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A Happy Family I Love Mother; She Loves Me We Love Daddy, Yes Sir
Songs La , la, la. The snow on the ground goes Crunch, crunch, crunch A Happy Family The boys and the girls I love mother; she loves me All jump with glee We love daddy, yes sir-ree He loves us and so you see Baa Baa Black Sheep We are a happy family Baa, baa black sheep, Have you any wool? I love sister; she loves me Yes sir, yes sir, We love brother yes sir-ree Three bags full. He loves us and so you see We are a happy family One for my master, One for my dame, Animal Sounds (tune Brother John) And one for the little boy I’m a duck, Who lives down the lane. I’m a duck Watch me walk, watch me walk Baby Put Your Pants On Hear me when I talk hear me when I talk (tune: Mama’a Little Baby Loves Shortnin’) Quack, quack, quack, Baby put your pants on, pants on, pants on, Quack, quack, quack Baby put your pants on 1, 2, 3 *repeat: Repeat with shirt, socks, etc I’m a birdie, watch me fly-tweet Now that you’re all dressed, all dressed, all I’m a kitten, watch me scratch-meow dressed, I’m a dog, watch me dig-woof Now that you’re all dressed lets go play! Then sing in reverse order Apricot Tree Baby take your socks off, socks off, socks off I looked out the window and what did I see? Baby take your socks off, 1, 2, 3 Popcorn popping on the apricot tree! Repeat with shirt, pants, etc Spring has brought me such a nice surprise Now that you’re all naked, all naked, all naked Blossoms popping right before my eyes Now that you’re all naked Let’s take a bath! I can take an armful and make a treat A popcorn ball that would smell so sweet Bicycle It wasn’t really so, but it seemed to me (Tune: Row, Row, Row Your Boat) Popcorn popping on the apricot tree! Ride, ride, ride your bike Up and down the street At Christmas Time (Tune: Wheel on the Bus) Happily, happily, happily, happily, The bells on the sleigh go ring, ring ,ring. -
Identifying Beatles New Zealand 45'S
Identifying New Zealand Beatles 45's Page Updated 23 De 16 Red and Silver Parlophone Label The Beatles first began hitting it big in New Zealand in the middle of 1963. During the early 1960's, New Zealand Parlophone was issuing singles on a red label with "Parlophone" at the top. The writing on this issue is in silver print. The singles originally issued on this label style were as follows: Songs Catalog Number "Please Please Me"/"Ask Me Why" NZP 3142 "From Me to You"/"Thank You Girl" NZP 3143 "She Loves You"/"I'll Get You" NZP 3148 "I Want to Hold Your Hand"/"This Boy" NZP 3152 "I Saw Her Standing There"/"Love Me Do" NZP 3154 "Can't Buy Me Love"/"You Can't Do That" NZP 3157 "Roll Over Beethoven"/"All My Loving" NZP 3158 "Twist and Shout"/"Boys" NZP 3160 "Money"/"Do You Want to Know a Secret" NZP 3163 "Long Tall Sally"/"I Call Your Name" NZP 3166 "Hard Day's Night"/"Things We Said Today" NZP 3167 "I Should Have Known Better"/"And I Love Her" NZP 3172 "Matchbox"/"I'll Cry Instead" NZP 3173 Red, Silver, and Black Parlophone Label At the end of 1964, the Parlophone label went through a transition period. Black lettering was used for the singles' information on the existing red-and-silver backdrops. Notice that "Parlophone" still appears in silver at the top of the label. The following singles were released originally on this label style. Songs Catalog Number "I Feel Fine"/"She's a Woman" NZP 3175 Red and Black Parlophone Label Once again in 1965, New Zealand Parlophone changed label styles. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
The Effect of the Beatles on Society
The Effect of the Beatles on Society Written by: Larry Coffey Date: 26 March 1981 The Effect of the Beatles on Society In June of 1956, John Lennon met Paul McCartney for the first time. Nobody ever dreamed that John and Paul would have the success that they had. John Lennon and Paul McCartney along with George Harrison and Richard Starkey (Ringo Starr) became known as the greatest and the most influential rock musicians in the world. The Beatles, whose music has been played by prestigious symphonies around the world and has been sung by renowned singers such as Frank Sinatra and Tony Bennett, were a vibrant moving force of the 1960’s; they permanently changed the course of music and soundly influenced the lives of future generations. To get an idea of how much the Beatles helped shape the following generations’ lifestyles, one must look at the lifestyle and the music before the Beatles. The music the Beatles played, “Rock and Roll,” had already established itself as a popular form of music to American teenagers. Derived from the black’s “Rhythm and Blues,” rock and roll was made popular by performers such as Chuck Berry, Elvis Presley, and Bill Haley. Though rock and roll had been around for about ten years before the Beatles became famous, it was still a relatively new form of music that had plenty of potential. The Beatles were elevated from obscurity by utilizing the music’s potential. The lifestyle of the fifties was slowly changing. The American public was beginning to accept the possibility of a “working class hero”. -
