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Universidad Peruana De Ciencias Aplicadas Facultad
Caracterización de los procesos de consumo de los K- Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS Item Type info:eu-repo/semantics/bachelorThesis Authors Mosquera Anaya, Heidy Winie Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 10/10/2021 11:56:20 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/648589 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE COMUNICACIONES PROGRAMA ACADÉMICO DE COMUNICACIÓN AUDIOVISUAL Y MEDIOS INTERACTIVOS Caracterización de los procesos de consumo de los K-Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS. TESIS Para optar el título profesional de Licenciado en Comunicación Audiovisual y Medios Interactivos AUTOR(A) Mosquera Anaya, Heidy Winie (0000-0003-4569-9612) ASESOR(A) Calderón Chuquitaype, Gabriel Raúl (0000-0002-1596-8423) Lima, 01 de Junio de 2019 DEDICATORIA A mis padres Abraham y Luz quienes con su amor, paciencia y esfuerzo me han permitido llegar a cumplir hoy un sueño más. -
Loudon Wainwright III Loudon Wainwright III Mp3, Flac, Wma
Loudon Wainwright III Loudon Wainwright III mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Loudon Wainwright III Country: Germany Released: 1971 Style: Folk MP3 version RAR size: 1629 mb FLAC version RAR size: 1194 mb WMA version RAR size: 1591 mb Rating: 4.6 Votes: 620 Other Formats: XM MP1 AHX APE WAV VOX MP3 Tracklist A1 School Days 3:04 A2 Hospital Lady 4:03 A3 Ode To A Pittsburgh 3:13 A4 Glad To See You've Got Religion 3:53 A5 Uptown 2:42 B1 Black Uncle Remus 2:37 B2 Four Is A Magic Number 3:26 B3 I Don't Care 4:07 B4 Central Square Song 5:26 B5 Movies Are A Mother To Me 2:36 B6 Bruno's Place 3:31 Companies, etc. Recorded At – Mediasound Recorded At – A&R Studios Recorded At – Atlantic Studios Credits Design – Ira Friedlander Photography By – Lee Friedlander Producer – Loudon Wainwright III, Milton Kramer Recorded By – Elliot Scheiner (tracks: A1, A2, B2, B3), Jimmy Douglas* (tracks: A3 to A5, B4 to B5), Tony Bongiovi (tracks: B1) Written-By – Loudon Wainwright III Notes This LP is also referred to as "Album I". B1 recorded at Media Sound, New York. A1, A2, B2, B3 recorded at A&R Studios, New York. All other tracks recorded at Atlanic Recording Studios, New York. Barcode and Other Identifiers Matrix / Runout (Side A runout, stamped): R /S Alsdorf 40107-A Matrix / Runout (Side B runout, stamped): R /S Alsdorf 40107-VB Label Code: LC 0121 Other versions Category Artist Title (Format) Label Category Country Year Loudon Loudon Wainwright SD 8260 Atlantic SD 8260 US 1970 Wainwright III III (LP, Album) Loudon Loudon Wainwright Edsel ED 308 ED 308 UK 1989 Wainwright III III (LP, Album) Records Loudon Loudon Wainwright SD 8260 Atlantic SD 8260 US Unknown Wainwright III III (LP, Album, RI) Loudon Wainwright Loudon SD 8260 III (LP, Album, Atlantic SD 8260 US 1970 Wainwright III Promo) 2400 103, Loudon Loudon Wainwright Atlantic, 2400 103, UK 1971 2400103 Wainwright III III (LP, Album) Atlantic 2400103 Related Music albums to Loudon Wainwright III by Loudon Wainwright III 1. -
Korean Language Hymns.Pdf
TITLE TUNE 001 Praise God from whom all blessings flow OLD HUNDREDTH: 8.8.8.8. 002 To Father, Son, and Holy Ghost ORTONVILLE: 8.6.8.6.6. 003 Glory be to the Father MEINEKE: IRREG. 004 Glory be to the Father GREATOREX: IRREG. 005 Let earth and sky SESSIONS: 8.8.8.8. 006 Now to the King of heav'n ST. JOHN: 6.6.6.6.8.8. 007 Glory to the Father BETHEL PARK: IRREG. 008 Holy, holy, holy, Lord God Almighty! NICAEA: 12.13.12.10 009 Heaven is full of Your glory IRREG. 010 Come, Thou Almighty King ITALIAN HYMN: 6.6.4.6.6.6.4. 011 Let people all worship our God IRREG. 012 Jehovah, let me now adore Thee DIR, DIR, JEHOVAH: 9.10.9.10.10.10. 013 Eternal Kingdom of God IRREG. 014 The God of Abraham praise YIGDAL (LEONI): 6.6.8.4.D. 015 Love divine, all loves excelling BEECHER: 8.7.8.7.D. 016 God of love and mercy great 7.6.7.6.7.5.7.5. 017 God of love and mercy great IRREG. 018 Let us join to sing together IRREG. 019 Hark, ten thousand harps and voices HARWELL: 8.7.8.7.8.8.ALLELUIAS 020 Begin, my tongue, some heavenly theme MANOAH: 8.6.8.6. 021 Praise to the Lord, the Almighty LOBE DEN HERREN: 14.14.4.7.8. 022 Rejoice, the Lord is King DARWALL: 6.6.6.6.REF. 023 Of a thousand tongues to sing AZMON: 8.6.8.6. -
