DOCSLIB.ORG

Universidad Peruana De Ciencias Aplicadas Facultad

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Universidad Peruana De Ciencias Aplicadas Facultad Caracterización de los procesos de consumo de los K- Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS Item Type info:eu-repo/semantics/bachelorThesis Authors Mosquera Anaya, Heidy Winie Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 10/10/2021 11:56:20 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/648589 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE COMUNICACIONES PROGRAMA ACADÉMICO DE COMUNICACIÓN AUDIOVISUAL Y MEDIOS INTERACTIVOS Caracterización de los procesos de consumo de los K-Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS. TESIS Para optar el título profesional de Licenciado en Comunicación Audiovisual y Medios Interactivos AUTOR(A) Mosquera Anaya, Heidy Winie (0000-0003-4569-9612) ASESOR(A) Calderón Chuquitaype, Gabriel Raúl (0000-0002-1596-8423) Lima, 01 de Junio de 2019 DEDICATORIA A mis padres Abraham y Luz quienes con su amor, paciencia y esfuerzo me han permitido llegar a cumplir hoy un sueño más. Gracias por ser mi el ejemplo, mi fuerza y valentía, de enseñarme a no temer a las adversidades porque siempre que estemos juntos saldremos adelante. A mi hermana por su cariño y apoyo incondicional, durante todo este proceso, por estar conmigo en todo momento gracias. Finalmente quiero dedicar esta tesis a Mateo, mi pequeño angelito, que supo ser paciente y posponer sus juegos con el balón, búsquedas del tesoro y luchas con dragones para que yo pueda dedicarme a este trabajo. I AGRADECIMIENTOS Mi profundo agradecimiento a todas las autoridades y personal que conforman la carrera de Comunicación Audiovisual y Medio Interactivos por su apoyo, por abrirme las puertas y guiarme en este proceso. De igual manera hago extensivo mis agradecimientos a mis profesores quienes con la enseñanza de sus valiosos conocimientos hicieron que pueda crecer día a día como profesional. Finalmente quiero expresar mi más grande y sincero agradecimiento a mi asesor quien con su dirección, conocimiento, enseñanza y colaboración permitió́ el desarrollo de este trabajo. II RESUMEN Esta investigación busca brindar un mejor entendimiento de los consumidores de medios audiovisuales coreanos. Además, de analizar e identificar qué elementos hacen de los K- Dramas y videos musicales de K-Pop sean tan atractivos para el público juvenil peruano que pertenece a la comunidad Hallyu en Lima que se forma a partir de la recepción de contenidos audiovisuales coreanos. Por otro lado, busca saber cómo y en qué medida los productos audiovisuales, en este caso coreanos, son capaces de influir en la construcción de identidades y promover la socialización en este público en específico. Palabras clave: Ola Coreana; Hallyu; Industrias Culturales; series de televisión; videos musicales; Dramas Coreanos; K-Pop, Diplomacia Cultural; Industria Audiovisual; Consumidor Audiovisual; Lenguaje Audiovisual; Identidades; Fandom; BIG BANG; BTS; Descendientes del Sol; Goblin: El solitario y gran dios. III Characterization of the processes of consumption of K-Dramas and music videos of K-Pop, and their impact on the construction of identity and forms of socialization in the Hallyu community of Lima. An approach from the audience phenomena in K-Dramas Descendants of the Sun and Goblin: The Lonely and Great God, and the musical trend phenomena BIG BANG and Bangtan Boys; Beyond The Scene a.k.a BTS. ABSTRACT This research seeks to provide a better understanding of the consumers of Korean audiovisual media. In addition, to analyze and identify what elements make the K-Dramas and K-Pop music videos so attractive to the Peruvian youth audience that it belongs to the Hallyu community in Lima that it is formed from the reception of Korean audiovisual content. On the other hand, it seeks to know how and to what extent audiovisual products, in this case Koreans, are able to influence the construction of identities and promote socialization in this specific audience. Keywords: Korean Wave; Hallyu; Cultural Industries; T.V. series; music videos; Korean dramas; K-Pop, Cultural Diplomacy; Audiovisual Industry; Audiovisual Consumer; Audiovisual language; Identities; Fandom; BIG BANG; BTS; Bangtan Boys; Beyond the Scene; Descendants of the Sun; Goblin: The Lonely and Great God; 빅뱅; 방탄소년단; 한류 IV TABLA DE CONTENIDOS 1 INTRODUCCIÓN ....................................................................................................... 1 1.1 ELECCIÓN DEL TEMA ........................................................................................................ 2 1.2 PROBLEMA DE INVESTIGACIÓN ......................................................................................... 8 1.2.1 Planteamiento del problema ........................................................................................... 8 1.2.1 Formulación del problema ............................................................................................ 10 1.2.1.1 Interrogante Principal ..................................................................................................... 10 1.2.1.2 Interrogantes específicas ................................................................................................ 10 1.3 OBJETIVOS ...................................................................................................................... 