Shame, Shaming, and Intellectual Property
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White Collar Criminality: a Prediction Model Judith M
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1991 White collar criminality: a prediction model Judith M. Collins Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Industrial and Organizational Psychology Commons, Personality and Social Contexts Commons, Social Psychology Commons, and the Social Psychology and Interaction Commons Recommended Citation Collins, Judith M., "White collar criminality: a prediction model " (1991). Retrospective Theses and Dissertations. 9607. https://lib.dr.iastate.edu/rtd/9607 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
The Political Construction of Collective Insecurity: from Moral Panic To
Center for European Studies Working Paper Series 126 (October 2005) The Political Construction of Collective Insecurity: From Moral Panic to Blame Avoidance and Organized Irresponsibility by Daniel Béland Department of Sociology University of Calgary 2500 University Drive NW Calgary, Alberta, Canada T2N 1N4 Fax: (403) 282-9298 E-mail: [email protected]; web page: http://www.danielbeland.org/ Abstract This theoretical contribution explores the role of political actors in the social construction of collective insecurity. Two parts comprise the article. The first one briefly defines the concept of collective insecurity and the second one bridges existing sociological and political science literatures relevant for the analysis of the politics of insecurity. This theoretical framework articulates five main claims. First, although interesting, the concept of moral panic applies only to a limited range of insecurity episodes. Second, citizens of contemporary societies exhibit acute risk awareness and, when new collective threats emerge, the logic of “organized irresponsibility” often leads citizens and interest groups alike to blame elected officials. Third, political actors mobilize credit claiming and blame avoidance strategies to respond to these threats in a way that enhances their position within the political field. Fourth, powerful interests and institutional forces as well as the “threat infrastructure” specific to a policy area create constraints and opportunities for these strategic actors. Finally, their behavior is proactive or reactive, as political actors can either help push a threat onto the agenda early, or, at a later stage, simply attempt to shape the perception of this threat after other forces have transformed it into a major political issue. -
Social Engineering
Social Engineering Blurring reality and fake: A guide for the insurance professional www.cybcube.com Deception and disguise are criminal the radar of insurance professionals, as they methods that are as old as time. become more widely used. Numerous examples - from Ulysses Cyber insurance products do - and will and his Trojan Horse in Greek continue to - cover claims from social Mythology, to Fagan, the pickpocket, engineering attacks. This paper is designed in Charles Dicken’s Oliver Twist - to educate insurers on developing strains reinforce the long history of criminals of social engineering, so they can engage achieving their goals by hoodwinking with their clients meaningfully on their targets into believing that an cybersecurity and risk management interaction is something that it is not. strategies against these new attacks. Today, that deception is largely being carried CyberCube invests heavily in cybersecurity out in the non-physical realm. Recent huge expertise - both human capital with deep strides made in technology take historic social engineering techniques to new levels experience in the cyber security domain and in terms of both scale and sophistication. also in data sources and security signals that might flag vulnerabilities and risk areas. In this paper, we will outline some of the forms of social engineering and explore This paper combines those resources, to some of the criminal motivations for carrying offer some pointers on what warning signs out these attacks. We will take a deeper enterprises should be alert to, and how dive into four developing areas of social insurers could address this growing trend engineering, which we believe should be on before it becomes a major claims event. -
Martha's Vineyard Concert Series
