Portal 2 by Valve Jonathan Coulton Arr

Total Page:16

File Type:pdf, Size:1020Kb

Portal 2 by Valve Jonathan Coulton Arr Want You Gone from Portal 2 by Valve Jonathan Coulton Arr. Sebastian Wolff Lively q = 100 www.SebastianWolff.info GLaDOS: Well, here we are a- gain It's al- ways such a plea- sure mf 5 A5 Re- mem- ber when you tried to kill me twice? Oh, how we laughed and laughed 8 D C© Ex- cept I was- n't laugh- ing Un- der the cir- cum- stan- ces I've been shock-lying - nice 3 Copyright © 2011 Valve Corporation Last edited: 4/24/2011 19:00 | The potato is a lie 2 Want You Gone Portal 2 11 F© G©‹7 F©/A© B F© G©‹7 You want your free -dom take it That's what I'm count- 14 F©/A© BF©G©‹7 F©/A© B B‹ E5 E7 ing on. I used to want you dead but now Ionly- want you go 18 A5 - ne She was a lot like you Want You Gone 3 Portal 2 21 (May- be not quite as hea- vy) Now lit-Caro tle -- line is in here too 24 F© G©‹7 One day they woke me up So I could live for- e - ver It's such a shame the same will 3 27 D C© F© G©‹7 F©/A© B ne -ver hap-pen to you You've got your short sad life left 4 Want You Gone Portal 2 30 F© G©‹7 F©/A© B F© G©‹7 That's what I'm count-on ing I'll let you get 33 F©/A© B B‹ E5 E7 A5 right to it Now Ionly- want you go - ne 37 Good-myonly bye - friend Oh, did you think I meant you? That would be fun-ifit ny (silence) Want You Gone 5 Portal 2 40 weren't so sad Well you have been re- placed I don' tneed an- y- one now 3 43 D C© F© G©‹7 When I de- lete you may- be I'll stop feel -ing so bad Go make some new f 46 F©/A© B F© G©‹7 F©/A© B di- sas - ter That's what I'm count-on ing 6 Want You Gone Portal 2 49 F© G©‹7 F©/A© B B‹ E5 E7 You're some-el one -se's prob- lem Now Ionly- want you go 52 A A/G F©‹ F©‹/E B‹ E5 E7 -ne Now Ionly- want you go - 54 A A/G F©‹ F©‹/E B‹ E5 E7 -ne Now Ionly- want you gone .
Recommended publications
  • Martha's Vineyard Concert Series
    THA’S VINEY AR ARD M SUMMER 2017 CONCERT SERIES 2ND ANNUAL SEASON ALL SHOWS ON SALE NOW! MVCONCERTSERIES.COM MARTHA’S VINEYARD CONCERT SERIES your year - round connection to Martha’s Vineyard SUmmER LINE-UP! JUNE 28 • AIMEE MANN over 6,500 photo, canvas WITH SPECIAL GUEST JONATHAN COULTON images & metal prints published agendas JULY 6 • LOUDON WAINWRIGHT III daily photos calendars JULY 13 • PINK MARTINI sent to your inbox notecards WITH LEAD SINGER CHINA FORBES JULY 18 • GRAHAM NASH JULY 23 • PRESERVATION HALL JAZZ BAND JULY 29 • JACKOPIERCE WITH SPECIAL GUEST IAN MURRAY FROM VINEYARD VINES AUGUST 15 • THE CAPITOL STEPS ALL NEW SHOW! ORANGE IS THE NEW BARACK AUGUST 19 • ARETHA FRANKLIN AUGUST 21 • DIRTY DOZEN BRAss BAND AUGUST 23 • BLACK VIOLIN GET YOUR TICKETS TODAY! www.vineyardcolors.com MVCONCERTSERIES.COM AIMEE MANN WITH SPECIAL GUEST JONATHON COULTON WEDNESDAY, JUNE 28 | MARTHA’S VINEYARD PAC Aimee Mann is an American rock singer-songwriter, bassist and guitarist. In 1983, she co-founded ‘Til Tuesday, a new-wave band that found success with its first album, Voices Carry. The title track became an MTV favorite, winning the MTV Video Music Award for Best New Artist, propelling Mann and the band into the spotlight. After releasing three albums with the group, she broke up the band and embarked on a solo career. Her first solo album, Whatever, was a more introspective, folk-tinged effort than ‘Til Tuesday’s albums, and received uniformly positive reviews upon its release in the summer of 1993. Mann’s song “Save Me” from the soundtrack to the Paul Thomas Anderson film Magnolia was nominated for an Academy® Award and a Grammy®.