10 1.3.1 Objetivo General: ......................................................................................................... 10 1.3.2 Objetivos específicos: ................................................................................................... 11 1.4 JUSTIFICACIÓN DE LA INVESTIGACIÓN ............................................................................ 11 1.4.1 Justificación práctica .................................................................................................... 11 1.4.2 Justificación en términos de su pertinencia o importancia para la especialidad audiovisual ...................................................................................................................................... 12 1.4.3 Justificación en torno a su importancia a las ciencias de la comunicación ................... 12 2 MARCO TEÓRICO Y MARCO REFERENCIAL ............................................... 12 2.1 ANTECEDENTES .............................................................................................................. 12 2.2 MARCO TEÓRICO ............................................................................................................. 18 2.2.1 Industrias Culturales ..................................................................................................... 18 2.2.1.1 Industria Audiovisual ..................................................................................................... 23 2.2.1.1.1 Televisión como industria cultural ........................................................................................... 24 2.2.1.1.2 Los videos musicales como industria cultural .......................................................................... 30 2.2.2 Producción televisiva coreana ...................................................................................... 33 2.2.2.1 Factores de éxito de las compañías de producción en Corea del Sur ............................. 34 2.2.2.2 Factores de éxito para creadores de contenidos de ficción ............................................. 35 2.2.3 Producción de estrellas Pop .......................................................................................... 37 2.2.3.1 Factores de éxito del K-Pop ........................................................................................... 42 2.2.4 Primera Ola Coreana .................................................................................................... 45 2.2.4.1 Dramas Coreanos ........................................................................................................... 48 2.2.4.2 Atractivo de los K-Dramas ............................................................................................. 52 2.2.4.3 Expansión de los K-Dramas ........................................................................................... 63 2.2.5 Segunda Ola Coreana ................................................................................................... 65 2.2.5.1 Videos Musicales ........................................................................................................... 68 2.2.5.1.1 Tipos de Video Musicales ........................................................................................................ 69 2.2.5.2 Atractivo de K-Pop ........................................................................................................ 71 2.2.5.3 Atractivo de los videos musicales de K-Pop .................................................................
Load more

Recommended publications
  • 6/06 Neoliberalism and the Gwangju Uprising
    8/1/2020 Neoliberalism and the Gwangju Uprising Neoliberalism and the Gwangju Uprising By Georgy Katsiaficas Abstract Drawing from US Embassy documents, World Bank statistics, and memoirs of former US Ambassador Gleysteen and Commanding General Wickham, US actions during Chun Doo Hwan’s first months in power are examined. The Embassy’s chief concern in this period was liberalization of the Korean economy and securing US bankers’ continuing investments. Political liberalization was rejected as an appropriate goal, thereby strengthening Korean anti-Americanism. The timing of economic reforms and US support for Chun indicate that the suppression of the Gwangju Uprising made possible the rapid imposition of the neoliberal accumulation regime in the ROK. With the long-term success of increasing American returns on investments, serious strains are placed on the US/ROK alliance. South Korean Anti-Americanism Anti-Americanism in South Korea remains a significant problem, one that simply won’t disappear. As late as 1980, the vast majority of South Koreans believed the United States was a great friend and would help them achieve democracy. During the Gwangju Uprising, the point of genesis of contemporary anti-Americanism, a rumor that was widely believed had the aircraft carrier USS Coal Sea entering Korean waters to aid the insurgents against Chun Doo Hwan and the new military dictatorship. Once it became apparent that the US had supported Chun and encouraged the new military authorities to suppress the uprising (even requesting that they delay the re-entry of troops into the city until after the Coral Sea had arrived), anti-Americanism in South Korea emerged with startling rapidity and unexpected longevity.
