2018 Guidebook
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Martha's Vineyard Concert Series
THA’S VINEY AR ARD M SUMMER 2017 CONCERT SERIES 2ND ANNUAL SEASON ALL SHOWS ON SALE NOW! MVCONCERTSERIES.COM MARTHA’S VINEYARD CONCERT SERIES your year - round connection to Martha’s Vineyard SUmmER LINE-UP! JUNE 28 • AIMEE MANN over 6,500 photo, canvas WITH SPECIAL GUEST JONATHAN COULTON images & metal prints published agendas JULY 6 • LOUDON WAINWRIGHT III daily photos calendars JULY 13 • PINK MARTINI sent to your inbox notecards WITH LEAD SINGER CHINA FORBES JULY 18 • GRAHAM NASH JULY 23 • PRESERVATION HALL JAZZ BAND JULY 29 • JACKOPIERCE WITH SPECIAL GUEST IAN MURRAY FROM VINEYARD VINES AUGUST 15 • THE CAPITOL STEPS ALL NEW SHOW! ORANGE IS THE NEW BARACK AUGUST 19 • ARETHA FRANKLIN AUGUST 21 • DIRTY DOZEN BRAss BAND AUGUST 23 • BLACK VIOLIN GET YOUR TICKETS TODAY! www.vineyardcolors.com MVCONCERTSERIES.COM AIMEE MANN WITH SPECIAL GUEST JONATHON COULTON WEDNESDAY, JUNE 28 | MARTHA’S VINEYARD PAC Aimee Mann is an American rock singer-songwriter, bassist and guitarist. In 1983, she co-founded ‘Til Tuesday, a new-wave band that found success with its first album, Voices Carry. The title track became an MTV favorite, winning the MTV Video Music Award for Best New Artist, propelling Mann and the band into the spotlight. After releasing three albums with the group, she broke up the band and embarked on a solo career. Her first solo album, Whatever, was a more introspective, folk-tinged effort than ‘Til Tuesday’s albums, and received uniformly positive reviews upon its release in the summer of 1993. Mann’s song “Save Me” from the soundtrack to the Paul Thomas Anderson film Magnolia was nominated for an Academy® Award and a Grammy®. -
From Voodoo to Viruses: the Evolution of the Zombie in Twentieth Century Popular Culture
From Voodoo to Viruses: The Evolution of the Zombie in Twentieth Century Popular Culture By Margaret Twohy Adviser: Dr. Bernice Murphy A thesis submitted in partial fulfilment of the Degree of Master’s of Philosophy in Popular Literature Trinity College Dublin Dublin, Ireland October 2008 2 Abstract The purpose of this thesis is to explore the evolutionary path the zombie has followed in 20th Century popular culture. Additionally, this thesis will examine the defining characteristics of the zombie as they have changed through its history. Over the course of the last century and edging into the 21st Century, the zombie has grown in popularity in film, videogames, and more recently in novels. The zombie genre has become a self-inspiring force in pop culture media today. Films inspired a number of videogames, which in turn, supplied the film industry with a resurgence of inspirations and ideas. Combined, these media have brought the zombie to a position of greater prominence in popular literature. Additionally, within the growing zombie culture today there is an over-arcing viral theme associated with the zombie. In many films, games, and novels there is a viral cause for a zombie outbreak. Meanwhile, the growing popularity of zombies and its widening reach throughout popular culture makes the genre somewhat viral-like as well. Filmmakers, authors and game designers are all gathering ideas from one another causing the some amount of self- cannibalisation within the genre. 3 Table of Contents Introduction 4 Chapter One 7 Evolution of the Dead Chapter Two 21 Contaminants, Viruses, and Possessions—Oh my! Chapter Three 34 Dawn of the (Digital) Dead Chapter Four 45 Rise of the Literary Zombie Conclusion 58 Bibliography 61 4 Introduction There are perhaps few, if any fictional monsters that can rival the versatility of the humble zombie (or zombi)1. -
FFF-Preview-Edition.Pdf
