Korean Drama Princess Ja Myung
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Universidad Peruana De Ciencias Aplicadas Facultad
Caracterización de los procesos de consumo de los K- Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS Item Type info:eu-repo/semantics/bachelorThesis Authors Mosquera Anaya, Heidy Winie Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 10/10/2021 11:56:20 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/648589 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE COMUNICACIONES PROGRAMA ACADÉMICO DE COMUNICACIÓN AUDIOVISUAL Y MEDIOS INTERACTIVOS Caracterización de los procesos de consumo de los K-Dramas y videos musicales de K-Pop, y su incidencia en la construcción de la identidad y formas de socialización en la comunidad Hallyu de Lima. Una aproximación desde los fenómenos de audiencia en K-Dramas Descendants of the Sun y Goblin: The Lonely and Great God, y los fenómenos de tendencia musical de los grupos BIG BANG y Bangtan Boys; Beyond The Scene a.k.a BTS. TESIS Para optar el título profesional de Licenciado en Comunicación Audiovisual y Medios Interactivos AUTOR(A) Mosquera Anaya, Heidy Winie (0000-0003-4569-9612) ASESOR(A) Calderón Chuquitaype, Gabriel Raúl (0000-0002-1596-8423) Lima, 01 de Junio de 2019 DEDICATORIA A mis padres Abraham y Luz quienes con su amor, paciencia y esfuerzo me han permitido llegar a cumplir hoy un sueño más. -
Pan Entertainment (068050 KQ) Poised to Benefit from China’S Growing Content Demand
Pan Entertainment (068050 KQ) Poised to benefit from China’s growing content demand Snapshot: Producer of Winter Sonata, the origin of the Korean Wave Founded in 1998, Pan Entertainment was mainly engaged in the business of managing Company Report recording artists and making soundtracks before producing its first drama series “Winter December 5, 2014 Sonata” in 2002. The drama became a huge hit in Japan, setting in motion the “Korean Wave” across the country. Since then, the company has established itself as a drama producer, but has struggled to maintain stable profits due to the small size and buyer- Not Rated driven culture of the domestic market. Catalyst: China’s video content demand is surging, but options are limited Target Price (12M, W) - In China, there are over 4,000 television channels, all of which rely on advertising as their Share Price (12/03/14, W) 6,380 biggest source of income. Because advertising revenue is largely determined by primetime ratings, many broadcasters crave killer content, most preferably in the form Expected Return - of dramas and entertainment shows. But, while China’s video content demand has been rapidly increasing in terms of both quantity and quality, the country’s production capabilities have lagged far behind. Demand has been growing not only among major OP (14F, Wbn) 1 broadcasters and studios, but also among internet portals like Alibaba, and online video Consensus OP (14F, Wbn) 0 streaming sites such as Youku Tudou and Sohu. To make up for the lack of content, EPS Growth (14F, %) - Chinese companies are increasingly turning to Korean pr oducers, as Korean content is 1) Market EPS Growth (14F, %) 1.1 hugely popular in China, 2) of higher quality, and 3) cheaper to produce. -
Up-Krc-6Pkss-Book-Of-Abstracts-Boa
6th Philippine Korean Studies Symposium DAY 1 : November 21 (Thursday) TIME ACTIVITY 8:00 – 9:00 Registration OPENING PROGRAM WELCOME REMARKS Mary Delia G. Tomacruz, DBA Assistant Vice President, Office of the Vice President for Academic Affairs University of the Philippines CONGRATULATORY REMARKS 9:00 – 9:30 Maria Bernadette L. Abrera, Ph.D. Dean, College of Social Sciences and Philosophy University of the Philippines Diliman OPENING REMARKS Aldrin P. Lee, Ph.D. OIC-Director, Korea Research Center University of the Philippines PLENARY LECTURE 1 Korean Popular Culture and the International Cultural Flow 9:30 – 10:40 Doobo Shim, Ph.D. Sungshin Women’s University 2019 UP KRC CORE RESEARCH PRESENTATIONS A Review of Economic Agendas and Relevant Bilateral Relations of South Korea and the Philippines: Directions for Opportunities, Enhancements, and