    [Show full text]
  • 2020 MAQHA Select Points 2020 Final Points Horses Name
    2020 MAQHA Select Points 2020 Final Points A B C D E F G H I J K L M N O P Q R S T U V W X Y Z AA ABAC AD AE AF AJ AK 1 Horses Name/Exhibitors Name HC1 HC2 HC3 D1 D2 D3 D4 Y1 Y2 Y3 S1 S2 S3 S4 G1 G2 G3 G4 L1 L2 L3 L4 F1 F2 F3 F4 G5A1 A2 A3 P4Total 2 3 Amateur Select Showmanship 4 Splash O Moonlite/Barbara Chambers 4 4 3 9 9 9 8 7 9 9 9 7 5 6 6 9 9 9 8 8 9 9 165 Champion 5 The Sheik/Denise Hoffman 5 5 5 3 3 3 9 7 7 7 6 6 5 7 4 5 5 3 6 8 8 117 Reserve 6 PSU His Rhythm Rocks/Sandy Slocum-Lipscomb 1 2 4 5 7 8 7 8 8 8 6 8 8 6 7 9 6 6 114 7 Moonwalk/Christi Free 2 2 2 1 5 2 4 3 1 1 3 3 4 7 4 7 7 5 63 8 Been Alota Fun/Jeannie Hotard 3 3 3 2 5 1 5 5 2 2 2 2 0 3 2 1 41 9 Relentless Chase/Christine Schlecht 1 1 1 1 3 2 1 2 4 4 4 4 0 0 0 0 3 3 3 37 10 Shifty Doc Riddle/Debbie Purvis 4 4 4 3 1 1 0 6 23 11 Defination Of Lazy/Lisa Weaver 0 0 0 0 1 3 3 1 5 2 4 2 21 12 Talkaboutasweetchip/Debbie Wells 2 3 3 1 2 2 2 15 13 Certainly A Goodbar/Lisa Weaver 2 1 2 5 14 Bae Bae R Smokin/Aprille Watts 1 1 1 3 15 Shiney Red Kadillac/Sheila Schmidt 0 0 0 0 0 16 17 Amateur Select Hunter Under Saddle 18 PSU His Rhythm Rocks/Samdy Slocum-Lipscomb 3 1 1 2 3 3 3 3 3 3 3 3 3 3 3 39 Champion 19 Relentles Chase/Christine Schlecht 2 2 2 2 2 2 2 1 1 1 1 18 Reserve 20 Shifty Doc Riddle/Debbie Purvis 1 1 1 1 1 1 1 2 9 21 22 Amateur Select Equitation 23 PSU His Rhythm Rocks/Sandy Slocum-Lipscomb 3 3 4 2 3 3 3 3 3 3 3 3 36 Champion 24 Relentless Chase/Christine Schlecht 1 2 1 1 2 2 2 2 14 Reserve 25 Willie B Caaned/Lisa Marshall 4 4 3 3 14 26 Shifty Doc Riddle/Debbie Purvis
    [Show full text]
  • Raulin Rodriguez Onesheet 2
    NEW RELEASE Artist: EMILIO NAVAIRA Title: JUNTOS Selection:APOX 4042 UPC: 097037404239 Price Code: $8.99 Box Lot: 30 Format: CD Label: APODACA RECORDS Genre: TEXANO Release Date: JUNE 23, 2015 TRACKS: BIO / ARTISTS INFO: 1. CÓMO LE HARÉ ( A DUETO CON EMILIO NAVAIRA, also known as the legendary icon of the RICKY MUÑOZ) Texano music is pleased to release this special album titled, “JUNTOS” (Together) in where he presents us various duet 2. EL AMOR VERDADERO songs with favorite artists like, RICKY MUÑOZ, BOBBY 3. ECLIPSE (A DUETO CON BOBBY PULIDO, AND JAY PEREZ and many others that includes PULIDO) tracks