography String Quartet
Sacconi Quartet Biography Ikon Arts Management Ltd String Quartet Suite 114, Business Design Centre 52 Upper Street, “An exceptional ensemble…a unanimous London N1 0QH sense of musical breath and a meticulous t: +44 (0)20 7354 9199 attention to detail.” Musical Opinion f: +44 (0)870 130 9646 [email protected] Website www.sacconi.com www.ikonarts.com Contact Costa Peristianis Email [email protected] Ben Hancox violin Hannah Dawson violin Robin Ashwell viola Cara Berridge cello The award-winning Sacconi Quartet is recognised for its unanimous and compelling ensemble, consistently communicating with a fresh and imaginative approach. Performing with style and commitment, the Quartet is known throughout the world for its creativity and integrity of interpretation. Formed in 2001, its four founder members continue to demonstrate a shared passion for string quartet repertoire, infectiously reaching out to audiences with their energy and enthusiasm. The Quartet have enjoyed a highly successful international career, performing regularly throughout Europe, at London’s major venues, in recordings and on radio broadcasts. The Sacconi is Quartet in Association at the Royal College of Music and Associate Artist at the Bristol Old Vic. Highlights of the 2014/15 season included collaborations with Miloš Karadaglić, Ksenija Sidorova and the Vertavo Quartet as well as performances in Switzerland, Spain and across the UK, including returning to the Wigmore Hall. Other recent highlights include collaborations with Pekka Kuusisto, Freddy Kempf, Mark Simpson and Lavinia Meijer, performances in Germany, Spain, Holland, the Quartet’s debut in Italy and the completion of their second major project at Kings Place, performing the great piano quintets over two years with pianist Simon Crawford-Phillips.