Improvements Erik Paolo Capistrano, Ph.D. Virata School of Business, University of the Philippines Diliman Harnessing Philippine Soft Power: 10:40 – 12:10 Lessons from South Korea’s Soft Power Strategy Aaron Jed Rabena, Ph.D. Asia Pacific Pathways for Progress Foundation Inc. Media Representations of Koreans in the Philippines Jean Encinas-Franco, Ph.D. & Samuel Cabbuag Department of Political Science / Department of Sociology University of the Philippines Diliman 12:10 – 1:30 Lunch Break 2 3 6th Philippine Korean Studies Symposium DAY 1 : November 21 (Thursday) PARALLEL PAPER PRESENTATIONS AUDITORIUM SEMINAR ROOM TIME ACTIVITY A B 8:00 – 9:00 Registration Filial Piety: A Contemporary Managing K-Pop in the Moral Quandary in the OPENING PROGRAM Philippines: Philippines and Lessons from the Shopee x WELCOME REMARKS South Korea Evaluated Using BLACKPINK Experience Aristotle’s Virtue Ethics Mary Delia G. -
Diasporic Nationalism and Academic Pilgrimage of the Korean Christian Community in Jerusalem
S/N Korean Humanities Volume 7 Issue 1 Between Two Homelands: Diasporic Nationalism and Academic Pilgrimage of the Korean Christian Community in Jerusalem Irina Lyan The Hebrew University of Jerusalem Received January 12, 2020; Revised version received February 17, 2021; Accepted February 28, 2021 Abstract This article brings a transnational approach to the concept of diasporic nationalism, often narrowly conceptualized through the paradoxical link between displaced nation and territory. Based on a one-year ethnographical account of the Korean Christian community in Jerusalem, the article aims to challenge the already troubled concept of diasporic nationalism through the prism of a religious supranational “homecoming” to the Holy Land that might both enhance the national identity and transcend the very significance of nation and nationalism. Rather than viewing diasporic individuals as brokers, educators, and even as “exemplary citizens” or ambassadors of their historical homelands, I suggest moving away from a “hypernationalist” framing of diaspora as an extended nation toward a nuanced understanding of diasporic action and agency. By juxtaposing national and religious nostalgia for “imagined homelands,” I argue that while national identity makes Korean community members outsiders in an unwelcoming Israeli society, their status as Christians brings them back to their religious origins through what I call an “academic pilgrimage.” I ask how the Korean Christian community, modeled on the concept of nation-within-nation, negotiates its -
A Cinematic View on North Korean Spies from the South in Secretly Greatly (2013) Ji-Eun Kim
REVIEW A Cinematic View on North Korean Spies from the South in Secretly Greatly (2013) Ji-Eun Kim North Korean spies in South Korean cinema are by no means a recent phenomenon. South Korean anti-communist genre films, which had their beginnings in the late 1940s, emphasized nationalism and positioned South Korea as being in deadlock with communist North Korea. As evidence of the popularity of such anticommunist films, there were seventeen anticommunist films made between 1949 and 1960 (Shim, 2011). Most of these genre films consists of stories of “split families, partisans, spies and armed infiltrators to the South” (Shim, 2011, p.179). In the 1960s, President Park Chung Hee reinforced anticommunist policy in South Korea in fields like the defense system and in education. Many elementary schools had to hold anticommunist speech contests and draw political posters as well as slogans (Shim, 2011, p. 190). A gap emerged between the propaganda of the Park regime and the films that directors wanted to produce. While the government sought to portray communism in a negative light, film directors wanted to jump over the limited anticommunist plots and narratives to broader artistic possibilities. Because of these expectations of having to satisfy government propaganda, filmmakers had to make anticommunist films in order to get state level censorship shortcuts (Shim, 2011, p. 191). Shim also noted that it was only by 1985 that film policy stopped favoring these types of anticommunist films. Plaridel • Vol. 14 No. 2 • July - December 2017 145-154 Before the early 1990s, anti-communist film characters consisted of monstrous and heartless spies that attacked South Koreans. -
