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COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters. -
Registered Businesses Sorted by End Date Based on Registered Business Locations - San Francisco
Registered Businesses sorted by End Date Based on Registered Business Locations - San Francisco Business Account Location Id Ownership Name Number 0030032-46-001 0030032 Walgreen Co 0028703-02-001 0028703 Vericlaim Inc 1012834-11-141 0091116 Urban Land Services Of Cal 0348331-01-001 0348331 Tran Sandy Dung 0331802-01-001 0331802 Ken Chi Chuan Association 1121572-09-161 0113585 Arch Drafting Supply Inc 0161292-03-001 0161292 Fisher Marie F 0124761-06-001 0124761 Vaccaro Joseph & Maria 1243902-01-201 0306019 Shatara Suheil E 0170247-01-001 0170247 Henriquez Reinaldo 1125567-10-161 0130286 Chador Abraham & Co Inc 0189884-03-001 0189884 Mission Language & Vocl Sch 0318928-03-001 0318928 John W De Roy Chiroprac Corp 0030032-35-001 0030032 Walgreen Co 1228793-07-191 0148350 Willis John P 0310148-01-001 0310148 Blasko Peter B Et Al 0135472-01-001 0135472 Saddul Oscar Allado Md Inc 0369698-02-001 0369698 San Francisco Associates Inc 0189644-02-001 0189644 Neirro Erainya Rodgers G Etal Page 1 of 984 10/05/2021 Registered Businesses sorted by End Date Based on Registered Business Locations - San Francisco DBA Name Street Address City State Source Zipcode Walgreens #15567 845 Market St San Francisco CA 94103 Vericlaim Inc 500 Sansome St Ste 614 San Francisco CA 94111 Urban Land Services Of Cal 1170 Sacramento St 5d San Francisco CA 94108 Elizabeth Hair Studio 672 Geary St San Francisco CA 94102 Ken Chi Chuan Association 3626 Taraval St Apt 3 San Francisco CA 94116 Arch Drafting Supply Inc 10 Carolina St San Francisco CA 94103 Marie Fisher Interior -
Martha's Vineyard Concert Series
THA’S VINEY AR ARD M SUMMER 2017 CONCERT SERIES 2ND ANNUAL SEASON ALL SHOWS ON SALE NOW! MVCONCERTSERIES.COM MARTHA’S VINEYARD CONCERT SERIES your year - round connection to Martha’s Vineyard SUmmER LINE-UP! JUNE 28 • AIMEE MANN over 6,500 photo, canvas WITH SPECIAL GUEST JONATHAN COULTON images & metal prints published agendas JULY 6 • LOUDON WAINWRIGHT III daily photos calendars JULY 13 • PINK MARTINI sent to your inbox notecards WITH LEAD SINGER CHINA FORBES JULY 18 • GRAHAM NASH JULY 23 • PRESERVATION HALL JAZZ BAND JULY 29 • JACKOPIERCE WITH SPECIAL GUEST IAN MURRAY FROM VINEYARD VINES AUGUST 15 • THE CAPITOL STEPS ALL NEW SHOW! ORANGE IS THE NEW BARACK AUGUST 19 • ARETHA FRANKLIN AUGUST 21 • DIRTY DOZEN BRAss BAND AUGUST 23 • BLACK VIOLIN GET YOUR TICKETS TODAY! www.vineyardcolors.com MVCONCERTSERIES.COM AIMEE MANN WITH SPECIAL GUEST JONATHON COULTON WEDNESDAY, JUNE 28 | MARTHA’S VINEYARD PAC Aimee Mann is an American rock singer-songwriter, bassist and guitarist. In 1983, she co-founded ‘Til Tuesday, a new-wave band that found success with its first album, Voices Carry. The title track became an MTV favorite, winning the MTV Video Music Award for Best New Artist, propelling Mann and the band into the spotlight. After releasing three albums with the group, she broke up the band and embarked on a solo career. Her first solo album, Whatever, was a more introspective, folk-tinged effort than ‘Til Tuesday’s albums, and received uniformly positive reviews upon its release in the summer of 1993. Mann’s song “Save Me” from the soundtrack to the Paul Thomas Anderson film Magnolia was nominated for an Academy® Award and a Grammy®. -
UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat. -
Thrilling Adventure Hour Episode Guide
Thrilling adventure hour episode guide Continue Click here to download Acker - Blacker's Star Wars-themed Book Release Variety Show - Benefit for Public Counsel. Celebrating the release of Acker and Blacker's star wars: Join the Resistance, a variety show starring Weird Al Yankovic, folk-soul singer Gaby Moreno, Janina Gavankar (Sleepy Hollow), composer Michael Giacchino (Rogue One), Busy Philipps (Freaks and Geeks), Ahmed Best (Jar Jar Binks), singer/songwriter Sara Watkins, Open rapper Mike Eagle, Mark McConville (Superego), Matt Gourley (I Was There Too), rapper/comic Zach Sherwin, Steve Agee (The Sarah Silverman Program), Dermot Mulroney (My Best Friend's Wedding), musician Don Williams, director Kirk Thatcher (Neil's Dreams Puppet), director David Silverman (The Simpsons Movie) and Tom Everett Scott (Thing That You Do!). BUY NOW! Digital-Exclusive SPARKS NEVADA #0 and BEYOND BELIEF #0! Get these exclusive digital downloads, with prequel tales from SPARKS NEVADA: MARSHAL ON MARS and BEYOND BELIEF, leading directly into the thrilling Adventure Hour series being run by Image Comics! It's been a busy and emotional month here at WorkJuice Corp,'s between the monthly live shows coming to an end and finally sending out the remaining Kickstarter rewards from the DVD concert film and graphic novels. Click here to read what's in Acker and Blacker's minds. HungryFEED cannot get power. Don't be mad at HungryFEED. SimplePie Reported: CURL Error 22: The Requested URL Return Error: 404 Not Found You can download the Podcast via Nerdist or wherever the thin pods are cast. Get a glimpse of the other side of the production style scene with the radio feel of yesteryear and learn what goes in each performance. -
Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
WWW.DRAGONCON.ORG INSIDE SEPT. 2 - 6, 2021 • ATLANTA, GEORGIA • WWW.DRAGONCON.ORG Announcements .......................................................................... 2 Guests ................................................................................... 4 Featured Guests .......................................................................... 4 4 FEATURED GUESTS Places to go, things to do, and Attending Pros ......................................................................... 26 people to see! Vendors ....................................................................................... 28 Special 35th Anniversary Insert .......................................... 31 Fan Tracks .................................................................................. 36 Special Events & Contests ............................................... 46 36 FAN TRACKS Art Show ................................................................................... 46 Choose your own adventure with one (or all) of our fan-run tracks. Blood Drive ................................................................................47 Comic & Pop Artist Alley ....................................................... 47 Friday Night Costume Contest ........................................... 48 Hallway Costume Contest .................................................. 48 Puppet Slam ............................................................................ 48 46 SPECIAL EVENTS Moments you won’t want to miss Masquerade Costume Contest ........................................ -
Pod People Brave New Worlds of Digital Audio Drama Alluvium.Pdf
Kent Academic Repository Full text document (pdf) Citation for published version Collins, MJ (2016) Pod People: Brave New Worlds of Digital Audio Drama. Alluvium: 21st Century Writing, 21st Century Approaches, 5 (4). ISSN 2050-1560. DOI Link to record in KAR http://kar.kent.ac.uk/58322/ Document Version Publisher pdf Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html 21st century writing | 21st century approaches Home About È È Contact È È Institutional Affiliation È È Current Issue Previous Articles search... Home È Current Issue È Pod People: Brave New Worlds of Digital Audio Drama Pod People: Brave New Worlds of Digital Audio Drama Michael J. Collins I and My Pod For the last several months I have been lucky enough to have been on writing sabbatical from my university. -
From Voodoo to Viruses: the Evolution of the Zombie in Twentieth Century Popular Culture
From Voodoo to Viruses: The Evolution of the Zombie in Twentieth Century Popular Culture By Margaret Twohy Adviser: Dr. Bernice Murphy A thesis submitted in partial fulfilment of the Degree of Master’s of Philosophy in Popular Literature Trinity College Dublin Dublin, Ireland October 2008 2 Abstract The purpose of this thesis is to explore the evolutionary path the zombie has followed in 20th Century popular culture. Additionally, this thesis will examine the defining characteristics of the zombie as they have changed through its history. Over the course of the last century and edging into the 21st Century, the zombie has grown in popularity in film, videogames, and more recently in novels. The zombie genre has become a self-inspiring force in pop culture media today. Films inspired a number of videogames, which in turn, supplied the film industry with a resurgence of inspirations and ideas. Combined, these media have brought the zombie to a position of greater prominence in popular literature. Additionally, within the growing zombie culture today there is an over-arcing viral theme associated with the zombie. In many films, games, and novels there is a viral cause for a zombie outbreak. Meanwhile, the growing popularity of zombies and its widening reach throughout popular culture makes the genre somewhat viral-like as well. Filmmakers, authors and game designers are all gathering ideas from one another causing the some amount of self- cannibalisation within the genre. 3 Table of Contents Introduction 4 Chapter One 7 Evolution of the Dead Chapter Two 21 Contaminants, Viruses, and Possessions—Oh my! Chapter Three 34 Dawn of the (Digital) Dead Chapter Four 45 Rise of the Literary Zombie Conclusion 58 Bibliography 61 4 Introduction There are perhaps few, if any fictional monsters that can rival the versatility of the humble zombie (or zombi)1. -
Shmanners Ep271 Ida B. Wells.Docx