Preview Edition / Excerpt Preview Edition © 2009 Scott Kirsner / CinemaTech Books Web site: http://www.scottkirsner.com/fff Cover design by Matt W. Moore. Photo credits: Tobin Poppenberg (DJ Spooky), Dale May (Jonathan Coulton), JD Lasica (Gregg and Evan Spiridellis), Scott Beale/LaughingSquid.com (Ze Frank), Dusan Reljin (OK Go), Todd Swidler (Sarah Mlynowski). Tracy White and Dave Kellett provided their own illustrations. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means without permission in writing from the author: [email protected]. Feel free to share this book preview or post it online. You can purchase the full book at http://www.scottkirsner.com/fff or Amazon.com 10 9 8 7 6 5 4 3 2 1 Contents Understanding the New Rules 1 Table: Defining the Terms 23 Introduction to the Interviews 24 Film & Video Michael Buckley: Creator of “What the Buck” 25 Mike Chapman: Animator and Writer, “Homestar Runner” 28 Ze Frank: Multimedia Artist and Creator of “theshow” 31 Curt Ellis: Documentary Producer and Writer 36 Michael “Burnie” Burns: Creator of “Red vs. Blue” 39 Sandi DuBowski: Documentary Filmmaker 41 Gregg and Evan Spiridellis: Co-Founders, JibJab Media 43 Timo Vuorensola: Science Fiction Director 47 Steve Garfield: Videoblogger 49 Robert Greenwald: Documentary Filmmaker 51 M dot Strange: Animator 54 Music Jonathan Coulton: Singer-Songwriter 57 Damian Kulash: Singer and Guitarist, OK Go 61 DJ Spooky: Composer, Writer and Multimedia Artist 65 Jill Sobule: Singer-Songwriter 67 Richard Cheese: Singer 70 Chance: Singer-Songwriter 73 Brian Ibbott: Host of the Podcast “Coverville” 75 Visual Arts Natasha Wescoat: Painter, Designer and Illustrator 77 Tracy White: Comics Artist 79 Matt W. -
The Spongebob Musical in Chicago
FOR IMMEDIATE RELEASE Chicago Press Contact: Amanda Meyer/ Tori Bryan Margie Korshak, Inc. [email protected]/[email protected] National Press Contact: Chris Boneau/Amy Kass BONEAU/BRYAN-BROWN [email protected]/ [email protected] World Premiere of Broadway Bound The SpongeBob Musical in Chicago Co-Conceived and Directed by Tina Landau Book by Kyle Jarrow Music Supervision by Tom Kitt Performances Begin on Tuesday, June 7, 2016 Limited Engagement through Sunday, July 3, 2016 at Broadway In Chicago's Oriental Theatre CHICAGO (August 31, 2015) – Broadway In Chicago is thrilled to announce the Pre-Broadway World Premiere of The SpongeBob Musical will begin performances on Tuesday, June 7 at the Oriental Theatre (24 W. Randolph St., Chicago, IL) in a limited engagement through Sunday, July 3, 2016. The SpongeBob Musical is co-conceived and directed by Tina Landau with a book by Kyle Jarrow, music supervision by Tom Kitt. The SpongeBob Musical will be a one-of-a-kind musical event with original songs by Steven Tyler and Joe Perry of AEROSMITH, Jonathan Coulton, Dirty Projectors, The Flaming Lips, John Legend, Lady Antebellum, Cyndi Lauper, Panic! At the Disco, Plain White T’s, They Might Be Giants and T.I., with an additional song by David Bowie and additional lyrics by Jonathan Coulton. The design team includes scenic and costume design by David Zinn, lighting design by Kevin Adams, projection design by Peter Nigrini and sound design by Walter Trarbach. Following its engagement in Chicago, the musical will open on Broadway in the 2016-2017 season. 1 Casting will be announced shortly. -
Church of Christ 803-905-7850 Sunday School 10:00 Am Sat