like, “COMO LE HARE”, “ECLIPSE”, “SUFICIENTE 4. QUÉDATE (A DUETO CON MARCOS AMOR” and many others. This well produced album is said to OROZCO) be one of his best albums with very important artists and 5. JUNTOS (EMELY NAVAIRA, EMILIO songs. Add this album to your musical collection and Order it NAVAIRA IV Y DIEGO NAVAIRA) now!!!! 6. PERMITEME (A DUETO CON RICARDO CASTILLON) 7. RUEDA DE FORTUNA (A DUETO KEY MARKETS: CON JOSÉ ZAMORA) 8. SUFICIENTE AMOR (A DUETO CON Los Angeles, CA, New York, NY, Washington, DC, SF- Oakland - San Jose, Chicago, IL, Houston, TX, Atlanta, GA, Dallas-Ft. JAY PÉREZ) Worth, TX, Phoenix, AZ, Philadelphia, PA, Denver, CO, 9. YA NO ME PONES ATENCIÓN (RAÚL Sacramento-Stockton, CA, San Diego, CA, Seattle- Tacoma, WA NAVAIRA WITH MAX BACA ON BAJO SEXTO) 10. LUCERO DE MI ALMA (A DUETO MARKETING AND PROMOTION: CON MICHAEL SALGADO) Advances of promotional CD’S will be given to all distributors and 11.
    [Show full text]
  • D2492609215cd311123628ab69
    Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films.
    [Show full text]
  • Korean Language Hymns.Pdf
    TITLE TUNE 001 Praise God from whom all blessings flow OLD HUNDREDTH: 8.8.8.8. 002 To Father, Son, and Holy Ghost ORTONVILLE: 8.6.8.6.6. 003 Glory be to the Father MEINEKE: IRREG. 004 Glory be to the Father GREATOREX: IRREG. 005 Let earth and sky SESSIONS: 8.8.8.8. 006 Now to the King of heav'n ST. JOHN: 6.6.6.6.8.8. 007 Glory to the Father BETHEL PARK: IRREG. 008 Holy, holy, holy, Lord God Almighty! NICAEA: 12.13.12.10 009 Heaven is full of Your glory IRREG. 010 Come, Thou Almighty King ITALIAN HYMN: 6.6.4.6.6.6.4. 011 Let people all worship our God IRREG. 012 Jehovah, let me now adore Thee DIR, DIR, JEHOVAH: 9.10.9.10.10.10. 013 Eternal Kingdom of God IRREG. 014 The God of Abraham praise YIGDAL (LEONI): 6.6.8.4.D. 015 Love divine, all loves excelling BEECHER: 8.7.8.7.D. 016 God of love and mercy great 7.6.7.6.7.5.7.5. 017 God of love and mercy great IRREG. 018 Let us join to sing together IRREG. 019 Hark, ten thousand harps and voices HARWELL: 8.7.8.7.8.8.ALLELUIAS 020 Begin, my tongue, some heavenly theme MANOAH: 8.6.8.6. 021 Praise to the Lord, the Almighty LOBE DEN HERREN: 14.14.4.7.8. 022 Rejoice, the Lord is King DARWALL: 6.6.6.6.REF. 023 Of a thousand tongues to sing AZMON: 8.6.8.6.