Shmanners 271: Ida B. Wells Published July 23, 2021 Listen here on themcelroy.family Travis: Hey, everybody! Quick content warning here. We're going to be talking about racism and racism-motivated violence, so if that is something that you have a hard time listening to, this may not be the episode for you. Uh, and you might wanna skip to a different one. [theme music plays] Travis: Hello, internet! I'm your husband host, Travis McElroy. Teresa: And I'm your wife host, Teresa McElroy. Travis: And you're listening to Shmanners! Teresa: It's extraordinary etiquette... Travis: For ordinary occasions! Hello, my dove. Teresa: Hello, dear. Travis: Before we started recording there was a brief pause there where I tried to remember if we did jokes for biography episodes. Teresa: No, not really. Travis: Because, like, I was trying to figure out something. 'Cause we're talking about Ida B. Wells, and I was trying to think of, like, I don't know, "Ida know," "Well, Ida know," something like that? Teresa: Hmm. Travis: I was almost there but then I was like, "You know what? I'm reaching for it. It's not there. It's not in my heart." Teresa: Yeah. Travis: Hi, everybody! Welcome back for the second episode this week. Teresa: We do what we oughta do. Travis: Yeah! And if you missed it because you're like, "Shmanners comes out on Fridays," then make sure you go back and listen to that wigs episode, because I thought it was a real hoot and a half. -
FFF-Preview-Edition.Pdf
Preview Edition / Excerpt Preview Edition © 2009 Scott Kirsner / CinemaTech Books Web site: http://www.scottkirsner.com/fff Cover design by Matt W. Moore. Photo credits: Tobin Poppenberg (DJ Spooky), Dale May (Jonathan Coulton), JD Lasica (Gregg and Evan Spiridellis), Scott Beale/LaughingSquid.com (Ze Frank), Dusan Reljin (OK Go), Todd Swidler (Sarah Mlynowski). Tracy White and Dave Kellett provided their own illustrations. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means without permission in writing from the author: [email protected]. Feel free to share this book preview or post it online. You can purchase the full book at http://www.scottkirsner.com/fff or Amazon.com 10 9 8 7 6 5 4 3 2 1 Contents Understanding the New Rules 1 Table: Defining the Terms 23 Introduction to the Interviews 24 Film & Video Michael Buckley: Creator of “What the Buck” 25 Mike Chapman: Animator and Writer, “Homestar Runner” 28 Ze Frank: Multimedia Artist and Creator of “theshow” 31 Curt Ellis: Documentary Producer and Writer 36 Michael “Burnie” Burns: Creator of “Red vs. Blue” 39 Sandi DuBowski: Documentary Filmmaker 41 Gregg and Evan Spiridellis: Co-Founders, JibJab Media 43 Timo Vuorensola: Science Fiction Director 47 Steve Garfield: Videoblogger 49 Robert Greenwald: Documentary Filmmaker 51 M dot Strange: Animator 54 Music Jonathan Coulton: Singer-Songwriter 57 Damian Kulash: Singer and Guitarist, OK Go 61 DJ Spooky: Composer, Writer and Multimedia Artist 65 Jill Sobule: Singer-Songwriter 67 Richard Cheese: Singer 70 Chance: Singer-Songwriter 73 Brian Ibbott: Host of the Podcast “Coverville” 75 Visual Arts Natasha Wescoat: Painter, Designer and Illustrator 77 Tracy White: Comics Artist 79 Matt W. -
XPP-PDF Support Utility
bloombergbna.com Reproduced with permission. Published February 06, 2020. Copyright 2020 The Bureau of National Affairs, Inc. 800- 372-1033. For further use, please visit http://www.bna.com/copyright-permission-request/ INSIGHT: The Rise of Independent Contractor and Freelancer Protections in New York BY EMILY M. WAJERT Right to Accommodations Guidance issued by the If you felt a disturbance in the force recently, it may commission clarifies that under the amended law, ‘‘in- be due to a major change in New York City employment dependent contractors and freelancers have the right to law. receive reasonable accommodations for needs related to disabilities, pregnancy, lactation, religious obser- On Jan. 11, an amendment took effect that expanded vances, and status as victims of domestic violence, protections under the New York City Human Rights sexual offenses, or stalking.’’ Law (NYCHRL) to include freelancers and independent contractors. As a reminder, under the NYCHRL, accommodations are considered reasonable if they do not cause an un- The law amends Subdivision 23 of Section 8-107 of due hardship for the employer’s business. Moreover, the NYCHRL to state ‘‘the protections of [the chapter the city law requires employers to engage in a ‘‘coop- relating to employees and interns] apply to . freelanc- erative dialogue’’ with individuals requesting any ac- ers and independent contractors.’’ As such, freelancers commodations. and independent contractors (presumably including ga- lactic bounty hunters) now have the same protections Similar to obligations required under the Americans against discrimination, harassment and retaliation un- with Disabilities Act, the cooperative dialogue process der the NYCHRL as employees. directs employers to communicate orally or in writing with the individual regarding: As a reminder to employers, Section 8-107 of the 1.