    [Show full text]
  • From Voodoo to Viruses: the Evolution of the Zombie in Twentieth Century Popular Culture
    From Voodoo to Viruses: The Evolution of the Zombie in Twentieth Century Popular Culture By Margaret Twohy Adviser: Dr. Bernice Murphy A thesis submitted in partial fulfilment of the Degree of Master’s of Philosophy in Popular Literature Trinity College Dublin Dublin, Ireland October 2008 2 Abstract The purpose of this thesis is to explore the evolutionary path the zombie has followed in 20th Century popular culture. Additionally, this thesis will examine the defining characteristics of the zombie as they have changed through its history. Over the course of the last century and edging into the 21st Century, the zombie has grown in popularity in film, videogames, and more recently in novels. The zombie genre has become a self-inspiring force in pop culture media today. Films inspired a number of videogames, which in turn, supplied the film industry with a resurgence of inspirations and ideas. Combined, these media have brought the zombie to a position of greater prominence in popular literature. Additionally, within the growing zombie culture today there is an over-arcing viral theme associated with the zombie. In many films, games, and novels there is a viral cause for a zombie outbreak. Meanwhile, the growing popularity of zombies and its widening reach throughout popular culture makes the genre somewhat viral-like as well. Filmmakers, authors and game designers are all gathering ideas from one another causing the some amount of self- cannibalisation within the genre. 3 Table of Contents Introduction 4 Chapter One 7 Evolution of the Dead Chapter Two 21 Contaminants, Viruses, and Possessions—Oh my! Chapter Three 34 Dawn of the (Digital) Dead Chapter Four 45 Rise of the Literary Zombie Conclusion 58 Bibliography 61 4 Introduction There are perhaps few, if any fictional monsters that can rival the versatility of the humble zombie (or zombi)1.
    [Show full text]
  • FFF-Preview-Edition.Pdf
    Preview Edition / Excerpt Preview Edition © 2009 Scott Kirsner / CinemaTech Books Web site: http://www.scottkirsner.com/fff Cover design by Matt W. Moore. Photo credits: Tobin Poppenberg (DJ Spooky), Dale May (Jonathan Coulton), JD Lasica (Gregg and Evan Spiridellis), Scott Beale/LaughingSquid.com (Ze Frank), Dusan Reljin (OK Go), Todd Swidler (Sarah Mlynowski). Tracy White and Dave Kellett provided their own illustrations. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means without permission in writing from the author: [email protected]. Feel free to share this book preview or post it online. You can purchase the full book at http://www.scottkirsner.com/fff or Amazon.com 10 9 8 7 6 5 4 3 2 1 Contents Understanding the New Rules 1 Table: Defining the Terms 23 Introduction to the Interviews 24 Film & Video Michael Buckley: Creator of “What the Buck” 25 Mike Chapman: Animator and Writer, “Homestar Runner” 28 Ze Frank: Multimedia Artist and Creator of “theshow” 31 Curt Ellis: Documentary Producer and Writer 36 Michael “Burnie” Burns: Creator of “Red vs. Blue” 39 Sandi DuBowski: Documentary Filmmaker 41 Gregg and Evan Spiridellis: Co-Founders, JibJab Media 43 Timo Vuorensola: Science Fiction Director 47 Steve Garfield: Videoblogger 49 Robert Greenwald: Documentary Filmmaker 51 M dot Strange: Animator 54 Music Jonathan Coulton: Singer-Songwriter 57 Damian Kulash: Singer and Guitarist, OK Go 61 DJ Spooky: Composer, Writer and Multimedia Artist 65 Jill Sobule: Singer-Songwriter 67 Richard Cheese: Singer 70 Chance: Singer-Songwriter 73 Brian Ibbott: Host of the Podcast “Coverville” 75 Visual Arts Natasha Wescoat: Painter, Designer and Illustrator 77 Tracy White: Comics Artist 79 Matt W.