    [Show full text]
  • We Gather We Prepare
    May 22, 2011 Our Community Gathers Rev. Kristen Klein-Cechettini Mark Eggleston We Gather Prelude HeavenSound Handbells From many places we gather here. This Grandioso is a high point of our by Darrell Day week. We see our friends. We make + new friends. And we Call to Worship Rev. Janice Ladd spend time with The Congregational Response: “Abide in us, O God!” Friend -- the loving Christ who meets us + Hymn where we are, as we are. In this Sanctuary Lead Me, Lord we worship, and by Wayne and Elizabeth Goodine through worship the courage within us is kindled to inspire courageous living beyond this place. We Prepare As the prelude begins, the congregation is invited to be in an attitude of expectation for the worship of God. + Please rise in body or spirit. Reading from the Hebrew Scriptures Bill O'Rourke (9 am) Marcial Renteria (11 am) Psalm 31:1-5, 15-16 In you, O LORD, I seek refuge; do not let me ever be put to shame; in your righteousness deliver me. Incline your ear to me; rescue me speedily. Be a rock of refuge for me, a strong fortress to save me. You are indeed my rock and my fortress; for your name's sake lead me and guide me, take me out of the net that is hidden for me, for you are my refuge. Into your hand I commit my spirit; you have redeemed me, O LORD, faithful God. My times are in your hand; deliver me from the hand of my enemies and persecutors.
    [Show full text]
  • Pan Entertainment (068050 KQ) Poised to Benefit from China’S Growing Content Demand
    Pan Entertainment (068050 KQ) Poised to benefit from China’s growing content demand Snapshot: Producer of Winter Sonata, the origin of the Korean Wave Founded in 1998, Pan Entertainment was mainly engaged in the business of managing Company Report recording artists and making soundtracks before producing its first drama series “Winter December 5, 2014 Sonata” in 2002. The drama became a huge hit in Japan, setting in motion the “Korean Wave” across the country. Since then, the company has established itself as a drama producer, but has struggled to maintain stable profits due to the small size and buyer- Not Rated driven culture of the domestic market. Catalyst: China’s video content demand is surging, but options are limited Target Price (12M, W) - In China, there are over 4,000 television channels, all of which rely on advertising as their Share Price (12/03/14, W) 6,380 biggest source of income. Because advertising revenue is largely determined by primetime ratings, many broadcasters crave killer content, most preferably in the form Expected Return - of dramas and entertainment shows. But, while China’s video content demand has been rapidly increasing in terms of both quantity and quality, the country’s production capabilities have lagged far behind. Demand has been growing not only among major OP (14F, Wbn) 1 broadcasters and studios, but also among internet portals like Alibaba, and online video Consensus OP (14F, Wbn) 0 streaming sites such as Youku Tudou and Sohu. To make up for the lack of content, EPS Growth (14F, %) - Chinese companies are increasingly turning to Korean pr oducers, as Korean content is 1) Market EPS Growth (14F, %) 1.1 hugely popular in China, 2) of higher quality, and 3) cheaper to produce.
    [Show full text]
  • Partyman by Title
    Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D.
    [Show full text]
  • Up-Krc-6Pkss-Book-Of-Abstracts-Boa
    6th Philippine Korean Studies Symposium DAY 1 : November 21 (Thursday) TIME ACTIVITY 8:00 – 9:00 Registration OPENING PROGRAM WELCOME REMARKS Mary Delia G. Tomacruz, DBA Assistant Vice President, Office of the Vice President for Academic Affairs University of the Philippines CONGRATULATORY REMARKS 9:00 – 9:30 Maria Bernadette L. Abrera, Ph.D. Dean, College of Social Sciences and Philosophy University of the Philippines Diliman OPENING REMARKS Aldrin P. Lee, Ph.D. OIC-Director, Korea Research Center University of the Philippines PLENARY LECTURE 1 Korean Popular Culture and the International Cultural Flow 9:30 – 10:40 Doobo Shim, Ph.D. Sungshin Women’s University 2019 UP KRC CORE RESEARCH PRESENTATIONS A Review of Economic Agendas and Relevant Bilateral Relations of South Korea and the Philippines: Directions for Opportunities, Enhancements, and Improvements Erik Paolo Capistrano, Ph.D. Virata School of Business, University of the Philippines Diliman Harnessing Philippine Soft Power: 10:40 – 12:10 Lessons from South Korea’s Soft Power Strategy Aaron Jed Rabena, Ph.D. Asia Pacific Pathways for Progress Foundation Inc. Media Representations of Koreans in the Philippines Jean Encinas-Franco, Ph.D. & Samuel Cabbuag Department of Political Science / Department of Sociology University of the Philippines Diliman 12:10 – 1:30 Lunch Break 2 3 6th Philippine Korean Studies Symposium DAY 1 : November 21 (Thursday) PARALLEL PAPER PRESENTATIONS AUDITORIUM SEMINAR ROOM TIME ACTIVITY A B 8:00 – 9:00 Registration Filial Piety: A Contemporary Managing K-Pop in the Moral Quandary in the OPENING PROGRAM Philippines: Philippines and Lessons from the Shopee x WELCOME REMARKS South Korea Evaluated Using BLACKPINK Experience Aristotle’s Virtue Ethics Mary Delia G.