We Gather We Prepare
May 22, 2011 Our Community Gathers Rev. Kristen Klein-Cechettini Mark Eggleston We Gather Prelude HeavenSound Handbells From many places we gather here. This Grandioso is a high point of our by Darrell Day week. We see our friends. We make + new friends. And we Call to Worship Rev. Janice Ladd spend time with The Congregational Response: “Abide in us, O God!” Friend -- the loving Christ who meets us + Hymn where we are, as we are. In this Sanctuary Lead Me, Lord we worship, and by Wayne and Elizabeth Goodine through worship the courage within us is kindled to inspire courageous living beyond this place. We Prepare As the prelude begins, the congregation is invited to be in an attitude of expectation for the worship of God. + Please rise in body or spirit. Reading from the Hebrew Scriptures Bill O'Rourke (9 am) Marcial Renteria (11 am) Psalm 31:1-5, 15-16 In you, O LORD, I seek refuge; do not let me ever be put to shame; in your righteousness deliver me. Incline your ear to me; rescue me speedily. Be a rock of refuge for me, a strong fortress to save me. You are indeed my rock and my fortress; for your name's sake lead me and guide me, take me out of the net that is hidden for me, for you are my refuge. Into your hand I commit my spirit; you have redeemed me, O LORD, faithful God. My times are in your hand; deliver me from the hand of my enemies and persecutors. -
The GAVIN REPORT SINCE 1958
ISSUE 1562 JUNE 21, 1985 the GAVIN REPORT SINCE 1958 ONE HALiLIDIE PLAZA, SUITE 725, SAN FRANCISCO, CALIFORNIA 94102 415.392.7750 RONN EV His brand new single 1'1 EF FT ESUN j ( In the Still of the Night)" .................................. ................................................................... FRO HIS CURRENT ALBUM "GREATEST HITS, VOLUE 2" \-000.0-\ RC,' Records and Cassettes the GAVIN REPORT Editor: Dave Sholin TOP 40 MOST ADDED El MI El 3. 1. 1. PHIL COLLINS - Sussudio (Atlantic) 5. 4. 2. PRINCE - Raspberry Beret (Warner Bros.) //va1Lwf 10. 5. 3. DURAN DURAN - A View To A Kill (Capitol) AND THE NEWS 1. 3. 4. Bryan Adams - Heaven (A&M) 2. 2. 5. Madonna - Angel (Sire/Warner Brothers) 9. 6. 6. A HUEY LEWIS & THE NEWS Survivor - The Search Is Over (Scotti Bros.) The Power Of Love 15. 9. 7. PAUL YOUNG - Every Time You Go Away (Columbia) 12. 10. (Chrysalis) 8. EURYTHMICS - Would I Lie To You (RCA) 20. 182 Adds 15. 9. MADONNA - Into The Groove (Sire/Warner Bros.) 13. 11. 10. CYNDI LAUPER - The Goonies "R" Good Enough (Portrait) BRYAN ADAMS 17. 14. 11. 'TIL TUESDAY - Voices Carry (Epic) Summer Of '69 7. 7. 12. Mary Jane Girls - In My House (Gordy) (A&M) 26. 18. 13. BRUCE SPRINGSTEEN - Glory Days (Columbia) 101 Adds 21. 17. 14. WHITNEY HOUSTON - You Give Good Love (Arista) 19. 16. 15. John Cafferty - Tough All Over (Scotti Bros.) ARETHA FRANKLIN 29. 23. 16. \STING - If You Love Somebody Set Them Free (A&M) Freeway Of Love 25. 22. 17. NIGHT RANGER - Sentimental Street (Camel/MCA) (Arista) 24. -
Omnibus Press 2017-18 Featuring Loudon Wainwright III, Jimmy
Omnibus Press 2017-18 Featuring Loudon Wainwright III, Jimmy Webb, Robert Forster, Leonard Cohen, Pamela Des Barres, Ian Hunter, Mod Art & a Few of Our Other Favourite Things. 