IN SPORTS: P-15’s looking to avenge loss to Hartsville ahead of Legion playoffs B1 THE CLARENDON SUN Miracle Man Mackenzie China on the mend after horriffic A5 THURSDAY, JUNE 30, 2016 | Serving South Carolina since October 15, 1894 75 cents motorcycle wreck Disaster relief Runoff turnout under 7 percent town hall Runoff elections were held for Sum- Robbie Baker, a veteran law enforce- Shaw Air Force Base ter County Coroner, Sumter County ment officer with the county, by 224 Council District 1 and State House of votes. rescheduled precinct had no voters Representatives District 50, and re- Although Bullock ultimately lost sulted in the three Democratic new- the race, he held the lead in several BY ADRIENNE SARVIS comers grabbing spots on the Nov. 8 precincts including Wilder, Salem, Date changed to reach [email protected] ballot. Green Swamp and St. John, where he There are no Republican candidates garnered 82 percent of votes. vulnerable population Once again, Sumter County had a for either of the three positions, Baker and Bullock had a close race low voter turnout for a local elec- meaning the three winners of the in Wilson Hall precinct where Baker BY JIM HILLEY tion, with 6.68 percent of 71,575 reg- runoff elections will likely have un- secured a win by 5 percent with a [email protected] istered voters casting their ballots on contested races in November. total of 52 percent of votes. Tuesday during primary runoff vot- Incumbent county coroner Harvin The South Carolina Disas- ing. Bullock lost his runoff election to SEE RUNOFF, PAGE A9 ter Recovery Office has re- scheduled a town hall meet- ing originally set for Tues- day at Patriot Hall, 135 Haynsworth Street to 6 p.m. -
Math Quiz on the Radio Darren B
Math Faculty Publications Math 4-2015 Math Quiz on the Radio Darren B. Glass Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/mathfac Part of the Mathematics Commons Share feedback about the accessibility of this item. Glass, Darren. "Math Quiz on the Radio." Math Horizons 22.4 (April 2015), 26-29. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/mathfac/37 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Math Quiz on the Radio Abstract What word, often spelled with an umlaut, is used to identify a point on a two-dimensional graph? Many of you probably already figured out the answer is "coordinate." But that's because you are sitting comfortably in your dorm room rather than being on a stage with bright lights in front of a few hundred people being recorded for national broadcast on public radio. [excerpt] Keywords NPR, National Public Radio, Ask Me Another, Math Trivia Disciplines Mathematics This article is available at The uC pola: Scholarship at Gettysburg College: https://cupola.gettysburg.edu/mathfac/37 Math Quiz Oleksiy Mark/Shutterstock on the Radio Darren Glass stars as a police offie fo te ftr wo make sure all numbers can be divided only by one and them- hat word, often spelled with an um- selves (Primecop). -
Still Alive Words and Music by Jonathan Coulton
from Portal by v Still Alive Words and Music by Jonathan Coulton Transcribed by Ryan Maziarz www.myspace.com/sketchinginstereo www.progressivetranscriptions.com Moderately q = 120 Verse GLaDOS: D Bm D Bm 1. This was a tri - umph. I’m mak -ing a note * Gtr. 1 Riff A mf let ring throughout w/ fingers 7 7 7 7 7 7 7 7 7 7 7 7 7 9 7 9 * Ukulele arr. for nylon str. gtr. D Bm D Bm Em here, HUGE SUC- CESS. It’s hard to o -ver - state 7 7 7 7 8 8 7 7 7 7 7 7 7 7 9 9 9 9 7 9 7 9 9 9 A7 D Bm D Bm my sat -is - fac - tion. Ap -er - ture Sci - 8 8 7 7 7 7 6 6 6 6 7 7 7 7 7 7 7 7 7 7 7 9 7 9 Copyright © 2007 VALVE SOFTWARE 1 D Bm D Bm D Bm ence, we do what we must be- cause we can. 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 9 7 9 7 9 D Bm Em A7 for the good of all of us ex- cept the End Riff A 7 7 8 8 8 8 7 7 7 7 9 9 9 9 6 6 6 6 7 9 9 9 7 7 Chorus Bbmaj7 F C Bb C F ones who are dead. But there’s no sense cry -overing -ev-’ry mis -take, you just Gtr. -
What Happens When You Put 2,000 Nerds on a Boat? - the New