Download Drama Korea Tree with Deep Roots
1 / 2 Download Drama Korea Tree With Deep Roots Tree with Deep Roots Season 1 Episode 9 Soap2day watch full online free in HD, Stream Tree with Deep Roots Free on Soap2day, Tree with Deep Roots free full download online. ... scholars in Gyeongbok Palace while King Sejong comes to create the Korean written language. Released: 2011-10-05. Genre: Drama.. Korean dramas, Chinese dramas, Taiwanese dramas, Japanese dramas, Kpop & Kdrama news and events by Soompi, and original productions -- subtitled in .... Tree With Deep Roots. Early in his reign, King Se Jong accidentally causes the death of his in-laws and their slaves in an attempt to save them from his brutal .... Nonton, Streaming, & Download Drama Korea Tree With Deep Roots Sub Indo resolusi 360p, 480p, 540p, 720p lengkap beserta Batch format Mp4 dan Mkv.. Download drama korea tree with deep roots 01.07.2020 01.07.2020 ... Deep Rooted Tree ini emang sarat sama sejarahnya banget. Bukan tipikal romance yang .... May 27, 2021 — Download or Watch online Tree With Deep Roots Episode 9 with english ... Country: South Korea Type: Drama Episodes: 24 Director: Jang Tae ... Watch again highest rating korean drama of all time: top romantic Korean dramas, comedy Korean ... Deep Rooted Tree 9. ... Tree with Deep Roots (2011).. Jun 24, 2021 — If you dearly miss a K-Drama or filming location, simply add it here or ... Deep Rooted Tree/Tree With Deep Roots (뿌리 깊은 나무) (SBS, 2011). by E Spolaore · 2012 · Cited by 805 — has deep historical roots, what is the scope for policy to affect the wealth of nations .. -
Copyright by Ji-Hyun Ahn 2013 the Dissertation Committee for Ji-Hyun Ahn Certifies That This Is the Approved Version of the Following Dissertation
Copyright by Ji-Hyun Ahn 2013 The Dissertation Committee for Ji-Hyun Ahn Certifies that this is the approved version of the following dissertation: Visualizing Race: Neoliberal Multiculturalism and the Struggle for Koreanness in Contemporary South Korean Television Committee: Shanti Kumar, Supervisor Joe Straubhaar Mary Celeste Kearney Mary Beltrán Madhavi Mallapragada Robert Oppenheim Visualizing Race: Neoliberal Multiculturalism and the Struggle for Koreanness in Contemporary South Korean Television by Ji-Hyun Ahn, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2013 Dedication To my parents and grandparents for their persistent love and support Acknowledgements There are many people whom I would like to thank for their generous assistance during my graduate school days. The academic journey of completing my dissertation project and pursuing a doctoral degree in the US would have been impossible without their support and encouragement. First and foremost, my biggest gratitude goes to my supervisor, Shanti Kumar. I am certain that I would have not been able to finish my dissertation without his passion for the project and enormous support given to me. Whenever I felt unconfident or uncertain about the project, he always believed the best of me, encouraged me with warm words, and challenged me to think more deeply and critically. I will always remember the atmosphere of our meetings where he inspired me with his genuine interests in my work and with his broad and deep intellectual knowledge. -
Iir:- 3UNGAN ANTARA KARAKTERISTIK DEMOGRAFIS DENGAN KEPUTUSAN :MBELIAN PRODUK KOREA DI KECAMATAN ILIR BARAT I PALEMBANG Diajukan