    [Show full text]
  • Rectv Powered by レコチョク 配信曲 覧（アーティスト名ヨミ「は」 ）
    RecTV powered by レコチョク 配信曲⼀覧（アーティスト名ヨミ「は」⾏） ※2021/7/19時点の配信曲です。時期によっては配信が終了している場合があります。 曲名 歌手名 アワイロサクラチル バイオレント イズ サバンナ It's Power of LOVE バイオレント イズ サバンナ OH LOVE YOU バイオレント イズ サバンナ つなぐ バイオレント イズ サバンナ I'M DIFFERENT HI SUHYUN AFTER LIGHT [Music Video] HYDE INTERPLAY HYDE ZIPANG (Japanese Version) HYDE feat. YOSHIKI BELIEVING IN MYSELF HYDE FAKE DIVINE HYDE WHO'S GONNA SAVE US HYDE MAD QUALIA [Japanese Version] HYDE LET IT OUT HYDE 数え切れないKiss Hi-Fi CAMP 雲の上 feat. Keyco & Meika, Izpon, Take from KOKYO [ACOUSTIC HIFANA VERSION] CONNECT HIFANA WAMONO HIFANA A Little More For A Little You ザ・ハイヴス Walk Idiot Walk ザ・ハイヴス ティック・ティック・ブーン ザ・ハイヴス ティック・ティック・ブーン(ライヴ) ザ・ハイヴス If I Could Change Your Mind ハイム Summer Girl ハイム Now I'm In It ハイム Hallelujah ハイム Forever ハイム Falling ハイム Right Now ハイム Little Of Your Love ハイム Want You Back ハイム BJ Pile Lost Paradise Pile I Was Wrong バイレン 100 ハウィーD Shine On ハウス・オブ・ラヴ Battle [Lyric Video] House Gospel Choir Waiting For The Sun Powderfinger Already Gone Powderfinger (Baby I've Got You) On My Mind Powderfinger Sunsets Powderfinger These Days [Live In Concert] Powderfinger Stumblin' [Live In Concert] Powderfinger Take Me In Powderfinger Tail Powderfinger Passenger Powderfinger Passenger [Live At The 1999 ARIA Awards] Powderfinger Pick You Up Powderfinger My Kind Of Scene Powderfinger My Happiness Powderfinger Love Your Way Powderfinger Reap What You Sow Powderfinger Wake We Up HOWL BE QUIET fantasia HOWL BE QUIET MONSTER WORLD HOWL BE QUIET 「いくらだと思う?」って聞かれると緊張する(ハタリズム) バカリズムと アステリズム HaKU 1秒間で君を連れ去りたい HaKU everything but the love HaKU the day HaKU think about you HaKU dye it white HaKU masquerade HaKU red or blue HaKU What's with him HaKU Ice cream BACK-ON a day dreaming..