THA’S VINEY AR ARD M SUMMER 2017 CONCERT SERIES 2ND ANNUAL SEASON ALL SHOWS ON SALE NOW! MVCONCERTSERIES.COM MARTHA’S VINEYARD CONCERT SERIES your year - round connection to Martha’s Vineyard SUmmER LINE-UP! JUNE 28 • AIMEE MANN over 6,500 photo, canvas WITH SPECIAL GUEST JONATHAN COULTON images & metal prints published agendas JULY 6 • LOUDON WAINWRIGHT III daily photos calendars JULY 13 • PINK MARTINI sent to your inbox notecards WITH LEAD SINGER CHINA FORBES JULY 18 • GRAHAM NASH JULY 23 • PRESERVATION HALL JAZZ BAND JULY 29 • JACKOPIERCE WITH SPECIAL GUEST IAN MURRAY FROM VINEYARD VINES AUGUST 15 • THE CAPITOL STEPS ALL NEW SHOW! ORANGE IS THE NEW BARACK AUGUST 19 • ARETHA FRANKLIN AUGUST 21 • DIRTY DOZEN BRAss BAND AUGUST 23 • BLACK VIOLIN GET YOUR TICKETS TODAY! www.vineyardcolors.com MVCONCERTSERIES.COM AIMEE MANN WITH SPECIAL GUEST JONATHON COULTON WEDNESDAY, JUNE 28 | MARTHA’S VINEYARD PAC Aimee Mann is an American rock singer-songwriter, bassist and guitarist. In 1983, she co-founded ‘Til Tuesday, a new-wave band that found success with its first album, Voices Carry. The title track became an MTV favorite, winning the MTV Video Music Award for Best New Artist, propelling Mann and the band into the spotlight. After releasing three albums with the group, she broke up the band and embarked on a solo career. Her first solo album, Whatever, was a more introspective, folk-tinged effort than ‘Til Tuesday’s albums, and received uniformly positive reviews upon its release in the summer of 1993. Mann’s song “Save Me” from the soundtrack to the Paul Thomas Anderson film Magnolia was nominated for an Academy® Award and a Grammy®. -
Social Media's Use of Psychology of Persuasion 1
1 Running head: SOCIAL MEDIA’S USE OF PSYCHOLOGY OF PERSUASION How social media uses the psychology of persuasion to influence the purchase of beauty products to the young generations By Kiersten Denton A thesis submitted to the University Honors Program at Southern New Hampshire University to complete HON 401, and as part of the requirements for graduation from the University Honors Program Manchester, New Hampshire May 2019 ___________May, 2019__________ *Your year and month of graduation 2 Running head: SOCIAL MEDIA’S USE OF PSYCHOLOGY OF PERSUASION Abstract As someone who currently works in the beauty industry and follows the industry intensely. I noticed how much impact persuasive methods have on the young generation of consumers through social media and digital marketing. This was illustrated through the various sources on social media such as influencers, bloggers, celebrities, social media outlets and much more. This thesis sought to determine if these persuasive techniques that brands use to market their products to younger generations are increasing the amount of purchases these consumers make or influence their decisions to purchase beauty products. A survey was conducted through Qualtrics and distributed to the target market, comprised of the Millennial Generation and Generation Z between the ages of 18-40 years old to determine how much of an impact these persuasive methods conducted by the beauty industry has on them overall; as well as to gather demographic information. Results showed that although these methods have a strong impact on the purchasing decisions of young consumers on beauty products many still rely on word of mouth recommendations from trusted friends and family members. -
Social Engineering
Social Engineering Blurring reality and fake: A guide for the insurance professional www.cybcube.com Deception and disguise are criminal the radar of insurance professionals, as they methods that are as old as time. become more widely used. Numerous examples - from Ulysses Cyber insurance products do - and will and his Trojan Horse in Greek continue to - cover claims from social Mythology, to Fagan, the pickpocket, engineering attacks. This paper is designed in Charles Dicken’s Oliver Twist - to educate insurers on developing strains reinforce the long history of criminals of social engineering, so they can engage achieving their goals by hoodwinking with their clients meaningfully on their targets into believing that an cybersecurity and risk management interaction is something that it is not. strategies against these new attacks. Today, that deception is largely being carried CyberCube invests heavily in cybersecurity out in the non-physical realm. Recent huge expertise - both human capital with deep strides made in technology take historic social engineering techniques to new levels experience in the cyber security domain and in terms of both scale and sophistication. also in data sources and security signals that might flag vulnerabilities and risk areas. In this paper, we will outline some of the forms of social engineering and explore This paper combines those resources, to some of the criminal motivations for carrying offer some pointers on what warning signs out these attacks. We will take a deeper enterprises should be alert to, and how dive into four developing areas of social insurers could address this growing trend engineering, which we believe should be on before it becomes a major claims event. -
1 the Effects of Naming and Shaming on Public Support for Compliance