Beatles Cover Albums During the Beatle Period
Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964. -
PK 2 Hamburg Beatles History.Pdf (253.4
MEDIA INFORMATION NO HAMBURG, NO BEATLES: THE HISTORY OF THE FAB FOUR IN HAMBURG From the evolution of the Hamburg Sound to today’s club scene On 17 August 1960, John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and Pete Best played their first gig at the Indra Club in the legendary St Pauli district of Hamburg. Mark Lewisohn, the acclaimed Beatles author, aptly commented “No Hamburg, no Beatles”. The Beatles, some of whom were still minors in the beginning, spent two years in Hamburg, with only a few breaks in between. Here, they laid the foundations for their global career. Following their debut in 1960, the Beatles played in Hamburg more often than anywhere else in the world – with 300 concerts, five contracts with four different music clubs, and about 1,200 hours spent on Hamburg stages. John Lennon once said “I grew up in Liverpool but I came of age in Hamburg”, and this is arguably the story of the Beatles in Hamburg in a nutshell. It all began with a shock. When The Beatles got their first engagement in Hamburg on the 17th of August 1960, they where full of anticipation. The Hanseatic City was considered to be the perfect place to make good money by giging. And the Reeperbahn was the incarnation of adventure for those naive from Liverpool. Where nowadays countless cutting-edge music clubs line the neon bright streets, back in the day, the audience craved for all night entertainment – especially for exciting music, such as Rock‘n‘Roll and it‘s British exports. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Swedish Single Releases Identification and Price Guide Last Revised: 21 De 16
Swedish Single Releases Identification and Price Guide Last Revised: 21 De 16 Red Parlophone and Odeon Label When the Beatles first began to appear in Sweden, records corresponding to British releases were issued on the red Parlophone label and were given the same catalog number as they had in England. Records that were unique to Sweden or "originated" in Sweden were given an "SD" prefix and were pressed on the red Odeon label. The red label continued until the beginning of 1964. Catalog Singles originally released on these label styles Label Number "Please Please Me"/"Ask Me Why" Parlophone R 4983 "Please Please Me"/"Love Me Do" Odeon SD 5937 picture sleeve to the above: blue or green background Odeon SD 5937 "From Me to You"/"PS I Love You" Odeon SD 5944 picture sleeve to the above: red, orange, or blue Odeon SD 5944 "Twist and Shout"/"Boys" Odeon SD 5946 picture sleeve to the above: red or blue letters Odeon SD 5946 "She Loves You"/"I'll Get You" Parlophone R 5055 picture sleeve to the above: red, orange, green, blue, or brown Parlophone R 5055 background picture sleeve to the above: yellow background Parlophone R 5055 "I Want to Hold Your Hand"/"This Boy" Parlophone R 5084 picture sleeve to the above: red, orange, yellow, lavender, or blue Parlophone R 5084 background NOTE: The Parlophone “Please, Please Me” single was issued promotionally only, with a limited production of 300 copies. NOTE 2: Paul McCartney's last name is misspelled on the "Love Me Do" single. Black Parlophone and Odeon Label At the beginning of 1964, the red label for both Parlophone and Odeon singles was replaced by a black label. -
Timber Lines
Vol.1 No.4 S TIMBER LINES Juno 1950 Official Publication REGION SIX THJMY!EAR CLUB TIMBER LINES NO. IV- PUBLISHED NG1T JD THEN BY R-6 THIRTY YEAR CLUB -JUIE 1950 nIt, ip Zr imperfections that Endear me to my friends It is virtties that annoy -" Old Chinese Proverb TNE GRIST IS IN.The miU wheels, start and slowly grind.The resulting meal, leavened by material submitted by the membership and others, will make a lighter batch which we hope vil1 cause no indigestion. It is gratifying to witness the growing interest' in Timber Lines and the increase in contributions which each issue brings forth.Let us keep up the good work to the end that we may never lack for material to make an interest- ing publication.If you have any suggestions for improvement in form or con- tent please submit them.Is the field adequately covered? VTould you enjoy a few good jokes, or an.appropriate poem now and then?If so, please submit your favorite story or poem and we will publish them.Hoyt about a page of favorite camp cookery recipes, hobby hints, travel advice including what to see, where to go,"etc., etc. What about a hlUomanTs Page"?The ladies of the organization might be interested in a page of their own.VJho will volun- teer to be t.'TomanTs Editor8? We shall' be happy to receive your comments, recoririendati ens and any material you may wish to submit.Please address all. coimmmications to the Secretary, P. 0. Box 4137, Portland 8, Oregon. OUR SIXTH MINUAL DINNER MEETI: On April 21, 1950, at 6:30 p.m., forty-one members of"the 30-Year Club and Dr. -