2017/18 CATALOGUE 2017/18 CATALOGUE CONTENTS For over forty years Omnibus Press has been publishing the stories that matter from the music NEW TITLES 4 world. Omnibus Press is the World’s/Europe’s GIFT GUIDE 26 largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist ROCK 28 of over two hundred and seventy titles currently in THE BEATLES 37 print and many more as digital downloads. POP 39 Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, PUNK & ALTERNATIVE 41 rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list METAL 44 to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist GRAPHIC NOVELS 45 Pete Frame, three editions of which remain in print to this day and have been the basis of two PHOTOGRAPHY 46 BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed CLASSICAL 48 Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, RHINEGOLD 49 Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music OTHER 50 Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by THE LITTLE BLACK SONGBOOK 51 magazines and critics as being amongst the finest rock biographies ever published. -
Mood Music Programs
MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine -
The Trumpet As a Voice of Americana in the Americanist Music of Gershwin, Copland, and Bernstein
THE TRUMPET AS A VOICE OF AMERICANA IN THE AMERICANIST MUSIC OF GERSHWIN, COPLAND, AND BERNSTEIN DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Amanda Kriska Bekeny, M.M. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor Timothy Leasure, Adviser Professor Charles Waddell _________________________ Dr. Margarita Ophee-Mazo Adviser School of Music ABSTRACT The turn of the century in American music was marked by a surge of composers writing music depicting an “American” character, via illustration of American scenes and reflections on Americans’ activities. In an effort to set American music apart from the mature and established European styles, American composers of the twentieth century wrote distinctive music reflecting the unique culture of their country. In particular, the trumpet is a prominent voice in this music. The purpose of this study is to identify the significance of the trumpet in the music of three renowned twentieth-century American composers. This document examines the “compositional” and “conceptual” Americanisms present in the music of George Gershwin, Aaron Copland, and Leonard Bernstein, focusing on the use of the trumpet as a voice depicting the compositional Americanisms of each composer. The versatility of its timbre allows the trumpet to stand out in a variety of contexts: it is heroic during lyrical, expressive passages; brilliant during festive, celebratory sections; and rhythmic during percussive statements. In addition, it is a lead jazz voice in much of this music. As a dominant voice in a variety of instances, the trumpet expresses the American character of each composer’s music. -
Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive -
From Voodoo to Viruses: the Evolution of the Zombie in Twentieth Century Popular Culture
From Voodoo to Viruses: The Evolution of the Zombie in Twentieth Century Popular Culture By Margaret Twohy Adviser: Dr. Bernice Murphy A thesis submitted in partial fulfilment of the Degree of Master’s of Philosophy in Popular Literature Trinity College Dublin Dublin, Ireland October 2008 2 Abstract The purpose of this thesis is to explore the evolutionary path the zombie has followed in 20th Century popular culture. Additionally, this thesis will examine the defining characteristics of the zombie as they have changed through its history. Over the course of the last century and edging into the 21st Century, the zombie has grown in popularity in film, videogames, and more recently in novels. The zombie genre has become a self-inspiring force in pop culture media today. Films inspired a number of videogames, which in turn, supplied the film industry with a resurgence of inspirations and ideas. Combined, these media have brought the zombie to a position of greater prominence in popular literature. Additionally, within the growing zombie culture today there is an over-arcing viral theme associated with the zombie. In many films, games, and novels there is a viral cause for a zombie outbreak. Meanwhile, the growing popularity of zombies and its widening reach throughout popular culture makes the genre somewhat viral-like as well. Filmmakers, authors and game designers are all gathering ideas from one another causing the some amount of self- cannibalisation within the genre. 3 Table of Contents Introduction 4 Chapter One 7 Evolution of the Dead Chapter Two 21 Contaminants, Viruses, and Possessions—Oh my! Chapter Three 34 Dawn of the (Digital) Dead Chapter Four 45 Rise of the Literary Zombie Conclusion 58 Bibliography 61 4 Introduction There are perhaps few, if any fictional monsters that can rival the versatility of the humble zombie (or zombi)1. -