The Effects of Naming and Shaming on Public Support for Compliance with International Agreements: An Experimental Analysis of the Paris Agreement1 Research Note Dustin Tingley, Harvard University Michael Tomz, Stanford University June, 2021 Forthcoming, International Organization How does naming and shaming affect public support for compliance with international agreements? We investigated this question by conducting survey experiments about the Paris Agreement, which relies on social pressure for enforcement. Our experiments, administered to national samples in the United States, produced three sets of findings. First, shaming by foreign countries shifted domestic public opinion in favor of compliance, increasing the political incentive to honor the Paris Agreement. Second, the effects of shaming varied with the behavior of the target. Shaming was more effective against partial compliers than against targets that took no action or honored their obligations completely. Moreover, even partial compliers managed to reduce the effects of shaming through the strategic use of counter-rhetoric. Third, identity moderated responses to shaming. Shaming by allies was not significantly more effective than shaming by non-allies, but Democrats were more receptive to shaming than Republicans. Overall, our experiments expose both the power and the limits of shaming as a strategy for enforcing the Paris Agreement. At the same time, they advance our understanding of the most significant environmental problem facing the planet. 1 For feedback on earlier -
Bullying and the Peer Group: a Review
Aggression and Violent Behavior 15 (2010) 112–120 Contents lists available at ScienceDirect Aggression and Violent Behavior Bullying and the peer group: A review Christina Salmivalli ⁎ University of Turku, Finland University of Stavanger, Norway article info abstract Article history: It is often stated that bullying is a “group process”, and many researchers and policymakers share the belief Received 15 June 2009 that interventions against bullying should be targeted at the peer-group level rather than at individual Received in revised form 26 August 2009 bullies and victims. There is less insight into what in the group level should be changed and how, as the Accepted 28 August 2009 group processes taking place at the level of the peer clusters or school classes have not been much Available online 6 September 2009 elaborated. This paper reviews the literature on the group involvement in bullying, thus providing insight into the individuals' motives for participation in bullying, the persistence of bullying, and the adjustment of Keywords: fl Bullying victims across different peer contexts. Interventions targeting the peer group are brie y discussed and future Victimization directions for research on peer processes in bullying are suggested. Participant roles © 2009 Elsevier Ltd. All rights reserved. Peer group Classroom context Contents 1. What does the bully want? ....................................................... 113 2. Peer involvement during bullying incidents: participant roles ....................................... 114 3. Why -
From Voodoo to Viruses: the Evolution of the Zombie in Twentieth Century Popular Culture
From Voodoo to Viruses: The Evolution of the Zombie in Twentieth Century Popular Culture By Margaret Twohy Adviser: Dr. Bernice Murphy A thesis submitted in partial fulfilment of the Degree of Master’s of Philosophy in Popular Literature Trinity College Dublin Dublin, Ireland October 2008 2 Abstract The purpose of this thesis is to explore the evolutionary path the zombie has followed in 20th Century popular culture. Additionally, this thesis will examine the defining characteristics of the zombie as they have changed through its history. Over the course of the last century and edging into the 21st Century, the zombie has grown in popularity in film, videogames, and more recently in novels. The zombie genre has become a self-inspiring force in pop culture media today. Films inspired a number of videogames, which in turn, supplied the film industry with a resurgence of inspirations and ideas. Combined, these media have brought the zombie to a position of greater prominence in popular literature. Additionally, within the growing zombie culture today there is an over-arcing viral theme associated with the zombie. In many films, games, and novels there is a viral cause for a zombie outbreak. Meanwhile, the growing popularity of zombies and its widening reach throughout popular culture makes the genre somewhat viral-like as well. Filmmakers, authors and game designers are all gathering ideas from one another causing the some amount of self- cannibalisation within the genre. 3 Table of Contents Introduction 4 Chapter One 7 Evolution of the Dead Chapter Two 21 Contaminants, Viruses, and Possessions—Oh my! Chapter Three 34 Dawn of the (Digital) Dead Chapter Four 45 Rise of the Literary Zombie Conclusion 58 Bibliography 61 4 Introduction There are perhaps few, if any fictional monsters that can rival the versatility of the humble zombie (or zombi)1. -
FFF-Preview-Edition.Pdf