What Happens When You Put 2,000 Nerds on a Boat? - The New... https://www.nytimes.com/2019/05/06/travel/joco-cruise-jonathan... What Happens When You Put 2,000 Nerds on a Boat? You get the JoCo Cruise, and it’s an annual gathering for those who love sci-fi, games with many-sided dice and the musician Jonathan Coulton. By John Schwartz May 6, 2019 It is the first concert of the JoCo Cruise 2019, and things are going so wrong. The musicians can’t hear themselves sing. Instruments drop out at random. One of the performers, Jim Boggia, has lost his voice. Jonathan Coulton, the singer-songwriter for whom the cruise is named, grouses that it is a “train wreck on a boat.” They carry on, trying to wrestle a show from the mess. Mr. Boggia starts playing “When You Wish Upon a Star” on his ukulele and raspily invites us all to sing along. The assembled hundreds join in a mass mumble, but one woman’s voice stands out and confidently rises, clear and lovely. Paul Sabourin, another of the performers, hops off the stage and hands her a microphone. The performers complete the song to rousing cheers. I spot the singer. She is wearing extravagantly long elf ears. Now in its ninth year, the JoCo Cruise is a grand annual gathering of the nerd tribe. You may not have heard of Mr. Coulton, who left his job writing software in 2005 to explore a music career, but he has built a fervid online community of 1 of 14 What Happens When You Put 2,000 Nerds on a Boat? - The New.. -
Shame, Shaming, and Intellectual Property
DePaul Law Review Volume 63 Issue 1 Fall 2013 Article 2 Fear and Loathing: Shame, Shaming, and Intellectual Property Elizabeth L. Rosenblatt Follow this and additional works at: https://via.library.depaul.edu/law-review Recommended Citation Elizabeth L. Rosenblatt, Fear and Loathing: Shame, Shaming, and Intellectual Property, 63 DePaul L. Rev. 1 (2013) Available at: https://via.library.depaul.edu/law-review/vol63/iss1/2 This Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Law Review by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. FEAR AND LOATHING: SHAME, SHAMING, AND INTELLECTUAL PROPERTY Elizabeth L. Rosenblatt* INTRODUCTION Shame is civilizing. It is the governing drive of conscience; if people had no shame, the rule of law would lose much of its power, and might would often mean right. Shaming—the public attempt to impose shame on others—is an equally important driver of behavior. People strive to avoid humiliation and the loss of reputation; we steer clear of “bad” behaviors even if they would benefit us. In the words of Seneca the Younger, “Shame can forbid sometimes what the law does not.”1 Shame and shaming are crucial to our understanding of intellectual property law and norms, and yet they have gone largely unexplored in the intellectual property literature. Many scholars have examined in- tellectual property norms and how they interact with the law.2 But it is not enough to point out that someone acts a certain way because of norms; we must also understand the motivational forces that drive people to conform. -
Ele Woods Sag, Aea-E
ELE WOODS SAG, AEA-E Seeking Representation Hair: Brown Eyes: Green/Hazel _______________________________________________________________________________________ FILM Unlovable Supporting Director, Suzi Yoonessi Rivergreaser Lead Director, Nick Rasmussen TELEVISION Brews Brothers Guest Star Director, Rob Cohen/Netflix American Princess Recurring Director, Various/ Lifetime Jimmy Kimmel Live Day Player Director, Various/ABC Still Laugh-In Featured Performer Various/ Netflix Will Vs. The Future Guest Star Director, Joe Nussbaum/Amazon The Good Place CoStar Director, Dean Holland/NBC Adam Ruins Everything CoStar Director, Matthew Pollack/TruTV The 2016 MTV Movie Awards Featured Performer Director, Glenn Weiss/MTV NEW MEDIA You and Your Best Friend Star Director, Michael Shaubauch, Snapchat Turnt Up With the Taylors Series Regular Director, Danny Daneau/ Facebook Do You Want to See a Dead BodyGuest Star Director, Nicolas Jasenovec/YoutubeRed Hot Tipz w/ Chris Kattan Day Player Director, Fax Bahr/FunnyorDie CollegeHumor Day Player