iir:- 3UNGAN ANTARA KARAKTERISTIK DEMOGRAFIS DENGAN KEPUTUSAN :MBELIAN PRODUK KOREA DI KECAMATAN ILIR BARAT I PALEMBANG Diajukan untuk Menyusun Skripsi Pada Program Strata Satu Fakultas Ekonomi dan Bisnis Universitas Muhammadiyah Palembang NAMA : LINDA YUNITA NIM :21 2012 230 UNIVERSITAS MUHAMMADIYAH PALEMBANG FAKULTAS EKONOMI DAN BISNIS 2016 FERNYATAAN BEBAS PLAGIAT Saya yang bertanda tangan dibawah ini: Nama Linda Yunita Nim 21 2012 230 Fakultas Ekonomi dan Bisnis Jurusan Manajemen Bidang Studi : Manajemen Pemasaran Menyatakan bahwa skripsi ini telah ditulis sendiri dengan sungguh-sungguh dan tidak ada bagian yang merupakan penjiplakan karya orang lain. Apabila di kemudian hari terbukti bahwa pemyataan ini lidak benar, maka saya sanggup menerima sanksi berupa pembatalan skripsi dan segala konsekuensinya. Palembang, 23 Juli20l6 Penuhs, Nama:' Linda Yunita Nim :2I 2012230 iii Un i versitasM uhanunad iyah Palembang FakultasEkonomidanBisnis TANDA PENGESAHAN SKRIPSI Judul : Hubusgan Aatara Karakteristik Demografis Dengan Kepntusan Pcnbetian Produk Korea Di Kecamatan Ilir Barat I Palembang Nama Linda Yunita NIM : 21 2012 230 Fakultas Ekonomi dan bisnis Program Studi Manajemen Konsentrasi Manajemen Pemasaran Ditenma dan Disahkan Pada tanggal 23 Juli 2016 Pembimbing Diah Isnaini Asiati,S.E, MM NIDN : 0207046301 Mengetahui iv MOTTO DAN PERSEMBAHAN MOTTO: > Barang siapa keluar untuk mencari iimu maka dia berada dijaian Allah (HR. Turmudzi) > Neraka ditirai dengan segala macam keinginan dan syurga ditirai dengan segala perkarayang dibenci (H.R -
K-Pop As a Means to an End Among Thai Youth: Korean Wave As Costume, Food, and Image Keith Howard and Great Lekakul, SOAS, University of London
ISSN: 2635-6619 (Online) Journal homepage: https://culturenempathy.org/ K-Pop as a Means to an End among Thai Youth: Korean Wave as Costume, Food, and Image Keith Howard and Great Lekakul, SOAS, University of London To cite this article: Keith Howard and Great Lekakul, “K-Pop as a Means to an End among Thai youth: Korean Wave as Costume, Food, and Image.” Culture and Empathy 1(1-4): 18-33, DOI: 10.32860/26356619/2018/1.1234.0003. To link to this article: https://doi.org/10.32860/26356619/2018/1.1234.0003 Published online: 8 Oct 2018. Submit your article to this journal Full Terms & Conditions of access and use can be found at https://culturenempathy.org/terms-and-conditions CULTURE AND EMPATHY Vol. 1, No. 1-4, pp. 18-33 https://doi.org/10.32860/26356619/2018/1.1234.0003 K-Pop as a Means to an End among Thai youth: Korean Wave as Costume, Food, and Image Keith HOWARD, SOAS, University of London Great LEKAKUL, SOAS, University of London Abstract Assessments of the impact of K-pop beyond Korea, and of other aspects within the broader Korean Wave, often focus on groups of fans. The research reported here began from an intention to move beyond fandom, encouraged by a challenge to demonstrate that ARTICLE HISTORY members of the British Thai community, aware of their heritage in Received 10 August 2018 Southeast Asia but growing up in the eclectic cultural mix of Revised 24 September 2018 Accepted 30 September 2018 contemporary Britain, were interested in K-pop. -
Travail Personnel Korean Entertainment
Travail Personnel Korean Entertainment Nom: Alves Chambel Prénom: Carolina Classe: 6G3 Tutrice: Amélie Mossiat 2019/2020 Introduction Hello, my name is Carolina and I am 14 years old. My 2019/2020 TRAPE is about Korean Entertainment! I have been into K-Pop for almost 3 years and I have always been researching lots of things about Korean celebrities, their activities and their TV shows. Since I was a child, I have always been very curious about the Asian culture, even though I thought they were gangster. As I grew up, I have become more and more connected to their culture. Then, at the end of 2016, I listened to my first K-Pop song ever. I was 10 years old and I was in primary school when I got to know EXO, the first group I listened to. They had a big impact in my life because in that moment I was struggling mentally and physically... The only thing that made me happy, was listening to their songs! They would make feel better in every way possible, once I listened to some music, I’d completely forget about my worries. It was always the best part of my days. That is why I have grown attached to K-Pop songs, dances and singers. Table of contents WHAT WERE THE MOST FAMOUS SERIES (KOREAN DRAMAS)? (2019) IS IT POPULAR IN OTHER COUNTRIES? WHO IS MY FAVOURITE ACTOR AND ACTRESS? ARE IDOLS ALSO ACTORS? WHAT GENRES OF DRAMAS ARE THERE? WHAT GENRE OF MUSIC DO THEY DO? WHAT ARE THE MOST FAMOUS GROUPS IN KOREA AND INTERNATIONALLY? WHAT ARE THE MOST FAMOUS SONGS? DO K-DRAMAS ALSO HAVE SONGS? What were the most famous series (Korean Dramas)? (2019) Since we are at the beginning of 2020, it would be better to make a list of the 10 most popular K- Dramas in 2019. -