Preview Edition / Excerpt Preview Edition © 2009 Scott Kirsner / CinemaTech Books Web site: http://www.scottkirsner.com/fff Cover design by Matt W. Moore. Photo credits: Tobin Poppenberg (DJ Spooky), Dale May (Jonathan Coulton), JD Lasica (Gregg and Evan Spiridellis), Scott Beale/LaughingSquid.com (Ze Frank), Dusan Reljin (OK Go), Todd Swidler (Sarah Mlynowski). Tracy White and Dave Kellett provided their own illustrations. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means without permission in writing from the author: [email protected]. Feel free to share this book preview or post it online. You can purchase the full book at http://www.scottkirsner.com/fff or Amazon.com 10 9 8 7 6 5 4 3 2 1 Contents Understanding the New Rules 1 Table: Defining the Terms 23 Introduction to the Interviews 24 Film & Video Michael Buckley: Creator of “What the Buck” 25 Mike Chapman: Animator and Writer, “Homestar Runner” 28 Ze Frank: Multimedia Artist and Creator of “theshow” 31 Curt Ellis: Documentary Producer and Writer 36 Michael “Burnie” Burns: Creator of “Red vs. Blue” 39 Sandi DuBowski: Documentary Filmmaker 41 Gregg and Evan Spiridellis: Co-Founders, JibJab Media 43 Timo Vuorensola: Science Fiction Director 47 Steve Garfield: Videoblogger 49 Robert Greenwald: Documentary Filmmaker 51 M dot Strange: Animator 54 Music Jonathan Coulton: Singer-Songwriter 57 Damian Kulash: Singer and Guitarist, OK Go 61 DJ Spooky: Composer, Writer and Multimedia Artist 65 Jill Sobule: Singer-Songwriter 67 Richard Cheese: Singer 70 Chance: Singer-Songwriter 73 Brian Ibbott: Host of the Podcast “Coverville” 75 Visual Arts Natasha Wescoat: Painter, Designer and Illustrator 77 Tracy White: Comics Artist 79 Matt W. -
The Spongebob Musical in Chicago
FOR IMMEDIATE RELEASE Chicago Press Contact: Amanda Meyer/ Tori Bryan Margie Korshak, Inc. [email protected]/[email protected] National Press Contact: Chris Boneau/Amy Kass BONEAU/BRYAN-BROWN [email protected]/ [email protected] World Premiere of Broadway Bound The SpongeBob Musical in Chicago Co-Conceived and Directed by Tina Landau Book by Kyle Jarrow Music Supervision by Tom Kitt Performances Begin on Tuesday, June 7, 2016 Limited Engagement through Sunday, July 3, 2016 at Broadway In Chicago's Oriental Theatre CHICAGO (August 31, 2015) – Broadway In Chicago is thrilled to announce the Pre-Broadway World Premiere of The SpongeBob Musical will begin performances on Tuesday, June 7 at the Oriental Theatre (24 W. Randolph St., Chicago, IL) in a limited engagement through Sunday, July 3, 2016. The SpongeBob Musical is co-conceived and directed by Tina Landau with a book by Kyle Jarrow, music supervision by Tom Kitt. The SpongeBob Musical will be a one-of-a-kind musical event with original songs by Steven Tyler and Joe Perry of AEROSMITH, Jonathan Coulton, Dirty Projectors, The Flaming Lips, John Legend, Lady Antebellum, Cyndi Lauper, Panic! At the Disco, Plain White T’s, They Might Be Giants and T.I., with an additional song by David Bowie and additional lyrics by Jonathan Coulton. The design team includes scenic and costume design by David Zinn, lighting design by Kevin Adams, projection design by Peter Nigrini and sound design by Walter Trarbach. Following its engagement in Chicago, the musical will open on Broadway in the 2016-2017 season. 1 Casting will be announced shortly. -
An Analysis of the Effects Between Prison Documentaries and Popularity Among Viewers
University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 12-2019 An analysis of the effects between prison documentaries and popularity among viewers Dominique Malone University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the Criminology and Criminal Justice Commons Recommended Citation Malone, Dominique, "An analysis of the effects between prison documentaries and popularity among viewers" (2019). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. An Analysis of the Effects Between Prison Documentaries and Popularity Among Viewers Dominique Malone Departmental Honors Thesis The University of Tennessee at Chattanooga Social, Justice, and Cultural Studies Examination Date: November 5, 2019 Dr. Courtney Crittenden Assistant Professor Social, Cultural, and Justice Studies Thesis Director Dr. Karen McGuffee Associate Department Head; Professor Social, Cultural, and Justice Studies Department Examiner Mr. Andy Browne Academic Advisor; Associate Professor Social, Cultural, and Justice Studies Department Examiner Table of Contents Abstract…………………………………………………………………………………………...3 Introduction……………………………………………………………………………………...4 Literature Review………………………………………………………………………………..5 Methods………………………………………………………………………………………….16 Analysis/Findings………………………………………………………………………….........17 Conclusion……………………………………………………………………………………....23 References………………………………………………………………………………….........26 Abstract This research examines the themes between a variety of prison documentaries and the subsequent viewership. In recent years, documentaries depicting prison life have risen in popularity due to a number of factors such as violence, drama, hysteria, and an overall sense of fascination (Cecil, 2009).