    [Show full text]
  • The Spongebob Musical in Chicago
    FOR IMMEDIATE RELEASE Chicago Press Contact: Amanda Meyer/ Tori Bryan Margie Korshak, Inc. [email protected]/[email protected] National Press Contact: Chris Boneau/Amy Kass BONEAU/BRYAN-BROWN [email protected]/ [email protected] World Premiere of Broadway Bound The SpongeBob Musical in Chicago Co-Conceived and Directed by Tina Landau Book by Kyle Jarrow Music Supervision by Tom Kitt Performances Begin on Tuesday, June 7, 2016 Limited Engagement through Sunday, July 3, 2016 at Broadway In Chicago's Oriental Theatre CHICAGO (August 31, 2015) – Broadway In Chicago is thrilled to announce the Pre-Broadway World Premiere of The SpongeBob Musical will begin performances on Tuesday, June 7 at the Oriental Theatre (24 W. Randolph St., Chicago, IL) in a limited engagement through Sunday, July 3, 2016. The SpongeBob Musical is co-conceived and directed by Tina Landau with a book by Kyle Jarrow, music supervision by Tom Kitt. The SpongeBob Musical will be a one-of-a-kind musical event with original songs by Steven Tyler and Joe Perry of AEROSMITH, Jonathan Coulton, Dirty Projectors, The Flaming Lips, John Legend, Lady Antebellum, Cyndi Lauper, Panic! At the Disco, Plain White T’s, They Might Be Giants and T.I., with an additional song by David Bowie and additional lyrics by Jonathan Coulton. The design team includes scenic and costume design by David Zinn, lighting design by Kevin Adams, projection design by Peter Nigrini and sound design by Walter Trarbach. Following its engagement in Chicago, the musical will open on Broadway in the 2016-2017 season. 1 Casting will be announced shortly.
    [Show full text]
  • Math Quiz on the Radio Darren B
    Math Faculty Publications Math 4-2015 Math Quiz on the Radio Darren B. Glass Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/mathfac Part of the Mathematics Commons Share feedback about the accessibility of this item. Glass, Darren. "Math Quiz on the Radio." Math Horizons 22.4 (April 2015), 26-29. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/mathfac/37 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Math Quiz on the Radio Abstract What word, often spelled with an umlaut, is used to identify a point on a two-dimensional graph? Many of you probably already figured out the answer is "coordinate." But that's because you are sitting comfortably in your dorm room rather than being on a stage with bright lights in front of a few hundred people being recorded for national broadcast on public radio. [excerpt] Keywords NPR, National Public Radio, Ask Me Another, Math Trivia Disciplines Mathematics This article is available at The uC pola: Scholarship at Gettysburg College: https://cupola.gettysburg.edu/mathfac/37 Math Quiz Oleksiy Mark/Shutterstock on the Radio Darren Glass stars as a police offie fo te ftr wo make sure all numbers can be divided only by one and them- hat word, often spelled with an um- selves (Primecop).
    [Show full text]
  • Still Alive Words and Music by Jonathan Coulton
    from Portal by v Still Alive Words and Music by Jonathan Coulton Transcribed by Ryan Maziarz www.myspace.com/sketchinginstereo www.progressivetranscriptions.com Moderately q = 120 Verse GLaDOS: D Bm D Bm 1. This was a tri - umph. I’m mak -ing a note * Gtr. 1 Riff A mf let ring throughout w/ fingers 7 7 7 7 7 7 7 7 7 7 7 7 7 9 7 9 * Ukulele arr. for nylon str. gtr. D Bm D Bm Em here, HUGE SUC- CESS. It’s hard to o -ver - state 7 7 7 7 8 8 7 7 7 7 7 7 7 7 9 9 9 9 7 9 7 9 9 9 A7 D Bm D Bm my sat -is - fac - tion. Ap -er - ture Sci - 8 8 7 7 7 7 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 9 7 9 Copyright © 2007 VALVE SOFTWARE 1 D Bm D Bm D Bm ence, we do what we must be- cause we can. 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 9 7 9 7 9 D Bm Em A7 for the good of all of us ex- cept the End Riff A 7 7 8 8 8 8 7 7 7 7 9 9 9 9 6 6 6 6 7 9 9 9 7 7 Chorus Bbmaj7 F C Bb C F ones who are dead. But there’s no sense cry -overing -ev-’ry mis -take, you just Gtr.