    [Show full text]
  • C NTENTASIA #Thejobsspace Pages 14, 15, 16
    Bumper jobs issue C NTENTASIA #TheJobsSpace pages 14, 15, 16 www.contentasia.tv l https://www.facebook.com/contentasia?fref=ts facebook.com/contentasia l @contentasia l www.asiacontentwatch.com New Warner TV debuts on 15 March iZombie leads launch schedule Turner unveils the new version of regional entertainment channel Warner TV on 15 March, three days ahead of the express premiere in Asia of iZombie, the brain-eat- ing zombie show inspired by DC Comics. The new Warner TV debuts with a re- worked logo and the tagline “Get Into It”. The new schedule is divided into three clear pillars – drama, action and comedy. More on page 3 Hong Kong preps for Filmart 2015 800 exhibitors, 30 countries expected Digital entertainment companies are ex- pected to turn out in force for this year’s 19th annual Hong Kong Filmart, which runs from 23-26 March. Organisers said in the run up to the market that about 170 digital companies would participate. About 18% of these are from Hong Kong. The welcome mat is also being rolled More on page 16 Facing facts in China Docu bosses head for Asian Side of the Doc About 600 delegates are expected in the Chinese city of Xiamen for this year’s Asian Side of the Doc (ASD), including the event’s first delegation from Brazil and more indie producers than ever. This year’s event (17-20 March) takes place against sweeping changes in Chi- More on page 18 9-22 March 2015 page 1. C NTENTASIA 9-22 March 2015 Page 2.
    [Show full text]
  • ARTIST No TITLE ARTIST
    No TITLE ARTIST No TITLE ARTIST 1787 40 Y 20 2022 ACARICIAME J.C.CALDERON 1306 72 HACHEROS PA UN PALO ARSENIO RODRIGUEZ 1301 ACEPTE LA VERDAD SEÑORA SILVIA A.GLEZ 574 A AQUELLA M. A. SOLIS 2070 ACEPTO MI DERROTA LOS BUKIS 395 A BUSCAR MI AMOR JOSE GELABERT 955 ACERCATE MAS EFRAIN LOGROIRA 2064 A CAMBIO DE QUE LUCHA VILLA 629 ACERCATE MAS OSVALDO FARRES 1686 A COGER CANGREJO PABLO CAIRO 1038 ACOMPAÑEME CIVIL J.L.GUERRA 3059 A DONDE VA EL AMOR 1507 ACONSEJEME MI AMIGO LÓPEZ Y GONZALEZ 2640 A DONDE VA NUESTRO AMOR ANGELICA MARIA 157 ACUERDATE DE ABRIL AMAURI PEREZ 3138 A DONDE VAS 1578 ACUERDATE DE ABRIL AMAURY 573 A DONDE VAYAS M. A. SOLIS 940 ADAGIO ALBINONI, PURON 674 A ESA MANUEL ALEJANDRO 589 ADELANTE MARIO J. B. 1034 A GATAS MARY MORIN 1843 ADIOS 1664 A GOZAR CON MI BATA PABLO CAIRO 2513 ADIOS A JAMAICA LOS HOOLIGANS 913 A LA HORA QUE SEA G.DI MARZO 2071 ADIOS ADIOS AMOR LOS JINETES 1031 A LA MADRE MARY MORIN 2855 ADIOS AMOR TE VAS JUAN GABRIEL 2548 A LA ORILLA DE UN PALMAR G.SALINAS 2856 ADIOS CARI O A.A.VALDEZ 1212 A LA ORILLA DEL MAR ESPERON&CORTAZAR 2072 ADIOS DE CARRASCO LUCHA VILLA 578 A LA QUE VIVE CONTIGO ARMANDO M. 2857 ADIOS DEL SOLDADO D.P. 1624 A LA VIRGEN DEL COBRE MARIA TERESA VERA 2073 ADIOS MARIQUITA LINDA M. JIMENEZ 1727 A LO LARGO DEL CAMINO JOSE A CASTILLO 2858 ADIOS MI CHAPARRITA T. NACHO 838 A MAS DE UNO RUDY LA SCALA 3149 ADONIS 4205 A MEDIA LUZ DONATO LENZI 3011 ADORABLE MENTIROSA JUAN GABRIEL 2065 A MEDIAS DE LA NOCHE LUCHA VILLA 630 ADORO MANZANERO 581 A MI GUITARRA JUAN GABRIEL 1947 AFUERA S.HERNANDEZ 2376 A MI MANERA C.FRANCOIS 2387 AGARRENSE DE LAS MANOS EL PUMA 186 A MI PERLA DEL SUR JORGE A.
    [Show full text]