Director, Various/CollegeHumor Drive Share Guest Star Director, Paul Scheer & Rob Huebel/VGo90 Take My Wife Recurring Dir. Sam Zwiebleman & Ingrid Jungermann UCB Show Day Player Director, Matt Besser/ Seeso THEATRE Maude Night House Team Performer Upright Citizen’s Brigade, Los Angeles Bachelor the Musical Lauren M Various, Los Angeles Victory! Nell Gwynn Atlantic Theatre, New York City Hairspray Velma VonTussle Town Hall Theatre, VT TRAINING Independent Shakespeare Company of Los Angeles - Ongoing training, Joseph Culliton Upright Citizens Brigade - Since 2008: Advanced Study Program, Diversity Program alumni. The Groundlings -Annie Sertich, Jordan Black (Advanced Lab) BA in Theatre from Middlebury College Clowning - Cirque Troc, Reignier France. SPECIAL SKILLS Improv, Var. Dance, Clowning, Roller skating/blading, Dodgeball, Snowboarding, Basketball, Soprano/Alto, Stage combat trained. -
Want You Gone Free
FREE WANT YOU GONE PDF Christopher Brookmyre | 432 pages | 20 Apr 2017 | Little, Brown Book Group | 9781408707180 | English | London, United Kingdom Jonathan Coulton - Want You Gone Lyrics | MetroLyrics The song is played as the credits are shown on the right, while Want You Gone lyrics to the song are on the left. The lyrics allude to the plot of Portal Want You Gone. At the end of the song, the screen pulls back to reveal Want You Gone it is part of the space debris floating near Wheatley. Well here we are again It's always such a pleasure Remember when you tried to kill me twice? Oh how we laughed and laughed Except I wasn't laughing Under the circumstances I've been shockingly nice. You want your freedom? One day they woke me up So I could live forever It's such a shame the same will never happen to you. You've got your short sad life left That's what I'm counting on I'll let you Want You Gone right to it Now I only want you gone. Goodbye my only friend Oh, did you think I meant you? That would be funny if it weren't so sad. Sign In Don't have an account? Start a Wiki. Do you like this video? This article is within the scope of the Portal Project, a collaborative effort to improve articles related to Portal and Portal 2. See the project page for more details about the article status. This article has yet to be cleaned up to a higher standard of quality. -
Gender and the Meritocratic Myth of Authenticity in the Cultural Production of Stand-Up Comedy by Stephanie Brown
OPEN MIC? GENDER AND THE MERITOCRATIC MYTH OF AUTHENTICITY IN THE CULTURAL PRODUCTION OF STAND-UP COMEDY BY STEPHANIE BROWN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications and Media in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Professor Angharad Valdivia, Chair Professor Cameron McCarthy Professor CL Cole Associate Professor Julie Turnock ABSTRACT This dissertation demonstrates the ways in which gender plays a role in the validating of authenticity and merit in the cultural and industrial spaces of stand-up comedy. Merit and authenticity are arbitrary signifiers invoked by comics, fans, critics, and industry gatekeepers to protect the privilege of straight, white men who continue to dominate the field. I argue that the ideology of comedic authenticity is a means through which to police the boundaries of stand-up comedy while masking its underlying sexism, racism, and homophobia. More specifically, I argue that women, operationalized here as an industrial identity category, are constructed as comedy outsiders who must continually prove their worth through a shifting and slippery set of aesthetic and cultural norms and conditions. Further I explore the emotional and material labor women must perform to achieve success within the field, both on the local level and the industrial level. I draw attention to gatekeeping in stand-up comedy by theorizing it not as a type of rhetoric or artistic form,