    [Show full text]
  • What Happens When You Put 2,000 Nerds on a Boat? - the New
    What Happens When You Put 2,000 Nerds on a Boat? - The New... https://www.nytimes.com/2019/05/06/travel/joco-cruise-jonathan... What Happens When You Put 2,000 Nerds on a Boat? You get the JoCo Cruise, and it’s an annual gathering for those who love sci-fi, games with many-sided dice and the musician Jonathan Coulton. By John Schwartz May 6, 2019 It is the first concert of the JoCo Cruise 2019, and things are going so wrong. The musicians can’t hear themselves sing. Instruments drop out at random. One of the performers, Jim Boggia, has lost his voice. Jonathan Coulton, the singer-songwriter for whom the cruise is named, grouses that it is a “train wreck on a boat.” They carry on, trying to wrestle a show from the mess. Mr. Boggia starts playing “When You Wish Upon a Star” on his ukulele and raspily invites us all to sing along. The assembled hundreds join in a mass mumble, but one woman’s voice stands out and confidently rises, clear and lovely. Paul Sabourin, another of the performers, hops off the stage and hands her a microphone. The performers complete the song to rousing cheers. I spot the singer. She is wearing extravagantly long elf ears. Now in its ninth year, the JoCo Cruise is a grand annual gathering of the nerd tribe. You may not have heard of Mr. Coulton, who left his job writing software in 2005 to explore a music career, but he has built a fervid online community of 1 of 14 What Happens When You Put 2,000 Nerds on a Boat? - The New..
    [Show full text]
  • Shame, Shaming, and Intellectual Property
    DePaul Law Review Volume 63 Issue 1 Fall 2013 Article 2 Fear and Loathing: Shame, Shaming, and Intellectual Property Elizabeth L. Rosenblatt Follow this and additional works at: https://via.library.depaul.edu/law-review Recommended Citation Elizabeth L. Rosenblatt, Fear and Loathing: Shame, Shaming, and Intellectual Property, 63 DePaul L. Rev. 1 (2013) Available at: https://via.library.depaul.edu/law-review/vol63/iss1/2 This Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Law Review by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. FEAR AND LOATHING: SHAME, SHAMING, AND INTELLECTUAL PROPERTY Elizabeth L. Rosenblatt* INTRODUCTION Shame is civilizing. It is the governing drive of conscience; if people had no shame, the rule of law would lose much of its power, and might would often mean right. Shaming—the public attempt to impose shame on others—is an equally important driver of behavior. People strive to avoid humiliation and the loss of reputation; we steer clear of “bad” behaviors even if they would benefit us. In the words of Seneca the Younger, “Shame can forbid sometimes what the law does not.”1 Shame and shaming are crucial to our understanding of intellectual property law and norms, and yet they have gone largely unexplored in the intellectual property literature. Many scholars have examined in- tellectual property norms and how they interact with the law.2 But it is not enough to point out that someone acts a certain way because of norms; we must also understand the motivational forces that drive people to conform.
    [Show full text]
  • Want You Gone Free
    FREE WANT YOU GONE PDF Christopher Brookmyre | 432 pages | 20 Apr 2017 | Little, Brown Book Group | 9781408707180 | English | London, United Kingdom Jonathan Coulton - Want You Gone Lyrics | MetroLyrics The song is played as the credits are shown on the right, while Want You Gone lyrics to the song are on the left. The lyrics allude to the plot of Portal Want You Gone. At the end of the song, the screen pulls back to reveal Want You Gone it is part of the space debris floating near Wheatley. Well here we are again It's always such a pleasure Remember when you tried to kill me twice? Oh how we laughed and laughed Except I wasn't laughing Under the circumstances I've been shockingly nice. You want your freedom? One day they woke me up So I could live forever It's such a shame the same will never happen to you. You've got your short sad life left That's what I'm counting on I'll let you Want You Gone right to it Now I only want you gone. Goodbye my only friend Oh, did you think I meant you? That would be funny if it weren't so sad. Sign In Don't have an account? Start a Wiki. Do you like this video? This article is within the scope of the Portal Project, a collaborative effort to improve articles related to Portal and Portal 2. See the project page for more details about the article status. This article has yet to be cleaned up to a higher standard of quality.