The Beatles Record Review
WRITING ASSIGNMENT Record Review You are going to write a record review of an album that is deemed significant in Rock Music. A list of groups/artists can be accessed by clicking on link below http://www.rollingstone.com/ news/story/5938174/the_rs_500_greatest_albums_of_all_time Criteria: Title Page Name, word count, course number, section number, etc. Introduction: Write a biography of the group you're critiquing. This should include the year the group/artist began recording, a list of and year of recordings, billboard chart positions, and any awards, Grammys, etc. www.allmusic.com is a great source for biographical information. Section 1 You will need to include all of the specifics of the recording, record label, producer(s), year, and dates of recording. Listen to the album several times as if you were a record critic and write an overview of the album, i.e. style of music, mood, highlights, lowlights, etc. Here are some things to consider: Is there a unifying theme throughout the album? Are there contrasting themes? If so, what are they? Is there enough variety musically in your opinion? What is it about this album in particular that makes it stand out? Section 2 Pick four songs and discuss them in more detail. Discuss your likes and dislikes as we have in relation to the journal entries in class but you will need to go into more detail. Discuss any other elements you find compelling, i.e., imagery from the lyrics or lack thereof, the use of and/or role of instrumentation, tempos, solos, vocals, etc. Section 3 Summarize your experience. -
Beatles Mexican Singles, Identification Guide
Mexican Single Releases Identification Guide Revised: 28 My 16 Musart Singles Since Mexico is part of North America, Capitol Records USA (whose role it was to oversee Beatles releases in North America) was able to dictate how their records were marketed in Mexico. However, prior to 1965, Capitol had no record company offices in Mexico and therefore licensed its releases to the Musart label, a prominent Mexican record label. All Mexican singles on the Musart label are somewhat scarce; consequently, this list is incomplete. The Beatles' Musart singles are particularly hard to find in VG+ or better condition. singles originally released on this label style Catalog Number "She Loves You"/"I Saw Her Standing There" 3576 "Can't Buy Me Love"/"You Can't Do That" 3595 "From Me to You"/"This Boy" 3596 "I Want to Hold Your Hand"/"I'll Get You" 3605 "Roll Over Beethoven"/"All My Loving" 3611 "Twist and Shout"/"Do You Want to Know a Secret" 3615 "Hard Day's Night"/"Things We Said Today" 3669 "I Should Have Known Better"/"Anytime at All" 3721 "I'll Be Back"/"Love Me Do" 3722 "And I Love Her"/"Tell Me Why" 3761 "I Feel Fine"/"She's a Woman" 3764 "Eight Days a Week"/"I Don't Want to Spoil the Party" 3821 "Rock and Roll Music"/"Baby's in Black" 3823 NOTE 1: Musart promotional singles have orange backgrounds with the words "PROHIBIDA SU VENDA" and "PROMOCION" on the label. Capitol Singles Capitol Records established a factory and offices in Mexico in May, 1965. -
The Beatles, Instrumentals En Fora Mei 2009
L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 The Beatles, Instrumentals en Fora L.M. van der Schoot Studentnummer: 0456659. Begeleiding: Joke Dame Cursusnaam: MA Thesis Muziekwetenschap. Cursuscode: 200501202. Universiteit Utrecht; Faculteit Geesteswetenschappen; opleiding Muziekwetenschap. Datum: mei 2009. 1 Lotte van der Schoot The Beatles, Instrumentals en Google Maart 2009 “Anyone tackling the oft-told tale of John, Paul, George and Ringo had better come up with a new angle, or new facts, or new interviews, or new something - or risk suffering the wrath of zillions of Beatles nuts.” Kirkus Reviews 2007, Academic Search Elite 2 L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 Woord vooraf Aan het begin van collegejaar 2008/2009 heb ik een cursus popmuziek gevolgd. Deze cursus had als onderwerp 'the popular instrumental'. Uit onderzoek voor deze paper kwam naar voren dat de bekendste popgroep aller tijden - The Beatles - ook instrumentale songs hebben geschreven. Mijn interesse was gewekt, te meer omdat ik de Beatles voornamelijk kende van nummers zoals 'Hey Jude', 'Yesterday' en 'Strawberry Fields Forever'. Deze fameuze popgroep heeft dus eveneens andersoortige nummers geschreven. In deze thesis wil ik geen 'herziene' versie maken van informatie die al tot in den treuren is uitgeplozen. Dit is echter niet eenvoudig, maar 'instrumentale nummers' is één van de onderwerpen die als onderwerp op zichzelf, nooit onderzocht is. In de hoogtij dagen van The Beatles – de jaren 1960 – zijn er maar op 3 albums instrumentals terug te vinden. De bekendste is waarschijnlijk 'Revolution 9' van de White Album (1968). Verder staat op het album Magical Mystery Tour (1967) het nummer 'Flying'.