Tracing the Korean Orphan and Adoptee Through South Korean and American National Narratives
Orphan, Adoptee, Nation: Tracing the Korean Orphan and Adoptee through South Korean and American National Narratives By Kira Ann Donnell A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Elaine H. Kim, Chair Professor Catherine Ceniza Choy Professor Jinsoo An Professor Grace J. Yoo Fall 2019 Abstract Orphan, Adoptee, Nation: Tracing the Korean Orphan and Adoptee through South Korean and American National Narratives by Kira Ann Donnell Doctor of Philosophy in Ethnic Studies University of California, Berkeley Professor Elaine H. Kim, Chair The transnational adoption industrial complex established between South Korea and the United States following the Korean War initiated what is sometimes called the “Quiet Migration.” Since then, over 200,000 Korean children have been sent abroad, and the transnational, transracial adoption industry has operations set up in dozens of developing countries worldwide which takes thousands of children annually from their natal homes and places them in adoptive families in Western countries. For the past seventy years, the figures of the Korean orphan and adoptee have held significant meaning in the imaginations of by South Korean and American citizens. The sentimental figure of the Korean orphan became the conduit through which both South Koreans and Americans defined their experiences in the Korean War. The transnational Korean adoptee has become an icon of the United States’ commitment to humanitarianism and diversity and South Korea’s modern branding as a sophisticated and internationally-networked nation. This dissertation explores how United States and South Korean culture and society have used the figures of the Korean orphan and Korean adoptee to construct national identities that reflect its citizens as virtuous, cosmopolitan, and unified. -
The Romantic Perpetuation of Patriarchy Through the Representation of Pretty Boy in Popular Korean Dramas in Malaysia
© Media Watch 8 (3) 298-310, 2017 ISSN 0976-0911 e-ISSN 2249-8818 DOI: 10.15655/mw/2017/v8i3/49153 Prettiness as a Shield: The Romantic Perpetuation of Patriarchy through the Representation of Pretty Boy in Popular Korean Dramas in Malaysia SOH WENG KHAI & JULIANA ABDUL WAHAB School of Communication, Universiti Sains Malaysia The idea of being a pretty boy was hailed as a regional privileged male ideal in Asia after the booming of Korean wave in late 1990s that saw Korean drama featuring men that openly embrace both masculine and feminine traits. They were often described as tall, possessing a slim feminine face, fashionable and romantic. While the pretty boy image was seen as a form of 'new masculinity' that acknowledged women equally, however, critical qualitative content analysis of popular Korean dramas in Malaysia, Moon Embracing the Sun (2012) and The Heirs (2013) revealed that these Korean men were feminised through the use of constant fragmented and close-up shots, and also through the use of bright and colourful costume. Although they did not hide their emotions, however, this performance only took place in the private sphere. As much as the metrosexual tried hard to disassociate themselves with the notion of femininity and queerness, the idea of being a pretty boy showed similar disavowal-masculinity is maintained through high-ranked social position despite there is an acceptance of a more feminised appearance. Keywords: Pretty boy, metrosexuality, masculinity, Korean drama, Korean wave Deemed as the contemporary dominant incarnation of East Asian popular culture (Ainslie & Lim, 2015, p. 2), the Korean wave (or popularly known as hallyu) has showed no sign of shrinking after almost two decades since the release of Winter Sonata that start exporting Korean cultural phenomenon globally in 2002.