    [Show full text]
  • 2018 Guidebook
    2018 Sunday, February 18 to Sunday, February 25, 2018 on Holland America’s Oosterdam NEW FOR 2018 We pay verrrrrry close attention to the More guidance for New Monkeys! feedback we receive after each JoCo Cruise, • We’re planning more special events WELCOME and do our level best to turn that feedback (especially early on in the week) specifi- into an ever-better cruise. 2017 was amazing— cally designed to help new Sea Monkeys our first time sailing from the West Coast, find their metaphorical sea legs, and others and the first time JoCo Cruise occupied an to be New Monkey–friendly. entire ship. While everything went pretty • “Cruise Mom” Thera Heller has assembled Hi, it’s me, Jonathan Coulton. Welcome to JoCo Cruise 2018! great (if we do say so ourselves), we’ve made some of our friendliest veteran cruiser some improvements and additions based on volunteers into a New Monkey RA squad, Do me a favor: close your eyes, and imagine you are on a giant cruise ship exit survey results and general reactions. to answer your questions and to offer filled with fun and amazing people. Some of them are wearing fezzes; there Just a few examples: suggestions on how to get started. are many ukuleles. There is a giant room filled with games that you can play and people who want to play them with you. A bunch of famous people Food, glorious food! Expanded gaming and crafting! • We’re having (limited) seating for breakfast • More games in the Game Library, and more are here specifically so that you will be entertained.
    [Show full text]
  • Look What They've Done to My Song, Ma: Jonathan Coulton, Moral Rights, and a Proposal for the Reform of 17 U.S.C
    Intellectual Property Brief Volume 5 Issue 2 Article 1 2014 Look What They've Done to My Song, Ma: Jonathan Coulton, Moral Rights, and a Proposal for the Reform of 17 U.S.C. § 115(A) (2) Joe Newman Future of Privacy Forum Follow this and additional works at: https://digitalcommons.wcl.american.edu/ipbrief Part of the Intellectual Property Law Commons Recommended Citation Newman, Joe (2014) "Look What They've Done to My Song, Ma: Jonathan Coulton, Moral Rights, and a Proposal for the Reform of 17 U.S.C. § 115(A) (2)," Intellectual Property Brief: Vol. 5 : Iss. 2 , Article 1. Available at: https://digitalcommons.wcl.american.edu/ipbrief/vol5/iss2/1 This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Intellectual Property Brief by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Look What They've Done to My Song, Ma: Jonathan Coulton, Moral Rights, and a Proposal for the Reform of 17 U.S.C. § 115(A) (2) This article is available in Intellectual Property Brief: https://digitalcommons.wcl.american.edu/ipbrief/vol5/iss2/1 LOOK WHAT THEY'VE DONE TO MY SONG, MA': JONATHAN COULTON, MORAL RIGHTS, AND A PROPOSAL FOR THE REFORM OF 17 U.S.C. § 115(A) (2) BY JOE NEWMAN* 1. MELANIE, WAHAT HAVE THEY DONE To MY SONG MA, on CANDLES IN THE RAIN (Buddah Records 1970); See also Miley Cyrus, The Backyard Sessions - Look What They've Done To My Song, YoUTUBE (Oct.
    [Show full text]
  • Program Guide
    CON HOURS: SATURDAY 9:00 AM - 11:00 PM & SUNday 9:00 AM - 7:00 PM GEEKGIRLCON STAFF Welcome To EXECUTIVE DIRECTOR Amanda Powter Welcome to GeekGirlCon ’13. It has been a wild and inspiring year here at GeekGirlCon MARKETING Headquarters. We are tremendously excited to return for our third con and to be seeking Rachelle Abellar out new opportunities and new conversations throughout the year. Our continuing mission Sayed Alamy is the celebration of geeky women and girls across the nerd spectrum and their contribution Shiboo Blalack to comics, gaming, science, technology, pop culture, art, math, academics, engineering, and Raychelle Burks much more. Amber Dawn Bushnell You may notice some slight tweaks as we stroll into our third year. We’ve stayed in our location Rachel Crowell at The Conference Center, but the layout is a bit different. If you did not get a chance to find Anna Daniell gaming last year, you will definitely want to catch panels and gaming down on the lower level. AJ Dent Our first floor GeekGirlConnections room is right behind registration with tons of opportunity to Erin Doherty explore making a career out of your geekery. Our Artist Alley is perfectly situated on the second Sarah Grant floor as you ascend to the Exhibitor Hall and panel rooms. Kristine Hassell Some things have not changed. If you support our mission, you are welcome here. There is still Richard Lee no “geek cred” required. All genders, orientations, races, ethnicities, abilities, and fandoms are Cole Lundell invited. We remain committed to being an open, inclusive, and welcoming place for geeks of Laurel McJannet all types.
    [Show full text]