HOW MAGNOLIA GOT ITS NAME O
o HOW MAGNOLIA GOT ITS NAME o By Bob Kildall As legend has it, native madronas dotted the bluffs seafaring explorers observed as they passed this place we call Magnolia before it had a name. Supposedly an explorer mistook those trees for magnolias and Magnolia Bluff was born. The mistake is understandable. Both the magnolia and madrona trees are broadleaf evergreens. They are of comparable size, with large leathery leaves that are alike in shape and have a brown- to rust-colored undercoat. The tree canopies look similar as well, especially in the early stages of a madrona’s growth.1, 2 But who chose the name for our community—and when did this occur? Interestingly, the answers are uncertain and have been debated for many years. Aleua L. Frare mentioned several possibilities in her 1975 Magnolia history book: “The Magnolia area was first recognized when an early explorer of Puget Sound looked up at the high promontory emerging in the early morning fog, saw the huge madrona trees leaning down from the 300-ft. yellow cliffs, and made a black mark on his chart. Down in his dimly lit cabin he entered ‘Magnolia Bluff’ in his log. “Historians have had a field-day ever since guessing who had the bad eyesight. Some say [Capt. George] Vancouver, who named everything in sight. Others say Lt. Charles Wilkes, who named West Point and fifty other landmarks. And then there was Dr. George Davidson, a botanist with a United States Coast & Geodetic Survey team—badly in need of glasses.” 3 In Brandt Morgan’s 1979 book Enjoying Seattle’s Parks, Morgan attributed the mistake to Davidson: “Magnolia is actually a misnomer. -
Birmingham Cover Online.Qxp Birmingham Cover 29/04/2016 09:26 Page 1
Birmingham Cover Online.qxp_Birmingham Cover 29/04/2016 09:26 Page 1 Your FREE essential entertainment guide for the Midlands Birmingham ’ Whatwww.whatsonlive.co.uk sISSUE On 365 MAY 2016 EDDIE IZZARD IN THE MIDLANDS inside: Yourthe 16-pagelist week by week listings guide Julian Clary Celebrating 30 years of Mincing! The Overtones (FP- June 16).qxp_Layout 1 09/05/2016 14:55 Page 1 Contents May Birmingham.qxp_Layout 1 20/04/2016 16:17 Page 1 May 2016 Contents Political Mother - Hofesh Shechter’s acclaimed work at The Rep. Feature page 20 Laura Mvula Katherine Ryan King Lear the list performs The Dreaming Room Canadian funny lady at the Don Warrington takes the lead Your 16-page on home turf Town Hall in The Bard’s searing tragedy week-by-week listings guide page 15 page 28 page 31 page 51 inside: 4. First Word 11. Food 14. Music 28. Comedy 31. Theatre 38. Film 42. Visual Arts 45. Events @whatsonbrum fb.com/whatsonbirmingham Birmingham What’s On Magazine Birmingham What’s On Magazine Editorial Director: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 Whats On Matt Rothwell [email protected] 01743 281719 MAGAZINE GROUP Editorial: Lauren Foster [email protected] 01743 281707 Sue Jones [email protected] 01743 281705 Brian O’Faolain [email protected] 01743 281701 Ryan Humphreys [email protected] 01743 281722 Abi Whitehouse [email protected] 01743 281716 Adrian Parker [email protected] 01743 281714 Contributors: Graham Bostock, James Cameron-Wilson, Heather Kincaid, Adam Jaremko, Kathryn Ewing, David Vincent Publisher and CEO: Martin Monahan Accounts Administrator: Julia Perry [email protected] 01743 281717 This publication is printed on paper from a sustainable source and is produced without the use of elemental chlorine.